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| 1 | Angel Dust (US 1975 Dharma D-804) M-/VG+ $25 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Babylon | 5:44 | Rex Bundy | Ladies and Gentlemen | 4:23 | Rex Bundy | |
| First Stone in a Pyramid | 3:40 | Bondage | 7:57 | |||
| You and the Wind | 3:40 | 1:41 | ||||
| Take my Eyes | 3:02 | 1:53 | ||||
| 4:23 | ||||||
| Island | 3:56 | |||||
| Sing Me a Song | 3:22 | |||||
| Rex Bundy - Guild F412 Guitar, Lead Vocals, Gong
Tony Antinarelli - Drums Bill Wisniewski - Saxes, Flute, Vocals Lawrence J. Biernacki - Acoustic and Elecric Guitars, Mandolin, Vocals Tony Stram - Fender Stereo Bass Conrad Green - Moog, Mellotron, Electric Guitar Ken Sajdak - Acoustic and Electric Piano, Harpsicord, Hammond Organ Zaido Cruz - Background Vocals |
Producer: Perry Johnson Engineer: Andy Waterman Recorded at: Castle Studios, 1975 Cover Art: Maurice Wilson | |||||
| 2 | Another Trip to Earth (US 1977 Dharma D-808) VG/VG+ blue vinyl, has inner sleeve $20 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Take It On A Dare | 6:03 | Schwartz | No Winners | 5:02 | Bundy | |
| Long Time | 3:47 | Bundy | All I Know | 3:53 | Bundy-Biernacki | |
| Living in the City | 4:12 | Those Game | 3:55 | Bundy | ||
| Birth of the Unconquered Sun | 5:33 | Biernacki | Fallen Angel | 11:11 | R. Bundy-D. Bundy | |
| In the Daylight | 4:06 | Bundy | ||||
| Rex Bundy: 12 string guitar, tympani, and lead vocals Tony Stram: basses and vocals L. James Biernacki: electric and acoustic guitars, mandolin, and vocals Ron Schwartz: Steinway, Knabe and Chickering acoustic grand pianos, Hammond organ, Freeman strings, Micro Moog, Fender Rhodes, glockenspiel Bill Wisniewski: Saxes, flutes, clarinet, and vocals Noel Levitt: drums, and vocals |
Produced by Perry Johnson, and Gabriel Bondage. All selections arranged by Gabriel Bondage. Recording Engineer: David Huston Assistant Engineers: Neal Peterson, Barbara Pollizzi, Ron Schwartz Additional Recording: Rob Kinsland Remix Engineer: Rob Kingsland (except "All I Know" and "In the Daylight" by David Huston) Mastered by: Gary Hedden Recorded and remixed at Rainbow Bridge Studios - Chicago, Ill. Mastered at Diskwerks - Schaumberg, Ill. Barbara and the Uniques Background Vocals. Maurice Wilson Cover Illustration and Art. Brad Merriman Inner Sleeve Illustration and Art. | |||||
| 1 | Peter Gabriel (US 1977 Atco SD 36-147) VG+/VG+ has inner sleeve $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Moribund the Burgermeister | 4:19 | Peter Gabriel | Slowburn | 4:34 | Peter Gabriel | |
| Solsbury Hill | 4:20 | Waiting for the Big One | 7:26 | |||
| Modern Love | 3:37 | Down the Dolce Vita | 4:43 | |||
| Excuse Me | 3:20 | Peter Gabriel and Martin Hall | Here Comes the Flood | 5:54 | ||
| Humdrum | 3:23 | Peter Gabriel | ||||
| Produced by Bob Ezrin for My Own Production Co., Ltd.
Allan Schwartzberg: Drums, Directories Tony Levin: Bass, Tuba, Leader of the Barbershop Quartet Jim Maelen: Percussion, Synthibam, Bones and Barbershop Steve Hunter: Full Frontal Guitar, Electric and Acoustic Rhythm Guitar, Pedal Steel Robert Fripp: Electric Guitar, Classical Guitar, Banjo Jozef Chirowski: Frontal Keayboard, Barbershop Larry (Wires) Fast: Synthesizers and Programming Peter Gabriel: Voices, Keyboard, Flute, Recorder with Dick Wagner: Backing Voices, Solo Guitar on 'The Flood' and end of 'Slowburn' and The London Symphony Orchestra ('Down the Dolce Vita') |
Recorded and mixed at The Soundstage, Toronto Additional recording at Morgan Studios, London, Olympic Studios, London Recorded by Brian Christian with Robert Hrycyna, Jim Frank, Dave Harris, Rod O'Brien, Robert Stasiak, Keith Grant Mastered at JAMF, Toronto, by George Graves and Craig Richardson Cover by Hipgnosis Organisztion by Tony Smith, Brian and Alex at Hit and Run The L.S.O. Arranged and Conducted by Michael Gibbs Larry (Wires) Fast appears by courtesy of Passport Records. | |||||
| 2 | Peter Gabriel (US 1978 Atlantic SD 19181) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| On the Air | 4:19 | Peter Gabriel | Indigo | 3:30 | Peter Gabriel | |
| D.I.Y. | 4:20 | Animal Magic | 7:26 | |||
| Mother of Violence | 3:37 | Peter and Jill Gabriel | Exposure | 4:43 | Peter Gabriel and Robert Fripp | |
| A Wonderful Day in a One-Way World | 3:20 | Peter Gabriel | Flotsam and Jetsam | 2:17 | Peter Gabriel | |
| White Shadow | 3:23 | Perspective | 3:23 | |||
| Home Sweet Home | 4:37 | |||||
| 3 | Peter Gabriel (US 1980 Geffen GHSP 2035) has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Intruder | 4:50 | Peter Gabriel | Games Without Frontiers | 4:03 | Peter Gabriel | |
| No Self Control | 3:52 | Not One of Us | 5:19 | |||
| Start | 1:21 | Lead a Normal Life | 4:12 | |||
| I Don't Remember | 4:48 | Biko | 7:27 | |||
| Family Snapshot | 4:26 | |||||
| And Through the Wire | 4:58 | |||||
| Produced by Steve Lillywhite Engineered by Hugh Padgham Electronic production by Larry Fast Recorded in Bath with the Manor Mobile and at The Townhouse, London Assisted by Nick Thomas, Steve Prestage, Marlis Duncklaus and George Chambers Equipment: Albert Lawrence and Dave Price Computer Musical Instument: Peter Vogel Management: Gail Colson & Tony Smith Personal Assistant: Jennifer Hiles Sleeve Design & Photos: Hipgnosis (you're as young as you feel) SX-70 Techniques inspired by Les Krims |
Personnel: Drums: Jerry Marotta, Phil Collins Percussion: Morris Pert, Jerry Marotta, P.G. Bass: John Giblin Bass Synth: Larry Fast, P.G. Stick: Tony Levin Guitar: David Rhodes, Paul Weller, Robert Fripp, Dave Gregory Synths: Larry Fast, P.G. Sax: Dick Morissey Piano: P.G. B-Vocals: David Rhodes, Kate Bush | |||||
| 4 | Security (US 1982 Geffen GHS 2011) has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Rhythm of the Heat | 5:15 | Peter Gabriel | Shock the Monkey | 5:23 | Peter Gabriel | |
| San Jacinto | 6:21 | Lay Your Hands on Me | 5:23 | |||
| I Have the Touch | 4:30 | Wallflower | 6:30 | |||
| The Family and the Fishing Net | 7:00 | Kiss of Life | 4:17 | |||
| Peter Gabriel Jerry Marotta Tony Levin Larry Fast David Rhodes John Ellis Roberto Laneri Morris Pert Stephen Paine David Lord Peter Hammill Jill Gabriel Ekome Dance Company |
Produced by David Lord and Peter Gabriel Electronic production and processing: Fast and Gabriel Engineered by: David Lord, assisted by Neil Perry Recorded: at home (the first two weeks with Mobile One) and mixed down the road at Crescent Studios, Bath Remix: Shock the monkey, SARM studios, engineer: Julian Mendelsohn with the help of Danny Heaps Digital editing: Advision Studios with thanks to Mike King Digital mixing facilities: (Sony PCM 1610 system) supplied by Digital Audio Systems Mobile One: Andy Rose and Tim Wybrow Fairlight CMI recording, programming and development: Stephen Paine at Syco Systems, Gabriel, Lord and Fast Digital Delays and reverberation: AMS with thanks to Stuart Nevison and Mark Crabtree Equipment: Albert Lawrence, Mal Craggs, Alan Terry and Ian Tucker Management: Gailforce with special thanks to Gail Colson and Norma Bishop Thanks to: Jill, Stephanie, Tattie, Eda, Glenn and Gaynor Artwork: based on video images by Malcom Poynter, Peter Gabriel and David Gardner Typesetting: Ron Hart Photos and gluing: dj | |||||
| 5 | Birdy (US 1985 Geffen GHS 24070) M-/M- $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| At Night | 2:38 | Peter Gabriel | Birdy's Flight (From Not One Of Us) | 2:58 | Peter Gabriel | |
| Floating Dogs | 2:55 | Slow Marimbas | 3:21 | |||
| Quiet and Alone | 2:30 | The Heat (From The Rhythm Of The Heat) | 4:41 | |||
| Close Up (From Family Snapshot) | :58 | Sketchpad with Trumpet and Voice | 3:05 | |||
| Slow Water | 2:51 | Under Lock and Key (From Wallflower) | 2:28 | |||
| Dressing the Wound | 4:06 | Powerhouse at the Foot of the Mountain (From San Jacinto | 2:19 | |||
| Produced by Peter Gabriel and Daniel Lanois This is a real world production All titles written and performed by Peter Gabriel with special musical contributions from Jon Hassell The Drummers of Ekome Larry Fast Tony Levin Jerry Marotta David Rhodes |
with additional performances by: Manny Elias Morris Pert and John Giblin Recorded and mixed in the real world, England Additional engineering: David Stallbaumer Management: Gail Colson, Gailforce, London. assisted by Norma Bishop. Assistant to Peter Gabriel: Amanda Harcourt. | |||||
| 1 | You Must Be Certain of the Devil (US 1988 Restless/Mute 71403-1) M-/M- $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Swing Low Sweet Chariot | 2:44 | Trad. | You Must Be Certain of the Devil | 4:55 | Diamanda Galas | |
| Double-Barrel Prayer | 5:01 | Diamanda Galas | Let My People Go | 3:22 | ||
| Let's Not Chat About Despair | 5:00 | Malediction | 4:17 | |||
| Birds of Death | 5:15 | The Lord is My Shepherd | 1:33 | Trad. | ||
| Diamanda Galas: all vocals, Hammond organ, piano, synthesizers, & keyboard bass
Charlie Terstappen: drums Kurt Schmidt: guitar on Double-Barrel Prayer & Birds of Death Peter Zimmermann: percussion on Birds of Death Thanks to Naut Humon for providing string samples on Let's Not Chat About Despair |
Album produced by Gareth Jones & Diamanda Galas at Studio Hansa, Berlin 1987
Assistant engineering for drum recording by Pete Schmidt. Consultation: Paul Kendall Mastered by John Dent at The Exchange. Cover design by Paul White/Me Company. Cover photography by Emily Andersen. Drawing by James Nocito. | |||||
| 1 | It's OK to Listen to the Gray Voice (US 1985 ECM 1294) M-/VG+ $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| White noise of forgetfulness | 8:23 | Jan Garbarek | Mission: to be where I am | 8:11 | Jan Garbarek | |
| The crossing place | 9:11 | It's OK to phone the island that is a mirage | 5:51 | |||
| One day in March I go down to the sea and listen | 5:33 | It's OK to listen to the gray voice | 4:42 | |||
| I'm the knife-thrower's partner | 0:52 | |||||
| Jan Garbarek: tenor and soprano saxophones David Torn: guitar, guitar synthesizer, DX7 Eberhard Weber: bass Michael DiPasqua: drums, percussion All titles are quotes from poems by Tomas Transtromer |
Recorded December 1984 at Rainbow Studio, Oslo Engineer: Jan Erik Kongshaug Cover Design: Barbara Wojirsch Produced by Manfred Eicher Jan Garbarek plays a Yamaha tenor saxophone | |||||
| 1 | Signs of the Zodiac: Aries (US 196? A&M SP 4211) gatefold M-/VG+ $25 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I Know You Aries | 1:47 | Wilson/Garson | Aries - Numbers, Gems and Colors | 3:50 | Wilson/Garson | |
| Planetary Motivations | 1:53 | In Love, Aries? | 2:40 | |||
| Aries at Work | 2:07 | The Four Seasons of Aries | 3:46 | |||
| Where Was Your Moon | 6:44 | Those Who Knew | 3:14 | |||
| Narrated by: Nancy Priddy / John Erwin / Michael Bell
Produced by: Allen Stanton Script Written and Directed by: Jacques Wilson Music Composed and Realized by: Mort Garson |
Engineer: Ray Gerhardt Art Direction: Tom Wilkes Front Cover Illustration: Joe Di Vincenzo | |||||
| 1 | Rhythm of Industry (US 1987 Gelatinous GEL 001) M-/M- has the insert $100 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Rhythm of Industry | 5:00 | Ferd | We're All Americans | 5:54 | Ferd | |
| Words As Venom | 5:44 | Upright Man | 4:40 | |||
| Always Alone | 4:15 | Your Mind's Unsound | 3:16 | |||
| Photographic Consultant - Linley E. Juers Cover Art and Graphics - Terri Dwyer |
Composed Produced and Engineered by Ferd Recorded at the Wigwam Washingto, DC 1986 | |||||
| 1 | In the Beginning (US 1968? Mercury SR 61175) M-/VG+ $20 SOLD | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Angeline | 2:48 | J. Ttanna-B. Metke | Girl Who Never Was | 4:04 | J. Ttanna | |
| Suzanne | 3:00 | L. Cohen | World Without You | 16:08 | ||
| Gloomy Sunday | 4:05 | S. M. Lewis-R. Seress | ||||
| What it's All About | 2:45 | J. Ttanna | ||||
| Mary, Mary | 2:40 | B. Bennett | ||||
| Ten Second Song | 2:58 | K. Henry | ||||
| Jack Ttanna: Vocals, guitar Bob "Crusher" Metke: Drums Kent Henry: guitar Fred "Foxey" Rivera: bass Sue Richman: Vocals |
Album Design: John Cabalka Photography: Allan Pappe Lettering: Mouse Amps and Speakers: Sunn Musical Equipment | |||||
| NOTE: American band of the same name that made Genesis change their name to "Revelation" in America. | ||||||
| 2 | From Genesis to Revelation (G 1969 Nova 6.21580 AO) has inner sleeve M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Where the Sour Turns to Sweet | 3:20 | Genesis | The Conqueror | 3:30 | Genesis | |
| In the Beginning | 3:40 | In Hiding | 2:25 | |||
| Fireside Song | 4:20 | One Day | 3:10 | |||
| The Serpent | 4:35 | Window | 3:35 | |||
| Am I Very Wrong | 3:25 | In Limbo | 3:30 | |||
| In the Wilderness | 3:15 | Silent Sun | 2:10 | |||
| A Place to Call My Own | 2:00 | |||||
| Peter Gabriel Anthony Philips (spelled that way on the insert) Anthony Banks Michael Rutherford John Silver |
Notes: This has a close up of Peter Gabriel's face dressed as a flower on the cover. Inner sleeve contains lyrics, pencil sketches, and a write-up by Decca records. Album has no bands between the songs and a red label with a black Decca logo. | |||||
| 3 | Trespass (US 1970 ABC Impulse! AS-9205) gatefold M-/M- $25 | |||||
| 4 | Trespass (UK 1970 Charisma CAS 1020) gatefold, has the insert M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Looking for Someone | 7:00 | Genesis | Stagnation | 8:45 | Genesis | |
| White Mountain | 7:00 | Dusk | 4:15 | |||
| Visions of Angels | 7:00 | The Knife | 8:55 | |||
| Peter Gabriel: Lead voice, flute, accordian, tambourine and bass drum
Anthony Phillips Acoustic 12-string, Lead electric, dulcimer, voices Anthony Banks: Organ, piano, mellotron, guitar, voices Michael Rutherford: Acoustic 12-string, electric bass, nylon, cello, voices John Mayhew: Drums, Percussion, Voices |
Recorded at Trident Studios, London Producer: John Anthony Engineer: Robin Cable Artwork: Paul Whitehesd/Cleen Machine Studio | |||||
| 4 | Nursery Cryme (US 1971 Charisma CAS 1052) gatefold M-/VG+ $12 | 
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| 5 | Nursery Cryme (US 1971 Charisma CAS 1052) pink charisma label, cos M-/M- $10 | |||||
| 6 | Nursery Cryme (UK 1971 Charisma CAS 1052) gatefold M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Musical Box | ?? | Genesis | Seven Stones | ?? | Genesis | |
| For Absent Friends | Harold the Barrel | |||||
| The Return of the Giant Hogweed | Harlequin | |||||
| The Fountain of Salmacis | ||||||
| Produced by John Anthony Engineered by David Hentschel Tape Jockey - Mike Stone Sleeve Design - Paul Whitehead Inspired by “The Musical Box” |
Tony Banks - Organ, Mellotron, Piano, Electric Piano, 12 string guitar, Voices
Michael Rutherford - Bass, Bass Pedals, 12 string guitar, Voices Peter Gabriel - Lead Voice, Flute, Bass Drum, Tambourine. Steve Hackett - Electric Guitar, 12 string guitar Phil Collins - Drums, Voices, Percussion | |||||
| 7 | Foxtrot (G 1972 Charisma 6369 922) gatefold M-/M- $12 | 
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| 8 | Foxtrot (US 1972 Charisma CAS 1058) pink label, cos M-/M- $10 | |||||||||
| 9 | Foxtrot (UK 1972 Charisma CAS 1058) gatefold M-/M- $10 SOLD! | |||||||||
| Side 1 | Side 2 | |||||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |||||
| Watcher of the Skies | ?? | Genesis | Horizons | ?? | Genesis | |||||
| Time Table | Supper's Ready | |||||||||
| Get Em Out by Friday | | Can-Utility and the Coastliners | | ||||||||
| Produced by David Hitchcock, Genesis Sleeve Design - Paul Whitehead Engineered by John Burns Richard MacPhail - Equipment & stage sound (sound friend) Also starring Guy and Paul Photographs: Barry Wentzell, Geoff Terill, Martin Nunn, Amando Gallo |
Tony Banks - Organ, Mellotron, Piano, Electric Piano, 12 string guitar, Voices
Michael Rutherford - Bass, Bass Pedals, 12 string guitar, Voices Peter Gabriel - Lead Voice, Flute, Bass Drum, Tambourine. Steve Hackett - Electric Guitar, 12 string guitar Phil Collins - Drums, Voices, Percussion | |||||||||
| 10 | Live (UK 1973 Charisma CLASS 1) M-/VG+ $12 | |||||
| 11 | Live (Can 1973 Charisma CA-1-1501) M-/VG+ $12 | |||||
| 12 | Live (US 1973 Charisma CAS 1666) VG+/VG+ pink charisma label, cos $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Watcher of the Skies | ?? | Genesis | Musical Box | ?? | Genesis | |
| Get Em Out by Friday | The Knife | |||||
| The Return of the Giant Hogweed | ||||||
| This album is dedicated to Richard Macphail who left April, 1973.
With thanks to Alan Cranston, Martyn Day, Brian Grant, Tim Stewart, Jeremy Thom. |
All recordings made at The De Montfort Hall, Leicester and The Free Trade Hall, Manchester, February 1973.
Co-Produced by John Burns/Genesis Album mixed at Island Studios, Basing St, London W11 Front Photograph coutesy of Bob Gruen | |||||
| 13 | Selling England by the Pound (US 1973 Charisma FC 6060) M-/M- has the insert $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Dancing with the Moonlit Knight | 8:02 | Genesis | The Battle of Epping Forest | 11:43 | Genesis | |
| I Know What I Like (In Your Wardrobe) | 4:03 | After the Ordeal | 4:07 | |||
| Firth of Fifth | 9:36 | Cinema Show | 12:40 | |||
| More Fool Me | 3:10 | Aisle of Plenty | ||||
| Phil Collins: Drums, Percussion, Vocal
Michael Rutherford: 12-string, Bass, Electric Sitar Stephen Hackett: Electric Guitar, Nylon Guitar Tony Banks: Keyboards, 12-string Peter Gabriel: Vocals, Flute, Oboe, Percussion |
Produced by John Burns/Genesis Assistant Engineer: Rhett Davies Cover Painting by Betty Swanwick, A.R.A. | |||||
| 14 | The Rarest Live (US 1974? STEMRA SABAM 5001) M-/M- $40 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| White Mountain | 6:28 | Genesis | Introduction by Mr. Peter Gabriel | 1:51 | Genesis | |
| Stagnation (FM-Radio-BBC Sound of the Seventies) | 8:47 | Dancing with the Moonlit Knight (Montreal 21.04.74) | 8:39 | |||
| Get 'Em Out By Friday (John Peel Radioshows '72) | 9:16 | Horizons (Montreal 21.04.74) | 1:57 | |||
| Twilight Alehouse (John Peel Radioshows '72) | 7:23 | The Battle of Epping Forest (Montreal 21.04.74) | 12:12 | |||
| 15 | Romeo and Juliet (F 1974 ARC 0076) red vinyl M-/M- $40 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Britannia | ?? | Genesis | Romeo and Juliet | ?? | Genesis | |
| Dancing with the Moonlight Knight | The Cinema Show | |||||
| Apocalypse in 9/8 | First, Second, Third, Fourth | |||||
| As Sure as Eggs is Eggs | Firth of Fifth | |||||
| Only for Promotional Use. Not for Sale. | ||||||
| 16 | The Lamb Lies Down on Broadway (US 1974 Atco SD 2-401) M-/M-/VG+ gatefold has inner sleeves $15 | |||||
| 17 | The Lamb Lies Down on Broadway (UK 1974 Charisma CGS 101) M-/M-/M- gatefold has inner sleeves $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Lamb Lies Down on Broadway | ?? | Genesis | Back in N.Y.C. | ?? | Genesis | |
| Fly on a Windshield | Hairless Heart | |||||
| Broadway Melody of 1974 | Counting Out Time | |||||
| Cuckoo Cocoon | Carpet Crawl | |||||
| In the Cage | The Chamber of 32 Doors | |||||
| The Grand Parade of Lifeless Packaging | ||||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Lilywhite Lilith | ?? | Genesis | The Colony of Slippermen (Arrival - A Visit to the Doktor - Raven) | ?? | Genesis | |
| The Waiting Room | Ravine | |||||
| Anyway | The Light Dies Down on Broadway | |||||
| Here Comes the Supernatural Anaesthetist | Riding the Scree | |||||
| The Lamia | In the Rapids | |||||
| Silent Sorrow in Empty Boats | It | |||||
| Production: John Burns & Genesis. Engineer: David Hutchins. Enossification; Eno courtesy of Island Records. Recorded in Wales with the Island Mobile Studio and Mixed at Island Studios. Thanks to Nick Blyth, Smith and Alex of Mole Valley, Graham Bell for Choral Contributuin, Peter the Beard, John the Drum, Ray the Truck, Philostratus and Keats. |
Sleeve Design and All Photography by Hipgnosis. Thanks to Omar for playing Rael. Retouching by Richard Manning. Picture of Vaults taken at the Roundhouse. Graphincs by George Hardie N.T.A. | |||||
| 18 | Rock Theatre (G 1974 Fontana 9299 515) M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I Know What I Like (In Your Wardrobe) | 4:07 | Genesis | Supper's Ready | 22:53 | Genesis | |
| Harold the Barrel | 2:59 | Lover's Leap - The Guaranteed Eternal Sanctuary Man - Ikhnaton and Itsacon And Their Band of Merry Men - How Dare I Be So Beautiful? - Willow Farm - Apocalypse in 9/8 (Co-Starring the Delicious Talents Of Gabble Ratchet) - As Sure As Eggs Is Eggs (Aching Men's Feet) | ||||
| Harlequin | 2:55 | |||||
| Watcher of the Skies | 3:44 | |||||
| The Fountain of Salmacis | 7:53 | |||||
| 19 | The Best (US 1976 Buddah BDS 5659-2) M-/M-/VG+ gatefold $20 | |||||||||
| Side 1 | Side 2 | |||||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |||||
| The Musical Box | ?? | Genesis | Seven Stones | ?? | Genesis | |||||
| For Absent Friends | Harold the Barrel | |||||||||
| The Return of the Giant Hogweed | Harlequin | |||||||||
| The Fountain of Salmacis | ||||||||||
| Side 3 | Side 4 | |||||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |||||
| Watcher of the Skies | ?? | Genesis | Horizons | ?? | Genesis | |||||
| Time Table | Supper's Ready | |||||||||
| Get Em Out by Friday | | Can-Utility and the Coastliners | | ||||||||
| 20 | A Trick of the Tail (US 1976 Atco SD 36-129) gatefold M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Dance on a Volcano | 5:53 | Rutherford-Banks- Hackett-Collins | Robbery, Assault & Battery | 6:15 | Banks-Collins | |
| Entangled | 6:28 | Hackett-Banks | Ripples | 8:03 | Rutherford-Banks | |
| Squonk | 6:27 | Rutherford-Banks | A Trick of the Tail | 4:34 | Banks | |
| Mad Man Moon | 7:35 | Banks | Los Endos | 5:46 | Collins-Hackett-Rutherford-Banks | |
Mike Rutherford: 12-string, basses, bass pedals Tony Banks: Pianos, Synthesizers, Organ, Mellotron, 12 string guitar, backing voclas. Phil Collins: Drums, percussion, lead & backing vocals Steve Hackett: Electric Guitar, 12 string guitars |
Produced by David Hentschel and Genesis Engineered by David Hentschel & Nick Haddock Bradford Equipment - Tex and Jeff Recorded at Trident Studios, London Liquid sustenance - Neil, John and Terry Special thanks to - Tony Smith, Alex Sim and Regis Slleve Design - Hipgnosis/Colin Elgie | |||||
| 21 | Wind and Wuthering (US 1976 Atco SD 36-144) has inner sleeve M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Eleventh Earl of Mar | 7:39 | Banks-Hackett-Rutherford | All in a Mouse's Night | 6:35 | Banks | |
| One for the Vine | 9:56 | Banks | Blood on the Rooftops | 8:03 | Hackett-Collins | |
| Your Own Special Way | 6:15 | Rutherford | 'Unquiet Slumbers for the Sleepers... | 7:12 | Hackett-Rutherford | |
| ...In That Quiet Earth | Hackett-Rutherford- Banks-Collins | |||||
| Wot Gorilla? | 3:12 | Collins-Banks | Afterglow | 4:10 | Banks | |
Phil Collins: Voices, Drums, Cymbals, Percussion Steve Hackett: Electric Guitars, Nylon Classical, 12 String, Kalimba, Auto-harp. Mike Rutherford: Basses, 4, 6, & 8 String, Electric and 12 String Acoustic guitars, Bass pedals Tony Banks: Steinway Grand Piano, ARP 2600 and Pro-Soloist, Synthesizers, Hammond Organ, Mellotron, Roland String Synthesizer, Fender Rhodes Piano, etc. |
Co-produced by David Hentschel and Genesis Engineer - David Hentschel Recorded at Trident Studios, London Assistant Engineer - Nick "Cod" Bradford Tape Operators - John, Geoff, Neil and Steve Equipment - Tex (Nibs) Read, Andy Mackrill, Paul Padun and Dale Thanks to- Tony Smith, Alex Sim, Brian Murray-Smith Sleeve Design - Hipgnosis/Colin Elgie | |||||
| 22 | Seconds Out (US 1977 Atlantic SD 2 9002) gatefold has inner sleeves M-/M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Squonk | 6:27 | Rutherford-Banks | Firth of Fifth | 8:37 | Banks-Rutherford- Hackett-Collins- Gabriel | |
| The Carpet Crawl | 5:10 | Banks-Rutherford- Hackett-Collins- Gabriel | I Know What I Like | 8:34 | ||
| Robbery, Assualt & Battery | 6:00 | Banks-Collins | The Lamb Lies Down on Broadway | 5:05 | ||
| Afterglow | 4:18 | Banks | The Musical Box (Closing Section) | 2:44 | ||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Supper's Ready | 24:30 | Banks-Rutherford- Hackett-Collins- Gabriel | Cinema Show | 11:00 | Banks-Rutherford- Hackett-Collins- Gabriel | |
| Dance on a Volcano | 4:22 | Banks-Rutherford- Hackett-Collins | ||||
| Los Endos | 6:24 | |||||
| Tony Banks: RMI Electric Piano, Hammond T. Organ, ARP Pro soloist, Mellotron 400, Epiphone 12 string, Backing voices
Mike Rutherford: Shergold Electric 12 string & Bass, 8 string bass, Alvarez 12 String, Moog Taurus Bass pedals, Backing voices Steve Hackett: Gibson Les Paul, Hokada 12 string Phil Collins: Voice, Premier and Gretsch drums Chester Thompson - Pearl drums and percussion Bill Bruford - Ludwig and Hayman drums and Percussion |
All Drums Chester except: Robbery Assaut & Battery - keyboard solo Phil Firth of Fifth - Phil & Chester Musical Box - Chester & Phil Supper's Ready - Apocalypse in 9/8 CHester & Phil Cinema Show - Bill Bruford, Phil keyboard solo Los Endos - Phil & Chester Recorded in Paris 76/77 with the Manor Mobile Mixed at Trident, London Produced by David Hentschel & Genesis Assisted by Neil Ross Sleeve Photos: Armando Gallo (inc. front & back) Robert Ellis and Graham Wood Sleeve layout: A&D Design Art Direction: Frank Sanson Management: Tony Smith, Alex Sim and Brian | |||||
| 23 | Genesis (US 1983 Atlantic 80116-1) has inner sleeve M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Mama | 6:46 | Genesis | Illegal Alien | 5:12 | Genesis | |
| That's All | 4:22 | Taking it All To Hard | 3:54 | |||
| Home by the Sea | 4:46 | Just a Job to Do | 4:44 | |||
| Second Home by the Sea | 6:22 | Silver Rainbow | 4:27 | |||
| It's Gonna Get Better | 5:00 | |||||
Tony Banks: Keyboards, backing vocals Mike Rutherford: Guitars, bass, backing vocals Phil Collins: Drums, percussion, lead vocals |
Produced by Genesis (with Hugh Padgham) Engineered by Hugh Padgham Technical Assistance Geoff Callingham Recorded and Mixed at the Farm, Surrey, 1983 | |||||
| 1 | Gentle Giant (UK 1970 Vertigo 6360 020) gatefold M-/VG+ $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Giant | ?? | Shulman/ Shulman/ Shulman/ Minnear | Nothing at All | ?? | Shulman/ Shulman/ Shulman/ Minnear | |
| Funny Ways | Why Not | |||||
| Allucard | The Queen | |||||
| Isn't it Quiet and Cold | ||||||
| In his namesake, Gentle Giant are individually: Derek Shulman - Lead vocals, backing vocals and some bass Ray Shulman - Most bass, violin, some guitar, percussion and backing vocals Phil Shulman - Sax, trumpet, recorder, lead vocals and backing vocals Kerry Minnear - Keyboard, some bass, 'cello, lead vocals, backing vocals and tuned percussion Gary Green - Lead guitar, 12 string guitar Martin Smith - Drums and percussion |
Tony Visconti/Record Producer Our helpful friends include: Claire Deniz - 'Cellist on "Isn't it Quiet and Cold" Paul Cosh - Tenor Hornist on "Giant" Roy Baker - Recording Engineerist on all titles George Underwood - Cover Artiste Extraordinaire | |||||
| 2 | Octopus (US 1973 Columbia KC 32022) die-cut cover has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Advent of Panurge | 4:40 | P. Shulman- R. Shulman- D. Shulman- K. Minnear | The Boys in the Band | 4:33 | P. Shulman- R. Shulman- D. Shulman- K. Minnear | |
| Raconteur Troubadour | 4:02 | Dog's Life | 3:11 | |||
| A Cry for Everyone | 4:02 | Think of Me With Kindness | 3:32 | |||
| Knots | 4:09 | River | 5:54 | |||
| Kerry Minnear: All keyboards, vibraphone, percussion, cello, Moog, lead and backing vocals
Raymond Shulman: Bass violin, guitar, percussion, vocals Gary Green: Guitars, percussion Derek Shulman: Lead vocals, alto saxophone Philip Shulman: Saxophones, trumpet, mellophone, lead and backing vocals John Weathers: Drums, percussion, xylophone Many thanks to Martin Rushant for laugh coinspin and variable speed oscillator, and Mike Viccars, Moog operator. |
Produced by Gentle Giant Engineer: Martin Rushant Mastering Engineer: Cliff Morris Tape Operator: Geoff Young Over-all American Supervision: Murray Krugman Recorded at Advision Studios, London Album Cover Concept & Design by John Berg Art by Fluid Drive Illustration: Charles White III Design: Kenny Kneitel Lettering: Michael Doret | |||||
| 3 | Free Hand (US 1975 Capitol ST-11428) has inner sleeve M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Just the Same | 5:31 | R. Shulman- D. Shulman- K. Minnear | Time to Kill | 5:05 | R. Shulman- D. Shulman- K. Minnear | |
| On Reflection | 5:40 | His Last Voyage | 6:26 | |||
| Free Hand | 6:15 | Talybont | 2:41 | |||
| Mobile | 5:01 | |||||
| Derek Shulman Ray Shulman Kerry Minnear Gary Green John Weathers |
Recorded at Advision Studios, London, April '75 Engineer: Gary Martin Assisted by Paul Northfield Cover Design by Gentle Giant Graphics by Richard Evans A Gentle Giant Production | |||||
| 4 | Interview (US 1976 Capitol ST-11532) has inner sleeve VG+/VG+ $10 | |||||
| 5 | Interview (Can 1976 Capitol SN-16047) coh VG+/M- $5 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Interview | 6:54 | R. Shulman- D. Shulman- K. Minnear | Another Show | 3:29 | R. Shulman- D. Shulman- K. Minnear | |
| Give it Back | 5:08 | Empty City | 4:24 | |||
| Design | 4:59 | Timing | 4:50 | |||
| I lost my Head. | 6:58 | |||||
| John Weathers: Drums- Derek Shulman: Vocals, Saxes- Ray Shulman: Bass, Violin- Gary Green: Guitars- Kerry Minnear: Keyboards- |
A "Gentle Giant Production". Recorded at Advision Studios, London, February/March 1976. Engineer: Paul Northfield, assisted by Ken Thomas. Interviewer: Phil Sutcliffe. Cover Production: Geoff Allman for "Spoken Image." Airbrush: Chris Clover. | |||||
| 6 | The Missing Piece (US 1977 Capitol ST-11696) has inner sleeve M-/M- $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Two Weeks in Spain | 3:00 | Shulman- Shulman- Minnear | As Old As You're Young | 4:19 | Shulman- Shulman- Minnear | |
| I'm Turning Around | 3:54 | Memories of Old Days | 7:15 | |||
| Betcha Thought We Couldn't Do It | 2:20 | Winning | 4:12 | |||
| Who Do You Think We Are? | 3:33 | For Nobody | 4:00 | |||
| Mountain Time | 3:19 | |||||
| Recorded at Relight Studios, hilvarenbeek, Holland Remixed at Scorpio Sound, Euston Centre, London Recording Engineer: Paul Northfield "Sound' Advice: David Zammit |
Cover Concept: Ray and Tanner Photography G.G.Toons by Shulman, Shulman and Minnear Copyright Alucard/Friday Music A Gentle Giant Production | |||||
| 7 | Giant for a Day (US 1978 Capitol SW-11813) coh, has inner sleeve M-/M- $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Words from the Wise | 4:11 | R. Shulman- D. Shulman- K. Minnear | Little Brown Bag | 3:24 | R. Shulman- D. Shulman- K. Minnear | |
| Thank You | 4:45 | Friends | 1:58 | John Weathers | ||
| Giant for a Day | 3:48 | No Stranger | 1:58 | R. Shulman- D. Shulman- K. Minnear | ||
| Spooky Boogie | 2:52 | It's Only Goodbye | 4:15 | |||
| Take Me | 3:34 | J. Weathers-D. Shulman | Rock Climber | 3:52 | ||
| Gentle Giant are: Derek Shulman-Vocals. Ray Shulman-Bass. Kerry Minnear-Keyboards. Gary Green-Guitars. John Weathers-Drums. A Gentle Giant Production. Engineered by Paul Northfield at Ramport Studios, Battersea- Assisted by Neil. |
Maison Rouge, Fulham. Scorpio Sound Studios, Euston- Assisted by Steve. Remix at Scorpio Sound Studios. Recorded April/May 1978. Equipent: Michael Ambrose. Acoustic Guitars courtesy of Norman Guitars, Quebec, Canada Cover Concept: Ray, Tanner, Eve and Pils Lager. Front Cover Illustration: Peter Owen. Back Cover Photography: Gered Mankowitz. | |||||
| 1 | The Cheerful Insanity Of (J 1968 Deram K16P-9081) has insert M-/M- $40 SOLD! | 
| |||||
| Side 1: The Saga of Rodney Toady (Fripp) | Side 2: Just George (Michael R) | ||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | ||
| North Meadow | ?? | Peter A | How do they know | ?? | Michael R | ||
| Newly-weds | Elephant Song | ||||||
| One in a Million | Michael R | The sun is shining | |||||
| Call tomorrow | Peter A | Suite No. 1 | Fripp | ||||
| Digging my lawn | Erudite eyes | ||||||
| Little children | Fripp | ||||||
| The crukster | Michael R | ||||||
| Thursday morning | |||||||
| Produced by Wayne Bickerton.
Ivor Raymonde arranged "Thursday Morning" and was M.D. on "The sun is shining" and "The elephant song". Recording Engineer: Bill Price on all except for "One in a million" Martin Smith on "one in a million" Cover Photograph: Gered Mankowitz |
Friends of Giles, Giles & Fripp: Violins: R. Cohen, W. Reid, K. Isaacs, G. Salisbury, B. Pecker, G. Fields Violas: J. Coulling, R. Patten Keyboard: Nicky Hopkins, Mike Hill Celli: C. Tunnell, A. Ford Trombones: C. Hardie, T. Baker Vocal Backing: The Breakaways | ||||||
| 1 | David Gilmour (US 1978 Columbia JC 35388) gatfold M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Mihalis | 5:48 | D. Gilmour | Short and Sweet | 5:26 | D. Gilmour-R. Harper | |
| There's No Way Out of Here | 5:10 | K. Baker | Raise My Rent | 5:32 | D. Gilmour | |
| Cry From the Street | 5:13 | D. Gilmour - E. Stuart | No Way | 5:32 | ||
| So Far Away | 5:50 | D. Gilmour | Deafinitely | 4:27 | ||
| I Can't Breathe Anymore | 3:08 | |||||
| David Gilmour-Guitars, Keyboards, Vocals
Rick Wills - Bass, Vocals Willie Wilson - Drums, Percussion Produced by David Gilmour Engineered by John Etchells, Nick Griffiths assisted by Patrick Jauneaud at Super Bear Studios, France Sound equipment handled by Phil Taylor |
Backing vocals on 'So Far Away' and 'There's No Way Out of Here' - Carlena Williams, Debbie Doss, Shirley Roden
Piano on 'So Far Away' - Mick Weaver & David Gilmour Cover design Hipgnosis & David Gilmour Outer Cover Photos - Hipgnosis Inside Photos - David and Ginger Glmour, Willie Wilson, Vlad Vinski, Jill Furmanovsky et. al | |||||
| 2 | About Face (US 1984 Columbia FC 39296) has inner sleeve M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Until We Sleep | 5:58 | D. Gilmour | All Lovers are Deranged | 3:14 | P. Townshend - D. Gilmour | |
| Murder | 4:58 | You Know I'm Right | 5:04 | D. Gilmour | ||
| Love on the Air | 4:18 | P. Townshend - D. Gilmour | Cruise | 4:39 | ||
| Blue Light | 4:35 | D. Gilmour | Let's Get Metaphysical | 4:09 | ||
| Out of the Blue | 3:36 | Near the End | 5:43 | |||
| Produced by Bob Ezrin & David Gilmour
David Gilmour: Guitars & vocals Jeff Porcaro: Drums & percussion Pino Palladino: Bass guitar Ian Kewley: Hammond organ & piano With: Steve Winwood: Piano & organ Anne Dudley: Synthesizer Bob Ezrin: Keyboards Louis Jadine: Percussion Jon Lord: Synthesizer The Kick Horns: Roddy Lorimer, Barbara Snow, Tim Sanders, Simon Clark Vocals: Vicki & Sam Brown, Mickey Feat, Roy Harper Fairlight programming: Steve Rance The National Philharmonic Orchestra arranged by: Michael Kamen with Bob Ezrin Equipment: Phil Taylor |
Recorded by: Andrew Jackson & Kit Woolven at Pathe-Marconi Studios, Paris
Assisted by: Robert 'Ringo' Hrycyna, Simon Sullivan, Mark Frank & Kevin Whyte Mixed by: James Guthrie at Mayfair Studios, London Assisted by: Bob Parr, Ollie Fitziones & Robert 'Ringo' Hrycyna Orchestra recorded by: Eric Tomlinson at Abbey Road Studios Mastered by: Doug Sax & Mike Reese at the Mastering Lab, Los Angeles Special thanks to Pete Townshend and Nick Laird-Clowes Photography: Davies/Starr, Jill Furmanovsky Design and Production: STd | |||||
| 1 | Visionary (UK 1976 The Electric Record Company TRIX 2) VG+/M- has insert $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Awakening | ?? | Gordon Giltrap | The Price of Experience | ?? | Gordon Giltrap | |
| Robes and Crowns | The Dance of Albion | |||||
| From the Four Winds | The Tyger | |||||
| Lucifers Cage | The Echoing Green | |||||
| Revelation | London | |||||
| Night Music | ||||||
| Inspired by the works of William Blake:
Side one by the illustration The Day of Judgement and the poem The Last Judgement; side two by the poems and illustrations as titled |
Arranged by Rod Edwards and Roger Hand except From the Four Winds arranged by Joel Lazar. | |||||
| 2 | Perilous Journey (UK 1977 The Electric Record Company TRIX 4) M-/M- has insert $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Quest | ?? | Gordon Giltrap | Heartsong | ?? | Gordon Giltrap | |
| The Deserter | Reflection & Despair | |||||
| Pastoral | Cascade | |||||
| Morbio Gorge | To the High Throne | |||||
| Vision | ||||||
| Arrangements & additional music by Rod Edwards & Roger Hand
Guitars: Gordon Giltrap Keyboards: Rod Edwards Bass: John G. Perry Drums: Simon Phillips |
Trumpets: Henry Lowther/Martin Drover Tenor Sax: Stan Sultzman Baritone Sax: Jeff Daly Trombone: Chris Pyne Percussion: Tony Carr Strings led by Pat Halling Alto sax solo on "The Deserter" and "Mobio Gorge": Roger Ball Tenor sax solo on "Mobio Gorge": Malcolm Duncan Recorded at Redan Recorders. Engineered by Roger T. Wake. Sleeve Design & Concept: Graphyk. Art Direction: Jean-Luke Epstein, Coordination: Mike Geoghegan Illustration: Nino/Jean-Luke, Typography & Artwork: Trevor Vertigan. Produced by Jon Miller, Rod Edwards and Roger Hand. A Triumvirate Production | |||||
| 1 | Music in Twelve Parts Parts 1 & 2 (UK 1974 Virgin CA2010) M-/M- $12 | |||||
| 2 | Music in Twelve Parts Parts 1 & 2 (I 1974 Caroline ORL 8049) M-/VG+ $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Music in Twelve Parts Part 1 | 20:30 | Philip Glass | Music in Twelve Parts Part 2 | 15:16 | Philip Glass | |
| Philip Glass: Electric Organ Jon Gibson: Soprano Saxophone, Flute Dickie Landry: Soprano Saxophone, Flute Richard Peck: Alto and Tenor Saxophone Joan Labarbara: Voice, Electric Organ Michael Riesman: Electric Organ |
Produced by Philip Glass and Kurt Munkacsi Recording Engineers: Kurt Munkacsi and Wieslaw Woszczyk Remix - Kurt Munkacsi, Michael Riesman and Philip Glass Tape Editor: Michael Riesman Recorded at Big Apple Recording Studio, New York City Cover Design: Sol Lewitt Artwork: Cooke Key Associates | |||||
| 3 | North Star (UK 1977 Virgin V2085) M-/M- $12 | 
| ||||
| 4 | North Star (US 1988 Virgin America 91013-1) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Etoile Polaire (North Star) | 2:45 | Philip Glass | Lady Day | 3:57 | Philip Glass | |
| Victor's Lament | 3:35 | Ange des Orages | 3:40 | |||
| River Run | 1:50 | Ave | 4:42 | |||
| Mon Pere, Mon Pere | 3:52 | Ik-Ook | 4:10 | |||
| Are Years What? (for Marianne Moore) | 4:00 | Montage | 2:25 | |||
| Philip Glass: Farsifa, Yamaha & Hammond Organs, Fender Rhodes Piano, ARP Synthesizer
Dickie Landry: Soprano & Tenor Saxophones, Flute Joan Labarbara and Gene Rickard: Voices |
Recorded & Mixed at the Big Apple Recording Studios, New York City
Engineers: Kurt Munkacsi and Tom Duffy Mixed by: Kurt Munkacsi and Philip Glass Produced by Philip Glass and Kurt Munkacsi Executive Producer: Francois de Menil | |||||
| 5 | The Photographer (US 1983 CBS FM 37849) cc, promo stamp, has the insert M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Act I: "A Gentleman's Honor" (vocal) | 3:17 | Philip Glass | Act III | 19:17 | Philip Glass | |
| Act II | 16:25 | |||||
| "A Gentleman's Honor" (instrumental) | 3:15 | |||||
| Produced by Kurt Munkacsi and Philip Glass Conductor: Michael Riesman Paul Zukofsky: Solo violin, ACT II Jack Kripl: Flute, soprano/alto/baritone saxophones Michael Riesman: Keyboards, piano, bass synthesizer Philip Glass: Electric organ Trumpets: Lew Soloff, Ed Carroll Trombones: Jim Pugh, Alan Raph French horns: Bob Carlisle, Ron Sell |
Strings: Marin Alsop, concertmaster; Jeanne Ingraham; Carol Pool; Lew Eley; Jill Jaffe; Maureen Gallagher; Judy Geist; Ted Israel
Chorus: Adrienne Albert; Betty Baisch; Mary Sue Berry; Rose Marie Jun; Dora Ohrenstein, lead vocal "A Gentleman's Honor"; Marlene VerPlanck Special thanks: David Byrne, Christine Reed, Robert Perlstein, Lloyd Trufelman | |||||
| 1 | Glass Harp (US 1970 Decca DL75261) VG-/VG- $12 ON HOLD | 
| |||||
| Side 1 | Side 2 | ||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | ||
| Can You See Me | 6:25 | Dan Pecchio-Phil Keaggy | Southbound | 3:50 | John Sferra-Phil Keaggy | ||
| Children's Fantasy | 4:10 | Phil Keaggy | Whatever Life Demands | 6:30 | Phil Keaggy-Dan Pecchio | ||
| Changes (In The Heart Of My Own True Love) | 6:00 | John Sferra | Look in the Sky | 8:10 | Phil Keaggy-John Sferra-Dan Pecchio | ||
| Village Queen | 4:00 | Dan Pecchio | Garden | 5:15 | |||
| Black Horse | 2:50 | John Sferra | On Our Own | 2:30 | John Sferra-Phil Keaggy | ||
| Produced by Lewis Merenstein for Inherit Productions, a division of Schwaid-Merenstein & Thau
Recording Engineer: Ron Johnsen |
String arranged by Larry Fallon Design: Ernie Cefalu "Glass Harp" Photo Effects: Bill Levy | ||||||
| 2 | Synergy (US 1971 Decca DL75306) M-/VG+ gatefold $30 | 
| |||||
| Side 1 | Side 2 | ||||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | ||
| One Day at a Time | 3:40 | Philip Keaggy | Song of Hope | 4:21 | Philip Keaggy | ||
| Never is a Long Time | 3:25 | Dan Pecchio | Child of the Universe | 3:00 | Dan Pecchio | ||
| Just Always | 5:05 | John Sferra | Mountains | 3:59 | Philip Keaggy | ||
| Special Friends | 2:42 | John Sferra, Philip Keaggy, & Dan Pecchio | The Answer | 2:38 | |||
| Coming Home | 3:31 | Dan Pecchio & John Sferra | Dawn of a New Day | 2:55 | Philip Keaggy & Dan Pecchio | ||
| Philip-guitars & vocal Dan-bass guitar & vocal, flute John-drums, vocal, acoustic guitar, tambourine |
Special Friends Percussion effects by Ralph McDonald on "Child of the Universe"-bells, "One Day at a Time"-triangle, "Just Always"-congas, "Song of Hope"-assorted percussion effects. Vocal harmony by Mary Smith on-"Just Always." Album cover concept & design: Bill Able Photography: Bill Able Recorded at Electric Lady Studios Engineer: Ralph Moss, Assistant Engineers: Tom Lubin, Bill Culhane, Gordon Shaad Project co-ordinator: Marty Thau Produced by: Lewis Merenstein | ||||||
| 1 | Consequences (US 1977 Mercury SRM-3-1700) M-/M-/M-/M- 3-LP Promo with book $30 SOLD! | |||||
| Side A | Side B | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Seascape | 17:00 | Godley and Creme | Sleeping Earth | 17:58 | Godley and Creme | |
| Wind | Honolulu Lulu | |||||
| Fireworks | The Flood | |||||
| Stampede | ||||||
| Burial Scene | ||||||
| Side C | Side D | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Five O'Clock in the Morning | 23:12 | Godley and Creme | Rosie | 20:30 | Godley and Creme | |
| When Things Go Wrong | Office Chase | |||||
| Lost Weekend | Cool, Cool, Cool | |||||
| Side E | Side F | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cool, Cool, Cool (Reprise) | 20:29 | Godley and Creme | Blint's Tune (Movements 1-17) | 14:18 | Godley and Creme | |
| Sailor | ||||||
| Mobilization | ||||||
| Please, Please, Please | ||||||
| Written arranged and performed by Lol Creme & Kevin Godley
with dialogue written and performed by Peter Cook Guest appearances: Sarah Vaughan Judy Huxtable (as Lulu) Peter Wheeler Andy Peebles Produce by Godley & Creme |
Engineered and Mixed by Martin Lawrence Recorded at Strawberry Studios, 3 Waterloo Road, Stockport, Cheshire and The Manor Studios, Shipton-on-Cherwell, Oxon. Mastered by Melvyn Abrahams Gizmo Prototype John McConnell Saxophones on When Things Go Wrong Mel Collins Photography Lew Long Retouching Mike Mann Text Paul Gambaccini Lay-out and typography Jack Wood | |||||
| 2 | The History Mix Volume 1 (US 1985 Polydor 825981-1) M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wet Rubber Soup (recycled from:) | 18:52 | Godley/Creme/Gouldman | Cry (Single Version) | 3:55 | Godley & Creme | |
| Light Me Up | 4:30 | |||||
| Creme/Stewart | An Englishman in New York | 5:52 | ||||
| Gouldman/Stewart | Save a Mountain For Me | 3:34 | ||||
| Cry | Godley & Creme | Golden Boy | 5:46 | |||
| Produced and Performed by Godley & Creme, Nigel Gray, J. J. Jeczalik, Eric Stewart, Graham Gouldman and Trevor Horn | Produced by Godley & Creme except Cry, Produced by Trevor Horn, Godley & Creme, and Remixed by Nigel Gray | |||||
| 1 | Let's Get Real, Real Gone For a Change (US 1986 SST 061) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Insidious Detraction | 3:59 | Gone | Last Days of Being Stepped On | 2:34 | Gone | |
| Get Gone | 3:57 | Ch. 69 | 3:23 | |||
| Peter Gone | 2:27 | Lawndale Rock City | 3:25 | |||
| Rosanne | 3:35 | The Fifth Force Suite | 8:03 | |||
| Climbing Rat's Wall | 2:11 | |||||
| Watch the 'Tractor | 2:10 | |||||
| Greg Ginn - Guitar
Andrew Weiss - Bass, Bassosaurus, Sampling Simeon Caine - Drums |
Produced by Greg Ginn Engineered by Michael Boshears Recorded at Hit City West Special thanks to Dave Rat Cover artwork by Ted Knect | |||||
| 2 | Gone II - But Never Too Gone (US 1986 SST 086) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Jungle Law | 2:22 | Gone | Left Holding Bag | 1:04 | Gone | |
| New Vengeance | 4:27 | GTV | 3:34 | |||
| Unglued | 2:26 | Daisy Strut | 2:25 | |||
| Turned Over Stone | 3:52 | Cutoff | 0:54 | |||
| Drop the Hat | 0:46 | Put it There | 2:01 | |||
| Adams | 4:33 | Utility Hose | 1:54 | |||
| Time of Entry | 0:40 | Yesturday is Teacher | 0:49 | |||
| How Soon They Forget | 1:56 | |||||
| Cobra XVIII | 5:00 | |||||
| Greg Ginn - Guitar
Andrew Weiss - Bass, Bassosaurus Simeon Cain - Drums |
Produced by Greg Ginn Engineered by Michael Boshears Recorded at Total Access, Redondo Beach, California 4/'86 Cover - Greg Ginn | |||||
| 1 | Radio Gnome Invisible Part 1 (UK 1973 Virgin V2002) VG+/M- gatefold $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Radio Gnome Invisible | 5:30 | allen | The Pothead Pixies | 3:00 | allen | |
| Flying Teapot | 12:30 | allen:moze | The Octave Doctors & the crystal machine | 2:00 | blake | |
| Zero the Hero and the Witch's Spell | 9:45 | allen:tritsch | ||||
| Witch's Song/i am your pussy | 5:10 | smyth:allen | ||||
| Split Sax ie tenna & soprasax & so Flooth by The Good Count Bloomdido Bad de Grass
Gitbox Stevie Hillside (spermguitar & slow whale) The Submarine Captain (Sideral Slideguitar & Dogfoot) Dingo Virgin & others (aluminum croonguitar & stumblestrum) VCS3 Fertilized Elect Piano & Left Bank Uptightright Pno. & Shakesperian Meat Bass: francis bacon Drumbox Kicks & Knocks lawrence the alien Congox by Rachid Whoarewe the treeclimber. |
Pon Voicebox dingo virgin & Mi T Moonweed the favourite Orgone Box & Space Whisper the Good Witch Yoni VCS3Box Cynthia Size A & Crystal Machine oy hi.T.Moonweed (the Favourite) Road Crew & Trux Venux de Luxe Switch Doctor Wiz de Kid Lights & Duke | |||||
| 2 | Shamal (UK 1975 Virgin OVED 17) gatefold M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wingful of Eyes | 6.19 | Howlett | Cat in Clark's shoes | 7.45 | Malherbe/Howlett/Lemoine | |
| Chandra | 7.15 | Music: Lemoine, Lyrics: Howlett | Mandrake | 5.07 | Moerlen | |
| Bambooji | 5.21 | Malherbe | Shamal | 8.58 | Howlett/Malherbe/Bauer/ Moerlen/Lemoine | |
| Mike Howlett: Bass guitar, Vocals Didier "Bloom" Malherbe: Tenor & Soprano Saxophone, C&G Flutes, Bamboo Flutes, Gongs Mireille Bauer: Marimba, Glockenspiel, Xylophone, Assorted Percussions & Gongs Pierre Moerlen: Drums, Vibraphone, Tubular Bells Patrice Lemoine: Pianos, Organ, Mini-Moog Synthesizer With the help of Steve Hillage-Acoustic & Electric Guitars ("Bambooji" & "Wingful of Eyes") Miquette Giraudy-Vocals ("Bambooji") Sandy Colley-Vocals ("Shamal") Jorge Pinchevsky-Violin ("Cat in Clark's shoes" "Bambooji," "Shamal" & "Chandra") Live Sounds-Cedric Beatty Lights-Wiz de Courbe Stage Sound-George McQuade |
Produced by Nick Mason for Mistral Music
Recorded at Basing Street Studios, London Engineered by Phil Ault & Dave Hutchins and at Olympic Studios, London Engineered by Ben King Mixed at Sarm Studios, London Engineered by Rick Curtain Cover designed and photographed by Clive Arrowsmith Artwork by Mustard | |||||
| 3 | Expresso (Can 1977 Virgin V 2074) M-/VG+ coh $12 SOLD! | 
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| 4 | Expresso (US 1977 Virgin PZ 34428) M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Expresso | 5:50 | P. Moerlen | Shadows Of (Part One) | 5:30 | A. Holdsworth | |
| Night Illusion | 3:38 | A. Holdsworth | Shadows Of (Part Two) | 2:05 | ||
| Percolations (Part One) | 3:51 | P. Moerlen | Esnuria | 7:54 | P. Moerlen | |
| Percolations (Part Two) | 6:02 | Mireille | 4:02 | F. Mose | ||
| Mireille Bauer: Vibraphone (1,2,5,6), Marimba (1,3,7), Glock (7), Toms (4)
Mino Cinelou: Congas (1,5,6,7), African Bell-Gong (2,5,6), Cuica, Triangle, Maracas (3), Talking Drums, Temple Blocks (5,6) Allan Holdsworth: Electric Guitar, Acoustic Guitar, Violin, Pedal Steel Guitar (3) Didier Malherbe: Tenor Sax, Flute (7) Benoit Moerlen: Vibra (1,2,3,4,5,6,7) Pierre Moerlen: Drums, Vibra (3), Marimba (4), Timpani (4), Glock (3) Francis Moze: Fretelss Bass, Gong (3), Acoustic and Electric Piano (8) |
Produced by Dennis Mackay Recorded at The Manor Studios Recording Engnieer: Dennis Mackay Mixed at Trident Studios Engineer: Stephen W. Taylor Mastering Engineer: George Piros Art Direction/Design: Ed Lee Illustration: John Thompson | |||||
| 5 | Magick Brother (UK 1977 Affinity AFF4) VG+/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Mystic Sister/Magick Brother | 6.16 | Gilly Smyth | Ego | 3.54 | Gilly Smyth | |
| Glad to Sad to Say | 2.55 | Gong Song | 3.48 | |||
| Rational Anthemn | 4.10 | Princess Dreaming | 3.52 | |||
| Chainstore Chant & Pretty Miss Titty | 5.19 | Five & Twenty Schoolgirls | 4.30 | |||
| Fable of a Fredfish & Hope You Feel OK | 3.99 | Cos You Got Green Hair | 5.02 | |||
| This album is the First outpour of Green planetary vvvvibrrrrations pon planude Earth tho Gong the Band wasn't formed til Amougies Jazz & Rock festival Nov. 69 organised by Byg daddy Kastro Kornflake & ho ho hosted by Zappa. Cover photo is from this occasion-First Ever Gig. This LP tho was recorded by Dominique Blanc Francard in September 1969 on a 3 track movie camera. Producer: Pierre lattes. Planet Gong is represented here by Didier Malherbe Flute & sop sax. Rachid Houari Drum. Dieter Gewissler Contra basso on 1 & 4. Earl Freeman contrabass 6. Piano on 7. Burton Green Piano on 6. Gilly Smyth Spacewhisper. Tasmin voices on 1 and 8. Daevid Allen guit bass guit vocal sing song. | ||||||
| 6 | Floating Anarchy (F 1978 Custom LTM 1002) M-/VG+ $20 | 
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| 7 | Floating Anarchy (UK 1978 Charly CRM 2000) M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Psychological Overture | ?? | Zero | Opium for the People | ?? | Allen | |
| Floatin' Anarchy | Allez Ali Blacksheep Have You Any Bullshit: Mama Maya Mantram | Zero | ||||
| Stone Innoc Frankenstein | Allen | |||||
| New Age Transformation Try: No More Sages | Zero | |||||
| avec daevid el alien y gilli smyth and the Here & Now band
PROF. F. SHARPSTRINGS. P.A. ex school of fish guitar lips glissando guitar vocal on title track (2a) KEITH MISSLE BASS bass guitar & tree trunk KIF KIF LE BATTEUR drummery & asides GAVIN DA BLITZ synthesizo swoops & mind the bend the mind SUZE DA BLOOZ & ANNI WOMBAT choir of angels Marie CLEARLIGHT arms legs & bodice GRUNT SHOWBIZ switch doctorate, zounds & mouth |
BUDDIE BOLDEN & DAVE THA SLAVE & HOT DIGGETY DUG & JONATHINE BOATRICE Techno illogicalities
also there GILLI SMYTH cum SHAKTI YONI space whisper & pome DINGBAT ALIEN FBU & hugs drongophone, nose, gliss guitar & guitar guitar bi focal vocals & wordply Recorded live by Tanagra of Toulouse on 8T Tascam & Mixt by very remote control at bananamoon observatory de dela except Opium for the People Recorded STUDIO FEBERT by FRANK RELISCH with JEROME LA PERROUSAZ | |||||
| 8 | Camembert Electrique (I 1980 Oxford OX/3172) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Radio Gnome | 0:25 | Allen | Squeezing Sponges Over Policemens Heads | 0:10 | Allen | |
| You Can't Kill Me | 6:18 | Fohat Digs Holes in Space | 6:18 | Allen/Smyth | ||
| I've Bin Stone Before | 4:55 | Tried So Hard | 4:35 | Tritsch/Allen | ||
| Mister Long Shanks: O Mother I Am Your Fantasy | 3:35 | Tritsch/Smyth | Tropical Fish: Selene | 7:32 | Allen | |
| Dynamite: I Am Your Animal | 4:30 | Gnome the Second | 0:26 | |||
| Wet Cheese Delirum | 0:28 | Allen | ||||
| Recorded chez Michel Magne at Strawberry Studios Herrouville France during Full Moon Periods of May June & September 1971 | Photo Phil Franks executive producer Pierre Lattes for Jean Karakos and Jean-Luc Young Cover by Dingo Engineer Gilles Salle | |||||
| 9 | You (Port 1985 Movieplay MOV.10126) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Thought for Naught | ?? | Gong | Perfect Mystery | ?? | Gong | |
| A P.H.P.'s Advice | The Isle of Everywhere | |||||
| Magick Mother Invocation | You Never Blow Yr Trip Forever | |||||
| Master Builder | ||||||
| A Sprinkling of Clouds | ||||||
| Mike Howlett: Bass Guitar Pierre Moerlen: Percussion with Mireille and Benoit Steve Hillage: Lead Guitar Bloomdido Glad de Brass: Wind Instruments and Vocals Hi T Moonweed: Moog and EMS Synthesisers and Mellowdrone Dingo Virgin: Vocal Locust and Glissandoz Guitar Shakti Yoni: Poems and Space Whisper Bambaloni Yoni: Wee Voices and Chourousings |
Simon Heyworth: Engineer Venux De Luxe: Switch Doctor and Stage Sound Wizz De Kidd: Lighting David ID: Road Management Recorded at The Manor, Summer '74 Side One mixed at Paye, Marble Arch - thanx Jaimie Side Two Mixed at The Manor, Oxford - luv to all the ladies at the Manor. All titles written by Gong and produced by Simon Heyworth and Gong under the influence of C.O.I.T. (Compagnie d'Opera Invisible de Thibet) | |||||
| 1 | Tasty (US 1974 Warner Brothers BS 2813) VG+/VG+ promo sticker $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Back to my Music | 2:34 | Peppi Marchello | Fireball Express | 3:16 | Peppi Marchello | |
| Injun Joe | 5:18 | Fred Upstairs & Ginger Snappers | 3:12 | |||
| Tasty | 3:22 | Phil Fleish | 3:59 | |||
| 300 Boys | 3:49 | Klash-Ka-Bob | 2:16 | |||
| Papa Poppa | 5:08 | Songwriter | 4:51 | |||
| Peppi Marchello-lead vocal, harmonica and bats
Mickey Marchello-guitar, vocals John (The Cat) Gatto-guitar Lenny Kotke-bass, vocals Joe (Bracciola) Franco-drums All songs arranged by Good Rats Keyboards by Brian Cuomo |
Produced by Stephan Galfas Engineered by Jeff Kawalek Recorded and mixed at House of Music, West Orange, New Jersey Equipment crew-Mark 'Sparky' Thomas, John Sollitto Road Manager-EDDIETHEMOUSE Tiffany Cover painting by CJ Liner photos by Joe Bravo Thank you-Ken Kohl, WLIR-FM, Ultrasonic Studios, Michael Olivieri, Warner Bros. Records, ALL THE FRIENDS Direction by Chris Feder for Earlick, 24 Grove Ave., Corte Madera, California 94925 | |||||
| 2 | Birth Comes to Us All (US 1978 Passport PB 9830) M-/M- has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| You're Still Doing It | 3:59 | Peppi Marchello | School Days | 3:41 | Peppi Marchello | |
| City Liners | 3:27 | Juvenile Song | 2:24 | |||
| Cherry River | 3:22 | Gino | 2:38 | |||
| Ordinary Man | 4:04 | Bed and a Bottle | 2:16 | |||
| Man on a Fish | 3:59 | Birth Comes to Us All | 2:49 | |||
| Lenny Kotke: Bass, Vocals John Gatto: Guitars Peppi Marchello: Lead Vocals Mickey Marchello: Guitars, Vocals Joe Franco: Drums ***** Peter Wood: keyboards Larry Fast: synthesizer Female background vocals: Janis Pendanvis, Joshie Armstead, Zephryn Max Middleton: keyboards Brian Cuomo: piano sax Joe Zangrando: sax, flute Richard Tee: keyboards John Tropea: guitar Jimmy Moelin: conga Mel Collins: sax Manfred Mann: organ and synthesizer Stephan Galfas: mellotron |
Produced by John Jansen and Stephan Galfas Associate producer: Mickey Marchello for Rat City Records, Ltd. Engineered by John Jansen and Stephan Galfas Additional engineering by Jim Bonnefond Assistant engineering by Judy Zeckley, Dennis McNerney, Gary Rosen, Robert Cohen Mixed by John Jansen and Stephan Galfas with Peter J. Roulinavage Recorded at Rampart Studios, Battersea, England Recorded and mixed at House of Music, West Orange, New Jersey Mastered by George Marino at Sterling Sound, NYC String Arrangements on "Man on a Fish" by Peppi Marchello and Will Malone String and horn arrangements on "Birth Comes To Us All" by Will Malone Horn arrangements on "Ordinary Man" by Peppi Marchello and will Malone All words, music, and vocal arrangements by Peppi Marchello All guitar arrangements by Micky Marchello Album cover designed and illustrated by Paul Jansen Current photos by Chris Gabrin Art direction by Murray Brenman This album is the first LP ever to be mixed with the new 602B Aphex Aural Exciter System. | |||||
| 1 | Celestial Vibrations (US 1978 SWN 52824) M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bethlehem | 24:38 | Gordon | All Pervading | 24:18 | Gordon | |
| Edward Larry Gordon - Electric Zither | Photo by John Shike Jacket design: S. White Audio by ZBS Media, Inc. | |||||
| 1 | Gothic Hut (US 1982 Posh Boy PBS 143) M-/M- has the insert $25 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Backstage | ?? | Gothic Hut | Heavy Into Metals | ?? | Gothic Hut | |
| There Has to Be An Answer | Portrait of Pooter | |||||
| C-14 | Bridge of Fate | |||||
| Women in Red | How Thick Can a Wall Be | |||||
| See Me Tomorrow | LRD | |||||
| Go To Sleep | Un Want to Be | |||||
| John Dyer: Guitar, Bass, Vocals, Unamped Electric Guitar, Screams
Brett Henry: Drums, Synares, Sax, Guitar, Vocals Doug Henry: Bass, Guitar, Bleed Through, Slowed Down Guitar, Percussion, Vocal, unamped Guitar Additional Performances by Tanya Tomkins: Cello Dave Demaree: Bass (Vocals, Lyrics & Percussion on Portrait of Pooter) |
Recorded at Telstar Sound, Burbank, CA February-April 1982 Produced by Phil Singher & Gothic Hut | |||||
| 1 | Accident (US 1982 Europa JP 2010) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Photography | 3:50 | John Greaves/Peter Blegvad | Salt | 4:03 | John Greaves | |
| Irma | 3:29 | Wax | 4:02 | John Greaves/Peter Blegvad | ||
| Milk | 3:28 | Ruby | :52 | John Greaves | ||
| Accident | 3:39 | The Rose Sob | 1:58 | John Greaves/Peter Blegvad | ||
| Sad Emission | 3:30 | Silence | 3:27 | |||
| For Bearings | :45 | |||||
| John Greaves - vocals, keyboards, bass Armand Frydman - keyboards Pascale Son - vocals Jacqueline Cahen - vocals on "Irma" Pip Pyle - drums, electric drums Kurt Rust - drums Philippe Gisselman - alto & soprano saxes Yoshklo Seffer - alto sax on "Irma" Marc Richard - alto sax & clarinet on "Ruby" & "Rose Sob" Dominique Guiot - electric guitar Jean-Luc Fauvel - accoustic guitar Jean-Michel Bertrand - percussion on "Salt" Geoffrey Richardson - viola on "Silence" |
Produced by John Greaves and Armand Frydman Engineered by Armand Frydman Recorded at Studio Solaris, Paris, '81-'82 Cover by David Larcher & Peter Blegvad also Amanda | |||||
| 1 | Kew Rhone (UK 1977 Virgin V 2082) has the insert M-/M- $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Good Evening | 0:34 | Greaves/Blegvad | One Footnote (to Kew Rhone) | 4:03 | Greaves/Blegvad | |
| Twenty-Two Provers | 4:04 | Three Tenses Onanism | 4:05 | |||
| Seven Scenes from the Painting Exhuming the First American Mastodon by C.W. Peale | 3:32 | Nine Mineral Emblems | 5:50 | |||
| Kew Rhone | 3:04 | Apricot | 3:02 | |||
| Pipeline | 3:40 | gegenstand | 3:45 | |||
| Catalogue of Fifteen Objects and Their Titles | 3:33 | |||||
| Music by John Greaves, Lyrics by Peter Blegvad
Lisa Herman: vocals John Greaves: piano, organ, bass, vocals, percussion on Footnote Peter Blegvad: vocals, guitars, tenor sax on "pipeline" Andrew Cyrille: drums, percussion Mike Mantler: trumpet, trombone Carla Bley: vocals, tenor sax on "Good Evening" & "Footnote" Michael Levine: violin, viola, vocals on "Minerals" Vito Rendace: alto & tenor saxes, flute April Lang: vocals on "Pipeline" & "Three Tenses" Dana Johnson: vocals on "Proverbs" Boris Kinberg: clave on "Pipeline" |
Engineered by Mike Mantler at Grog Kill Studio, Woodstock, New York, Oct. ‘76
Arranged by John Greaves Cover by Peter Blegvad Photo of C.W. Peale’s "Exhuming the First American Mastodon" used with permission of the Peale Museum, Baltimore, Maryland | |||||
| 1 | Grin (US 1971 Spindizzy 30321) M-/M- $25 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Like Rain | 3:38 | N. Lofgren | If I Were A Song | 3:10 | N. Lofgren | |
| See What a Love Can Do | 5:03 | Take You To The Movies Tonight | 1:45 | |||
| Everybody's Missin' the Sun | 3:45 | Direction | 4:15 | |||
| 18 Faced Lover | 3:26 | Pioneer Mary | 3:45 | |||
| Outlaw | 4:02 | Open Wide | 3:05 | |||
| We All Sing Together | 3:44 | I Had Too Much (Miss Dazi) | 3:25 | |||
| Nils Lofgren: Guitars, Keyboards, Vocals
Bob Gordon: Bass, Vocals Bob Berberich: Drums, Vocals |
Produced by David Briggs Dedicated to Roy Buchanan Cover and Back: Bruce McCauley | |||||
| 1 | GTR (US 1986 Arista AL8-8400) M-/M- has inner sleeve $8 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| When the Heart Rules the Mind | 5:25 | Hackett/Howe | You Can Still Get Through | 4:52 | Hackett/Howe | |
| The Hunter | 4:55 | Downes | Reach Out (Never Say No) | 4:07 | Hackett/ Howe/ Spalding | |
| Here I Wait | 4:54 | Hackett/Howe | Toe the Line | 4:29 | Hackett/ Howe | |
| Sketches in the Sun | 2:31 | Howe | Hackett to Bits | 2:09 | Hackett | |
| Jeckyll and Hyde | 4:42 | Hackett/ Howe/ Bacon | Imagining | 5:52 | Hackett/ Howe/ Spalding | |
| Steve Howe: Guitar, Synthsizers & Backing Vocals
Steve Hackett: Guitar, Synthesizers & Backing Vocals Max Bacon: Lead Vocals Phil Spalding: Bass Guitar & Backing Vocals Jonathan Mover: Drums & Percussion Acoustic guitar intro on "Imagining": Steve Hackett Bass guitar on "Reach Out (Never Say No)": Steve Howe |
Produced by Geoffrey Downes Engineered by Alan Douglas Recorded at Townhouse Studios, London, England Management: Brian Lane Art Direction: Howard Fritzson Logo Design: Ian Miller Front Cover & Innersleeve Photography: Miki Slingsby Back Cover Photography: Mike Russell Assistant Studio Engineers: Andy Mason, Noel Harris, John Brough Additional Engineering: Owen Davies | |||||
| 1 | Tibetan Tantric Choir (US 1987 Windham Hill WH-2001) gatefold M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Guhyasamaja Tantra, Chapter II | 23:33 | The Gyuto Monks | Melody for Mahakala | 25:08 | The Gyuto Monks | |
| Executive Producer: Fritz Kasten Produced by Mikey Hart Engineered by Mickey Hart and Tom Size Re-mix Engineer: Dan Healy Second Re-mix Engineer: Tom Size Recorded at Fantasy Studio D, Berkeley, CA Mastered by Bernie Grundman, Bernie Grundman Mastering, CA |
Project Consultant: Robert A.F. Thurman Production Supervision: Patricia Belknap Liner Notes: Fritz Kasten Cover Photo by Eric Lawton Liner Photo by Maria Gault Inside Cover Photo by John Werner Design by Anne Robinson | |||||