Except drums by Kevin Kruger
Produced by Trevor Rabin
TREVOR RABIN Go to Next artist (Gerome Ragni) Previous band (Robert Quine/Fred Maher)
| 1 | Trevor Rabin (US 1978 Chrysalis CHR 1196) M-/M- $12 |
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Getting to Know You Better | 4:03 | Trevor Rabin | Fantasy | 3:19 | Trevor Rabin | |
| Finding Me a Way Back Home | 4:49 | Stay With Me | 3:49 | |||
| All I Want is Your Love | 3:38 | Red Desert | 3:52 | |||
| Live a Bit | 4:55 | Painted Picture | 3:33 | |||
| Love Life | 4:03 | |||||
| All instruments played by - Trevor Rabin Except drums by Kevin Kruger |
Recorded at RPM and Re-mixed at Wessex Studios, London, by Gary Edwards Produced by Trevor Rabin | |||||
| 2 | Can't Look Away (US 1989 Elektra 60781-1) M-/M- has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I Can't Look Away | 7:19 | T. Rabin, B. Ezrin, A. Moore | Etoile Noir | 1:03 | T. Rabin | |
| Somethin to Hold On To | 5:05 | T. Rabin | Eyes of Love | 6:53 | T. Rabin, B. Ezrin | |
| Sorrow (Your Heart) | 4:28 | I Didn't Think it Would Last | 4:06 | |||
| Cover Up | 5:17 | T. Rabin, G. Rabin, A. Moore | Hold on to Me | 4:42 | T. Rabin, P. Van Blark | |
| Promises | 5:54 | T. Rabin | Sludge | 2:26 | T. Rabin | |
| I Miss You Now | 5:38 | |||||
| The Cape | 2:57 | |||||
| Produced by Bob Ezrin and Trevor Rabin All instruments played by Trevor other than drums. Drums: Lou Molino III, Alan White, Basil, Denny Fongheiser Backing Vocals: Trevor, Duncan Faure, The Passion Brokers, Bob Ezrin The Passion Brokers are: Tsidi Leioka, Beulah Hashe, Faith Kekana, and Marilyn Nokwe |
Engineers: Bob Exrin, Trevor Rabin and Stan (When Do We Eat?) Katayama. Additional Engineering: Rick Butz, Julian Stoll, Dave Subklewe, Julie Last, Tom Banghart, and Ringo Hrycyna. Recorded at Westlake, Rumbo, A & M, The Shed, Audio Lab, and Southcombe. Management: Tony Dimitriades and Alex Scott for East End Management Art Direction: Carol Bobolts Photography: Lisa Powers | |||||
| 1 | Hair (US 1968 RCA LSO-1150) VG+/VG+ $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Aquarius | 2:55 | Ragni, Rado, MacDermot | Where Do I Go? | 3:40 | Ragni, Rado, MacDermot | |
| Donna/Hashish | 2:45 | Black Boys/White Boys | 3:35 | |||
| Sodomy | :50 | Easy to be Hard | 2:35 | |||
| Colored Spade | 1:10 | Walking in Space | 5:00 | |||
| Manchester England | 1:20 | Abie Baby | 2:45 | |||
| I'm Black/Ain't Got No | 1:10 | Three-Five-Zero-Zero/What a Piece of Work is Man | 4:45 | |||
| Air | 1:15 | Good Morning Starshine | 2:30 | |||
| Initials | :55 | The Flesh Failures (Let the Sunshine In) | 3:35 | |||
| I Got Life | 3:05 | |||||
| Hair | 2:55 | |||||
| My Conviction | 1:36 | |||||
| Don't Put it Down | 2:00 | |||||
| Frank Mills | 2:05 | |||||
| Be-In | 3:00 | |||||
| Book and Lyrics by Gerome Ragni & James Rado Music by Galt MacDermot Executive Producer: Bertrand Castelli Directed by Tom O'Horgan Dance Director: Julir Arenal Muscial Director: Galt MacDermot Costumes Designed by Nancy Potts Scenery by Robin Wagner Lighting by Jules Fisher Sound by Robert Kiernan |
with Steve Curry, Ronald Dyson, Sally Eaton, Leata Galloway, Steve Gamet, Walter Harris, Paul Jabara, Diane Keaton, Lynn Kellogg, Jonathan Kramer, Emmaretta Marks, Melba Moore, Shelley Plimpton, James Rado, Gerome Ragni, Lamont Washington and Donnie Burks, Lorrie David, Hiram Keller, Marjorie LiPari, Natalie Mosco, Suzannah Norstrand, Robert I. Rubinsky | |||||
| 2 | DisinHAIRited (US 1970 RCA LSO-1163) VG+/VG+ gatefold $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| One Thousand Year-Old Man | 4:05 | Ragni, Rado, MacDermot | Electric Blues | 3:00 | Ragni, Rado, MacDermot | |
| So Sing the Children on the Avenue | 2:07 | I Dig | 1:54 | |||
| Manhattan Beggar | 1:46 | Going Down | 2:52 | |||
| Sheila Franklin/Reading the Writing | 2:40 | You Are Standing on my Bed | 2:40 | |||
| Washing the World | 1:55 | The Bed | 2:50 | |||
| Exanaplanatooch | 3:10 | Mess O'Dirt | 2:31 | |||
| Hello There | 1:35 | Dead End | 2:54 | |||
| Mr. Berger | 1:31 | Oh Great God of Power | 3:24 | |||
| I'm Hung | 1:47 | Eyes Look Your Last/Sentimental Ending | 2:41 | |||
| Climax | 2:25 | |||||
| John Aman, Obie Bray, Linda Compton, Lorrie Davis, Denise Delapenha, Pat Lambert, Clifford Lipson, Charles O. Lynch, Robin McNamara, Melba Moore, Allan Micholls, Susanna Norstrand, Sakinah, George Tipton, George Turner, Donnie Burks, Natalie Mosco, Leata Galloway, Susan Morse | Arranged and conducted by Galt MacDermot Produced for records by Andy Wiswell/Assisted by Mike Lipskin A Ragni Rado MacDermot Production Production Coordinator: Nat Shapiro All the songs on this album have been recorded complete and unexpurgated as written by Rado, Ragni and MacDermot. Cover photo of Indians courtesy of Overground Art, New York Cover concept by Ragni and Rado / Inside photos by Ragni and Rado Nude dances by Julie Arenal Recorded in RCA's Studio C, New York City / Recording Engineer: Mike Moran | |||||
| 1 | From Here to Infinity (US 1987 SST 113) M-/M- carved white vinyl ltd. ed 2000 $35 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Time Stands Still | 2:40 | Lee Ranaldo | Fuzz/Locusts | 1:04 | Lee Ranaldo | |
| Destruction Site | 1:17 | To Mary | 0:40 | |||
| Ouroboron | 0:46 | Lathe Speaks | 1:30 | |||
| Slo Drone | 1:10 | The Resolution | 0:48 | |||
| New Groove Loop | 0:48 | Sav X | <><> | |||
| Florida Flower | 0:40 | The Open End | 0:24 | |||
| Hard Left | 0:18 | |||||
| There's a reason for everything thats ever been right. Today we look up & can see. Some singular moment comes close to going around again. I hope you will drop the diamond in a groove and let it ride awhile. | Artwork by Savage Pencil Photo: Michael Wehmer Mastering at Porky's, London Recordings made in NYC & Nottingham, England 1983-6 | |||||
| 1 | Randy Pie (G 1974 Zebra 2949 015) M-/M- $12 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Autumn* | 5:34 | Randy Pie/ Milton Travis & John F. Bacardi | Luie*** | 9:04 | Randy Pie/ Milton Travis & John F. Bacardi | |
| Ad Hoc | 2:52 | 6/8 | 2:52 | |||
| Sightseeing-Tour (When I'm On My Way)** | 4:10 | Back To Universe | 7:30 | |||
| Outside-Inside | 6:10 | |||||
| Drums: Dicky Tarrach Bass: M. Thiers Keybords: W. Becker Guitar: B. Wippich *Strings Arrangement By John F. Bacardi **Leadguitar Was Played By Guest Musician Rainer Baumann ***Brass Arrangement By John F. Bacardi |
Produced By R. Goltermann Engineered by W. Klaus, D. Siddly, J. Schneider Recorded At Windrose Studios/Studio 70 And Polydor Studios In August/September 1973 Cover-Design By Fessel & Lipp, Hamburg | |||||
| 2 | Randy Pie (US 1975 Polydor PD 6515) M-/M- cc $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Microfilm | 4:03 | Randy Pie-John O'Brien-Docker | It's A (Civilised) World, That Keeps Folks Like Us Together | 6:31 | Randy Pie-John O'Brien-Docker | |
| Super Sid | 7:23 | Sophisticated | 4:34 | |||
| Highway Driver | 3:57 | Becker- Moaner- Peterson- Tarrach- Thiera | Time Machine | 7:55 | ||
| Winter Song | 5:45 | Randy Pie-John O'Brien-Docker | ||||
| Jean-Jacques Kravetz: Fender Rhodes, Vocal, Hohner Clavinet, String Ensemble Werner Becker: Grand Piano, Vocal, Fender Rhodes, String Organ Manfred Thiers (Tissy): Bass, Percussion, Vocal Jochen Petersen: Guitar, Vocal, Alto Sax, Flute Bernd Wippich: Lead Guitar, Vocal, Percussion, Acoustic Guitar Dicky Tarrach: Drums, Percussion Volker Heintzen: Breathing |
Produced By Randy Pie Lyrics by John O'Brien Docker except "Highway Driver" String and Brass arrangement by Werner Becker Brass arrangement on "Sophisticated" by Kravetz & Becker Hamburg Sound Orchestra: Conducted by Werner Becker Recorded at Studio Maschen Engineer: Volker Heintzen Front Cover Art and Design: Richard Mantel Art Direction: Bill Levy | |||||
| 3 | Fast/Forward (US 1977 Polydor PD-1-6113) M-/M- $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Trust Me | 4:14 | J. J. Kravetz - P. French | Back Street Boy | 4:02 | J. Peterson - P. French | |
| Hijacked | 5:48 | J. J. Kravetz - M. T. Thiers - M. Bjoarklund | Work it Out | 4:22 | ||
| Stand Up | 4:41 | M. T. Thiera - S. Proffer - P. French | Hot Afternoon | 4:08 | S. Proffer - P. French - F. Diez - D. Tarrach - M. T. Thiers - J. J. Kravetz | |
| Star Attraction | 5:40 | F. Diez - P. French | Name of the Game | 4:13 | J. J. Kravetz - P. French - M. T. Thiers - D. Tarrach - F. Diez | |
| Fast/Forward | :37 | D. Tarrach - M. T. Thiers - F. Diaz - J. J. Kravetz - P. French | ||||
| Produced by: Spencer Proffer for the Pasha Music Organization Engineer: Larry Brown Arranged by: Randy Pie & Spencer Proffer Mastering: Bernie Grundman, A & M Studios, Hollywood, California Randy Pie: Peter French - Lead Vocals Dicky Tarrach - Drums Manfred Tissy Thiers - Bass and Backing Vocals Frank Diez - All Guitars Jean-Jacques Kravetz - Clavinet, Synthesizers, Organ, Electric & Acoustic Piano |
Special thanks to Carl Graves for his vocal solo on "Star Attraction" Extra Special Thanks to Larry Brown for his creative input in the making of this record and for all the percussion work on the album Recorded & Mixed at One Step Up Studios, Los Angeles, California Second Engineers: Bob Stringer, Mark Curry & Spencer Proffer Synthesizers Programmed by Larry Brown and Spencer Proffer Art Direction: Mike Doud Art Design: Brian Hagiwara Illustrations: Ren Wicks Photography: Kenneth McGowan | |||||
| 1 | Somebody's Watching (US 1973 Polydor PD 6502) M-/VG $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Somebody's Watching | 5:25 | Gould- Kelly- Kaffinetti- Curtis | Hard Time | 3:06 | Chaplin-Fataar | |
| Third Time Around | 4:55 | Who is the Hero | 3:39 | Lamb | ||
| Turn Your Head | 4:38 | High in the Morning | 3:30 | Korda | ||
| More and More | 4:05 | Dollars incorporating extracts from A Few Dollars More | 8:38 | Gould- Kelly- Kaffinetti- Curtis- Morricone | ||
| Steve Gould - Vocals, guitar (Bss guitar on "Who is the Hero") Dave Kaffinetti - Pianos, Clavinette, Organ Andy Curtis - Guitar Nic Potter - Bass Guitar Fred Kelly - Drums, Northern Percussion |
Paul Korda, Nicky James & Kevin Lamb assisted with vocals at various points through the album.
Al Matthews, Sammi Abu & Paul Holland played congas and percussion on "Dollars" John Whetton played bass guitar on "Dollard" Recording Engineers Andy Stephens + Andy Curtis - Polydor Studios Brian Humphries - Island Studios Ashley How - Lansdowne Studios Mix Engineers - Paul Holland & Andy Curtis Produced by Rare Bird Photography Chris Yates | |||||
| 2 | Born Again (US 1974 Polydor PD 6506) M-/VG+ coh $12 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Body and Soul | 3:07 | Gould/Camm | Redman | 3:42 | Gould/ Kaffinetti/ Kelly/ Curtis/ Hall | |
| Live for Each Other | 2:53 | Ashton | Peace of Mind | 5:22 | Gould/ Kaffinetti/ Kelly | |
| Diamonds | 4:08 | Gould/ Kaffinetti/ Kelly | Harlem | 3:22 | Gould/ Kaffinetti/ Kelly/ Curtis/ Camm | |
| Reaching You | 3:29 | Lonely Street | 3:15 | Gould/ Kaffinetti/ Kelly | ||
| All That I Need | 3:56 | Last Tango in Beulah | 6:31 | |||
| Steve Gould: Lead vocals, guitars, bass, overdubs (electric piano on 'Last Tango in Beulah')
Fred Kelly: Drums, percussion, harmony vocals Dave Kaffinetti: Acoustic and electric piano, clavinet, Hammond organ, Korg synthesizer, harmony vocals Andy Rae: Fender Bass Kevin Lamb: Harmony vocals on 'Lonely Street' and 'Peace of Mind' |
Recorded and Mixed at Polydor Studios London- December 1973/January 1974 Director of Engineering and Inspiration: Carlos Olms Produced by Peter Rice, Andrew Curtis and Steve Gould Art Direction: Vincent McEvoy Illustration: Jan Mark Photograph: Joe Gaffney | |||||
| 1 | Red 7 (US 1985 MCA MCA-5508) M-/M- promo has the insert $5 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Relentless* | 3:58 | A. Prieboy | The Dark Hour | 4:37 | G. Stashuk-M. Becker-B. Spark | |
| Heartbeat | 4:17 | G. Stashuk-M. Becker | Questions and Answers | 4:09 | G. Stashuk-M. Becker | |
| No Sorry | 3:24 | Let Me Use You | 3:35 | |||
| Less Than Perfect* | 4:12 | Shades of Grey | 4:12 | |||
| The Way | 5:09 | Can't Much Anymore | 5:02 | |||
| Gene Stashuk: Guitar, Lead Vocals Michael Becker: Keyboards, Background Vocals Paul Revelli: Drums, Background Vocals Produced by Mike Rutherford *Co-Produced by Don Gehman Engineered by David Tickle Assisted by Geoff Callingham, Ian Morace, Peter Smith Recorded and Mixed at Fisher Lane Farm, Surrey, England *Mixed by Don Gehman at Rumbo Records Los Angeles California |
*Engineered by Don Gehman, Greg Edward *Assisted by Greg Droman, Julian Stoll Mastered at Artisan Sound Studio, Hollywood California by Greg Fulginiti Bass on 'No Sorry,' 'Can't Much,' 'Less Than Perfect' and 'Heartbeat' Mike Rutherford Fairlight programmed by David Tickle Choir on 'The Way' Anne Wenzel Banks, Samantha Clayden, Clare Newman, Caroline Garnett, Andy Barclay, Dale Newman, Geoff Callingham, David Tickle, Mike Rutherford Art Direction: Jeff Adamoff | |||||
| 1 | Kanaroo? (US 1981 Rough Trade US 12) M-/M- $30 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Kangaroo? | 1:35 | Art & Language and Mayo Thompson | Prisoner's Model | 1:56 | Art & Language and Mayo Thompson | |
| Portrait of V. I. Lenin in the Style of Jackson Pollack, Part I | 2:55 | The Mistakes of Trotsky | 3:14 | |||
| Portrait of V. I. Lenin in the Style of Jackson Pollack, Part II | 4:47 | 1917 | 1:15 | |||
| Marches No's 23, 24, 25 | 2:28 | The Tractor Driver | 2:36 | |||
| Born to Win (Transactional Analysis with Gestalt Experiments) | 1:21 | Plekhanov | 3:13 | |||
| Keep All Your Friends | 2:11 | An Old Man's Dream | 2:27 | |||
| The Milkmaid | 1:57 | If She Loves You | 4:29 | |||
| The Principles of Party Organisation | 2:38 | |||||
| Produced by Adam Kidron, Mayo Thompson, Lora Logic and Epic Soundtracks
Production co-ordinated by Geoff Travis Recorded at Studio 80, London, Thanks to Bill Farley |
Mixed at Matrix, London, Assistane Engineer Tim Thompson Musicians: Lora Logic, Epic Soundtracks, Allen Ravenstine, Ben Annesley, Gina Birch and Mayo Thompson Thanks also to Nina Kidron and James 'Blood' Ulmer | |||||
| 1 | Ola Belle Reed (US 1983 Rounder 0021) VG+/VG+ autographed $50 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wayfaring Pilgrim | ?? | Ola Belle Reed | The Springtime of Life | ?? | Ola Belle Reed | |
| High on a Mountain | Billy in the Lowground | |||||
| The Soldier and the Lady | You Don't Tell Me That You Love Me Anymore | |||||
| Fly Around My Pretty Little Miss | I've Always Been a Rambler | |||||
| Go Home Little Girl | Rosewood Casket | |||||
| Blues in My Mind | John Hardy | |||||
| God Put a Rainbow in the Clouds | My Epitaph | |||||
| Flop Eared Mule | I Beleive | |||||
| Ola Belle Reed - banjo, guitar Bud Reed - harmonica, banjo, guitar David Reed - banjo, guitar John Miller - fiddle Alan Reed - banjo, guitar Ola Belle sings lead on all the vocals and all others sing backup at one time or another. |
Recorded by Gei Zantzinger, Devault, Pennsylvania, Fall, 1972. Executive Producers: Gei and Ruth Zantzinger Cover design: Millea Kenin. Front cover photo by Gei Zantzinger. Produced by the Rounder Collective: Ken Irwin, Marian Leighton, Bill Nowlin. | |||||
| 1 | Refugee (UK 1974 Charisma CAS 1087) M-/M- has inner sleeve $15 SOLD! | 
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| 2 | Refugee (US 1974 Charisma FC 6066) M-/M- promo cos has inner sleeve $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Papillon | 5:10 | P. Moraz | Gatecrasher | 1:02 | P. Moraz | |
| Someday | 5:02 | P. Moraz & L. Jackson | Ritt Mickley | 4:52 | ||
| Grand Canyon Suite | 16:46 | Credo | 18:04 | P. Moraz & L. Jackson | ||
| P. Moraz | P. Moraz | |||||
| P. Moraz & L. Jackson | ||||||
| P. Moraz & L. Jackson | P. Moraz | |||||
| P. Moraz | P. Moraz, Professor Ristori & L. Jackson | |||||
| P. Moraz | ||||||
| P. Moraz & L. Jackson | ||||||
| P. Moraz | ||||||
| Patrick Moraz played: Organ, Mini-Moogs, AKS Synthesizer, Piano, Clavinet, Pipe Organ, Mellotron, Marimbaphone,
Alpine Horn, Electronic Slinky, Electric Piano, Occasional Vocals Brian Davison played: Drums, Timpani, Gongs, Tibetan Temple Bells, African Drums, Kabassa, Broken Glass Lee Jackson played: Bass, Electric 'Cello, Guitar, 12 String Acoustic Guitar, Lead Vocals Polyphonic Sounds recorded by Patrick Moraz and Professor Ristori at ART Studios in Geneva, Switzerland. Equipment: Dave, Ray, Alan, Mike Hamburger Run: Alan |
Produced by John Burns & Refugee at Island Studios, February 1974 Photography, Roger Stowell Sleeve Design, Fabio Nicoli Associates | |||||
| 1 | Ashes Are Burning (US 1973 Sovereign ST-11216) VG+/M- has the insert $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Can You Understand? | 9:49 | Dunford-Thatcher | Carpet of the Sun | 3:31 | Dunford-Thatcher | |
| Let it Grow | 4:15 | At the Harbour | 6:50 | |||
| On the Frontier | 4:53 | McCarty-Thatcher | Ashes Are Burning | 11:24 | ||
| Produced and engineered by Dick Plant Assisted by Richard Goldblatt Personnel: John Tout (keyboards, voclas) Annie Haslam (vocals) John Camp (bass, guitar, vocals) Terence Sullivan (drums, percussion, vocals) |
Thanks to Andy Powell for guitar on "Ashes Are Burning"
Michael Dunford on acoustic guitar Strings arranged by Richard Hewson Music arranged by Renaissance Cover design and photos by Hipgnosis | |||||
| 2 | Scheherazade and Other Stories (US 1975 Sire SASD-7510) VG+/VG+ has inner sleeve $8 | 
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| Side 1 | Side 2 - Song of Scheherazade | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Trip to the Fair | 10:48 | Dunford/ Thatcher/ Tout | Fanfare | 2:37 | J. Tout | |
| The Vultures Fly High | 3:07 | Dunford/ Thatcher | The Betrayal | 4:55 | Camp/ Dunford/ Tout | |
| Ocean Gypsy | 7:05 | The Sultan | 2:46 | Dunford/ Thatcher | ||
| Love Theme | 2:29 | J. Camp | ||||
| The Young Prince and Princess as Told by Scheharazade | 4:04 | Dunford/ Thatcher | ||||
| Festival Preparations | 1:07 | Camp/ Dunford/ Tout | ||||
| Fugue for the Sultan | 2:12 | J. Tout | ||||
| The Festival | 2:12 | Dunford/ Thatcher | ||||
| Finale | 2:30 | Camp/ Dunford/ Tout | ||||
| John Tout: Keyboards, Vocals Annie Haslam: Lead Vocals Jon Camp: Bass, Bass Pedals, Vocals Terence Sullivan: Drums, Percussion, Vocals Michael Dunford: Acoustic Guitars, Vocals |
Musical arrangements by Renaissance / Orchestral arrangements by Tony Cox Produced by Renaissance Recorded at Abbey Road Studios during May, 1975 Coordination: David Hitchcock Engineer: John Kurlander / Assistant Engineer: Patrick Stapley Remixed at De Lane Lea Studios Engineer: Dick Plant / Assistant Engineers: Mike Pela, Annie Plant Cover design and photos by Hipgnosis / Illustration by Colin Elgie | |||||
| 3 | Live at Carnegie Hall (US 1976 Sire SASY-3902-2) M-/M-/VG+ $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Prologue | 7:35 | Dunford/ Thatcher | Carpet of the Sun | 4:15 | Dunford/ Thatcher | |
| Ocean Gypsy | 7:55 | Running Hard | 9:43 | |||
| Can You Understand? | 10:20 | Mother Russia | 10:48 | |||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Scheherazade | 28:30 | Dunford/ Thatcher/ Camp/ Tout | Ashes Are Burning | 23:50 | Dunford/ Thatcher | |
| John Tout: Keyboards, Vocals Annie Haslam: Lead Vocals Jon Camp: Bass, Bass Pedals, Vocals Terrence Sullivan: Drums, Percussion, Vocals Michael Dunford: Acoustic Guitars, Vocals Recorded at Carnegie Hall, June 20,21,22,1975 by Record Plant, New York Engineer: Carmine Rubino Mixed at De Lane Lea, Wembley, England Engineer: Dick Plant Assistant Engineer: Barry Kidd |
Produced by Renaissance Orchestra conducted by Tony Cox Lights by Aladdin Light Sound by Sound Specialties Cover Artwork and Collage: Fred Marcellino Inside Cover Concept and Research: Annie Haslam Photography: Chuck Pulin, John Kuczynski, Dennis Degnan of Alladin Lights, Annie Haslam, Bob Gruen Many thanks to the members of the New York Philharmonic and Renaissance road crew | |||||
| 4 | Novella (US 1977 Sire SA-7526) VG+/VG+ gatefold $8 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Can You Hear Me? | 13:39 | Camp/ Dunford/ Thatcher | Midas Man | 5:45 | Dunford/ Thatcher | |
| The Sisters | 7:14 | Dunford/ Thatcher/ Tout | The Captive Heart | 4:12 | Camp/ Dunford | |
| Touching Once (is so Hard to Keep) | 9:25 | |||||
| John Tout: Keyboards, Vocals Annie Haslam: Lead Vocals Jon Camp: Bass, Bass Pedals, Acoustic Guitar, Vocals Terrence Sullivan: Drums, Percussion, Vocals Michael Dunford: Acoustic Guitars, Vocals |
Arrangements by Renaissance Orchestral Arrangements by Richard Hewson Produced by Renaissance Recorded at De Lane Lea Music Centre, Wembley, November 1976 Mastered at De Lane Lea Music Centre, Wembley, December 1976 Engineered by Dick Plant Assistant Engineer: Barry Kidd Jacket Design: Churchmouse Illustrations: Pamela Brown Portrait: Amy Tuttle | |||||
| 5 | Azure d'or (US 1979 Sire SRK 6068) M-/M- has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Jekyll and Hyde | 4:38 | Dunford/ Thatcher | Secret Mission | 5:00 | Camp | |
| The Winter Tree | 3:02 | Kalynda (A Magical Isle) | 3:43 | |||
| Only Angels Have Wings | 3:43 | Camp | The Discovery | 4:23 | ||
| Golden Key | 5:13 | Dunford/ Thatcher | Friends | 3:30 | Dunford/ Thatcher | |
| Forever Changing | 4:48 | Sullivan/ Thatcher | The Flood at Lyons | 4:57 | Camp/ Dunford | |
| Annie Haslam: Lead and Backing Vocals
John Tout: piano, Yamaha CS80 & CS30, ARP string ensemble, ARP pro-soloist, Hohner D6 clavinet, Yamaha electric piano CP 70, Hammond B3, ARP 2600, mellotron Terence Sullivan: drums and percussion, timpani, glockenspiel, kalimba, gongs, chimes, xylophone Jon Camp: Dick Knight custom flanged bass, Hobourn cello, vocals, Antoria and Rickenbacker basses, Taurus and MCI bass pedals, Ovation 12-string acoustic guitar Michael Dunford: Yamaha 12 string acoustic guitar, Dick Knight custom electric guitars, Yamaha and Ovation adamas, Ovation classical guitar, autoharp |
Produced and engineered by David Hentschel for Dukeslodge Enterprises Ltd. Assistant engineer: David Babscombe Vocals engineered by Dick Plant and David Hentschel Recorded at Maison Rouge Studios, London Nov 78-Feb 79 Art direction and photography: Gered Mankowitz Design: Richard Gray | |||||
| 1 | All Walks of This Life (US 1986 The Gate International TGI 003) M-/M- $50 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Feeling Blue and Grey | ?? | Mark Renner | Half a Heart | ?? | Mark Renner | |
| Princes Street | The Wild House | |||||
| The Quiet Land | More or Less | |||||
| The Man and the Echo | A Glimpse of the Thirteenth Room | |||||
| Book of Mercy | ||||||
| Wounds | ||||||
| Few Traces | ||||||
| Riverside | ||||||
| The Mirror at Saint Andrews | ||||||
| Mark Renner: All instruments except...
Ed Myers: bass on 2a & 2d, percussion on 2a Bill Flayhart: rhythm guitar on 2b John Grant: bass on 2c Jim Matis: jx 3d on 2a |
Produced by Mark Renner with John Grant recorded at higher ground (side one) alvic studios -- london, england (side 2a) and secret sound, baltimore engineered by john grant (secret sound), keith hancock (alvic), m.r. (h.g.) | |||||
| 2 | Painter's Joy (US 1988 Dimension 72263-1) M-/M- white vinyl, has the insert $25 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Summer Home | 2:48 | Mark Renner | The Migrant | 4:48 | Renner/Flayhart | |
| Painter's Joy | 3:38 | Rosshalde | 3:37 | Mark Renner | ||
| The Absence of You | 3:22 | Flood | 2:45 | |||
| Restore Me | 2:01 | Between the Centuries | 4:49 | |||
| To the Well and Back | 4:32 | It Might Have Been | 4:00 | |||
| Recorded at Secret Sound, April 1987 February 1988
Produced by John Grant, Mark Renner and Bill Flayhart Mixed by John Grant cover painting: detail from "feeling blue and grey" by mark renner design: the hesse associates graphic art production: bland design group back cover photo: louis burch inside photo: meredith renner |
Personnel: Keith Davis: Drums Ed Meyers: the Bass Bill Flayhart: Guitar, Strings, Percussion John Grant: Bass, Guitar, Keyboards and Programming Mark Renner: Vocals, Guitar, Piano, Keyboards, Programming | |||||
| 1 | Instrumental Excerpts from God in 3 Persons (US 1989 Ryco RALP0045) M-/M- clear vinyl gatefold cos $15 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Main Titles (God in Three Persons) | 3:38 | The Residents | The Service (part 1) | 2:51 | The Residents | |
| Hard & Tenderly | 3:44 | The Service (Part 2) | 1:28 | |||
| The Thing About Them | 3:25 | Confused By What I Felt Inside | 5:37 | |||
| Their Early Years | 2:43 | Kiss of Flesh | 9:25 | |||
| Loss of a Loved One | 3:10 | Pain & Pleasure | 2:00 | |||
| The Touch | 2:08 | |||||
| Composed, Arranged & Performed by The Residents Song Stylist: Laurie Amat Brass & Woodwinds: Richard Mariott Residents photo: Henrik Kam |
Package Design: PornoGraphics Music Published: Pale Pachyderm Publ (BMI) All tracks are re-mixed and edited instrumental arrangements from The Residents' God in Three Persons. | |||||
| 1 | Revelation (US 1968? Mercury SR 61301) M-/VG white label promo $15 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Jerusalem | 4:09 | Jim Webb | See You Then | 3:21 | Jim Webb | |
| This is Your Life | 3:12 | If This Was the Last Song | 2:44 | |||
| Paper Chase | 2:26 | Shepherd's Daughter | 3:43 | |||
| Pocketful of Keys | 2:44 | Evie | 2:59 | |||
| One of the Nicer Things | 3:16 | Someone is Standing Outside | 3:34 | |||
| Beyond Myself | 3:07 | Psalm 150 | 5:46 | |||
| Brian, Sigris, Moushka, Michael, Melinda, Dane
All selections written by Jim Webb, produced by Brad Miller, A Mobile Fidelity Production. Arranged and conducted by Richard Clements, A & R Director: Bob Sarenpa. Recordists: Barry Ainsworth, Kieth Grant, George Horn, Mixer: Mark Harman. |
Recorded in London, England at Trident, Olympic Studios; and recorded, mixed, and edited at Mercury Sound Studio West, San Francisco.
Art Director: Desmond Strobel, Design: Doug Taylor, Photography: Ron Mesaros. | |||||
| 1 | Island of Living Puke (US 1986 SST 077) M-/M- has the insert $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Rediscover Downtown Paterson | 3:14 | Zoogz Rift | The Secret Marines (4-F, 5-0, 666, 7-11, 8-is-enough, 9-lives, 10-4) Blow Out | 3:07 | Zoogz Rift | |
| Island of Living Puke | 2:49 | Nightclub Sequence | 2:22 | |||
| A Very Pretty Song for a Very Special Young Lady | 4:31 | Shiver Me Timbers | 5:08 | |||
| The Mo-Fo's are After Me | 3:28 | Escape from the Island of Living Puke | 2:13 | |||
| Torture Sequence | 0:56 | The Breather | 4:20 | |||
| You're Killing Me | 2:00 | I'm Happy | 0:54 | |||
| contributing performers: Zoogz Rift lead vocal & t-bar guitar & his Amazing Shitheads: Mr. California: digital sampling lead keyboard Richie Hass: Drums Eddie "Keltic Runes" O'Bryan: bass guitar Scott Colby: slide guitar, bottleneck dobro & "It's got to be Funky!" Willie Lapin: bass guitar Jonathan Mako Sharkey: clavinet & string ensemble with special guest shitheads: Marc Mylar: tenor saxophone Teicher "Tom-Tom" Ferranti: additional percussion, awards presentation Alan Eugster: old fashioned analog synthesizers Matt Karlsen as The Thing With No Name Wendy Singer: additional vocals John Trubee: additional vocals & beazy/remhod units Jeanne Lind Huffman: additionsl vocals Aaron T-Bar Rift: piano on Paterson & moral support |
extra-special out of town shithead: Henry Kaiser: guitar on Torture, Shiver Me Timbers abd Escape Recorded in April 1986 at Radio Tokyo, Venice Engineered by Ethan James Cover art, layout, design, etc.: ZR Front & back photos taken by Jeff Karlsen Insert illustrations: John Trubee | |||||
| 2 | Looser Than Clams ...A Historical Retrospective [Greatest Hits, Vol. 1] (US 1986 SST 088) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Eiffel Tower | 2:01 | Rift/Colby | No Use | 4:57 | Rift | |
| Idiots on the Miniature Golf Course | 0:28 | Rift | With the Necessary Changes Having Been Made | 4:23 | ||
| Lobotomy | 0:26 | Mutatis Mutandis | 6:48 | |||
| Dinkle Dance | 4:30 | Island of Living Puke | 2:49 | |||
| Heart Attack | 2:06 | Torture Sequence | 0:56 | |||
| Art Band | 4:18 | You're Looking Me | 2:00 | |||
| Secret Marines-The Sequel | 9:28 | High Fidelity | 3:44 | Elvis Costello | ||
| Produced & Arranged by Zoogz Rift Engineers & Studios: Marc Mylar/Trigon Studios/Canoga Park Twain Recording/West Milford NJ Hal Hellerman/Pravana Productions/Holywood Etahn James/Radio Tokyo/Venice |
All songs published by Miss Anne Thrope Music, Ltd. (BMI) except for High Fidelity (Rivera G Lobal Productions Ltd.)
Art Layout etc.: ZR Spiritual counselor to Thalidomide Productions: Laura J. Rift | |||||
| 3 | Water (US 1987 SST 099) M-/M- has the insert $20 | 
| ||||
| Side 1 - Prelude to Barkeyville | Side 2 - Mongoloid Middle America | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I'll Rip Your Brains Out | 7:14 | Zoogz Rift | Beak a) Roy Orbit's Son b) Mo' Mo-Fo's c)Main Theme | 7:48 | Zoogz Rift | |
| Jerome, Arizona | 1:50 | |||||
| World of Depravity | 4:20 | Burn in Hell! | 2:39 | |||
| Oh Those Secret Marines! | 3:26 | Diver Dan vs. The Worm Gobblers | 0:59 | |||
| Getting Laid at Grace Park | 1:30 | Mongoloid Middle America | 7:36 | |||
| You Doot? | 1:39 | Water | 1:03 | |||
| The Shitheads: Zoogz Rift (as the Liquid Moamo): All screaming, guitar playing & miscellaneous Mr. California: Lead digital sampling keyboard Richie Hass: Drum Kit & RH Factor E. Bentley O'Bryan: Electric bass guitar & knife solo Jonathan Mako Sharkey: Ron jobs and Reenie (keyboards, too) |
Produced, arranged & conducted by Zoogz Rift Everything on this record first manifested itself in the form of some very disturbed nightmares in the troubled head of Zoogz Rift. Recorded in January 1987 by Marc Mylar at his world famous Trigon studios in historic Canoga Park, California...land of enchantment. Marc occasionally blows some Mean Sax on this record, and Dadie Resch adds that feminine touch. Mr. Colby will be your tour guide. | |||||
| 4 | Ipecac (US 1987 SST 120) M-/M- $20 | 
| ||||
| Side 1 - 22:01 | Side 2 - 24:13 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ipecac | 1:54 | Zoogz Rift | I Was the Only Boy at the Teen Girl's Slumber Party | 11:24 | Zoogz Rift | |
| Sunday Brunch with Faud Ramses | 4:36 | No Use | 4:48 | |||
| Sit Down & Shut Up | 8:03 | Santa's on a Diet | 1:32 | |||
| Secret Marines 3-D | 4:03 | You Fucked Up | 6:29 | |||
| Pump City | 3:25 | |||||
| Zoogz Rift: Lead Vocal, T-Bar Guitar, Casio Keyboard Thing, Guiro ...and his Amazing Shitheads: Richie Hass: Marimba, Vibes, Fuzz Vibes, Synthesizer Marc Mylar: Tenor Sax, Soprano Sax, Synthesizer, Flute M.B. Gordy: Simmons Drums, Tabla, Jingle Bells Jonathan Mako Sharkey: Synthsizer Danny Buchanan: Bass Guitar, Fretless Bss, Slide Bass |
Special thanks to: Scott Colby for his bathroom dobro solo on "Slumber Party," and Matt Karlsen for the groovy teenage narration on "Sit Down & Shut Up." Recorded May through June, 1984 Studio: Flipside Studios, Canoga Park Engineer: Marc Mylar Assistant to the engineer: Owen Green | |||||
| 5 | Interim Resurgence (US 1987 SST 121) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Pre-Moamo Syndrome | 2:00 | Zoogz Rift | Imaginary Numbers | 3:00 | Zoogz Rift | |
| With the Necessary Changes Having Been Made | 3:15 | Mutatis Mutandis | 7:00 | |||
| Night Traffic | 2:00 | Ironic Woodwind Interlude | 3:00 | |||
| Exquisite Corpse | 3:00 | Spit in the Fog | 5:00 | |||
| Don't Go Outside | 3:45 | |||||
| X-Ray Girls | 4:00 | |||||
| Zoogz Rift: T-Bar Guitars, Drum Machine, Lead Vocal Craig Unkrich: Synthesizer, Piano Tom Ferranti: Drums Owen Green: Bass Guitar John Trubee: Vocals Matt Karlsen: Vocals Jon Mako Sharkey: Vocals, Synthesizer Ed O'Bryan: Vocals Scott Colby: Vocals Richie Hass: Marimba M.B. Gordy: Drums Danny Buchanan: Bass Marc Mylar: Tenor Saxophone, Solo Clarinet |
All material composed, arranged, conducted & produced by Zoogz Rift. Copyright 1985 Miss Anne Thrope Music Ltd. (BMI). Recorded June/July 1985 at Trigon Studios, Canoga Park. Engineered by Marc Mylar. This is a reissue of the Snout Records Release SRR-016. | |||||
| 6 | Amputees in Limbo (US 1987 SST 122) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Heart Attack (1984) | 2:02 | Zoogz Rift | Secret Marines-The Sequel (1983) | 8:49 | Zoogz Rift | |
| But the Picture Has a Mustache (1984) | 2:22 | Disintegration Waltz (1983) | 2:33 | |||
| Moron Serenade (1984) | 3:47 | Eyes of Bodhidharma (1985) | 3:30 | |||
| Evil Eye (1982) | 7:15 | Art Band (1984) | 4:00 | |||
| Buffy & Jody (1982) | 1:34 | My Stuffed Animals Have Rabies (1982) | 3:45 | |||
| My Daddy Works for the Secret Marines (1982) | 2:47 | |||||
| Searchin' for Clams Under the Glass Bottom Boat (1984) | 1:37 | |||||
| Zoogz Rift-Vocal, T-Bar Guitar, Prepared T-Bar Guitar
Jonathan Mako Sharkey-Keyboard, Synthesizer M.B. Gordy-Drums Danny Buchanan-Bass Guitar Richie Hass-Fuzz Vibraphone, Drums Marc Mylar-Saxophone, Soprano Saxophone, Synthesizer John Trubee-Bass Guitar, Maracas |
A collection of odds and ends too good to go unheard. Everything was written and arranged by Zoogz Rift. Copyrighted 1982-1985 by Miss Anne Thrope Music, Ltd. (BMI). Almost everythingwas recorded at the legendary Trigon Studios in Canoga Park, California, under the engineering skills of Marc Mylar. The 1982 recordings were made at the not-as-legendary City Recorders (24 track) which used to be located in Hollywood, but got croaked. Front cover photos by Danny Buchanan. Art, Layout, etc.: ZR. | |||||
| 7 | Idiots on the Miniature Golf Course (US 1987 SST 123) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Restrooms of Erotic Fantasies | 0:39 | Rift | Idiots on the Miniature Golf Course | 0:28 | Rift | |
| The Great Apes Ate Grapes | 4:05 | Hass | Golden Showers | 2:37 | Hass | |
| Lobotomy 4 | 0:35 | Rift | Judge Bludge, the Hangin' Judge | 1:34 | Rift-Hass | |
| Feeling in my Bones | 3:13 | Lobotomy 2 | 0:37 | Rift | ||
| The Night They All Came Out | 3:13 | Hass | The Rabbit and the Lady | 3:00 | ||
| Lazy Susan | 3:05 | Rift | You Can Go Fuck Yourself | 2:12 | ||
| Ostriches Have Sex Too You Know | 4:05 | Dinkle Dance | 4:59 | |||
| I Did So | 1:27 | We're All Born on Little Planets | 4:02 | |||
| What Can We Feed to the Lions | 3:25 | |||||
| Copyright 1975-83 Zoogz Rift's Micro Mastodons features: Zoogz Rift: lead vocals, T-bar guitar, ARP 2600 Richard Hass: special guest star, drums, vibes, marimba, bass guitar Eric Williams: lead guitar, bass guitar, violin |
Jim Simcoe: saxophones Mark Zimoski: drums John Van Zelm Trubee: rhythm guitar Jon Sharkey: piano Steve Bassel: guitar Produced by Zoogz Rift | |||||
| 8 | Water II: At Safe Distance (US 1987 SST 137) M-/M- has the insert $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sleaseball | 3:42 | Rift | The Secret Marines Must Die | 4:41 | Rift | |
| Halloween | 3:00 | Sweet Nausea Lick | 1:43 | |||
| M'Bugulu | 5:04 | Caught in a Dream | 2:00 | Michael Bruce | ||
| Ah Peeked in Duh Devil's Secret Hell Files | 6:56 | I Can't Do This With You Looking at Me | 4:05 | Rift | ||
| Walk, Dont Run | 2:16 | Johnny Smith | Strictly el Segundo | 2:51 | ||
| Water II | 2:40 | |||||
| Zoogz Rift: lead vocals, t-bar guitars Mr. California: keyboards Willie Lapin: bass guitar, stand-up acoustic bass Mike Crawford: drums Jack Brewer: add'l vocals Marc Mylar: sax E. Bentley O'Bryan: electric bass guitar, rhythm guitar Alan Carl Eugster: violin, synthesizers John Van Zelm Trubee: mini-moog Aaron T-Bar Rift: vocals & toy piano Matt Karlsen: The Spirit with No Name |
Recorded in June/July 1987 with Marc Mylar at the controls at his famous Trigon Studios in Canoga Park, Home of "The Next Big Thing from Britain"
Mastered by John Golden at K-Disc in Hollywood Jacket Typesetting: The Unknown Typesetter, Cliff Typographers, Los Angeles Photos: Thalidomide Productions Art, Layout, etc. (as usual) ZR Production Coordinator: Richard Ford | |||||
| 9 | Nonentity [Water III: Fan Black Dada] (US 1988 SST 184) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Delinquent Payments | 8:57 | Rift | Chromium Slit Negatives | 2:18 | Rift | |
| Locked Out | 2:29 | With My Bare Hands | 11:26 | |||
| Look at the Fool | 5:41 | Tim Buckley | When My Ship Rolls In | 3:48 | John Trubee | |
| Drums & Percussion: Richie Hass Bass Guitars: Willie Lapin Trombones & Tuba: Toby Holmes Accordian: Rocky Howard All Guitars & Lead Vocal: Zoogz Rift Craig Unkrich plays synthesizer on Chromium Slit Negatives and When My Ship Rolls In Photographs by Marc Mylar Art, layout, etc.: ZR |
Recorded in March, 1988 Engineered by Marc Mylar at Trigon Studios Mastered by John Golden at K-Disc Production Coordinator: Rich Ford Produced and Arranged by Zoogz Rift as The Liquid Moamo Nonentity is Zoogz Rift's ninth album and the third & final installment of the Water trilogy | |||||
| 10 | Murdering Hell's Happy Cretins (US 1988 SST 211) M-/M- has the insert $20 | 
| ||||
| Side 1 - live in Holland | Side 2 - dead in Los Angeles | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Story of a Soldier | 0:51 | Ennio Morricone | Puke Island Paradise | 2:59 | Zoogz Rift | |
| Alienation | 3:35 | John Trubee | Murdering Hell's Happy Cretins | 11:26 | ||
| Mongoloid Middle America | 4:10 | Zoogz Rift | Tender Romance Sequence | 2:59 | ||
| Heart Attack | 2:10 | "One of Us!" | 7:46 | |||
| With the Necessary Changes Having Been Made | 3:25 | A Equals A | 5:06 | |||
| Look at the Fool | 4:10 | Tim Buckley | ||||
| Sleazeball | 2:43 | Zoogz Rift | ||||
| When My SHip Rolls In | 4:05 | John Trubee | ||||
| Willie Lapin: fretless bass Richie Hass: drums & vibes Tom Brown: drums Toby Holmes: trombone John Trubee: rhythm guitar Rocky Howard: accordian Dadie Resch and Greg Lloyd: additional vocals Lead Vocals, Lead Guitar & Production by Zoogz Rift (The Liquid Moamo) |
Side A recorded Saturday night, May 14, 1988, live on stage at De Effenaar in Eindhoven, Netherlands.
Recording engineer in charge of digital and 16-track remote recordings: Theo van Eenbergen of Tango Studio, Eindhowen. Mixed at Trax, in Los Angeles. Side B was recorded and mixed in August, 1988, by Marc Mylar at Trigon Records Studios, in Canoga Park. Album art, layout, notes, etc: ZR. Front cover painting: "The Triumph of Death," by Peter Bruegel. Mastering: John Golden at K-Disc. Photos by guys in the band. Psychedelic back cover photo of Zoogz Rift by Steve Greeno. Typography: Cliff Typographers, L.A. | |||||
| 11 | Torment (US 1989 SST 251) M-/M- has the insert $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hi Mom I'm Home | ?? | Zoogz Rift | United We Fall | ?? | Zoogz Rift | |
| Torment | Sweet Surrender | Tim Buckley | ||||
| Dead Planet Earth | Meet Me At Stinky's | Zoogz Rift | ||||
| Naked on the Mountain (Looking At The Sea) | Defecation Rainbow | |||||
| The Secret Marines Sex Kitten Beach Party | Bad Risk | |||||
| This Town Sucks | Popcorn Scumbago | |||||
| Zoogz Rift: lead vocals, all guitars, percussion and His Amazing Shitheads: Willie Lapin: fretless bass, add'l vocals, percussion Tom Brown: drums, add'l vocals, percussion Jonatham Mako Sharky: keyboards, add'l vocals, percussion and His special guest Shitheads: Richie Hass: vibes Marc Mylar: clarinet & tenor saxophone Craig Unkrich: keyboard on "Low Life" Paige Lapin: rain drum & "That's no way to talk" |
produced by Zoogz Rift as the liguid moamo Recorded in June, 1989, at Trigon Studios, Canoga Park. Engineered by Marc Mylar, who is well on his way to going insane and falling into the abyss. Mastered at K-Disc in Hollywood by John Golden. Production coordinator: Rich Ford. Philosophical consultations: Laura J. Rift. The LP, Cassette, and Compact Disc versions of this Torment project all contain different material/mixes/versions from each other (a sneaky marketing ploy, but it's a good way to get a lot of new material out at one time and maybe even make a few extra bucks, which wouldn't hurt!) Art, layout, etc.: ZR (with special thanks to Patrick at SST). Additional thanks to Cameron Jaami and his trained weasels. Front cover photo of ZR: Willie Lapin. Back cover group photo: Marc Mylar. | |||||
| 1 | A Rainbow in Curved Air (US 1970 Columbia 7315) M-/VG+ $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| A Rainbow in Curved Air | 18:40 | Terry Riley | Poppy Nogood and the Phantom Band | 21:40 | Terry Riley | |
| Produced by David Behrman Engineering: Glen Kolotkin, Roy Segal Front Cover Montage: John Berg Back Cover Illustration: Virginia Team |
All the music on this recording is played by Terry. In A Rainbow he plays electric organ, electric harpsichord, rocksochord, dumbec and tambourine. Poppy Nogood is for soprano saxophone and electic organ. The spacially separated mirror images were adapted for studio recording by Glen Kolotkin and resemble the sound Terry gets in his all-night concerts. | |||||
| 1 | Geschenk des Augenblicks - Gift of the Moment (US 1984 Editions EG EGED 34) M-/M- cos $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Geschecnk des Augenblicks (Gift of the Moment) | 4:19 | Roedelius | Sehnsucht will dich lassen (To be free of Yearning) | 5:48 | Roedelius | |
| Adieu Quichotte | 5:46 | Roedelius/Uittenbogaard | Das Sanfte (Mellowness) | 3:43 | Roedelius/Uittenbogaard | |
| Troubadour | 5:16 | Tag fur Tag (Day by Day) | 4:30 | Roedelius | ||
| Kleine Blume irgendwo (Little Flower somewhere) | 2:13 | Roedelius | Zu Fuben der Berge am Ufer des Sees (At the foot of the mountain by the lakeside) | 6:35 | ||
| Ohm' Unterlab (Continuously) | 3:50 | Wurzeln des Glucks (Roots of Joy) | 3:25 | Roedelius/Letterie | ||
| Gefundene Zeit (Time Regained) | 2:00 | Roedelius/Uittenbogaard | ||||
| Hans-Joachim Roedelius: Grand piano, acoustic and electric guitars, electric bass, accordian, electronic sounds with vocoder CP 33, Korg Poly 61.
Arjen Uittenbogaard: Cello Tjitse Letterie: Violin Cover: Roedelius Production: Roedelius |
The piano music was recorded on a home studio. The transfer to multitrack, further instrumentation and first mixing took place at the "Lux Mondi" studio, Rotterdam in late February 1983. The recording engineer was Coen de Neef. Further additions and the completions of individual pieces were done at home on the Erpel Portable Studio during the following May. In early October the album was finished without fundamental changes to the original material recorded, at the The Hit Box Studio, 1120 Vienna, Aichholzgabe 32, with the help of the recording engineer Eric Spitzer-Marlyn. | |||||
| 1 | A Lincoln Portrait (US 1987 Cuneiform RUNE 13) M-/M- $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Full Flow | 4:21 | Mikel Rouse | #1 | 4:56 | Mikel Rouse | |
| #2 | 5:10 | Quick Thrust | 5:31 | |||
| High Frontier | 4:23 | #3 | 3:50 | |||
| Produced by Mikel Rouse, Julie Baer and James Bergman
James Bergman: bass Ellery Eskelin: soprano sax Mikel Rouse: keyboard, drum machine programming |
Recorded and mixed: October & November, 1985 at B.C. Studio, Brooklyn, NY Recording engineer: Martin Bisi Originally mastered by Greg Calbi at Sterling Sound, New York Muscial Consultant: James Bergman Communications and Administration: Julie Baer Front cover painting: "Green Lincoln" by Tim Steele Back cover photo by Laraine Reedy Design: Mikel Rouse Typesetting: Barbara Barg In memory of Morton Feldman | |||||
| 1 | Country Life (US 1974 Atco SD 36-106) VG+/VG+ cos, has inner sleeve $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Thrill Of It All | 6:23 | Ferry | Bitter Sweet | 4:57 | Ferry/Mackay | |
| Three And Nine | 4:01 | Ferry/Mackay | Triptych | 3:09 | Ferry | |
| All I Want Is You | 3:08 | Ferry/Manzanera | Casanova | 3:23 | ||
| Out Of The Blue | 4:26 | Ferry/Manzanera | A Really Good Time | 3:44 | ||
| If It Takes All Night | 3:09 | Ferry | Prairie Rose | 5:13 | Ferry/Manzanera | |
| Bryan Ferry: Voice & Keyboards Andrew Mackay: Oboe & Saxophone Paul Thompson: Drums Phil Manzanera: Guitar Edwin Jobson: Strings, Synthesizer, Keyboards John Gustafon: Bass |
Recorded at Air Studios, London, Summer 1974 Engineer: John Punter Assisted by: Steve Nye, Sean Mulligan, Paul Nunn, Michael Sellers Photography: Eric Boman Fashion: Anthony Price Design: Nicholas de Ville Artwork: Bob Bowkett at C.C.S. Art Direction: Bryan Ferry Produced by Roxy Music and John Punter for E. G. Records | |||||
| 2 | Flesh & Blood (US 1980 Atco SD 32-102) M-/VG has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| In the Midnight Hour | 3:11 | Cropper, Pickett | Over You | 3:30 | Ferry, Manzanera | |
| Oh Yeah | 4:50 | Ferry | Eight Miles High | 4:52 | Clark, Crosby, McGuinn | |
| Same Old Scene | 3:00 | Rain Rain Rain | 3:18 | Ferry | ||
| Flesh and Blood | 3:00 | No Strange Delight | 4:45 | Ferry, Manzanera | ||
| My Only Love | 5:00 | Running Wild | 5:18 | |||
| Bryan Ferry: voice and keyboards Phil Manzanera: guitar Andy Mackay: saxes Allan Schwartzberg, Andy Newmark, Simon Phillips: drums Alan Spenner, Neil Jason, Gary Tibbs: bass Neil Hubbard: guitar Paul Carrack: keyboards |
Engineered by Rhett Davies at Basing Street and Gallery Studio. Mixed by Bob Clearmountain at The Power Station. Mastered by Robert C. Ludwig at Masterdisc. Produced by Roxy Music and Rhett Davies. | |||||
| 3 | The High Road (US 1983 Warner Brothers 23808-1) M-/M- $8 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Can't Let Go | 5:29 | Bryan Ferry | Like a Hurricane | 7:36 | Neil Young | |
| My Only Love | 7:23 | Jealous Guy | 6:10 | John Lennon | ||
| Bryan Ferry - Phil Manzanera - Andy Mackay - Neil Hubbard - Andy Newmark - Alan Spenner - Jimmy Maelen - Guy Fletcher - Michelle Cobbs - Tawatha Agee
Cover by - Brayn Ferry - Neil Kirk - Antony Price - Peter Saville and Tharet de Oliveira |
Recorded live at the Apollo Theatre Glasgow by Radio Clyde's Mobile 2 Engineered by Alan Boyd Mixed by Bob Clearmountain at The Power Station Produced by Rhett Davies and Roxy Music | |||||
| 1 | Rush (US 1974 SRM-1-1011) M-/M- $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Finding My Way* | 5:03 | Lee & Lifeson | What You're Doing*+ | 4:19 | Lee & Lifeson | |
| Need Some Love* | 2:16 | In the Mood+ | 3:36 | Lee | ||
| Take a Friend+ | 4:27 | Before and After*+ | 5:33 | Lee & Lifeson | ||
| Here Again* | 7:30 | Working Man*+ | 7:07 | |||
| *Recorded at Toronto Sound Studios +Recorded at Eastern Sound Remixed at Toronto SOund. Remix Engineer-Terry Brown Mastered at Masterdisk Produced by Rush Executive Production - SRO Photographs by BIC Photography All arrangements by Rush Album cover design by Paul Weldon For best results play at maximum volume. Mastering Consultant Jim Shelton Mastering: Gilbert Kong |
Personnel: Geddy Lee - Lead Vocals & Bass Alex Lifeson - Guitars & Vocals John Rutsey - Drums & Vocals Road Crew - Ian Grandy & Liam Birt Executive Producer - Robin McBride Special thanks to - Denny Rosencrantz/Cliff Burnstein/Charlie Fach | |||||
| 2 | Fly By Night (US 1975 Mercury SRM-1-1023) VG+/VG+ has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Anthem | 4:10 | G. Lee-A. Lifeson-N. Peart | Fly By Night | 3:20 | G. Lee-N. Peart | |
| Best I Can | 3:24 | G. Lee | Making Memories | 2:56 | G. Lee-A. Lifeson-N. Peart | |
| Beneath, Between, Behind | 3:00 | A. Lifeson-N. Peart | Rivendell | 5:00 | G. Lee-N. Peart | |
| By-Tor & the Snow Dog I. At the Tobes of Hades II. Across the Styx III. Of the Battle IV. Epilogue | 8:57 | G. Lee-A. Lifeson-N. Peart | In the End | 6:51 | G. Lee-A. Lifeson | |
| Alex Lifeson: Electric guitars, six and twelve string acoustic guitars, "Snow Dog"
Neil Peart: Percussion Geddy Lee: Bass guitars, classical guitars, all vocals, By-Tor Produced by Rush and Terry Brown Executive Production by Moon Records, owned and operated by S.R.O. Productions Ltd. Management: Ray Danniels and Vic Wilson S.R.O. Productions |
Engineered by: Terry Brown Assistant Engineer: John Woloschuk Arrangements: Rush and Terry Brown Recorded and Mixed at: Toronto Sound Studios, Toronto, Canada Road Master: Howard "Herns" Ungerleider Road Crew: Ian Grady, Liam Birt, J.D. Johnson Mastered at: Masterdisk, New York Mastering: Gilbert Kong Cover Concept: Rush Cover Painting: Eraldo Carugati Art Direction: Jim Ladwig/AGI Chicago Design: Joe Kotleba Photography: Richard Fegley By-Tor Characters inspired by: Herns Belated Mention: Mr. O. Scar | |||||
| 3 | Caress of Steel (US 1975 Mercury SRM-1-1046) VG+/VG+ gatefold $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bastille Day | 4:36 | Lee/ Lifeson/ Peart | The Fountain of Lamneth | |||
| I Think I'm Going Bald | 3:35 | 4:17 | Lee/ Lifeson/ Peart | |||
| Lakeside Park | 3:00 | 1:00 | ||||
| The Necromancer | 4:15 | |||||
| 4:20 | 3:12 | Lee/Peart | ||||
| 4:25 | 3:12 | |||||
| 3:51 | 3:48 | Lee/ Lifeson/ Peart | ||||
| Rush are: Geddy Lee - bass and vocals Alex Lifeson - 6 and 12 string electric and acoustic guitars, classical guitar, steel guitar Neil Peart - percussion |
Produced by Rush and Terry Brown Executive Production: Moon Records | |||||
| 4 | 2112 (US 1976 Mercury SRM-1-1079) M-/M- gatefold $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| 2112 | 20:36 | A Passage to Bangkok | 3:30 | G. Lee - A. Lifeson - N. Peart | ||
| I. Overture | 4:32 | G. Lee - A. Lifeson - N. Peart | The Twilight Zone | 3:14 | ||
| II. The Temples of Syrinx | 2:13 | Lessons | 3:48 | A. Lifeson | ||
| III. Discovery | 3:30 | A. Lifeson - N. Peart | Tears | 3:29 | G. Lee | |
| IV. Presentation | 3:40 | Something for Nothing | 3:56 | G. Lee - N. Peart | ||
| V. Oracle: The Dream | 2:00 | G. Lee - A. Lifeson - N. Peart | ||||
| VI. Soliloquy | 2:23 | |||||
| VII. Grand Finale | 2:18 | |||||
| Alex Lifeson-guitars Neil Peart Peart-percussion Geddy Lee-bass and vocals Produced by Rush and Terry Brown Engineered by Terry Brown Arrangements by Rush and Terry Brown Recorded and mixed at Toronto Sound Studios, Toronto, Ontario |
Roadmaster-Howard (Herns) Ungerleider Roadcrew-Major Ian Grandy, L.B.L.B., Skip (Detroit Slider) Gildersleeve Graphics-Hugh Syme Photography-Yosh Inouye, Gerard Gentil (Band) Management-Ray Danniels and Vic Wilson Executive Production-Moon Records Special guest Hugh Syme-keyboards on 'Tears' | |||||
| 5 | All the World's a Stage (US 1976 Mercury SRM-2-7508) M-/M-/VG+ $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bastille Day | 4:48 | G. Lee-A. Lifeson-N. Peart | Lakeside Park | 4:45 | G. Lee - A. Lifeson - N. Peart | |
| Anthem | 4:48 | I Overture/II The Temples of Syrinx | 6:48 | |||
| Fly By Night/In the Mood | 4:50 | G. Lee-N. Peart | III Presentation | 4:25 | A. Lifeson - N. Peart | |
| Something for Nothing | 3:50 | IV Soliloguy/V Grand Finale | 4:38 | G. Lee - A. Lifeson - N. Peart | ||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| By-Tor & the Snow Dog I At the Tobes of Hades II Across the Sky III Of the Battle IV Epilogue | 11:24 | G. Lee-A. Lifeson-N. Peart | Working Man/Finding My Way | 13:45 | G. Lee - A. Lifeson | |
| In the End | ?? | G. Lee-A. Lifeson | What You're Doing | 5:44 | ||
| Produced by Rush and Terry Brown | ||||||
| 6 | A Farewell to Kings (US 1977 Mercury SRM-1-1184) M-/M- gatefold has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| A Farewell to Kings | 5:53 | Lee - Lifeson -Peart | Closer to the Heart | 2:52 | Lee - Lifeson - Peart - Talbot | |
| Xanadu | 11:06 | Cinderella Man | 4:20 | Lee - Lifeson | ||
| Madrigal | 2:35 | Lee - Lifeson - Peart | ||||
| Cygnus X-1 | 10:27 | |||||
| Neil Peart - Drums, orchestra bells, tubular bells, temple blocks, cowbells, wind chimes, bell tree, triangle, vibra-slap
Geddy Lee - Bass guitar, twelve string guitar, Mini Moog, bass pedal synthesizer, vocals Alex Lifeson - Six and twelve string electric guitar, six and twelve string acoustic guitar, classical guitar, bass pedal synthesizer |
Produced by Rush and Terry Brown Recorded at Rockfield Studios, Wales, June 1977 Engineered by Pat Moran and Terry Brown (Broon) Mixed at Advision Studios, London Engineered by Terry Brown, Assisted by Declan (not Norman!) O'Doherty and Ken Thomas Art direction and graphics by Hugh Syme Cover photography by Yosh Inouye Sleeve photograph by Roger Stowell Liner photographs by Fin Costello Design assistance Bob King Mastered at JAMF, Toronto by George Graves | |||||
| 7 | Hemispheres (US 1978 Mercury SRM-1-3743) M-/VG+ gatefold $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cygnus X-1 Book II: Hemispheres | 18:07 | Circumstances | 3:42 | Lee, Lifeson, Peart | ||
| I Prelude | 4:30 | Lee, Lifeson, Peart | The Trees | 4:46 | ||
| II Apollo-III Dionysus | 4:36 | La Villa Strangiato | 9:36 | |||
| IV Armageddon | 2:52 | |||||
| V Cygnus | 5:00 | |||||
| VI The Sphere | 1:09 | |||||
| Six and twelve string electric and acoustic guitars, classical guitar, Roland guitar synthesizer, Taurus pedals
Neil Peart: Drums, orchestra bells, bell-tree, tympani, gong, cowbells, temple blocks, wind chimes, crotales Geddy Lee: Bass guitar, Mini-Moog, Oberheim polyphonic, Taurus pedals, vocals Produced by Rush and Terry Brown Arrangements by Rush and Terry Brown Recorded at Rockfield Studios, Wales, during June and July 1978 Engineered by Pat Moran Vocals recorded at Advision Studios, London |
Engineered by Declan O'Doherty Mixed at Trident by Ray Staff Graphics by Hugh Syme Art Direction by Hugh Syme and Bob King Cover photography by Yosh Inouye Inner sleeve and poster photography by Fin Costello This album was processed through the Duffoscope! | |||||
| 8 | Permanent Waves (US 1980 Mercury SRM-1-4001) M-/M- $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Spirit of Radio | 4:54 | Lee, Lifeson, Peart | Entre Nous | 4:37 | Lee, Lifeson, Peart | |
| Freewill | 5:23 | Different Strings | 3:50 | Lee, Lifeson | ||
| Jacob's Ladder | 4:36 | Natural Science | 9:27 | Lee, Lifeson, Peart | ||
| Produced by Rush and Terry Brown | ||||||
| 9 | Exit...Stage Left (US 1981 Mercury SRM-2-7001) VG+/VG+/VG+ $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Spirit of Radio | 5:15 | Lee, Lifeson, Peart | A Passage to Bangkok | 3:43 | Lee, Lifeson, Peart | |
| Red Barchetta | 6:45 | Closer to the Heart | 3:06 | Lee, Lifeson, Peart, Talbot | ||
| YYZ | 7:44 | Lee and Peart | Beneath, Between and Behind | 2:31 | Lifeson, Peart | |
| Jacob's Ladder | 8:39 | Lee, Lifeson and Peart | ||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Broon's Bane | 1:35 | Lifeson | Freewill | 5:31 | Lee, Lifeson, Peart | |
| The Trees | 4:30 | Lee, Lifeson, Peart | Tom Sawyer | 4:58 | ||
| Xanadu | 12:33 | La Villa Strangiato | 9:37 | |||
| Geddy Lee: Bass guitar, vocals, synthesizers, bass pedal synthesizer, and occasional rhythm guitar
Alex Lifeson: Electric and acoustic guitars, bass pedal sytnhesizer Neil Peart: Drums and percussion Produced by Terry Brown Side II recorded in the U.K. by Mobile One Engineered by Andy Rose, Tech-man Barry Ainsworth Set-up by Tim and James Sides I, III, and IV recorded in Canada by Le Mobile Engineered by Broon, Tech-man Guy Charbonneau Set-up by Cliff And by the Record Plant Mobile Engineered by Broon, Tech-man Jack Crymes Set-up by Mark and Hutch |
Mixed at Le Studio, Morin Heights Quebec Engineered by Paul Northfield Mastered at Masterdisk N.Y.C. by Bob Ludwig Art Direction, graphics, and cover concept by Hugh Syme Photography by Deborah Samuel Special guest, Ian Melhuish as the Puppet King Management by Ray Danniels Executive Production by Moon Records | |||||
| 10 | Signals (US 1982 Mercury SRM-1-4063) VG+/M- has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Subdivisions | 5:34 | Lee, Lifeson, Peart | The Weapon | 6:27 | Lee, Lifeson, Peart | |
| The Analog Kid | 4:47 | New World Man | 3:44 | |||
| Chemistry | 4:56 | Losing It | 4:53 | |||
| Digital Man | 6:23 | Countdown | 5:48 | |||
| Geddy Lee: Bass guitars, synthesizers, vocals, Pitcher Alex Lifeson: Electric and acoustic guitars, Taurus pedals, First Base Neil Peart: Drums and percussion, Third Base Produced by Rush and Terry Brown, Left Field Arrangements by Rush and Terry Brown Recorded and mixed at Le Studio, April, May, June, and July 1982 Engineered by Paul Northfield. Centre Field (a regular Albert One-Stone) Assisted by Robbie Whelan Right Field |
Digitally mastered by JVC Mastered at Masterdisk by Bob Ludwig Special guest performance by Ben Mink, electric violins on Losing It, appears courtesy of FM Art direction, graphics, and cover concept by Hugh Syme Photography by Deborah Samuel Photographic colour optics by Kineblok Inc. Hydrant courtesy of the Department of Public Works, Toronto | |||||
| 11 | Grace Under Pressure (US 1984 Mercury 818476-1) VG+/M- has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Distant Early Warning | 4:45 | Lee, Lifeson, Peart | The Body Electric | 4:58 | Lee, Lifeson, Peart | |
| Afterimage | 5:00 | Kid Gloves | 4:16 | |||
| Red Sector A | 5:08 | Red Lenses | 4:39 | |||
| The Enemy Within | 4:33 | Between the Wheels | 5:36 | |||
| Geddy Lee Bass Guitars, Synthesizers, Vocals Alex Lifeson Guitars and Synthesizers Neil Peart Drums, Percussion, and Electronic Percussion Produced by Rush and Peter Henderson Engineered by Peter Henderson Assisted by Frank Opolko and Robert Di Gioia Recorded at Le Studio, Quebec, between November 1983 and March 1984 In memory of Robbie Whelan |
Management by Ray Danniels, SRO Productions, Toronto Executive Production by Moon Records Art Direction and cover painting by Hugh Syme Portrait by Yousuf Karsh PPG Synthesizer programming assisted by Jim Burgess and Paul Northfield Pre-production engineering by Jon Erickson Mastered by Bob Ludwig at Masterdisk, NYC | |||||
| 1 | Smallcreep's Day (US 1980 Passport PB 9843) M-/M- $8 | 
| ||||
| Side 1 | Side 2 - Smallcreep's Day | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Moonshine | 6:23 | Mike Rutherford | I Between the Tick and the Tock | 3:59 | Mike Rutherford | |
| Time and Time Again | 4:52 | II Working in Line | 3:06 | |||
| Romani | 5:25 | III After Hours | 1:46 | |||
| Every Road | 4:13 | IV Cats and Rats (In This Neighborhood) | 4:49 | |||
| Overnight Job | 5:43 | V Smallcreep Alone | 1:33 | |||
| VI Out in the Daylight | 3:49 | |||||
| VII At the End of the Day | 5:36 | |||||
| 2 | Acting Very Strange (US 1982 Atlantic 80015-1) M-/M- cos $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Acting Very Strange | 4:58 | Rutherford | Who's Fooling Who | 4:47 | Rutherford-Palmer | |
| A Day to Remember | 5:00 | Couldn't Get Arrested | 3:50 | Rutherford-Bellotte | ||
| Maxine | 5:23 | Rutherford-Bellotte | I Don't Wanna Know | 4:36 | Rutherford | |
| Halfway There | 4:11 | Rutherford/Palmer | Hideaway | 5:58 | ||
| Vocals - Mike Rutherford Guitars - M.R, Daryl Stuermer, John Alexander Drums - Stewart Copeland, Pete Phipps - "The Linn" Keyboards - Pete Robinson, Paul Fishman, M.R. Bass - M.R. Backing Vocals - Steve Gould, Noel McCallam, Dale Newman, M.R. Saxophone - Gary Barnacle Trumpet - Luke Tunney Strings - Arranged & Conducted by Martyn Ford |
Produced by Mike Rutherford Engineer & Assistant Producer - Nick Launay Recorded - Mainly at the Farm Surrey Assisted by Geoff Callingham The Town House, London Tape Opps - Howard Grey & Gavin The Manor Mobile at Home Cover Idea - A.R. Co-ordinated by - Bill Smith Photography - Gered Mankowitz | |||||
| 1 | Whenever I Seem to be Far Away (US 1974 ECM 1045 ST) M-/VG+ cc $25 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Silver Bird is Heading for the Sun | 14:05 | Terje Rypdal | Whenever I Seem to be Far Away - Image for electric guitar, strings, oboe and clarinet - | 17:37 | Terje Rypdal | |
| The Hunt | 5:18 | |||||
| Terje Rypdal: guitar Sveinung Hovensjo: 6 & 4 string basses Pete Knutsen: mellotron, electric piano Odd Ulleberg: french horn Jon Christensen: percussion |
Members of Sudfunk Symphony Orchestra Conducted by Mladen Gutesha Solo Viola: Christian Hedrich Solo Violin: Helmut Geiger Electric guitar: Terje Rypdal Recorded 1974 in Oslo and Ludwigsburg Engineers: Jan Erik Kongshaug, Martin Wieland Cover Photo: Tadayuki Naito Layout: Dieter Bonhorst Produced by Manfred Eicher | |||||