SAGA Go to Next artist (Jon Santo) Previous band (Terje Rypdal)
1 | Worlds Apart (US 1981 Portrait FR 38246) M-/M- has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
On the Loose | 4:12 | M. Sadler - J. Crichton - I. Crichton - J. Gilmour - S. Negus | The Interview | 3:51 | M. Sadler - J. Crichton | |
Wind Him Up | 5:48 | No Regrets (Chapter V) | 4:44 | |||
Amnesia | 3:29 | Conversations | 4:44 | J. Crichton - M. Sadler - I. Crichton - J. Gilmour - S. Negus | ||
Framed | 5:42 | No Stranger (Chapter VIII) | 7:05 | J. Crichton - M. Sadler | ||
Time's Up | 4:08 | |||||
Michael Sadler: Lead Vocals, Keyboards Jim Crichton: Bass, Keyboards Jim Gilmour: Lead Keyboards, Vocals (No Regrets), Clarinet Ian Crichton: All Guitars Steve Negus: Drums, Percussion, Simmons Electronic Drums |
Produced by Rupert Hine Recording Engineer-Stephen W. Tayler. Assisted by Ian Morais and David Rolfe. Recorded at the Farmyard, Little Chalfont, Buckinghamshire, England. Design: John Berg Cover Photos: David Kennedy Star Photo: Shostal Associates Mastered at Masterdisk Studio by Bob Ludwig |
1 | Plays Bach: Synthesized Electrons (US 1976 MCA MCA-2220) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Badinerie (1067) | 1:18 | Bach | Prelude G-Major (860) | 0:53 | Bach | |
Courante (817) | 1:42 | Prelude C-Minor (847) | 1:29 | |||
Jesu, Joy of Man's Desiring (147) | 2:24 | Chorale Prelude "Wachet Auf" (645) | 2:58 | |||
Gavotte (1069) | 2:50 | Fugue A-Minor (947) | 2:49 | |||
Corrente (829) | 2:00 | Prelude D-Minor (851) | 1:54 | |||
Rondeau (1067) | 1:38 | Willst du dein herz mir Schenken (518) | 2:15 | |||
Sarabande (812) | 1:18 | Adagio A-Minor (564) | 1:44 | |||
Prelude (807) | 3:07 | Gigue (1068) | 2:06 | |||
Produced by Jon Santo Recorded in Germany Cover-Art: Olof Feindt (Van Vindt), Hamburg Synthesizers: Arp 2600, Roland SH-2000, Roland SH-1000, Farfisa Syntorchestra |
Auxiliaries: Sequencer, Trigger-Oscillator (W. Palm), 400000-Bits Memory (Jon Santo), Pitch Control Yamaha PT-3, Oscilloscope HM-712, Armon Piano
Mixer: 20 Channel Mixer Reverb: EMT Plate 140 st, WEM 400 Echo, RCL CV-571 T Reverb Taper Recorders: Ampex MM-1100 16 Tracks (2"), Teac A 3340 S $ Channels (1/4"), Scully 280 4 Tracks (1/2") |
1 | Total Jive (US 1986 Lost TTL8678) M-/M- cos $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bank | ?? | The Scene is Now | Bunk | ?? | The Scene is Now | |
Two Spoonfuls | Premium Hat | |||||
Ex-Country Song | 10-Day Space Shuttle Mission | |||||
Anthracite | The Great Lakes | |||||
Brochure | A Man's Coconut | |||||
Engineer | Coughing Kettle | |||||
Sartre's Acid Trip | Kid Ory's Nightmare | |||||
The Scene is Now: Dick Champ, Philip Dray, Jeff McGovern, Chris Nelson | Songs 1, 4, 7, 8, 9 produced by Elliott Sharp, engineered by Martin Bisi others produced by The Scene is Now, engineered by Jeff McGovern and Carol Parkinson 4" x 5" photos - Hal Lum |
1 | Trance-Formation (G 1977 Harvest 064-32 526) M-/VG+ gatefold $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Falling in Trance | 5:42 | Eberhard Schoener | Frame of Mind | 5:15 | Eberhard Schoener | |
Shape of Things to Come | 12:21 | Signs of Emotion | 2:48 | |||
Trance-Formation | 12:17 | |||||
Eberhard Schoener, Moog-Synthsizer, Organ, Piano, Mellotron Andy Summers, Guitar Hansi Stroer, Bass-Guitar Nippi, Percussion Mary Gregory, vocals Raimund Elleder, keyboard Members of the Tolzer Knabenchor Orchestra of the Munich Chamber-Opera conducted by Eberhard Schoener Monks of the monastery of SAMA |
All music composed and arranged by Eberhard Schoener produced by Eberhard Schoener engineered by Hartwig Paulsen and Reiner Oppeland Executive directed by Curtis Briggs produced and remixed at the Electrola-Studio Munich, May and June 1977, and at the Pfarrkirche Lenggries Cover A. Powel, T. Worsel |
1 | Mirage (G 1977 Brain LC3230) M-/M- gatefold $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Velvet Voyage a) 1984 b) aeronef c) eclipse d) exvasion e) lucid interspace f) destination void | 28:20 | Klaus Schulze | Crystal Lake a) xylotones b) chromwave c) willowdreams d) liquid mirrors e) springdance f) a bientot | 29:12 | Klaus Schulze | |
A.R.P. Odyssey, A.R.P. 2600 + Sequencer, 2 Mini Moog, Micro Moog, Poly Moog, Moog Ciis (4 units + 2 sequencer) The Musical Universe, E.M.S. Synthi "A", Farfisa String Orchestra, Farfisa Syntorchestra, Farfisa Professional Duo Organ, 3 Crumar Keyboards, 2 P.P.G. Synthi + Computer Sequencer, 12 Octave Filter Moog, Octave Filter Bank E.M.S., 2 Revox A77 Dolby + Speed Control for Echo, A.K.G. 8x20 Reverb Unit, A.K.G. 8x15 Reverb Unit, Compact "A" Phaser specially built by K. Schulte/Berlin, and finally I have a very special voice computer, by pressing the correct code I can have 100 different sounds. | Performed by Klause Schulze Produced by Klaus Schulze Recorded and Mixed at Studio Panne Paulsen, Frankfurt/Main Jan 77 |
2 | X (US 1978 Gramavision 18-7024-1) M-/M-/M- gatefold $15 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Friedrich Nietzsche | 24:15 | Klaus Schulze | Frank Herbert | 10:47 | Klaus Schulze | |
Georg Trakl | 5:25 | Friedemann Bach | 18:02 | |||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ludwig II. Von Bayern | 28:40 | Klaus Schulze | Heinrich Von Kleist | 29:32 | Klaus Schulze | |
All compositions written, arranged, and performed by Klaus Schulze Produced by Klaus Schulze |
Design by Chermayeff & Geismar Associates Cover photograph by Dennis Stock, Magnum |
3 | Live (G 1980 Brain 0080.048) M-/M-/M- gatefold has the poster $25 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bellistique | 22:10 | Klaus Schulze | Sense | 31:10 | Klaus Schulze | |
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Heart | 30:15 | Klaus Schulze | Dymagic | 31:45 | Klaus Schulze | |
Recorded live during concerts in Amsterdam, Berlin & Paris by kdm & Herr Schmitt.
Composed, performed live, mastered & edited by Klaus Schulze. On drums, side 2: Harald Grosskopf The voice, side 4: Arthur Brown. |
Photos: Frederic Pauchot (Frontcover), KD Mueller Cover & Coordination: K D Mueller |
4 | Dig It (G 1980 Brain 0060.353) M-/M- has inner sleeve $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Death of An Analogue | 12:20 | Klaus Schulze | Synthasy | 23:10 | Klaus Schulze | |
Weird Caravan | 5:20 | |||||
The Looper Isn't A Hooker | 8:20 | |||||
Produced and Engineered by Klaus Schulze All instruments played by Klause Schulze All compositions and ideas by Klaus Schulze All visuals by Klaus Schulze |
All music played on the G.D.S. computer All percussion by F.S. Drum Inc. and G.D.S. Thanks to Ideal for looping the drums on "Weird Caravan" All recordings by G.D.S. Digital Recording System at Klaus Schulze Studios between May and September '80 All cover ideas by Michael Weisser All love to the listeners. |
1 | Flying Frames (US 1986 Innovative Communications KS 80.057) M-/M- coh $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Silicon Valley | 3:55 | P. K. Seiler | Gronland | 5:30 | P. K. Seiler | |
Serengeti | 5:08 | Cloudfields | 2:45 | |||
Sky Sight | 2:11 | Bolero Triste | 1:55 | |||
Flugansichten | 4:43 | Far East Affairs | 5:40 | |||
Tuya Hikes | 2:39 | Tokyo IC Salad | 2:32 | |||
Recorded at Big Key Studio Mannheim (between 1983-1986) Sound Engineer: Peter Seiler / Donald Dilocker Assistants: Kathrin Hill / Mike Burdett All title composed, arranged, performed and produced by Peter Seiler |
P. Seilers plays the following instruments: Yamaha DX7, PPG Wave Computer, Mini/Poly Moog, Korg-Poly 61/800, Roland Vocoder, CP 70 Piano, Hohner Keyboards, RX 11 Drum Computer, Bass and all percussion
Guest-musicians: Walter Helbig (Drums/Simmons) on "Gronland", Michael Lorenz (Guitars) on "Flugansichten", Klaus Nagel (Acoutic guitar), Lenny MacDowell (Flute) on "Cloudfields", Aurelio Calbaro (Bass) on "Sky Sight, The Mannheim Symphonic String-Section on "Sky Sight" and "Cloudfields" Cover Design: IMM Cover Foto: Mark Sakautzky Many thanks to Donald Dilocker for technical advice, special EQ's, D'ephex, DELEC-Sound-Systems and the back cover photo |
1 | Fractal (G 1986 Dossier ST 7515) M-/M- $30 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Singularity | 4:51 | Elliott Sharp | Lacunal | 4:00 | Elliot Sharp | |
Squig | 4:38 | Not-Yet-Time | 15:47 | |||
Diffractal | 4:44 | |||||
Turbulence | 5:06 | |||||
Dusts | 3:22 | |||||
Carbon: Robert Previte-drums Charles K. Noyes-drums (A2,3), saw Katie O'Looney-pantar, slab Jim Mussen-slab Ken Heer-trombone James Staley-trombone, bass trombone Sharp-guitars, basses, reeds, voice, slab, pantar, tubinets, violinoid |
Composed and Produced by Elliott Sharp Recorded and Mixed at B.C. Studio, Martin Bisi-Engineer Photo-Hope Martin, Design-Sharp Not-Yet-Time was a commissioned score for Nina Wiener and Dancers |
1 | Still (US 1973 Manticore MC 66667) VG+/VG+ gatefold $12 | |||||
2 | Still (G 1973 Manticore 86 901 IT) M-/M- gatefold $20 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Song of the Sea Goat | ?? | Jum/Sinfield/Vivaldi | Envelopes Of Yesterday | ?? | Sinfield | |
Under the Sky | McDonald/Sinfield | The Piper | ||||
Will it be So | Brunton/ Dolan/ Jump/ Mennie/ Sinfield | A House of Hopes and Dreams | ||||
Whole Food Boogie | The Night People | Brunton/ Collins/ Jump/ Sinfield | ||||
Still | ||||||
Pete Sinfield: 12 string acoustic guitar, synthesizer & vocals Richard Brunton: Acoustic and electric guitars Brian Cole: Pedal steel guitar (By courtesy of United Artists) Greg Lake: Electric guitar (Hopes & Dreams), backing vocal (Wholefood), Joint lead vocal on "Still." Snuffy: Electric guitar (solos on Envelopes & Wholefood) Mel Collins: Alto, temor & baritone saxes, flute, alto flute & bass flute (Sea Goat) & celeste. Don Honeywell: Baritone sax (Night People) Chris Pyne: Trombone Greg Bowen: Trumpet Stan Roderick: Trumpet Robin Miller: Cor anglais Tim Hinkley: Electric piano (Night People) Phil Jump: Piano, electric piano, Hammond organ, Woolworth's organ (Will It be You), Freeman Symphoniser (The Strings) & glockenspeil. Keith Tippet: Piano (Sea Goat). (By courtesy RCA) Boz: Bass guitar (Night People) Steve Dolan: Bass & Bass guitar John Wetton: Bass guitar (Sea Goat) & fuzz bass (Envelopes) Min: Drums & Percussion Ian Wallace: Drums (Night People) & snare drum (Sea Goat) Brian Flowers: Tea, sympathy & equipment. |
Produced by Pete Sinfield for Leaningrove Ltd & Manticore Associate Production Mel Collins who also arranged the brass & the flutes & assisted with the mixing. Associate Production Greg Lake who produced the vocals and also had a hand or three in the mixing. All lyrics by Peter Sinfield Recorded at Command Studios, London between October 1972 & January 1973 where the engineers were Andy Hendriksen, Ray Hendriksen & Phil Lever. The backing track for "Night People" was recorded at Lansdowne Studios & engineered by Peter Gallen. The steel guitar was overdubbed at Nova Sound & engineered by Richard Dodd. The final mixes were engineered at Command (Studio 1) by Andy Handriksen. Cover concept & design by Pete Sinfield Cover painting "The Big Friend" by Sulamith Wulfing used by permission of the artist. Back cover Photography by Malcolm Robertson. Layout by Mike Partridge and Patrick Woodwood. |
1 | Kingdom Come (US 1970 Mercury SR 61328) gatefold M-/VG+ $25 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Master Heartache | 4:35 | Louis Dambra, Mike Appel, Jim Cretecos | Kingdom Come | 6:4 | Louis Dambra, Mike Appel, Jim Cretecos | |
Hard Rain Fallin' | 2:55 | I Got a Woman | 3:00 | |||
Lady of Fire | 2:50 | Hell Hound | 3:17 | |||
Lake Isle of Innersfree | 4:03 | Mike Appel, Jim Cretecos | Helium Head (I Got a Love) | 4:00 | ||
Pumped Up | 4:03 | Louis Dambra, Mike Appel, Jim Cretecos | Ain't Got Hung On You | 2:20 | ||
Louis Dambra: Lead Guitar Gary Justin: Bass John Garner: Drum, Lead Singer Produced by: Edwin H. Kramer, Mike Appel, Jim Cretecos with Special Thanks to Kim King for Bandana Enterprises, Ltd. Executive Producer: Dee Anthony |
Engineers: Eddie Kramer, Kim King Recorded at Electric Lady Studios, New York City & Vantone Studios, West Orange, N.J. Mastering: Sterling Sound, New York City Photography: Joe Sia Cover Design: Doug Taylor Liner Design: Wm. Falkenburg Art Director: Des Stobel |
2 | Sir Lord Baltimore (US 1971 Mercury SRM 1 613) gatefold M-/VG+ $50 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Man From Manhattan | 11:26 | John Linde and Baltimore | Chicago Lives | 3:46 | John Linde and Baltimore | |
1:00 | Loe and Behold | 3:45 | ||||
3:00 | Woman Tamer | 5:10 | ||||
2:00 | Caesar LXXI | 5:17 | ||||
4:00 | ||||||
1:40 | ||||||
Where Are We Going | 3:20 | John Linde/Micky Lane | ||||
Recorded at Mercury Sound Studios, New York, Nw York Engineer: Bob Fava Mixed at Ultra Sonic Studios, Hempstead, New York Engineers: Bill Stahl, Jeff Kracke, John Bradley, Mike Colchamiro Sir Lord Baltimore: John Garner, Drums, Timpani, Congas & Lead Vocals Louis Dambra, Lead Guitar, Acoustic Guitar & Vocals Gary Justin, Bass Guitar, Acoustic Guitar & Lead Vocals Joey Dambra, Lead Guitar, Acoustic Guitar, Organ & Vocals |
Produced by John Linde for Bandana Enterprises, Ltd. Executive Producer: Dee Anthony Art Director: Desmond Strobel Design: John Craig Emblem: Urban Embroidery, Chicago Photos: Mark Rollins |
1 | Two Quid Deal (US 1973 Stax STS-3013) M-/VG+ D.J. Promo Copy $15 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bad Words and Evil People | 5:15 | Nick Graham | Nick's Seven | 5:02 | Nick Graham | |
So Many People | 6:00 | Bob James | Skin Valley Serenade | 3:40 | Bob James, Tony Knight | |
A Final Coat | 5:07 | Nick Graham | So Glad | 5:23 | Bob James | |
Graveyard Shuffle | 4:45 | The Demagogue | 4:54 | Nick Graham | ||
Sun Music | 4:58 | Bob James | ||||
Musicians: Nick Graham: Bass Guitar, Piano, Electric Piano, Flute, Vocals Tony Knight: Drums, Percussion, Backing Vocals Bob James: Electric Guitar, Acoustic Guitar, Alto Sax, Flute, Vocals Krzysztof Juszkiewicz: Hammond Organ, Piano, Electric Piano, Accordian |
Produced & Engineered by: Fritz Fryer for Boggle Productions A Transatlantic Records Ltd. Production Art Direction: Ron Gorden and the Grafe/Memphis Cover Illustration: J. Edward Barker Liner Illustration: Ellis Chappell Creative Direction: Larry Shaw and Ron Gorden |
2 | Skin Tight (US 1973 Stax STS-3022) M-/VG+ coh $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
If I Only Had the Time | 3:52 | Bob James | The Heap Turns Human | 3:55 | Nick Graham | |
At a Quarter to One | 2:53 | Maverick Woman Blues | 3:57 | Don Nix | ||
How Long | 3:32 | Nick Graham | What Good Does it Do? | 5:03 | Bob James | |
Suprise Awakening | 4:15 | Mr. Heavy | 3:27 | |||
Broken Eggs | 4:07 | Juszkiewicz/ James/ Knight | Instrumental | 3:43 | Nick Graham | |
Musicians: Krzysztof - Organ & Electric Piano Bob - Electric Guitar & Flute Nick - Bass, Piano & Flute Tony - Drums & Percussion Brass by The Lounge Lizards Bud Parkes, Martin Drover - Trumpets and Flugelhorns Phil Kenzie, Geoff Driscoll - Tenor Saxes Dave Coxhill - Baritone sax |
Producer: Don Nix Brass Arrangements: Phil Kenzie Recording Engineer: Barry Hammond Re-mix Engineers: John Fry, Don Nix Recorded at: The Chipping Nortin Recording Studio, Oxfordshire, England Re-mixed at: Ardent Studios, Memphis, Tenessee Co-ordination: Laurence Aston Management: Richard Thomas Creative Direction and Design: The Stax Organization Photography: Frederick Toma, Maldwin Hamlin, Lselie Emms, Roger Perry |
6 | Five Live (G 1983 Ariola LC0116) M-/M-/VG+ gatefold $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Animals | 20:56 | Flowers & Gray | KP I | 7:26 | Flowers | |
The Swan | 4:36 | Saint-Saens, Arranged Fry | Dance of the Little Faries | 4:33 | Flowers | |
Love Duet | 7:06 | Gray | ||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Bathroom Song | 2:48 | Flowers | Meheeco | 12:59 | Flowers & Gray | |
KP II | 3:36 | Peek | Hotta | 9:00 | Peek & Flowers | |
Antigua | 3:55 | Flowers & Gray | ||||
Sahara | 7:44 | Peek | ||||
Sakura Variations | 7:56 | Peek & Williams | ||||
Produced by: Sky/Tony Clark/Haydn Bendall Management: Peter Lyster-Todd Recorded live at: The Comedy Theatre & The Concert Hall - Melbourne The Concert Hall - Perth The Festival Theatre - Adelaide The Capitol Theatre - Sydney Mixed (warts 'n' all) at: Studio 3, EMI Abbey Road, London Mastered by: Nick Webb Recorded with the invaluable help and support of: The Sky Stage Crew: Andrew Peacock: Sky Tout Manager & Head of Production. Andrew Jones: Chief Sound Engineer. Pete Sullivan: Keyboards Supervisor/Technician. Gary Nielsen: Monitor Soind Engineer. Mick Peacock: Guitars Supervisor/Technician. Clive Standley: Lighting Designer. AAV-Australia Pty. Ltd.-Mobile Recording Studio David Wilson: Mobile Recording Tour Management. Martin (Casper) Fripp: Assistant Engineer. Kaj Dahlstrom: Assistant Engineer/Driver. Bill Tauschke: Maintenance Engineer. David Burton: Maintenance Engineer. Ross Cockle: Consulting Engineer. Jands Australia Pty. - Sound & Lighting Systems Andy Pollard: Production Manager. Howard Page: Sound Engineer & Jands Sound System Designer. Graham Hicks: Sound Technician. Jeff Merriweather: Chief Lighting Technician. T.J: Lighting Technician. |
Tristan Fry: Premier Drum Kit. Musser Marimba. Waterphone - No known antecedents. Kevin Peek: Gibson LS5. Fender Stratocaster. Ovation Classical. Ovation Folklore. AMS Digital delay unit. Steve Gray: Acoustic Grand Piano. William De Blaise 2 Manual Harpsicord. Yamaha GS1 Grand Synthesiser. Roland JP8 Polyphonic Synthesiser. Oberheim OBXA Polyphonic Synthesiser. Korg CX3 Organ. Yamaha CS01/BC1 Monophonic Synthesiser ("Gobsynth"). Acoustic piano/Roland JP8 Interface system (used on 'Hotta' and 'Meheeco') and Harpsicord/Oberheim OBXA Interface system (used on 'The Animals,' 'Love Duet,' and 'Dance of the Little Fairies'): Developed by Andrew Jones. Herbie Flowers: Mrs. Flowers' Basses. Old Blue Fender jazz bass guitar with five-year-old black tape (nylon) wound Rotosound strings. Amplifiers on stage...some nights a Marshall 20,000 watt, but on others, an Orange Cube; and on one other evening, a bit of each; and on two numbers, sod all: but Tony takes a direct injection for recording - so, 'sorry' Marshall Cube. String Bass (proper bass): Suzuki with a 'C-Ducer' CS8 strip micophone into the desk. No Tuba. John Williams: Takamine Hirade: model E-9. |
1 | Desperate Straights (UK 1975 Virgin V-2024) gatefold M-/M- $20 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Some Questions About Hats | ?? | Moore/Blegvad | Apes in Capes | ?? | Moore | |
The Owl | Moore | Strayed | Blegvad | |||
A Worm is at Work | Moore/Blegvad | Giants | Moore/Blegvad | |||
Bad Alchemy | Greaves/Blegvad | excerpt from The Messiah | Handel/Blegvad | |||
Europa | Moore/Blegvad | In the Sickbay | Dagmar/Blegvad | |||
Desperate Straights | MooreCretecos | Caucasian Lullaby | Cutler/Moore | |||
Riding Tigers | Blegvad | |||||
Dagmar: voice, Wurlitzer on In the Sickbay Peter Blegvad: guitar, voice Anthony Moore: piano John Greaves: bass guitar, piano on “Bad Alchemy” Chris Cutler: drums, etc. Tim Hodgkinson: clarinet, piano on “Caucasian Lullaby” Fred Frith: guitar, violin |
Assisted by: Geoff Leigh (courtesy “Radar Favourites”): flute. Pierre Moerlen: percussion on “Europa”. Muchsin Campbell: french horn. Mongezi Feza: trumpet. Nick Evans: trombone.Lindsay Cooper: oboe & bassoon. Album arranged & produced by Slapp Happy & Henry Cow with Simon Heyworth at the Manor & Nova Sound Studios Cover & Lithograph by Peter Blegvad |
1 | The Attic (US 1988 Attico ATC 1001) M-/M- has the insert $80 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Attic-Part I | ?? | Mark Smoot | Sometimes | ?? | Mark Smoot | |
Give it Time | Epsom Waltz | |||||
The Traveller | Stairway | |||||
After Hours | Right On Time | |||||
Residents Beware | The Attic-Part II | |||||
Flame-Drums Myles D. Evans Tanqueray Gin Mark Thompson-Drums Sanjay Kumar-Keyboards |
Mark Smoot-All Other Instruments and Vocals Recorded at: Mom and Pops Basement and Ding Dong Studio By Mark Smoot and Rikki Garni Photos by: T and K Smoot Jacket and Insert Design: Eye Level Studio |
1 | Mother (UK 1978 Charly CRL 5007) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
I am a Fool | 3:00 | Gilli Smyth | Next Time Ragtime | 3:30 | Gilli Smyth | |
Back to the Womb | 2:00 | Time of the Goddess | 5:30 | |||
Mother | 2:32 | Taliesin | 9:22 | |||
Shakti Yoni | 3:10 | |||||
Keep the Children Free | 1:30 | |||||
Prostitute poem, street version | 4:37 | |||||
O.K. Man, This is Your World | 4:15 | Smyth/ Allen/ Malherbe | ||||
Gilli Smith: Voices Daevid Allen: Voices, Bass, Glissando Guitar, Guitar Vera Blum: Violin Tony Pascual: Piano and String Synthesiser Rafel Aguilo: Drums Didier Malherbe: Saxophone, and Octave Box, flute Christian Trisch: Bass Guitar Pip Pyle: Drums Sam Gopal: Tablas Pepe Milan and Joan Bibiloni: Acoustic Guitar Patrick Meadows: Harpsicord and Lute |
Voices: Gilli Smith, Peter Lewis, Mark, Till, Daevid Allen, Annie Truxell, oona Lind, Andrew Page, Frank Fehling, Taliesin Allen, Orlando Allen,
Tom Lipps, Mati Klarwein, Leslie, Frank Fehling, Patrick Meadows, Phil Shepherd, Stephanie Shepherd Tape collage and production by Daevid Allen at Banana Moon Observatory Backing tracks for Shakti Yoni, O.K. Man This is your World, and Time of the Goddess, recorded at Herouville by Gilles Salle. Front Cover Photo Jerome Decker. Artwork Daevid Allen. Photos Frank Fehling, Roso Gauditano. Back Cover Phil Franks. Translated Hugette Huber Esteve. |
1 | Soft Heap (US 1979 Charly CRL 5014) M-/M- $15 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Circle Line | ?? | Hugh Hopper | Terra Nova | ?? | Elton Dean | |
A.W.O.L. | Alan Gowen, Pip Pyle, Elton Dean, Hugh Hopper | Fara | ||||
Petit 3's | Alan Gowen | Short Hand | Alan Gowen | |||
Recorded at Pathway, London Engineered by Wally Brill Mixed at Riverside Mixing Engineer Anthony David Musicians: Elton Dean - saxes Alan Gowen - piano and synthesizers Hugh Hopper - bass Pip Pyle - drums |
Plus B side track 2- Radu Malfatti - trombone Marc Charig - trumpet Sleeve design: Starshine Graphics |
1 | Soft Machine (G 1968 Big Beat WIKA 57) M-/M- gatefold $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hope for Happiness | 4:21 | B. Hopper, K. Ayers, M. Ratledge | Save Yourself | 2:26 | R. Wyatt | |
Joy of a Toy | 2:49 | K. Ayers, M. Ratledge | Priscilla | 1:03 | M. Ratledge, K. Ayers, R. Wyatt | |
Hope for Happiness (reprise) | 1:38 | B. Hopper, K. Ayers, M. Ratledge | Lullabye Letter | 4:32 | K. Ayers | |
Why Am I So Short? | 1:39 | H. Hopper, K. Ayers, M. Ratledge | We Did It Again | 3:46 | ||
So Boot if at All | 7:25 | K. Ayers, M. Ratledge, R. Wyatt | lus Belle Qu'une Poubelle | 1:03 | ||
A Certain Kind | 4:11 | H. Hopper | Why Are We Sleeping? | 5:30 | K. Ayers, M. Ratledge, R. Wyatt | |
Box 25/4 Lid | 0:49 | M. Ratledge, H. Hopper | ||||
Michael Ratledge: Organ Robert Wyatt: Drums, cello, bass, guitar, vocals Kevin Ayers: Lead guitar |
Produced by Chas Chandler and Tom Wilson Cover design by Byron Goto/Eli Aliman/Henry Epstein, rejigged by Phil Smee at Waldos Direct Metal Mastered from digital tape |
2 | Third (US 1970 Columbia G 30339) M-/M-/VG+ gatefold $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Facelift | 18:54 | H. Hopper | Slightly All the Time | 18:14 | M. Ratledge | |
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Moon in June | 19:18 | R. Wyatt | Out-Bloody-Rageous | 19:17 | M. Ratledge | |
Mike Ratledge / Organ and Piano Hugh Hopper / Bass Guitar Robert Wyatt / Drum and Vocal Elton Dean / Alto Sax and Saxello Rab Spall / Violin Lyn Dobson / Flute and Soprano Sax Nick Evans / Trombone Jimmy Hastings / Flute and Bass Clarinet |
Engineering: Andy Knight, I.B.C. Recording Studio Bob Woolford, Concert Recordings* *Facelift was recorded live at Fairfield Hall, Croydon, January 4, 1970, and at Mother's Club, Birmingham, January 11, 1970. Cover design: John Hays Indise cover photo: Jurgen D. Ensthaler |
3 | Fourth (US 1971 Columbia C 30754) M-/VG+ textured cover $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Teeth | 9:15 | M. Ratledge | Virtually Part 1 | 5:16 | H. Hopper | |
Kings and Queens | 5:02 | H. Hopper | Virtually Part 2 | 7:09 | ||
Fletcher's Blemish | 4:35 | E. Dean | Virtually Part 3 | 4:33 | ||
Virtually Part 4 | 3:23 | |||||
Produced by Soft Machine Executive Producer: Sean Murphy Engineering: George Chkiantz Recorded: Autumn, 1970 at Olympic Studios, London Photography: Campbell MacCallum Jacket Design: Bloomsbury Group |
Hugh Hopper: Bass Guitar Mike Ratledge: Organ & Piano Robert Wyatt: Drums Elton Dean: Alto Saxophone & Saxello Roy Babbington: Double Bass (Courtesy B & C Records) Mark Charig: Cornet Nick Evans: Trombone Jimmy Hastings: Alto Flute & Bass Clarinet Alan Skidmore: Tenor Sax |
4 | Triple Echo (UK 1977 Harvest SHTW 800) M-/M-/M-/VG+ has the book $40 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Love Makes Sweet Music (a) | ?? | Ayers | We Did it Again | ?? | H. Hopper | |
Feelin' Reelin' Squeelin' (b) | Plus Belle Qu'une Poubelle | |||||
Memories (c) | Hopper | Why Are We Sleeping? | Ayers/Ratledge/Wyatt | |||
She's Gone (d) | Ayers | A Concise British Alphabet - Part 2 | Hopper/Wyatt | |||
Why am I So Short? | Hopper/Wyatt | Hullo Der | ||||
So Boot if at All | Ayers/Ratledge/Wyatt | Dada Was Here | ||||
A Certain Kind | Hopper | Thank You Pierrot Lunaire | ||||
Have You Ever Bean Grean? | ||||||
Pataphysical Introduction-Part 2 | Wyatt | |||||
As Long as He Lies Perfectly Still | Ratledge/Wyatt | |||||
Dedicated to You But You Weren't Listening | Hopper | |||||
Side 3 | Side 4 | |||||
The Moon in June (e) | ?? | Wyatt | Mousetrap (g) | ?? | Hopper | |
Esther's Nose Job (f) | Ratledge | Noisette (h) | ||||
Backwards (i) | Ratledge | |||||
Mousetrap Reprise (j) | Hopper | |||||
Slightly All the Time | Ratledge | |||||
Out Bloody Rageous | ||||||
Eamonn Andrews (k) | ||||||
Side 5 | Side 6 | |||||
Teeth | ?? | Ratledge | Stanley Stamps Gibbon Album | ?? | Ratledge | |
Kings and Queens | Hopper | Carol Ann | Jenkins | |||
All White | Ratledge | Hazard Profile - Part 1 | ||||
Bone | Dean | The Tale of Taliesin | ||||
(a) released as a single (b) released as 'B' side of (a) (c)(d) demo eventually released on 'Rock Generation Vol. 8' |
(e)(f) transmitted 21/6/69 on programme 'Top Gear' (g)(h)(i)(j)(k) previously unreleased Executive Producer: Sean Murphy Album compiled and researched by Al Clark Photography Bill Richmond |
1 | Fish Out Of Water (Can 1975 Atlantic SD 18159) M-/M- gatefold $20 | |||||
2 | Fish Out Of Water (US 1975 Atlantic SD 18159) M-/VG+ gatefold, has inner sleeve $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hold Out Your Hand | 4:14 | Chris Squire | Lucky Seven | 6:57 | Chris Squire | |
You By My Side | 5:03 | Safe (Canon Song) | 14:53 | |||
Silently Falling | 11:21 | |||||
Musicians: The drums and percussion were played by Bill Bruford The saxophones Mel Collins The flute Jimmy Hastings The organ & bass synthesizer Patrick Moraz The pipe organ (sub-organist of St Pauls Cathedral, London) Barry Rose The acoustic & electric pianos Andrew Pryce Jackman The basses & twelve string electric guitars were played by myself I also sang all the vocals with some help from Nikki on, "Hold out your hand." The leaders of the sections of the orchestra were: Julian Gaillard (Strings), John Wilbraham (Brass), Jim Buck (Horns), Adrian Brett (Woodwind), David Snell (Harpist) |
Production: Throughout the album the sound engineer was Greg Jackson assisted by Nigel Luby The album cover design & photography Laurence Bernes Not forgetting the front cover polaroid taken by the infamous Brian Lane Special Thanks To: For his orchestrations, conducting the orchestra, invaluable assistance & encouragement: Andrew Pryce Jackman For suggestions on "Safe" Pete Sinfield For finishing touches Trevor Spencer & Graham Presket (long overdue) Phil Carson & finally the rest of YesDedicated to Nicola, Carmen & Chandrika Written, Arranged & Produced by Chris Squire |
1 | Starcastle (US 1976 Epic PE 34914) M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Lady of the Lake | 10:26 | Starcastle | Stargate | 2:50 | Starcastle | |
Elliptical Seasons | 4:24 | Sunfield | 7:40 | |||
Forces | 6:24 | To the Fire Wind | 5:16 | |||
Nova | 2:34 | |||||
Terry Luttrell: Lead vocals Gary Strater: Bass guitar, Bass pedals, Vocals Stephen Tassler: Drums, Percussion, Vocals Herb Schildt: Organ, Synthesizers, Pianos Matthew Stewart: Guitars, Vocals Stephen Hagler: Guitars, Vocals |
Produced by Tommy Vicari Engineered by Norm Kinney and Tommy Vicari at Golden Voice Studios, Pekin, Ill. Mixed at Sound Labs Inc., Los Angeles, Calif. Art Direction: Ed Lee Photgraphy: David Gulick Illustration: Alex Ebel |
2 | Citadel (US 1977 Epic 34935) M-/VG+ has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Shine On Brightly | 5:14 | S. Hagler - H. Schildt - M. Stewart - G. Strater - T. Luttrell - S. Tassler | Evening Wind | 5:27 | S. Hagler - H. Schildt - M. Stewart - G. Strater - T. Luttrell - S. Tassler | |
Shadows of Song | 5:08 | Change in Time | 4:31 | |||
Can't Think Twice | 3:51 | Could This Be Love | 3:23 | |||
Wings of White | 4:48 | Why Have They Gone | 6:53 | |||
Engineered by Barry Hammond Remixed at Sarm Studios, London, England by Geoff Workman Cutting Engineer-George Marino Mastered at Sterling Sound, New York, N.Y. Produced by Roy Thomas Baker for RTB Productions Art: Hildebrandt Photos: Mark Hauser Design: Ed Lee with a little help form Alan Ostroff |
Starcastle is: Terry Luttrell: Lead Vocals Herb Schildt: Synthesizer, Organ, Piano, Mellotron, Oberheim Synthesizer Gary Strater: Bass Guitars. Moog Pedals, Vocals Steve Hagler: Guitars, Vocals Matt Stewart: Guitars, Mandolin, Vocals Steve Tassler: Drums, Percussion, Vocals |
1 | Voices and Instruments (Uk 1976 Obscure 5) M-/M- $12 SOLD! | |||||
Side 1 - Jan Steele | Side 2 - John Cage | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
All Day | ?? | Jan Steele | Experiences No. 1 | ?? | John Cage | |
Distant Saxophones | Experiences No. 2 | |||||
Rhapsody Spaniel | The Wonderful Widow of Eighteen Springs | |||||
Forever and Sunsmell | ||||||
In a Landscape | ||||||
Janet Sherbourne: Voice, Piano Stuart Jones: Solo guitar Fred Frith: Guitar Kevin Edwards: Vibraphone Steve Beresford: Bass Guitar Phil Buckle: Percussion Jan Steele: Flute, Piano Utako Ikeda: Flute Dominic Muldowney Viola Martin Mayes: Piano Arthur Rutherford: Percussion |
Richard Bernas: Piano, Percussion Robert Wyatt: Voice Carla Bley: Voice Recorded at Basing St. Studios, London. Engineered by Rhett Davies & Guy Bidmead Produced by Brian Eno. |
1 | Stories (US 1972 Kama Sutra KSBS 2051) M-/VG+ cos, embossed cover $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hello People | 3:54 | Michael Brown and Ian Lloyd | Saint James | 4:30 | Michael Brown and Ian Lloyd | |
I'm Coming Home | 2:38 | Kathleen | 3:14 | |||
Winter Scenes | 4:18 | Take Cover | 3:01 | |||
Step Back | 3:20 | Nice to Have You Here | 3:25 | |||
You Told Me | 3:06 | High and Low | 4:28 | |||
Michael Brown: Piano, Harpsicord, Organ, Moog Synthesizer Ian Lloyd: Lead Vocals and Bass Steve Lowe: Vocal Harmonies, Guitar Bryan Madey: Drums Peter Hoffman Additional Guitar Larry Wilcox String Arrangements |
Peter Buonconsiglio and Harry Lookofsky: violin on "You Told Me" and "Kathleen" Produced by Stories Engineered by Izzy Disenhaus Recorded at Bell Sound Studios, N.Y.C. Cover concept by Dominic Sicilia Photography by Peter Kaplan Art Direction by Glen Christensen The cover photo was taken at the Steinway & Sons piano factory in N.Y.C. |
2 | About Us (US 1973 Kama Sutra KSBS 2068) M-/M- autographed by Ian Lloyd, Steve Love, Bryan Madey & Ken Bichel, promo, coh, original press WITHOUT Brother Louie $40 | |||||
3 | About Us (US 1973 Kama Sutra KSBS 2068) M-/VG+ gatefold $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Darling* | 2:38 | Brown-Lloyd | Changes Have Begun** | 3:30 | Love | |
Don't Ever Let Me Down | 2:16 | Circles | 1:34 | Brown | ||
Love is in Motion | 3:14 | Believe Me* | 3:31 | Brown-Lloyd | ||
Hey France* | 2:50 | Words | 2:21 | |||
Please, Please* | 4:55 | Top of the City | 2:58 | |||
Down Time Blooze | 1:18 | Harwood- Lloyd- Love- Madey | ||||
What Comes After | 2:00 | Brown-Lloyd | ||||
^Brother Louie | 3:55 | Brown-Wilson | ||||
Ian Lloyd: Bass and Lead Vocals Steve Lowe: Guitars, Sitar, Vocals and Bass on "Changes Have Begun" Bryan Madey: on drums and percussion Michael Brown: Pianos, Harpsichord and Mellotron |
Produced by Stories and Engineered by Keith Harwood *Produced by Eddie Kramer and Stories **Produced by Eddie Kramer and Steve Lowe ^Arranged and Produced by Kenny Kerner and Richie Wise Recorded October 1972-January 1973 at Olympic Studios, London and Bell Sound Studios, New York Personal Management: Dominic Sicilia Art Direction: Glen Christensen Cover Illustration: Tom Upshur-Photograph: Bob Gruen Packaging: Milton Sincoff |
4 | Traveling Underground (US 1973 Kama Sutra KSBS 2078) M-/M- gatefold cos $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bridges | 5:08 | I. Lloyd | Stories Untold | 4:03 | I. Lloyd | |
Soft Rain | 4:34 | S. Love, I. Lloyd | I Can't Understand It | 3:55 | S. Love | |
Hard When You're So Far Away | 4:27 | S. Love | Earthbound/Freefall | 8:14 | I. Lloyd/K. Bichell | |
If it Feels Good, Do It* | 2:48 | J. Stevenson | Traveling Underground | 4:31 | I. Lloyd | |
Mammy Blue* | 3:41 | Giraud/Trim | ||||
Produced by Kenny Kerner & Richie Wise and Stories *Produced by Kenny Kerner & Richie Wise String arrangements on "Mammy Blue" by Larry Wilcox Ian Lloyd: Vocals Steve Lowe: Guitars Kenneth Bichel: Keyboards, ARP Synthesizers and Mellotron Bryan Madey: Drums and Percussion Kenny Aaronson: Bass Guitar |
Recorded 'Underground' at Bell Sound, N.Y.C., Crystal Sound, L.A. and United Sound, L.A. Bell Sound Engineer: Warren Dewey An Earth Song, Ltd. Enterprise Illustrations: Gene Szafran Photography: Joel Brodsky Packaging: Milton Sincoff |
1 | Misterio (US 1989 Water Lily Acoustics WLA-CS-08) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Preludio | 6:54 | Jorge Strunz | Ziryab | 6:55 | Ardeshir Farah | |
Anoranza (Yearning) | 6:39 | Misterio | 4:29 | Jorge Strunz | ||
Arcades | 5:30 | Lluvia Suave (Soft Rain) | 5:15 | |||
Burabampo (The Deer) A Yaqui Indian peyote chant | 6:55 | Luis Perez | ||||
Musicians: Jorge Strunz and Ardeshir Farah, acoustic nylon string guitars, and percussion on Burabampo Ciro Hurtado, acoustic nylon string guitar on Preludio, Anoranza, and Lluvia Suave Charlie Bisharat, violin on Arcades and Ziryab, and percussion on Burabampo Luiz Perez, Mesoamerican percussion and winds on Lluvia Suave and Burabampo and chant on Burabampo Kathlyn Powell, percussion on Burabampo Produced abd recorded by Kavichandran Alexander Cover painting and lettering: Kathlyn Powell Art direction: Kathlyn Powell Back cover photo: Michael Sexton Recorded at Christ the King Chapel, St. Anthony's Seminary, Santa Barbara, CA, December 12 and 13, 1988. Cover painting dancer inspired by Marina Lorca. Back cover photo taken at Our Lady of Mt. Carmel, Montecito, CA. Technical consultanta: Tim de Paravicini and Bill Healander Technical maintenance: Chris Donnelly |
Microphones: Custom-built vacuum-tube design by Tim de Paravicini of EAR using MILAB dual rectangular capsules
Mic Pre-Amp: Custom-built vacuum-tube design by Tim de Paravicini of EAR Recorder: Ampex MR70 (Nuvistor) "The Jack Mullin Special." Half-inch two-track with custom heads designed by Tim de Paravicini of EAR. Run at 15 i.p.s/C.C.I.R. Tape: Ampex 456 Mastered by John Dent at The Exchange (London) on a custom-built vacuum-tube cutting system designed by Tim de Paravicini of EAR, U.K. Plating: Allied Records, Santa Monica, CA Pressed on Premium Quality Vinyl at Record Technology, Inc., Camarillo, CA Cables: audioguest-LiveWire Vacuum-tubes and Nuvistors: Gold Aero Platinum Series This recording was monitored with Apogee Caliper Signature Ribbon Speakers. Power Amps: EAR 509 MkII (100 Watt Mono Blocks) |
1 | Spaceship Earth (US 1974 Liberty LST-11010) M-/M- gatefold, has inner sleeve $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Spaceship Earth | 4:27 | Robert Yeazel | Mother Nature's Wine | 2:58 | Jerry Corbetta, J. C. Phillips, David Riordan | |
Hot Water | 4:10 | Jerry Corbetta & Robert Yeazel | Country Dawg | 2:36 | Robert Yeazel | |
Rusty Cloud** | 3:01 | Robert Yeazel | Woman | 4:19 | Bob Raymond, Jerry Corbetta, Robert Yeazel, Bob Webber & Bob MacVittie | |
I Don't Need You Baby | 5:11 | Jerry Corbetta, Bob Webber, Robert Yeazel | Music Box | 2:28 | Robert Yeazel | |
Rollin' Hills | 3:36 | Robert Yeazel | Tongue in Cheek | 7:39 | ||
Produced by Frank Slay **Produced by J.C. Phillips for Chicory Productions Arrangements by Sugarloaf Engineers: Paul Buff, side one; cuts 3, 4, 5, side two, cut 3 Bob Kovach, side one, cuts 1, 2, side two; cuts 1, 4, 5 Ken Nelson, side two, cut 2 Art Direction: Ron Wolin Photography: Joel Franklin |
Sugarloaf: Jerry Corbetta - Organ, Piano, Clavichord, Celeste, Chimes and Lead Vocals. Bob Webber - Guitar, Dobro and Vocals. Bob Raymond - Bass and Vocals. Bob MacVittie - Drums Robert Yeazel - Guitar, Bells, Classical Guitar, Harmonics and Lead Vocals. on "Music Box" Cello by Glenn Grab, Bass Viol by Joe Julian, all other instruments on all selections by Sugarloaf |
1 | XYZ (US 1987 MCA MCA-42007) M-/M- coh $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Love is the Strangest Way | 4:20 | Andy Summers | Scary Voices | 4:37 | Andy Summers | |
How Many Days | 5:21 | Andy Summers-David Hentschel | Nowhere | 4:35 | Andy Summers-David Hentschel | |
Almost There | 4:30 | Andy Summers | XYZ | 2:46 | Andy Summers-David Hentschel-Charlotte Caffey | |
Eyes of a Stranger | 4:47 | The Only Road | 3:40 | Andy Summers | ||
The Change | 2:53 | Hold Me | 4:48 | Andy Summers-David Hentschel | ||
Andy Summers: Guitar, bass, vocals David Hentschel: Keyboards, drum programs Michael G. Fisher: Percussion on Nowhere, Love is the Strangest Way and Almost There Nan Vernon: Acompanying vocals on Love is the Strangest Way, How Many Days, and Almost There; backing vocals on Eyes of a Stranger Chris Childs: Bass on Eyes of a Stranger Rik May: Bass on Hold Me Abraham Laboriel: Bass on Scary Voices Oren, Julia, & Maxine Walters: Backing vocals on Nowhere, Hold Me, and How Many Days Greta Gold: Additional backing vocals on Eyes of a Stranger |
Bob Casale: Recording engineer Dennis Smith: Technical assistant Produced by David Hentschel and Andy Summers Mixed by David Hentschel and Bob Casale Recorded at Devo Studios, Los Angeles, California, Summer 1986 Photography by Anton Corbijn Art Direction by Andrew Ellis & Richard Evans, Icon, London |
1 | The Magic City (US 1973 ABC Impulse AS-9243) M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Magic City | 27:24 | Sun Ra | The Shadow World | 10:59 | Sun Ra | |
Abstract Eye | 2:45 | |||||
Abstract "I" | 4:01 | |||||
Sun Ra, clavoline and piano; Pat Patrick, baritone saxophone and flute; John Gilmore, tenor saxophone; Marshall Allen, alto saxophone, flute, oboe and piccolo; Danny Davis, alto saxophone and flute; Harry Spencer, alto saxophone; Robert Cummings, bass clarinet; Walter Miller, trumpet; Ali Hassen, trombone; Roger Blank, percussion; Ronnie Boykins, bass Produced by Alton Abraham Recorded in 1960 |
Sun Ra, bass marimba, piano, tympani, electronic celeste, Sun Harp, and dragon drum; Pat Patrick, baritone saxophone, flute and tympani; John Gilmore, tenor saxophone; Marshall Allen, alto saxophone, flute, oboe and piccolo; Danny Davis, alto saxophone and flute; Robert Cummings, bass clarinet; Ronnie Boykins, bass; Chris Capers, trumpet; Teddy Nance, trombone; Bernard Pattaway, trombone; Jimmi Johnson, percussion. Other drums by members of the Arkestra Photography: Francis Ing Illustration: Don Bied |
1 | Zin-Zin (UK 1973 Island HELP13) M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Zin-Zin | 13:52 | Morris Pert | *Orinoco | 12:50 | Morris Pert | |
Stardance | 9:57 | From the Region of Capricorn | 12:17 | Morris Pert/Peter Robinson | ||
Morris Pert: Drums, Percussion Peter Robinson: Electric Pianos Alyn Ross: Bass Guitar Robin Thompson played Soprano Saxophone on tracks marked * |
Recorded at Marquee Studios, London, February 1973 Thanks to: Graham Davies-Zuparoad Will Roper-Engineer Yancy Studios-Cover Art Concept & Design Percussion Services |
1 | Brilliant Trees (UK 1984 Virgin V2290) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Pulling Punches | ?? | David Sylvian | Weathered Wall | ?? | David Sylvian/Jon Hassell | |
The Ink in the Well | Backwaters | David Sylvian | ||||
Nostalgia | Brilliant Trees | David Sylvian/Jon Hassell | ||||
Red Guitar | ||||||
Produced by David Sylvian. Steve Nye for Klangtartsen Productions
Engineered by S. Nye P. Williams Mixed by S. Nye assisted by D. Sylvian. P. Williams except A2.B2 mixed by D. Sylvian N. Walker assisted by M. Butler Photograph Yuka Fujii |
David Sylvian Vocals Gutar Treated Piano Synthesiser Percussion Tapes Holger Czukay Dictaphone Guitar French horn Voice Steve Jansen Drums Percussion Synthesiser Richard Barbieri Synthsiser A1 B1 Riuichi Sakamoto Piano Synthesiser A4 B1 B3 Steve Nye Piano Synthesiser A3 A4 Jon Hassell Trumpet B1 B3 Kenny Wheeler Flugelhorn A2 A3 Mark Isham Trumpet A4 Phil Palmer Guitar A2 A4 Ronny Drayton Guitar A1 A4 Wayne Braithwaite Bass A1 A4 Danny Thompson Double Bass A2 Special thanks to Yuka Fujii and Peter Barakan for their assistance |
1 | Plight & Premonition (US 1988 Venture 7 90904-1) M-/M- $12 SOLD! | |||||
Side 1 - Plight | Side 2 - Premonition | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
the spiralling of winter ghosts (mixed and processed by Holger Czukay) | 18:26 | David Sylvian & Holger Czukay | giant empty iron vessel (mixed by Holger Czukay & David Sylvian) | 16:21 | David Sylvian & Holger Czukay | |
Produced by Holger Czukay Recorded at Can Studio Cologne West Germany 1986-87 US mastering by Greg Fulginiti at Artisan Sound Recorders Design and Photography: Yuka Fujii assisted by Icon, London. Artwork: Mekon |
Musicians: Holger Czukay: Radio, Organ, Sampled Piano, Orchestral & Environmental Treatments David Sylvian: Piano, Prepared Piano, Harmonium, Vibes, Synthesizers, Guitar Karl Lippergaus: Radio Tuning Jaki Liebezeit: Infra-sound |
1 | Electronic Realizations for Rock Orchestra (US 1975 Passport PB 6001) M-/M- cos $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Legacy | 10:05 | Larry Fast | Synergy | 5:26 | Larry Fast | |
Slaughter on Tenth Avenue | 11:46 | R. Rodgers | Relay Breakdown | 6:18 | ||
Warriors | 12:54 | |||||
Larry Fast: Performance/composition, arrrangement, production, engineering, programming Produced by Marty Scott Sound Generation: Mini Moog c/w/ Oberhiem Expander Module/Mellotron Control Functions: Mini Moog Systems/Oberheim Expander Module/Oberheim DS-2 Digital Sequencer/ Assorted Custom Control Devices/Galvanic Skin Response Voltage Controller/ARP-2600 Signal Processing: Mini Moog/Oberheim Expander Module/360 Systems 20/20 Frequency SHifter/Musitronics Phase Shifter/Eventide Clockworks Instant Phaser/Eventide Clockworks Digital Delay |
Recorded at House of Music, West Orange, N.J., January 2-February 3, 1975 Mixed at Mediasound, New York, N.Y. API Automated Quad (computerized) mixdown facilities, February 11-17, 1975 Remix Engineer: Clearmountain Mastered at Sterling Sound, New York, N.Y. by Robert Ludwig, February 24, 1975 Cover graphic "Manchester Bridge II" by Charles Magistro Back cover photo by Larry Fast |
2 | Cords (Can 1978 Passport 9167-6000) M-/VG clear vinyl, gatefold $20 | |||||
3 | Cords (US 1978 Passport PB 6000) M-/VG+ cos $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
On Presuming to be Modern I | 3:06 | L. Fast | A Small Collection of Chords | 1:25 | L. Fast | |
Phobos and Deimos Go to Mars | 7:14 | L. Fast, P. Sobel | Full Moon Flyer | 7:43 | L. Fast, P. Sobel | |
3:45 | L. Fast | Terra Incognita | 3:50 | P. Sobel | ||
3:29 | L. Fast, P. Sobel | Trellis | 3:38 | L. Fast | ||
Sketches of Mythical Beasts | 3:32 | On Presuming to be Modern III | 3:25 | |||
Disruption in World Communications | 4:18 | |||||
On Presuming to be Modern II | 2:58 | L. Fast | ||||
Produced, Engineered and Programmed by Larry Fast September 1977 through April 1978. Performance by Larry Fast with the exception of Guitar Synthesizer. Associate Producer and all Guitar Synthesizer by Pete Sobel. Recorded at the Synergy Studio and at House of Music, West Orange, N.J. Mixed at House of Music - first mix in Studio B. |
Special thanks to: Stephan (Electric Savage) Galfas, Charlie and Irene Conrad, Gary Rosen and the rest of the House of Music staff,
Russ Hamm for the use of the Guitar Synthesizer prototypes, Peter Gabriel for help with the titles,
Robert Fripp for the education in tape loops technique (Terra Incognita)...and Marty Scott for putting up with it all (and all the help).
Equipment by: (Old friends) Moog Music, Oberheim Electronics, 360 Systems, Musitronics, Eventide, Clockworks, The Synergy System. (New friends) Paia, Russ Hamm Guitar Synthesizer, Mos Technology (KIM-1), Apple Computer Corp., Aphex Systems, Loft Modular Devices Mastered by George Marino, Sterling Sound, N.Y. Cover by Hipgnosis |
4 | Games (US 1979 Passport PB6003) M-/M- cos $12 | |||||
Side 1 | Side 2 - Soundcheck: Delta Three | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Delta Two | 5:38 | Larry Fast | Delta 3/A | 2:24 | Larry Fast | |
Delta Four* | 6:18 | Delta 3/B | 2:10 | |||
Delta One** | 7:34 | Delta 3/C | 4:02 | |||
Delta 3/D* | 3:06 | |||||
Delta 3/E | 2:18 | |||||
Delta 3/F | 4:45 | |||||
This collection of original compositions was recorded between February and June 1979 at the Synergy Studio and House of Music, West Orange, New Jersey
Digital Synthesis realised using the digital synthesizer at Bell Laboratories, Murray Hill, New Jersey Mixed at House of Music June and July 1979 by Larry Fast except **which was mixed by Charlie Conrad and Larry Fast Mastered by Robert Ludwig, Masterdisk, NYC |
Art direction Murray Brenman Photography: Eric Staller Design: Murray Brenman, Eric Staller, Mike Mangino *Digital Synthesizer Computer programming by Greg Sims. Equipment used on this production manufactured by: Moog Music, Inc., Oberheim Electronics, Sequential Circuits, PAIA Electronics, 360 Systems, Musitronics, MXR, DBX, MCI, Eventide Clockworks, Sony, Teac-Tascam, EMT, The Synergy System, Apple Computer Corp., Bell Labs Digital Synthesizer, Deltalab Research |
5 | The Jupiter Menace (US 1982 Passport PB6014) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Alignment | :52 | Larry Fast | The Plunge/Earthquake Simulation | 3:44 | Larry Fast | |
Alien Earth | 2:38 | Solar Observatory/San Francisco, 1906 | 2:54 | |||
Rampage of the Elements/The Jupiter Menace | 3:53 | The Survivalists | 1:48 | |||
Pueblo Bonito | 2:24 | Cities on the Brink | 3:22 | |||
The Prophesy - The Prophesy Fulfilled/Warriors | 5:18 | The Mystery of Piri Reis/Return to Admiral Byrd's Camp | 3:11 | |||
Earth in Space | 3:32 | The Final Alignment | 1:26 | |||
Ancient Gods | 1:57 | Closing Theme | 3:36 | |||
Recorded January and February 1982 at The Synergy Studio. Mixed at House of Music, West Orange, New Jersey; film mix February 1982, album mix April 1982. |
Engineered by Larry Fast Assistant engineer: Cliff Hodsdon. Mastered by Bob Ludwig at Masterdisk, N.Y.C. |