MAHAVISHNU ORCHESTRA Go to Next band (Mainhorse) Previous band (Lucifer)
1 | The Inner Mounting Flame (US 1971 Columbia KC 31067) VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Meeting of the Spirits | 6:50 | Mahavishnu John McLaughlin | Vital Transformations | 6:14 | Mahavishnu John McLaughlin | |
Dawn | 5:15 | The Dance of Maya | 7:15 | |||
The Noonward Race | 6:27 | You Know You Know | 5:06 | |||
A Lotus on Irish Streams | 5:41 | Awakening | 3:30 | |||
John McLaughlin: Guitar Billy Cobham: Drums Rick Laird: Bass Jan Hammer: Piano Jerry Goodman: Violin |
Don Puluse: Engineer Produced by John McLaughlin Album design: Ron Coro Photography: Anthony Hixon |
2 | Birds of Fire (US 1972 Columbia KC 31996) VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Birds of Fire | 5:44 | J. McLaughlin | One Word | 9:56 | J. McLaughlin | |
Miles Beyond (Miles Davis) | 4:41 | Sanctuary | 5:06 | |||
Celestial Terrestrial Commuters | 2:55 | Open Country Joy | 3:54 | |||
Sapphire Bullets of Pure Love | :21 | Resolution | 2:09 | |||
Thousand Island Park | 3:21 | |||||
Hope | 1:57 | |||||
Album design by Ashok (Chris Poisson) Photographs by Pranavananda Produced by The Mahavishnu Orchestra Engineering: Ken Scott, Trident Studios, London, and Jim Green, CBS, New York |
The Mahavishnu Orchestra: John McLaughlin (Guitar), Rick Laird (Bass), Billy Cobham (Percussion), Jerry Goodman (Violin), Jan Hammer (Keyboards, Moog) |
3 | Between Nothingness & Eternity (US 1973 Columbia KC 32766) VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Trilogy | 12:16 | J. McLaughlin | Dream | 21:26 | J. McLaughlin | |
Sister Andrea | 8:37 | J. Hammer | ||||
Recorded in August of 1973, in Central Park by Location. Sound by Dawson. Engineered by Tim Geelan The Mahavishnu Orchestra: Mahavishnu John McLaughlin-Guitar Jan Hammer-Piano & Moog Jerry Goodman-Violin Rick Laird-Bass Billy Cobham-Drums |
Produced by Murray Krugman and Mahavishnu John McLaughlin Album Design & Photography: Ashok Thanks to: Pranavanavda, Graham, Udayan & Aradhana Special Thanks to: Nat Weiss, Al Teller, Lynn Volkman, Elliot, Anthony & Joseph Star Cluster-Artwork by Helmut Wimmer Courtesy The American Museum/Hayden Planetarium |
1 | Mainhorse (US 1971 Import IMP 1001) M-/M- cos $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Introduction | 5:04 | Moraz- Lockett- Graham | Basia | 5:27 | Moraz- Lockett | |
Passing Years | 3:51 | Moraz- Kubinec | More Tea Vicar | 10:11 | Moraz | |
Such a Beautiful Day | 4:39 | Moraz- Lockett | god | :17 | Moraz- Lockett | |
Pale Sky | 9:09 | Ristori- Kubinec | ||||
Produced and Arranged by Mainhorse Side One recorded at de Lane Lea Studio, Engineer: Lou Austin Sid eTwo, First two tracks recorded at Morgan Studio Last Track "God" at De Lane Lea, (Engineer for God: Lou Austin) Personal Management: Pulsar Promotions. |
Patrick Moraz - Organ, Electric Piano, Glockenspiel, klaviosynthsiser, Vocals
Peter Lockett - Lead Guitar, Violin, Vocals Jean Ristori - Bass, Cello, Vocals. Bryson Graham - Drums and percussion. Photography: Wolfhuber. Art Direction/Illustration: Keith Davis/Grahame Berney. |
1 | Bloom (UK 1980 Charly CRL 5022) M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bateau-Vole | ?? | D. Malherbe/Nissim | Dan-Dan | ?? | D. Malherbe | |
Whiskers | D. Malherbe | Suite a Tout de Sweet | ||||
Giva a Chance to To-morrow | ||||||
cover & photos studio de l’air |
1 | Back Into the Future (UK 1973 United Artists UAD 60053/4) M-/M-/M- gatefold $20 | |||||
2 | Back Into the Future (US 1973 United Artists UA-LA179-H2) M-/M-/VG+ gatefold $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
A Night in Dad's Bag | 4:00 | M. Jones/ T. Williams/ P. Ryan | Ain't Their Fight | 7:40 | M. Jones/ T. Williams/ P. Ryan | |
Just for You | 5:17 | Never Say Nups to Nepalese | 7:30 | |||
Back Into the Future | 4:02 | |||||
Don't Go Away | 3:58 | |||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Sospan Fach | 3:30 | Arr. & Adapted by M. Jones | Jam Up Jelly Tight | 21:10 | M. Jones/ T. Williams/ P. Ryan | |
C'Mon | 19:15 | M. Jones/ T. Williams/ P. Ryan | ||||
Produced by Man & Vic Maile at Rockfield, Chipping Norton & Olympic Studios May/July 1973.
Vocal accompaniment on "C'mon" by The Gwalia Male Choir. Members of The Man Band Side One: Michael Jones, Terry Williams, Phil Ryan, Will Youatt. Side Two, Three and Four*. Michael Jones, Terry Williams, Phil Ryan, Will Youatt, "Tweke" Lewis. *Recorded live at The Roundhouse, London. June 24th 1973 by Vic Maile with The Pye Mobile. |
Thanks to the Rockfield Rovers (Bottom of the Table) Kingsley, Ralph, Pat and Dave for his Steel, and Winnie for being Phil's Gran.
For getting us there - Foster, Jeff and Plug. Special thanks to Vic Maile for his patience. Anton Matthews for his engineerng. Andrew Lauder for his faith. Len Brown and his gang for getting us to say what we meant to say and not what he said we meant. Thank you, thank you, thank you. Also to Nektar for coming to England. This Album is Dedicated to The Human Race and our Captain, Barrie Marshall. Art direction and phography inside: Pierre Tubbs. Front photography: Ruan O'Laughran. Designed and model made by Art Direction. |
2 | Rhinos, Winos & Lunatics (US 1974 United Artists UA-LA247-G) M-/M- gatefold, cc $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Taking the Easy Way Out Again | 4:20 | Jones/ Leonard/ Morley/ Whaley/ Williams | Intro | 0:44 | Jones/ Leonard/ Morley/ Whaley/ Williams | |
The Thunder and the Lightning Kid | 5:20 | Kerosene | 6:31 | |||
California Silks and Satins | 4:38 | Leonard/Morley | Scotch Corner | 8:26 | ||
Four Day Louise | 6:04 | Jones/ Leonard/ Morley/ Whaley/ Williams | Exit | 1:56 | ||
Produced by Roy Thomas Baker | Engineer: Martin Levan (Morgan Studios), Peter Kelsey (Trident Studios) |
3 | Slow Motion (US 1974 United Artists UA-LA345-G) M-/M- has inner sleeve $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hard Way to Die | 5:17 | T. Williams/K. Whaley/M. Jones/D. Leonard | Bedtime Bone | 5:54 | T. Williams/K. Whaley/M. Jones/D. Leonard | |
Grasshopper | 5:09 | One More Chance | 4:20 | |||
Rock & Roll You Out | 3:50 | Rainbow Eyes | 6:02 | |||
You Don't Like Us | 4:32 | Day and Night | 4:05 | |||
Terry Williams Ken Whaley Deke Leonard Micky Jones Produced by Man and Anton Matthews with Special Assistance from David Charles Design: Rick Griffin Recorded at Rockfield's new flash, ultra modern 24 track studio (but we only used 16 of them). Mixed at Olympic, Ramport, and Morgan Studios. People who helped us on the mixing are David Hamilton-Smith, David Charles, and Robin Black. |
Now there are Man musicians and people who have somehow manages to do something to the music on this album.
We would like to thank Anton's brother, James for his harmonica and Jews Harp. Also for helping out with the vocals, Anton, David Hamilton-Smith and Clint on Knee Vocal. We sobered up the next day we had second thoughts. Strings on 'Grasshopper' are by the Mountain F Jord Orchestra. Sax solo on 'Roll and Rock You' by Chris Mercer. Strings on 'Rainbow Eyes' by Stuart Gordon. Helpers, Hinderers, Roadies, Setter Uppers, Taker Downers, Get Theres, Get Us Backs, go by the name of Cunningham, Newcombe, Smith and Hooper. Pipes by Puig. Thanks to Sandos Lopez for the Bottleneck. Don't lose it now. |
4 | Welsh-Connection (US 1976 MCA MCA-2190) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Ride and the View | 5:01 | Leonard | Something is Happening | 6:21 | Ryan | |
Out of Your Head | 4:04 | Car Toon | 6:01 | Leonard-Ryan | ||
Love Can Find a Way | 5:13 | McKenzie | Born With a Future | 7:07 | Jones- Leonard- Ryan | |
The Welsh Connection | 7:18 | Ryan-Jones | ||||
The Manband are..... Terry Williams: Vocals & Drums Phil Ryan: Vocals & Keyboards John McKenzie: Vocals & Bass Deke Leonard: Vocals & Guitar Micky Jones: Vocals & Guitar |
The Welsh Connection was produced by the Manband at Olympic Studios, Barnes, between December '75 and February '76.
The Cast in order of Dis-appearance: Doug Bennett...Engineer par excellence, Quality Control and Tact. A name that strikes terror into the heart of every lampshade in the world. Nigel Brooke-Harte... of the Royal Canadian Mounted Disease. Tape-Operation and Fairweather Taxidermist. Best known for his portrayal of the title-role in the new disaster epic 'The Towering Inferno'. Featuring brief Cameo Dis-appearances by:- Caromay Dixon: Vocal on 'Something is Happening'. Jeffrey 'I've said it befor' Hooper: Vocal on 'Out of Your Head'. Anton Matthews: Vocal on 'Out of Your Head'. Nigel Brooke-Harte (again?): Vocal on 'Car Toon'. Pete Brown: African Talking Drums on 'The Welsh Connection' and 'Something is Happening'. and 'The Boys'...Thier Majesties, The Kings of the Roads, 'Human Gaffer-Tape': Jeffrey 'Butch' Hooper and Robert Collins 'The Sundance Kid'. Andrew Lauder once again lent his 'ice cool' ear to the mixing of this album. Joe Petagno designed the cover. |
1 | Shangrenade (US 1973 Janus JLS 3047) M-/VG+ cc $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
What the Funk | 3:05 | Victor Conte | Million Dollar Feeling | 3:32 | Coleman Head | |
Fish Walk | 4:40 | Green Apple Quickstep | 3:06 | H. Mandel | ||
Sugarloaf | 4:15 | H. Mandel, R. Mandel | Frenzy | 4:32 | H. Mandel, C. Head, V. Conte, R. Mandel | |
Midnight Sun II | 3:42 | H. Mandel | Shangrenade | 4:18 | H. Mandel, R. Mandel | |
Lead guitar: Harvey Mandel Rhythm guitar: Coleman Head Bass, Electric Upright Bass: Victor Conte Drums: Paul Lagos Clavinet: Bobby Lyle String: Bobby Notkoff Steel guitar: Freddie Roulette Acoustic Piano: Bobby Lyle Electric violin: Don "Sugarcane" Harris |
Produced by: Skip Taylor and Harvey Mandel for Skip Taylor Productions, Inc. and GRT Corp Production Assistance: Jim Taylor Recorded at The Village Recorder, November 1972 to June 1973 Recording Engineer: Baker Bigsby Mixdown Engineer: Baker Bigsby (except "Million Dollar Feeling" John Stronach.) Midnight Sun II-remixed at Westlake Audio Mastered at: The Mastering Lab by: Doug Saxe Album Cover: Cliff McReynolds. Photography and Design: Norman Seeff Album title: Jim Taylor Special thanks to: Marv. Schlachter, Lynda Mandel, Dennis Parins, Frances Knott. |
1 | Manfred Man's Earth Band (US 1972 Polydor PD 5015) M-/VG+ $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
California Coastline | 3:48 | Walt Meskill/Timothy Martin | Please Mrs. Henry | 4:30 | B. Dylan | |
Captain Bobby Stout | 6:57 | Lane Tiefgen | Jump Sturdy | 4:49 | Dr. John Creaux | |
Sloth | 1:27 | Mann | Prayer | 5:40 | Mann | |
Living Without You | 3:36 | Randy Newman | Part Time Man | 3:04 | Mann-Sadler | |
Tribute | 5:32 | Mann | I'm Up And I'm Leaving | 3:07 | ||
Mick Rogers: Guitar, vocals Manfred Mann: Organ, synthesiser, vocals Colin Pattenden: Bass Chris Slade: Drums Management: Harry Maloney, Bron Organisation |
*Produced by Manfred Mann and Dave Hadfield for Mann-Hadfield Productions Others by David Mackay for Leon Henry Productions Engineers: Dave Hadfield, John Pantry Recorded at: Maximum Sound, I.B.C. Studios Photography: Bob Foster Design: Bloomsbury Group |
1 | Fresh Aire (US 1975 American Gramaphone AG-355) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Prelude/Chocolate Fudge | 4:23 | Chip Davis | Fresh Aire*** | 5:27 | Chip Davis | |
Interlude I | 2:50 | Rondo | 2:33 | |||
Sonata**+ | 2:26 | Interlude III | 2:31 | |||
Interlude II | 2:29 | Pass the Keg (Lia)*+ | 2:27 | |||
Saras Band | 3:43 | Interlude IV | 2:05 | |||
Mist*** | 1:45 | |||||
Produced by Don Sears, Chip Davis Written and Arranged by Chip Davis Poetry by Bill Fries Jackson Berkey/All Keyboards Eric Hansen/Bass Chip Davis/Drums, Recorder, and other toys |
*Denny Schneider/Trumpet *Bill Buntain/Trombone Don Sears/Synthesizer Programming Strings/**Omaha, ***Kansas City Walter Griffit/Photography. Recorded & Mastered at Sound Recorders, Inc. Omaha, Nebraska/Kansas City, Missouri Engineered by Don Sears, Ron Ubel, and Jeff Shiller. Album Design, Michael Deacon |
2 | Fresh Aire III (US 1979 American Gramaphone AG-365) M-/M- gatefold die-cut cover $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tocatta | 4:30 | Chip Davis | Morning | 2:45 | Chip Davis | |
Small Wooden Bachses | 2:25 | Interlude 6 | 2:50 | |||
Amber | 2:40 | The Cricket | 2:25 | |||
Mere Image | 6:43 | The Sky | 5:00 | |||
Midnight on a Full Moon | 3:10 | |||||
Produced by Don Sears, Chip Davis Written and Arranged by Chip Davis Engineered by Don Sears Strings on Mere Image by Ron Ubel Mixed and Mastered by Don Sears Jackson Berkey: Piano, Harpsicord, Synthesizer, Clavichord, Fender Rhodes, Tack Piano and Production Assistant Eric Hansen: Bss Chip Dais: Drums, Recorders and More Toys Ron Cooley, Guitars Ray Still, Bob Jenkins, Oboe Dave Kappy, French Horn |
Omaha Strings: Concert Master, Steve Ships Violins: Mary Sokol, Kathie Spratt, Ervin Orban, Ann Cannell, Deborah Fuller, Susan Winslow, David Hagy Violas: Sue Robinson, Bill Schroen, Pat Morrow Cellos: Claire Sokol, David Low, Lurene Ekwurtzel Basses: Leslie Carter, Mike Shultz Kansas City Strings: Concert Master Hugh Brown Violins: Dorothy Brown, Ginni Eldred, Merton Shatzkin, Joe Landes, Mortimer Alpert, Joe Rosenstein, Ruth Bransby Viola: James Hammond, Lucinda Gladics, Phillip Wachowski Cello: Miriam Duffelmeyer, Beth McCollum, Lou Lynch Recorded at Sound Recorders, Omaha, Kansas City Mastered by Don Sears, John Boyd Photography by Carol Ann Davis Album Design by Don Sears, Chip Davis Art Directed by Dudycha & Associates, Inc. Keyboard Technician: Louis Davis Special thanks to Dougie for the downright upright |
1 | K-Scope (US 1978 Polydor PD-1-6178) M-/VG+ cc, has inner sleeve $12 | |||||
2 | K-Scope (G 1978 Polydor 2344 127) M-/VG+ $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
K-Scope | 4:32 | Manzanera | Slow Motion TV | 5:31 | Manzanera/W. MacCormick/Ainley | |
Remote Control | 2:36 | I. MacCormick | Gone Flying | 4:27 | Manzanera/W. MacCormick | |
Cuban Crisis | 6:02 | Manzanera/W. MacCormick | N-Shift | 3:12 | Manzanera | |
Hot Spot | 5:01 | Manzanera/W. & I. MacCormick | Walking Through Heaven's Door | 6:52 | Manzanera/W. MacCormick | |
Numbers | 3:28 | Manzanera/Wetton | You Are Here | 3:16 | Manzanera | |
Simon Phillips - Drums, Electronic Percussion Bill MacCormick - Bass, Vocals, Drums Eddie Rayner - Yamaha Electric Piano, Upright Piano, Moog Bass, Bosendorf Piano Mel Collins - Saxes Lol Creme - Gizmo, Backing Vocals Phil Manzanera - Guitars, Farsifas, Keyboards, Echo Guitar, Yamaha CS80, Synthesizer Paul Thompson - Drums Simon Ainley - Rhythm Guitar Dave Skinner - Yamaha Electric Piano, Yamaha CS80 Tim Finn - Lead Vocals Neal Finn - Backing Vocals Kevin Godley - Backing Vocals, Hi-hat John Wetton - Voices Francis Monkman - Piano |
Recorded at Sun Park Studios, Surrey between March-May 1978 Engineer - Greg Jackman Mastered at Strawberry Mastering Cutting Engineer - Mel Abrahams Equipment - Pete Revill Cover Concept - Chris Hopper Design - Cream Produced by Phil Manzanera for E.G. Records Ltd. |
1 | Mark-Almond (US 1971 Blue Thumb BTS-27) VG+/VG cc has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Ghetto | 6:05 | Jon Mark | Love | 11:49 | Jon Mark | |
The City | 11:30 | |||||
Tramp and the Young Girl | 4:55 | Song for You | 8:25 | Rodger Sutton | ||
Conceived, written, produced and recorded in London, 14 Belvedere Drive; New York: Paris and Los Angeles.
Production Supervisor: Hugh Murphy Brass and Harmony arrangements by Tommy Eyre and Johnny Almond Musicians: Jon Mark: Classical guitar, electric guitar, second bass, percussion and lead vocals Johnny Almond Baritone, tenor, alto and soprano saxophones, vibes, vocal harmonies, conga drums, conert alto and bass flute |
Tommy Eyre: Concert piano, electric piano, vocal harmonies, organ, second flute, percussion and second guitar
Rodger Sutton: First bass, percussion, vocal harmonies and second vocals Management: Dennis Lunder Recording Executives: England, Europe and Commonwealth by Dave Crocker of Harvest Records and U.S.A., Canada and Japan by Bob Krasnow of Blue Thumb Records Cover photos by Richard Dunkley Cover concept and design by Ian Latimer |
2 | Mark-Almond II (US 1972 Blue Thumb BTS 32) M-/M- cc, matchbook cover, has inner sleeve $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Sausalito Bay Suite | Jon Mark | Journey Through New Englans | ||||
The Bridge | 5:31 | One Way Sunday | 5:30 | Jon Mark | ||
Solitude | 6:05 | Sunset | 6:25 | Roger Sutton | ||
Friends | 4:10 | Ballad of A Man | 11:42 | Jon Mark | ||
Conceived, written, produced and recorded in: San Francisco, Sausalito, London and Los Angeles
Jon Mark-Lead vocals, Classical guitar, 12 string guitar, Electric guitar, Percussion Johnnie Almond-Baritone, alto, tenor, soprano sax, Vibes, Concert, alto, bass flute, Percussion, Vocal harmonies Tommy Eyre-Concert Piano, Electric piano, 2nd flute, 2nd guitar, Vocal harmonies, Percussion Roger Sutton-2nd vocals, Bass, Percussion, Cello, Vocal harmonies Dannie Richmond-Drums, Percussion, Vocal harmonies and Good vibes |
Album Produced by: Tommy Li Puma Engineered by: Bruce Botnick Recording Executives: U.S.A., Canada, Japan - Bob Krasnow, Blue Thumb Records, Inc. Rest of World-Nick Mobbs, Harvest Records Concept Design by: Latimer/Field Photography by David Field/Jon Mark/Chris Parker |
1 | Freaks (Live) 12" (UK 1988 EMI 12MARIL9) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Freaks (Live) | ?? | Marillion | Childhood End? (Live)* | ?? | Marillion | |
Kayleigh (Live) | White Feather (Live)* | |||||
Produced by Marillion and Privet Hedge Illustration by Mark Wilkinson |
Tracks taken from the Double Album, Long Play Cassette & Double CD "The Thieving Magpie" except 'Freaks', Cassette &, *CD only |
1 | Nick Mason's Fictitious Sports (US 1981 Columbia FC 37307) M-/M- has inner sleeve $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Can't Get My Motor to Start | 3:37 | C. Bley | Boo to You Too | 3:25 | C. Bley | |
I Was Wrong | 4:10 | Do Ya? | 4:32 | |||
Siam | 4:47 | Wervin' | 3:55 | |||
Hot River | 5:13 | I'm a Mineralist | 6:14 | |||
The Fictitious Sports: Robert Wyatt: Vocals Karen Kraft: Vocals Chris Spedding: Guitars Carla Bley: Keyboards Gary Windo: Tenor/Bass Clarinet/Flute Gary Valente: Trombones Mike Mantler: Trumpets Howard Johnson: Tuba Steve Swallow: Bass Nick Mason: Drums & Percussion Terry Adams: Piano (on Boo to you Too) Harmonica and clavinet (on Can't get my motor to start) Additional voices: Gary Windo, Carlos Ward, D. Sharpe, Gary Valente, Vincent Chancey, Earl McIntyre |
Recorded at Grog Kill Studio, Willow, New York by Michael Mantler, assisted by Nick Mason.
Mixed at Villiage Recorders and the Producer's Workshop, Los Angeles, California by James Guthrie. Cover design by Hipgnosis and Geoff Halpin. Studio Shots by Mumby Produced by Nick Mason and Carla Bley |
1 | Matching Mole (UK 1972 CBS 32105) M-/M- $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
O Caroline | ?? | Sinclair, Wyatt | Instant Kitten | ?? | Wyatt | |
Instant Pussy | Wyatt | Dedicated to Hugh, but You Weren't Listening | ||||
Signed Curtain | Beer as in Braindeer | |||||
Part of the Dance | Miller | Immediate Curtain | ||||
Robert Wyatt: Mellotron, Piano, Drums and Voice
David Sinclair: Piano and Organ Phil Miller: Guitar Bill MacCormick: Bass Guitar Guest Super Star Dave McRae: Electric Piano Produced by Matching Mole, Executive Producer Sean Murphy |
Recorded at CBS Studios, London, December 1971/January 1972 and mixed at Nova Studios, London February 1972.
Sound Engineer Mike FitzHenry. Aided at Nova by Richard Dodd and assisted by Phillip Beckwith. Cover Illustration Alan Cracknell |
1 | Invitation to Openness (US 1972 Atlantic mfg Capitol SD 1603) gatefold M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Lovers | 26:11 | Les McCann | Beaux J. Poo Boo | 13:12 | Les McCann | |
Poo Pye McGoochie (and his friends) | 12:34 | |||||
The personnel is: Les McCann, piano, electric piano & moog synthesizer;
Yusef Lateef, tenor sax, oboe, flute, pneumatic flute, plum blossom & temple bells; David Spinozza, guitar &
electric guitar; Cornell Dupree, electric guitar; Corky Hale, harp; Jodie Christian, electric piano; Bill Salter, electric bass;
Jimmy Rowser, bass; Bernard Purdie, drums & percussion; Al Mouzon, drums & percussion; Donald Dean, drums & percussion;
William "Buck" Clarke, African drums & percussion; Ralph McDonald, percussion.
Arranged & conducted by Les McCann |
Recorded at Atlantic Recording Studios, New York, N.Y. Recording engineer: Jimmy Douglas Re-mixed at Fred Catero Studios, San Francisco, Calif. Re-mix engineer: Fred Catero Cover photo: Les McCann Inside liner photo: Giuseppe G. Pino Album design: Loring Eutemey Produced by Joel Dorn Les McCann and Atlantic Records would like to thank arranger/composer John Murtaugh for bringing his own synthesizer to Atlantic studios-programing it and in general, being of invaluable assistance to Les McCann in using the synthesizer on this album. Special thanks to Jimmy Douglass and Fred Catero. |
1 | McDonald and Giles (US 1971 Cotillion SD 9042) gatefold M-/M- $25 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Suite in C; including Turnham Green, Here I Am and others | 11:21 | McDonald | Birdman; involving The Inventor’s Dream (O.U.A.T.), The Workshop, Wishbone Ascension, Birdman Flies!, Wings in the Sunset, Birdman-The Reflection | 21:45 | Sinfield/McDonald | |
Flight of the Ibis | 3:18 | B.P. Fallon/McDonald | ||||
Is She Waiting? | 2:40 | McDonald | ||||
Tomorrow's People - Children of Today | 7:00 | Giles | ||||
Ian McDonald-Guitar, Piano, Organ, Saxes, Flute, Clarinet, Zither, Vocal and sundries.
Michael Giles-Drums, Percussion (including milk bottle, handsaw, lip whistle and nutbox), Vocals. Peter Giles-Bass Guitar Steve Winwood-Organ, and Piano solo on ‘Turnham Green’ Michael Blakesley-Trombone on ‘Tomorrow’s People’. |
String and Brass on ‘Birdman’ and ‘Suite in C’ arranged and conducted by Mike Gray. Engineer-Brian Humphries. Assistant Engineer-Richard Digby Smith. Equipment-Vick and Dik. Cover Painting: Charlotte Bates Photograph-Richard Dilello |
1 | 3 (US 1972 Decca DL 7-5332) gatefold M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Down By the River | 5:49 | N. Young | Feeling Bad Ain't Good Enough | 5:37 | M. Dreyfuss-F. McKendree | |
Fading Lady | 5:23 | J. J. Walker | Hobo Lady | 4:05 | K. Sykes | |
Flying Dutchman | 6:17 | M. Dreyfuss-F. McKendree | Oh in the Morning | 4:16 | A. Guthrie | |
Heart is Like a Wheel | 3:31 | A. McGarrigle | God Bless the Conspiracy | 9:00 | M. Dreyfuss with F. McKendree-M. Slutsky | |
Michael Dreyfuss: Electric Violin, Viola, Theremin Fran McKendree: Vocals, Acoustic Guitar, Dulcimer Ring Modulator by Tom Oberheim |
Violins and Viola by Barcus Berry Drawing: Anne Malicoat Photo: Patty Thomas |
3 | Too Young to Feel This Old (US 1976 Pye 12124) M-/VG+ has inner sleeve, woc $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Too Young to Feel This Old | 3:21 | Chris East | Run Like the Wind | 2:49 | Fran McKendree | |
I'm in Love | 3:06 | M. Rushent/H. Kato | My Kind of Life | 3:16 | Chris East | |
(She's a Housewife) No More Rock 'n' Roll | 3:07 | Clifford T. Ward | Oh, What a Feeling | 2:50 | Keith Sykes | |
Take it From the Heart | 2:52 | Fran McKendree | I'm Gonna Lose That Game Again | 2:47 | Neil Harrison | |
Clown | 2:56 | Keith Sykes | Divide & Concord | 6:26 | Michael Dreyfuss | |
Produced by: Mark London Engineered by: Martin Rushent Assistant Engineer and Vamp Locker: Thomas Mark Recorded at: Bearsville Sound Studios, Bearsville, N.Y. Art Direction: DFK/David Krieger Illustration: Michael Kanarek |
Musicians: Fran McKendree: Lead Vocals, Electric & Acoustic Guitars Michael Dreyfuss: All Violins & Violas Martin Slutsky: Lead Electric & Acoustic Guitars Christopher Bishop: Background Vocals, Electric Bass Carson Michaels: Background Vocals, Drums Additional Musician: Warren Bernhardt: Acoustic & Electric Pianos, Organ |
1 | Whisper Me (US 1988 Windham Hill WH-1079) promo stamp M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
A Visiting Card | 6:49 | Wim Mertens | Whisper Me | 18:57 | Wim Mertens | |
The Fosse | 7:51 | |||||
No Plans, No Projects | 5:04 | |||||
Executive Producers: William Ackerman and Fritz Kasten Produced by Wim Mertens Recorded and engineered by Werner Pensaert 1984, 1986, 1987 Mastered by Bernie Grundman Mastering, Hollywood, CA Art Direction by Anne Robinson Design by Candance Upman Cover photography by John Cooper Back cover photography by Hiroya Kaji |
Anne Crabbe: voice Dirk Descheemaeker: soprano saxophone, bass clarinet Marc Grauwels: flute, bass flute, piccolo Rika Joris: voice Keiko Kusaka: harp Monique Laperre: cello Malufi Singers: voices Anne Mertens: voice Wim Mertens: piano, keyboards, voice Chris Nieuwenhuysen: voice Andre Van Driessche: French horn Kris Van Severen: viola |
1 | Rejoicing [w/Charlie Haden & Billy Higgins] (US 1984 ECM 1271) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Lonely Woman | 6:45 | Horace Silver | Story from a Stranger | 5:48 | Pat Metheny | |
Tears Inside | 3:47 | Ornette Coleman | The Calling | 9:52 | ||
Humpty Dumpty | 5:36 | Waiting for an Answer | 2:16 | Pat Metheny/Charlie Haden | ||
Blues for Pat | 6:00 | Charlie Haden | ||||
Rejoicing | 3:14 | Ornette Coelman | ||||
Recorded November 29 and 30, 1983 at Power Station, New York Engineer: Jan Erik Kongshaug |
Photo: Rob van Petten Cover Design: Barbara Wojirsch Produced by Manfred Eicher |
2 | Yolanda, You Learn 12" (US 1984 ECM PRO-A-2237) M-/M- promo $5 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Yolanda, You Learn (Edit) | 4:11 | Pat Metheny/Lyle Mays | Praise (Edit) | 3:50 | Pat Metheny/Lyle Mays | |
Produced by Pat Metheny An ECM Production |
From the ECM album First Circle (1-25008) |
1 | Cutting Both Ways (US 1988 Cuniform RUNE 11) M-/M- has the photograph $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
a)Green & Purple Extract b)Hic Haec Hoc c)A Simple Man | 15:59 | Phil Miller | Hard Shoulder | 4:32 | Phil Miller | |
Figures of Speech | 9:06 | |||||
Eastern Religion | 5:58 | Green & Purple | 9:32 | |||
(1) Phil Miller (guitar), Hugh Hopper (bass),
Elton Dean (saxes), Pip Pyle (drums), Pete Lemer (keyboards). Recorded & mixed at Vacant Studios November 1985 Engineered byy Pete Ball (2) Phil Miller (guitar), Hugh Hopper (bass), Elton Dean (saxes), Pip Pyle (drums), Pete Lemer (keyboards). Recorded & mixed at Spaceward November 1985 Engineered by Mark Graham |
(1) Phil Miller (guitar, synth-guitar), Dave Stewart (DX7, MSQ, SP12, Prophet emulator), Barbara Gaskin (voice).
Recorded at Grove Park Studios 1986 Engineered by Dave Stewart, mixed at Spaceward (2) Phil Miller (guitar, synth-guitar), Dave Stewart (DX7, MSQ, SP12, Prophet emulator). Recorded at Grove Park Studios 1986 Engineered by Dave Stewart, mixed at Spaceward, assisted by Jim. (3) Phil Miller (guitar), Hugh Hopper (bass), Elton Dean (saxes), Pip Pyle (drums), Pete Lemer (keyboards). Recorded & mixed at Vacant Studios November 1987 Engineered by Pete Ball. |
1 | Miriodor (US 1988 Cuniform RUNE 14) M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Regards (Regards) | 6:26 | Miriodor | Piege (Trap) | 3:21 | Miriodor | |
Spirale (Spiral) | 5:10 | Suspicion (Suspicion) | 5:11 | |||
Marche funeral (Funeral March) | 1:37 | Insomnie prémonitoire (Premonitory insomnia) | 5:55 | |||
Valence (Valence) | 4:37 | Reseau (Network) | 3:50 | |||
En attendant Rémi (Waiting for Remi) | 4:56 | |||||
Pascal Globensky: piano, synthétiseurs Sabin Hudon: saxophones, synthétiseurs, percussions Rémi Leclerc: percussions, synthétiseurs, séquences Jean Diamant: prise de son, électronique, mixage Gravure - Mastering: Roger Seibel, SAE Illustration & design: Suzanne Côté |
Enregistré directement sure 2 pistes (sans montage) à Montréal, entre les 17 et 24 Janvier 1988
Recorded directly onto half-track tape (no editing) in Montreal, between January 17 and 24, 1988 Nous remercions de leur aide Steve Feigenbaum, André Paquet, Pierre Marchand, André Bergeron, René Lussier, Christian Clermont, Marcel Gouin du Studio Karisma (Montréal) |
1 | Wow (US 1968 Columbia CS 9613) G/VG+ gatefold $5 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Place and the Time* | ?? | Jerry Miller & Don Stevenson | He** | ?? | Peter Lewis | |
Murder in My Heart for the Judge | Don Stevenson | Motorcycle Irene | Skip Spence | |||
Bitter Wind** | Bob Mosley | Three-Four* | Bob Mosley | |||
Can't Be So Bad** | Jerry Miller & Don Stevenson | Funky-Tunk | Skip Spence | |||
Just Like Gene Autry; A Foxtrot* (Note: This band is to be played at 78 R.P.M.) | Skip Spence | Rose Colored Eyes | Bob Mosley | |||
Miller's Blues* | Jerry Miller and Bob Mosley | |||||
Naked, If I Want To | Jerry Miller | |||||
"Just Like Gene Autry" featuring Lou Waxman and his Orchestra and starring Authur Godfrey, Banjo and Ukulele *Orchestral arrangement by Joey Scott **Orchestral arangement by David Rubinson-with Joey Scott |
Produced by David Rubinson Direction: Matthew Katz Productions, San Francisco Personal Management: Michael Gruber Engineers: Don Puluse & Glen Kolotkin Design and Collage: Bob Cato |
2 | Grape Jam (US 1968 Columbia MGS 1) VG/VG+ $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Never | 6:11 | B. Mosley | Marmalade | 13:51 | Moby Grape | |
Boysenberry Jam | 6:00 | Moby Grape | The Lake | 4:04 | M. Haywoth-Moby Grape | |
Black Currant Jam | 9:13 | |||||
Jerry Miller: guitars Skip Spence: guitars, piano Bob Mosley: bass, vocal Don Stevenson: drums Al Kooper: piano Mike Bloomfield: piano |
Produced by David Rubinson Engineering: Don Puluse & Glen Kolotkin |
1 | Open Fire (US 1978 Warner Brothers BSK 3134) M-/VG+ promo sticker has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Openers | 2:57 | B. Alcivar | Heads Up | 3:36 | R. Montrose, E. Winter | |
Open Fire | 3:53 | R. Montrose, E. Winter | Rocky Road | 4:20 | J. Thomassie, C. Brent, J. Smith | |
Mandolinia | 3:13 | R. Montrose | My Little Mystery | 4:34 | R. Montrose | |
Town Without Pity | 3:15 | D. Tiomkin, N. Washington | No Beginning/No End | 5:53 | ||
Leo Rising | 3:46 | R. Montrose | ||||
Ronnie Montrose: guitars, theremin, mandolins, mandocellos Alan Fitzgerald: bass Rick Shlosser: drums Edgar Winter: Moog sequencer bass, piano, harpsicord Jim Alcivar: Sequencer programming, martenot, Moog synthesizers and special effects |
Produced by Edgar Winter Engineered by Dick Bogert Assistant: Paul Aronoff Technical assistance: Gary Fradkin Orchestra arranged and conducted by Bob Alcivar Album design and photography: Bruce Steinberg Recorded and mixed at Group IV, Hollywood Mastered at A&M, Hollywood Ronnie uses Gibson LabSeries amps. |
1 | Days of Future Passed (US 1967 Deram DES 18012) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Day Begins | 5:45 | Redwave-Knight | The Afternoon: Forever Afternoon (Tuesday?) | 8:25 | Redwave-Knight | |
Dawn: Dawn is a Feeling | 3:50 | Evening: The Sun Set: Twilight Time | 6:39 | |||
The Morning: Another Morning | 3:40 | The Night: Nights in White Satin | 7:41 | |||
Lunch Break: Peak Hour | 5:21 | |||||
The London Festival Orchestra conducted by Peter Knight Executive Producer: Hugh Mendl Realisation: Michael Dacre-Barclay, Tony Clarke |
Recording Engineer: Derek Varnals Cover painting by David Anstey |
2 | In Search of the Lost Chord (US 1968 Deram DES 18017) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Departure | 0:48 | G. Edge | Voices in the Sky | 3:32 | Hayward | |
Ride My See Saw | 3:37 | J. Lodge | The Best Way to Travel | 3:12 | Pinder | |
Dr. Livingston, I Presume | 2:58 | R. Thomas | Visions of Paradise | 4:15 | Hayward; Thomas | |
House of Four Doors | 4:11 | J. Lodge | The Actor | 3:09 | Hayward | |
Legend of a Mind | 6:40 | R. Thomas | The Word | 1:35 | G. Edge | |
House of Four Doors (Part 2) | 1:43 | J. Lodge | Om | 6:27 | Pinder | |
Members of the Expedition Justin Hayward - Twelve string Guitar, Accoustic Guitar, Electric Guitar, Sitar, Tablas, Piano, Mellotron, Bass Guitar, Harpsicord, Percussion, Vocals. Mike Pinder - Mellotrons, Piano, Harpsicord, Cello, Accoustic Guitar, Bass Guitar, Auto-Harp John Lodge - Bass Guitar, Cello, Tambourine, Snare Drum, Accoustic Guitar, Vocals. Ray Thomas - 'C' Flute, Alto Flute, Soprano Saxophone, Vocals. Graeme Edge - Drums, Timpani, Tambourine, Tablas, Piano. |
Producer: Tony Clarke Engineer: Derek Varnals Assistant Engineer: Adrian Martins Cover: Philip Travers |
3 | On the Threshold of a Dream (US 1969 Deram DES 18025/SKAO 92034) M-/VG- gatefold w/12pg. booklet $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
In the Beginning | 2:08 | Edge | Never Comes the Day | 4:43 | Hayward | |
Lovely to See You | 2:35 | Hayward | Lazy Day | 2:43 | Thomas | |
Dear Diary | 3:56 | Thomas | Are You Sitting Comfortably | 3:34 | Hayward; Thomas | |
Send Me No Wine | 2:20 | Lodge | The Dream | 0:55 | Edge | |
To Share Our Love | 2:54 | Have You Heard - Part I | 1:23 | Pinder | ||
So Deep Within You | 3:07 | Pinder | The Voyage | 4:07 | ||
Have You Heard - Part II | 2:38 | |||||
Instruments used were. Pianos, organs, guitars (acoustic, electric, twelve-string and bass), double-bass, cellos, mellotrons, drums, L.A. percussion, tuned percussion, flutes, piccolos, oboes, harmonicas and triangle. All instruments played by the Moody Blues. Our special thanks to Pete Jackson, triangle. |
Produced by Tony Clarke Recording Engineer Derek Varnals Assistant Engineer Adrian Martins Cover Painting by Phil Travers Inside Front Cover Photographs. David Wedgbury. Inside Back Cover Photograph. Terence Ibbott |
4 | A Question of Balance (US 1970 Threshold THS 3) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Question | 5:40 | Hayward | It's Up to You | 3:11 | Hayward | |
How is it (We Are Here) | 2:48 | Pinder | Minstrel's Song | 4:27 | Lodge | |
And the Tide Rushes In | 2:57 | Thomas | Dawning is the Day | 4:22 | Hayward; Thomas | |
Don't You Feel Small | 2:40 | Edge | Melancholy Man | 5:49 | Pinder | |
Tortoise and the Hare | 3:23 | Lodge | The Balance | 3:33 | Edge; Thomas | |
Producer: Tony Clarke Engineers: Derek Varnals/Adrian Martins/Robin Thompson |
Cover Painting: Phil Travers All instruments played by The Moody Blues |
5 | Long Distance Voyager (US 1981 Threshold TRL-1-2901) M-/M- gatefold $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Voice | 5:11 | Justin Hayward | Meanwhile | 4:05 | Justin Hayward | |
Talking Out of Turn | 7:17 | John Lodge | 22,000 Days | 5:28 | Graeme Edge | |
Gemini Dream | 4:06 | Justin Hayward/John Lodge | Nervous | 5:42 | John Lodge | |
In My World | 7:18 | Justin Hayward | Painted Smile | 3:20 | Ray Thomas | |
Reflective Smile | :36 | |||||
Veteran Cosmic Rocker | 3:07 | |||||
Justin Hayward-Guitars, vocals John Lodge-Bass, vocals Ray Thomas-Flutes, harmonicas, vocals Graeme Edge-Drums Patrick Moraz-Keyboards Produced by Pip Williams for Handle Artists Recorded and mixed by Greg Jackman with Norman Goodman |
String arrangements by Pip Williams perfomed by The New World Philharmonic Recorded at Threshold Studios Mixed at RAK Studios Mastered by Melvyn Abrahams at Strawberry Mastering Cover painting courtesy of the Arts Union Glasgow Sleeve concept-The Moody Blues Sleeve design & artwork-Cream Management-Jerry Weintraub |
1 | What's the Point?!! (US 1984 Cuniform RUNE 1) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Get the Job Done | 4:36 | RSM | Puttin' Up the Groceries | 2:57 | RSM | |
Love Has Doubt | 3:10 | Conflict of Interest | 2:48 | |||
Theme from Hurricane David | 4:21 | I Don't Think She Knows | 1:29 | |||
Part of the Problem | 3:45 | Bloody Knuckles | 3:40 | RSM/Szzn. G. | ||
Compatability Leaves | 3:34 | Where You Reside | 1:56 | RSM | ||
Going Down the Way | 2:02 | I Wanna Sleep | 2:40 | |||
For Vini | 3:09 | World's Fair | 2:35 | |||
Too Old (to Fall in Love) | 3:09 | |||||
All performances and engineering by RSM Assistants: Mark Cudnik-A4/B1/B8 Saan. G.-B2/B4 Jon Child-A3/B2/B4/B5 Irwin Chusid-A2/B2 Jim Price-B4 |
Cover painting: Vicki Wulff, Providence, R.I. Back cover: Self-portrait 1/8/84, RSM Graphic & Design: Saro Dedeyan Thanks to Irwin Chusid for help and energy during the early stages of the project. |
1 | Out in the Sun (US 1977 Import 1014) M-/M- coh has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Out in the Sun | 4:25 | Moraz-McBurnie | Tentacles | 3:31 | Moraz-McBurnie | |
Rana Batucada | 5:30 | Moraz | Kabala | 4:55 | Moraz | |
Nervous Breakdown | 3:20 | Moraz-McBurnie | Love-Hate-Sun-Rain-You | 4:48 | Moraz-Zmirou | |
Sliver Screen | 4:28 | Time for a Change | 9:00 | Moraz-McBurnie | ||
Patrick Moraz: Polymoog-Oberheim Polyphonic 4 voice and 8 voice, Minimoogs, vocals, Piano- Synthesizers, Vibrotronic Bubbletron, Taurus Bass Pedals, Voice box, Steinway Grand piano,
Fender Rhodes, ARPS, Polyphonic Polymoog, Hammond C3, Vibraphone, Tambourine, Fender Rhodes 88, double moog, ARP 2600 & pro-soloists, clavinet, Microgmoog Bass Sequencer, Digital Sequencers
J. McBurnie: Lead vocals & harmony vocals Vivienne McAuliffe: Harmony vocals Ray Gomez: Mando Guitar 8 strings, Lead guitar Wornell Jones: Bass Andy Newmark: Drums "Testa": Pandiero & ass. Brasiliam percussion "Chacal": Congas & ass. Brasilian percussion Jean Ristori: Gibson electric bass Francois Zmirou: Lead Vocals Jean-Luc Bourgeois: Chinese gongs, Gongs, Balian gongs Philippe Staehli: Tympanis, Indian Finger Cymbals Isla Eckinger-Acoustic Double Bass |
P.S. Herbie Mann came too play the flute Orchestrations by Patrick Moraz Album recorded in Phonogram Studios, Rio-de-Janeiro, Brazil, and in "Aquarius" Studios in Geneva, Switzerland February-March 1977. Engineered by "Professeur" Jean Ristori, assisted by Erroll Maibach Tape op. Camille Broye. Album cut by Ray Staff Co-produced by Patrick Moraz and Jean Ristori. Art Direction: Frank Sansom Cover Photographs and Inner Bag: Jean Ristori Artwork: A.D. Design Logo by Liane Gondim Monteiro Equipment: Ray Palmer enterprises |
2 | Patrick Moraz (US 1978 Charisma CA-1-2201) M-/M- cc has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Jungles of the World Greem Sun, Tribal Call, Communion | 5:56 | Patrick Moraz | Primitivisation | 5:24 | Patrick Moraz | |
Temples of Joy Opening the Gates, Overture, The Feast (A Festa) | 6:07 | Keep the Children Alive | 3:27 | |||
The Conflict Chamada (Argument), Opposing Forces, The Battlefield, Dissolution, Victory | 9:35 | Intentions | 3:56 | |||
Realization | 4:17 | |||||
This album was recorded in the winter in South America in Phonogram Studios in Rio de Janeiro (June 22-24 1978) and in the summer in Europe at Aquarius Studios, Gemeva (August 1978).
Engineered by "Professor" Jean Ristori, assisted by Dr. Erroll "Blackbox" Maibach in Geneva; and Joao in Rio. Overdubs and remixing supervised by Neil Slaven. Engineered by Alan Leeming and assisted by Norman Goodman. Special thanks for stepping in at the last minute. Produced by Patrick Moraz. Mixed using an Aphex Aural Exciter, and an E.M. stereo enlarger. Instruments played by Patrick Moraz: (in order of appearance): Marimbas, Harpsicord, Steinway Grand Piano, Vibraphone, Hammond C3 Organ, Minimoog, Polymoog, Custom built Oberheim 8 voice and 4 voice synthesizers, Computron, Yamaha CS80 Polyphonic Synthesizer, Micromoog, Sennheizer Vocoder, Yamaha CP70 Electric Grand, Mellotron Mk. 2, ARP Pro-soloist, AKS EMS Electronic Effects, Non-random Noise Generator and Additional Percussion throughout. |
Instuments Played by Djalma Correia: Donodacasa, Cabaca, Perimbau, Tumbas, Atabaques, Cuica, Apitos, Passarinhos, Reco-recos, Gongs, Tympanis, Bells. Additional percussion - the percussionists of Rio de Janeiro: Wilson Carnegao, Paulo Roberto Correia, Edson Santos Leite, Armando Marcal, Guisseppe Lima, Carlos Eduardo Goncalves, Claumir Jorge, Doutor Da Repique, Nenem Da Cuica, Geraldo Sabino, Claudio Dos Santos, Renaldo Martis Da Silva, Paulino Do Pandeiro, Jorge Garcia, Milton Manhoes and Gordinho. Military snare drum by Tommy Strebel. Lead vocals on "Keep the Children Alive" by Joy Yates. All other vocals by Patrick Moraz. Cover: Cooke Key. Photography: Brian Cooke, Doctor Phildius, Jesus Moreno and Picturepoint. Road Crew: Mike Keys, Big John Bennett, Georges, John Abbott, Ray and Snoopy. |
3 | Future Memories Live on TV (Keyboards' Metamorhoses) (US 1979 Passport PVC 8922) M-/M- has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Metamorphoses | 18:50 | Patrick Moraz | Eastern Sundays | 8:48 | Patrick Moraz | |
Black Silk | 10:13 | |||||
Instant Keyboards and Percussions Compositions on Acoutic and Electronic Instruments
Composed, Performed, Recorded and Mixed Live on TV in Geneva, November 13 & 14 1979 TV Programm Realisation: Francois Jaquenod Location: Aquarius Studios/Geneva Sound Engineer (Rec.&Mix.): Jean Ristori Future Memories Scenario: Patrick Moraz & Francois Jaquenod Equipment Handling: Pat Buckley & Errol Maibach Executive Production: P. Moraz J. Ristori F. Jaquenod Licence Management: J-C. Vial Video-Coproduction: SSR - Moraz Produced by Patrick Moraz Photos by Monique Delley Cover Design by JP |
Instruments for "Metamorphosis": Yamaha CS80, Minimoog, Volume Pedal CS80, Pedal Morley for Minimoog, Taurus Bass Pedal, Roland Space Echo (for Moog), Mellotron Mk IV, Cassette Interface for Oberheim, Oberheim 8 Voices with Programmer, Stereo Pedals for Mellotron and Oberheim, Filter Pedal, Seat on Wheels, Hammond C3, Clavinet, Micromoog, Pro Soloist, monitoring System (2x Gauss 15" + JBL 2482 + 2405), Power Amplifier for Monitors (2x 650W) + Active Electronic Crossover, Double Minimoog, Yamaha CP 70 with Riser, Obie Sequencer, Roland Vocoder, Roland Computa Rhythm, Pro Soloist on Stand, Mellotron Mk II, Roland Jupiter, Oberheim 4 Voices, Clavitar on Stand, Volume Pedal for Clavitar All instruments except Clavinet and Leslies are connected "DI" through the studio mixing desk. Instruments on "Eastern Sundays": Glass Bells Gong and Cymbals (Paiste), Jupiter Compuphonic, Clavitar Duophonic, Oberheim 4 Voice, Grand Piano Bosendorfer Imperial, Minimoog/Micromoog, External Compunoise, Roland Space Echos, Flandging Devices Instrument on "Black Silk": Bosendorfer Imperial |
4 | Coexistence (w/Syrinx) (US 1984 PVC 8923) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 - Coexistence (4 movements) | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Mind Your Body | 4:15 | P. Moraz | Black Gold | 3:45 | P. Moraz-Syrinx | |
Boonoonoonoos (Jamaican patois for enjoyment) | 4:10 | Moments of Love | 4:45 | |||
Soundrise | 4:35 | Chain Reaction | 6:15 | |||
Adagio for a Hostage | 4:15 | Peace on the Hills | ?? | P. Moraz | ||
Freedom to... | 2:45 | Syrinx-P. Moraz | ||||
All orchestrations and programming by P. Moraz The Players: Patrick Moraz: Keyboards and electronic synthesizers, vocoder, piano, electronic percussions and additional accoustic percussions, synth. basses Syrinx: Pan Pipe Flutes (flutes de pan) With the participation of: Richie Morales - Drumms and tympanis, gongs John Wooloff - guitars, mando-guitars, Roland synth guitar & Ovation |
Recorded and mixed at Aquarius Studios Gneeva between November 79 and May 80. Engineered by Prof. Jean Ristori assisted by Errol Maibach and Norman Goodman (Aphex and Large Stereo Processor were used in certain places) Preliminary recordings done on location throughout the world. Equipment and technical assistance Pat Buckley & Andre Corpateaux. Executive Producer and licence management: Jean-Claude Vial Illustrations: recto - Aliocha, verso - Phildius Produced by Patrick Moral for Coex-Music Productions (M/V) |
5 | Human Interface (US 1987 Cinema ST-12558) M-/M- coh $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Light Elements | 6:38 | Patrick Moraz | GoTo Ophioplomal | 4:06 | Patrick Moraz | |
Beyond Binary | 4:32 | Kyushu | 11:03 | |||
Cin-A-Maah | 5:42 | Stressless | 6:06 | |||
Stormtroops on Loops | 1:15 | Hyperwaves | 6:05 | |||
Modular Symphony (1st Movement) | 3:04 | |||||
Composed, arranged and programmed at TimeCode Studios Performed, recorded and mixed at Blackbarn Studios Engineering by Barry Radman Assisted by Teo Miller Additional assistance by Robin Black Mastered at Abbey Road by Steve Rooke Instruments by Soon Music, Ltd., Kurzweil Music Systems, Inc. Macintosh Computers by Apple Computer Inc. Korg Instruments Sony 3324's by Feldon Audio Additional sampling and programming by B. Radman |
Freight and transportation by Rock It Cargo Digitally recorded, mixed and mastered for Mindvisions Inc. Digitally edited at Abbey Road Studios, London, by Paul Bailey. 'Kyushu' dedicated to the memory of Midori Yamada Art Direction: Roy Kohara/Roland Young Photo Montage: Roland Young Photography: NASA Main Photo: The Nafud Dusert, Shuttle Mission 41C, April 6 to 13, 1984. Inset: India, The Great Himalayas, Shuttle Mission 1, April 12 to 14, 1981. The Earth's Moon at 3,000 Miles |
1 | Flags (US 1985 EG EGLP 63) M-/M- $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Temples of Joy | 4:51 | Moraz | Machines Programmed by Genes | 5:13 | Moraz/Bruford | |
Split Seconds | 4:37 | Moraz/Bruford | The Drum Also Waltzes | 2:51 | Roach | |
Karu | 3:45 | Moraz | Infra Dig | 3:12 | Moraz/Bruford | |
Impromptu, Too! | 3:30 | A Way With Words | 1:36 | |||
Flags | 4:27 | Everything You've Heard is True | 6:09 | |||
Patrick Moraz: Steinway D Concert Grand, Kurzweil 250 | Bill Bruford: Acoustic and Electronic Drums and Percussion |
1 | High Tension Wires (US 1989 Mca MCA-6275) M-/M- promo stamp $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ghostwind | 3:12 | Steve Morse | Looking Back | 3:59 | Steve Morse | |
The Road Home | 4:48 | Leprechaun Promenade | 6:24 | |||
Country Colors | 3:46 | Tumeni Notes | 4:10 | |||
Highland Wedding | 3:21 | Endless Waves | 3:46 | |||
Third Power | 4:15 | Modoc | 2:19 | |||
Allen Sloan: Violin Steve: Acoustic 6 & 12 string, Electric Guitars and Synthesizers, Stereo Electric Classical Guitar Rod Morgenstein: Drums T Lavitz: Synthesizers, Piano Jerry Peek: Bass Andy West: Bass |
Produced by Steve Morse Executive Producer: Ricky Schultz Recorded at M.O.R. Studio, Atlanta, GA Recording Engineer: Steve Morse except "Leprechaun Promenade" Engineered by Rick Sandidge Drums Recorded at: Cheshire Sound, Atlanta, GA Engineered by: Tom Wright Mixed by Rick Sandidge and Steve Morse at Mark V/Sandcastle, Greenville, South Carolina and M.O.R. Studio, Atlanta, GA Mastered by Glenn Meadows at Masterfonics, Nashville, Tennessee Design/Art Direction: Kathleen Covert/Covert Design Cover Photography: Rick Valicenti for Thirst/Chicago Back Cover Photography: Mindas |
1 | Like a Duck to Water (US 1976 Earthquack EQ 0002) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Waterwheel | 10:02 | Steve Drews | C-A-G-E Part II | 20:21 | David Borden | |
Oleo Strut | 10:37 | |||||
David Borden: Synthesizers and electric piano Steve Drews; Synthesizers and electric piano Judy Borsher: Synthesizers and voice |
Recorded at Celebration Sound, Ithaca, N.Y. Sound engineers: David Wickstrom, Barny Cole Producers: David Borden, Steve Drews Cover photo: Steve Drews Backliner photos: Edin Velez, Vito Brunetti Art Direction and Design: Michael Boyd |
1 | Over-nite Sensation (US 1973 Discreet/Reprise MS 2149) M-/M- gatefold $25 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Camarillo Brillo | 4:01 | Frank Zappa | Zomby Woof | 5:11 | Frank Zappa | |
I'm the Slime | 3:35 | Dinah Moe Humm | 6:05 | |||
Dirty Love | 3:00 | Montana | 6:37 | |||
Fifty-Fifty | 6:08 | |||||
Tim Fowlwer - bass Bruce Fowler - trombone Ralph Humphrey - drums Sal Marquez - trumpet & vocals Frank Zappa Ruth Underwood - marimba, vibes & percussion Ian Underwood - flute, clarinet, alto & tenor sax George Duke - keyboards & synthesizer Jean-Luc Ponty - violin & baritone violin |
engineers: Barry Keene, Terry Dunavan, Fred Borkgren, Steve Desper re-mix: Kerry McNabb studios: Boltic Sound, Whitney, Paramount technicians: Paul Hof, Jay "Dunt" Slaotman, Kansas J. Canzus otherwise: Steve Alsberg, Marty Perellis, Rhonda & Ramona biznis: Herb Cohen produced, arranged & conducted by Frank Zappa cover illustration: David B. McMacken inside: Cal Schenkel photography: Emerson-Loew |
1 | Manna/Mirage (US 1978 Random Radar RRR003) M-/VG+ $40 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Monkey with the Golden Eyes | 3:50 | Newhouse | The Adventures of Captain Boomerang (for Mike Forrester) | 23:00 | Newhouse | |
Hobart Got Burned | 6:10 | The Muffins | ||||
Amelia Earhart | 15:40 | Newhouse, Sears | ||||
Billy Swann: Bass, piano, guitar, percussives Paul Sears: Drums, gong, xylophone, vibes, percussives, pots, pans, and pennywhistle Tom Scott: Piccolo, eb, alto and c flutes, soprano, alto and baritone saxophones, bb, and alto clarinets, oboe, soprano recorder, percussives Dave Newhouse: Pianos, organ, piccolo, flute, alto and baritone saxophones, bass clarinet, cereal box whistle, percussives Recorded - at Catch-A-Buzz Studios Engineered - by Tom and Colleen Scott Mixed - by the Muffins Mastered - by Pete Helffrich |
Special thanks to: John Schmidt (baritone horn and tuba), Doug Elliot (trombone), Larry Elliot (trumpet) on "Monkey,"
Steve Feigenbaum (guitar) on "Amelia," (under water guitar) on "Boomerang," and to Greg Yaskovich (bubble trumpet) on "Boomerang"
Front cover sculpture by Lynn Pruitt, front cover graphics by Sunshine, back cover sculpture "Ellen" courtesy of Ellen Vincent, cover photography by Steve Abramowitz, back cover graphics and post card design by Diane Falcone (and imaginary assistant Mr. Rollo) |
1 | Music and Rhythm (US 1982 PVC 201) M-/M-/M- gatefold $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Drums of Makebuko: Burundi Recorded by La Radiodiffusion Nationale du Burundi, 24th September 1977. | ?? | Drums of Makebuko | The Beat: Mirror in the Bathroom Saxa: Saxophone Andy Cox: Guitar David Steele: Bass Everett Moreton: Drums Ranking Roger: Voice Dave Wakeling: Voice, Guitar "Mirror in the Bathroom" was re-mixed at The Roundhouse, London, May 1982. | ?? | The Beat | |
Peter Gabriel: Across the River
Peter Gabriel: Fairlight CMI, voice, surdu Shankar: Double-necked violin David Rhodes: Guitar, voice Stewart Copeland: drums, percussion Produced by Peter Gabriel and David Lord Engineered by David Lord, Arranged by Peter Gabriel Recorded and mixed at Shabby Road Studios and Crescent Studios, Bath | Gabriel, Shankar, Rhodes, Copeland | Prince Nico Mbarga and Rocafil Jazz: Sweet Mother Produced in Nigeria 1976 by Rogers All Stars (Nigeria) Ltd. Prince Nico Mbarga: Lead guitar, vocalist Thommysoo Kumm: Vocalist Pirol: Vocalist Franeo Okolo: Conga player Jean Chachua: Rhythm guitarist Morris: Bass guitarist Ashagasha: Drums | Prince Nico | |||
Ekome: Kpan Logo Ekome Arts are: Barry Anderson, Lorna Anderson, Norman Stephenson, Pauline Anderson, Angela Anderson, Pauline Hawthorne, Thelma Hawthorne, Sharon Francis (who are all dancers) and George Dzikunu, Richard Davis, Trevor Francis, Stephen Blagrove, Garnet Patterson, Maxine Hawthorne (who are drummers) The majority of the company sang. Recorded at Crescent Studios, Bath, 1981. Produced by David Lord, engineered by Steve Street. | Ekome | Mighty Sparrow: Music and Rhythm Produced by Slinger Francisco. Arranged by U. Belfast and Slinger Francisco Engineered by N. Case Re-mix by B Lee | Slinger Francisco | |||
XTC: It's Nearly Africa Andy Partridge: Lead and backing vocals, semi-acoustic guitar, alto-sax Colin Moulding: Fender bass Dave Gregory: Prophet 5, backing vocals Terry Chambers: Drums, drum synthesizer, percussion Hans de Vente: Special guest vocal support Produced and mixed by Hugh Padgham and XTC Engineered by Hugh Padgham Recorded at The Manor, Oxfordshire, Autumn 1981 | Andy Partridge | Rico: What You Talkin' Bout Rico Rodriquez: Vocal, trombone Dick Cuthell: Cornets, percussion, backing vocal Jerry Dammers: Organ Wims Wimshurst: Guitar Satch Dixon: Percussion Tony 'Groco' Uta: Percussion, backing vocal John Bradbury: Drums Horace Gentleman: Bass Produced by Dick Cuthell Recorded at Riverside Studios, London, December 1981. Mixed at Jam Studios, London, May 1981 | Rico | |||
Alhaji Ibrahim Abdulai and his Dagbamba Cultural Group: Zuu-Waa Leader: Alhaji Ibrahim Abdulai Gungon captain: Fuseini Alhassan Drummers: Adam Iddi, "Lun-Naa", Aburari Alhassan Recorded in Northern Ghana by John Miller Chernoff in 1981 | Alhaji Ibrahim Abdulai | Morris Pert: Marrakesh Morris Pert: Percussion, Prophet synthesizer Garry Kettle: Percussion Tim Holmes: Soprano sax | Morris Pert | |||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Pete Townshend: Ascension Two Pete Townshend: Guitar, Violin, Keyboards, vocals. John Entwistle: Bass Rabbit: Piano Kenny Jones: Drums Produced and mixed by Pete Townshend and Steve Lillywhite at Eel Pie Studios, Twickenham. | ?? | Pete Townshend | David Byrne: His Wife Refused David Byrne: Vocals, bass, guitar Yogi Horton: Drums John Chernoff: Gung Gong Bernie Worrell: Mini Moog Adrian Belew: Steel drum guitarProduced by David Byrne Commissioned by The Twyla Tharp Dance Foundation Inc. Recorded at Celestial Sound and Olympic Sound (London) Mastered at Sterling Sound by Greg Calbi | ?? | David Byrne | |
Vic Coppersmith-Heaven: Pengosekan Preston Hayman: Percussion, Gamelan Vic Smith: Guitars, Gamelan Tony Levin: Bass Paddy Bush: Gengong Johnny Warman: voice Produced by Vic Coppersmith-Heaven at Eel Pie Studios, Twickenham, and The Manor, Oxfordshire, Spring 1982 Engineered at The Manor by Richard Manwaring Remixed at Crescent Studios | Vic Coppersmith-Heaven | Alhaji Bai Konte and Malamini Jobate: Sudurum Kumbosora Alhaji Bai Konte: Lead voice, Kora Malamini Jobate: Kora, Voice Engineered and produced by David Lord at Shabby Road Studios. | Alhaji Bai Knote and Malamini Jobate | |||
Balinese Ketjak - A short excerpt from The Ramayana Monkey Chant Recorded by Vic Coppersmith-Heaven in Bali, February 1982. | Balinese Ketjak | Lonesi Chewane and Joni Hetara: Mkazi Wa Mulomo Lonesi Chewane: Magogodo xylophone Joni Hetara: Magogodo xylophone Recorded by Hugh Tracey, Katunga, Malawi, 1958 | Lonesi Chewane and Joni Hetara | |||
Jon Hassell: Ba Benzele Recorded in concert at Ontario College of Art, Toronto, November 14 1981 Jon Hassell: Trumpet Michael Brook: Mbira Aiyb Dieng: Talking Drum Brian Eno: Treatments/synthesizer background Richard Henderson: Live mixing Recorded by Paul Fitzgerald Remix by Michael Brook | Jon Hassell | Shankar and Bill Lovelady: Himalaya Shankar: Violin, vocals Peter Oxendale: Prophet 5 Chu Chu Merchan: Bass Nick France: Drums Recorded on The Virgin Barge Studio, London, on March 26th-28th Produced by Shankar and Bill Lovelady Engineered by John Rowland Remixed at Crescent Studios, Bath, by David Lord. | Shankar and Bill Lovelady | |||
Nusrat Fateh Ali Khan: Noor Azli Chamkia Nusrat Fateh Ali Khan: Lead Vocals Mujahed Mubarek Ali Khan: Vocals Farakh Ali Khan: Harmonium, voclas M. Iqbal Qusoori: Vocals Thalid: Vocals | Nusrat Fateh Ali Khan | Holger Czukay: Persian Love Holger Czukay: Guitar, keyboards, synthesizer, short waves, bass Jaki Liebezeit: Drums, congas Composed, recorded, mixed, edited and produced by Holger Czukay Advised by Conny Plank Recorded at Inner Space Studio Mixed at Connie's Studio | Holger Czukay | |||
Peter Hammill: The Ritual Mask Peter Hammill: Voice, Kora, Chinese drum, Bodhran and lentil shakers Recorded at Sofa Sound and mixed at Crescent Studios, Bath, 1982 | Peter Hammill | |||||
Sleeve design by Steve Byrne and Valerie Hawthorne Photography by Jo Swan Illustrations by Chrissie Hill Typeset in Optima by Jane Hopkins of I.C.M. Typesetting and corrections by Helen Bereznicki |
Album co-ordination and liner notes by Thos. Brooman and Mike White Album concept by Music Arts and Dance Expo Digital production master tape compiled on the Sony PCM system at Crescent Studios, Bath, and edited at Feldon Audio Ltd |
1 | Music Without Frontiers: A Venture Sampler Volume I (US 1988 Venture 90659-1) M-/VG+ cc $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
£7.50: Itchy Fingers Producers: Richard Cottle and Mike Mower | ?? | Mike Mower | The Pursuit of Pleasure: Darryl Way with Opus 20 Producer: Darryl Way | ?? | Darryl Way | |
Vibe Waltz: Lester Bowie's Brass Fantasy Produced by Lester Bowie/Brass Fantasy | Frank Lacy | The Dancer's Song: Cassell Webb Producers: Craig Leon and Cassell Webb | Craig Leon & Cassell Webb | |||
For Vic: Niebla & Forcione Producer: Mick Williams | Niebla & Forcione | Nebuchadnezzar's Dream: Klaus Schulze & Andreas Grosser Producers: Klaus Schulze & Andreas Grosser | Klaus Schulze & Andreas Grosser | |||
The Fox Chase: Micheal O'Suilleabhain Producer: Declan Colgan | Trad. arr. Michael O'Suilleabhain | Pas de Deux: Hans-Joachim Rodelius (with a Czjzek Saxophone) Producer: Hans-Joachim Rodelius | Hans-Joachim Roedelius | |||
Myoho: Peter de Havilland Producer Peter de Havilland | Peter de Havilland | |||||
Compiled by Declan Colgan. Digitally Nastered at Tape One Studios, London, by Jack Adams. |
Mastered by Greg Fulginiti at Artisan Sound Recorders. |
1 | Musique Action Internationale 85 (F 1985 Van d'Oeuvre 8501) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Trio de Batterie: Three Legs for Two Birds | 2:22 | Brown/ Chenevier/ Hayward | David Thomas & The Pedestrians: Whale Head King | 7:20 | Thomas/Cooper/Cutler/Maimone | |
Jacques Veille Quartet: Randonnee | 8:20 | Veille/ Binkeloe/ Vignon/ Staehle | Hans Reichel-Keith Tippett: Duet Improvisation | 4:50 | Reichel/Tippett | |
Keith Tippett: Solo Improvisation | 3:44 | Tippet | La Marmite Infernale: Sardenia | 7:10 | Merle | |
Catalogue: La fille au Pantalon Noir | 4:25 | Catalogue | ||||
Ces extraits ont ete enregistres au cours du festival "Musique Action International 85", organise par le Centre Culturel Andre Malraux de Vandoeuvre-les-Nancy du 6 au 12 mai 1985. Ce disque, malgre ses imperfections, est une trace de ces journees consacrees aux nouvelles musiques. Les interviews ont ete realisees par Michel Pages pour Radio France Nancy. Nous remercions tous ceux qui ont contribue a l'organisation de ces concerts. | Production: Centre Culturel Andre Malraux - 1, place de l'Hotel de Ville - B.P. 126 - 54504 Vandoeuvre-les-Nancy Cedex
Responsable de la production : A. Gindt / Pochette : D. Koskowitz / Photos : L. Remy |
1 | Extensions (US 1969 Phillips PHS 600-301) M-/M- gatefold $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
California Dreamin' | 3:41 | Phillips | Webb of Jim Collage (MacArthur Park/Yard Went on Forever) | 7:35 | J. Webb | |
Nothing on My Mind/Moments Ago | 3:28 | G. Caldwell | There's a Good Earth Out Tonight | 1:33 | Christensen-Tartaglia | |
The Last Thing on my Mind | 2:58 | T. Paxton | Theme from Shoes of the Fisherman | 1:35 | A. North | |
If You Must Leave My Life | 3:00 | J. Webb | Paul Simon Montage (Bookends/Old Friends/Flowers Never Bend in the Rainfall) | 1:35 | P. Simon | |
Norwegian Wood | 3:00 | Lennon-McCartney | Lalena | 2:58 | Donovan | |
Featured Musicians: Jim Gordon / Drums Larry Knechtel & Lincoln Mayorga / Keyboards Dave Cohan, Mike Deasy, Mike Anthony / Guitars Steve LaFever & Lyle Ritz / Bass Vince DeRosa / French Horn Tony Terran / Solo Trumpet Paul Beaver / Moog Synthesizer Bud Shank & Tom Scott / Solo Flute Ken Watson & Larry Bunker / Percussion Enro Neufield / Concertmaster John Guerin / Drums (Norwegian Wood only) Arnold Koblentz / Oboe, English Horn |
Arranged & Conducted by John Andrews Tartaglia Produced & Directed by Brad Miller Vocal Effects-The Mystic Mood Singers A Mobile Fidelity Production Studio engineering by Mike Shields, Ben Jordan, Captain Nemo Location sound effects by Brad Miller (With an assist from Pier Clifford and Master Artist) |