OFF THE WALL Go to Next band (Oho) Previous artist (Michael Nyman)
1 | Ground Zero (US 1983 Broken Records #0) M-/M- has the insert $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Kings of Fleet Street | 4:47 | Jim Ball | City Boy Bump | 4:50 | Steve Sandkuhler, Jim Ball | |
Hippos Go Berserk | 3:53 | Glenn Workman | Sellin' Out | 4:55 | Jim Ball | |
Hey Carmella | 3:10 | Jim Ball | Ground Zero | 3:35 | Jim Ball, Ridia Anderson, Glenn Workman | |
Don't Need No Help | 3:30 | Glenn Workman | Over the Hill | 5:28 | Jim Ball | |
Late at Night | 3:48 | Jim Ball | ||||
Personnel: Jim Ball: guitars, vocals Glenn Workman: piano, organ, tenor & baritone saxes, marima, vibes, toy piano, additional guitar on "City Boy Bump", vocals Steve Sandkuhler: harmonica, congas, alto sax, percussion, vocals Scoop: fretless bass, vocals Dayton Alford: drums & cymbals John Ball: all them frequencies |
Additional Musicians: Steve Krimmelbein: trombone Jim Wesloh: trumpet Kirsten Sandkuhler: vocal recitiation on "Hippos Go Berserk" Evan Workman: special vocal apperance on "Hippos Go Berserk" Produced and mixed by Off the Wall Brass arranged & conducted by Glenn Workman with help from Jim Ball & Steve Sandkuhler John Ball: production engineer Bill Mueller: technical engineer Recorded at Sheffield Recordings, Ltd., Pheonix, MD. Mastered by Alan Moy at Masterdisk, N.Y., N.Y. Photography by Richard Anderson, Baltimore, MD. Album cover and label design and illustration by Pete Traynor, Baltimore, MD. |
1 | Rocktronics (US 1984 Clean Cuts 001) M-/VG+ cover has some water damage $60 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Where Are We Now? | 4:33 | Barker - O'Connor | Infomania | 2:50 | O'Connor | |
Diane | 3:59 | Graboski - Heyrman | Still Life | 3:25 | Barker | |
Is That What You Said? | 4:30 | Barker - Graboski - Reeve | Detached | 2:51 | Barker - Ford - Graboski - O'Connor | |
It Needs a Haircut | 2:17 | O'Connor - Reeve | ||||
Gyro: lead vocals Mark O'Connor: keyboards and vocals Jay Graboski: guitars David Reeve: percussion Mike Kearney: bass Ohoettes: Caren Parr: background background vocals Tracey Tiernan: backgound vocals |
Produced by Ty Ford & Jack Heyrman Engineers: Steve Carr-Hit & Run Studios Bill Meuller-Sheffield Studios Mastered by Bill Kipper at Masterdisk Art direction & illustration: Andrea Schamis |
1 | Tubular Bells (US 1973 Virgin 13-105) VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tubular Bells | 25:00 | Mike Oldfield | Tubular Bells | 23:50 | Mike Oldfield | |
Mike Oldfield plays: Grand Piano Glockenspiel Farfisa Organ Bass Guitar Electric Guitar Speed Guitar Taped motor drive amplifier organ chord Mandolin-like guitar Fuzz Guitars Assorted Percussion Acoustic Guitar Flageolet Honky Tonk Lowrey Organ Tubular Bells Master of Ceremonies: Viv Stanshall Flutes: Jon Field String Basses: Lindsay Cooper Nasal Chorus: Nasal Chorus Girlie Chorus: Mundy Ellis, Sally Oldfield |
Mike Oldfield plays: Electric Guitars Farfisa Organ Bass Guitar Acoustic Guitars Piano Speed Elec. Guitars Lowrey Organ Concert Tympani Guitars sounding like Bagpipes Piltdown Man Hammond Organ Spanish Guitar Moribund Chorus Girlie Chorus: Sally Oldfield, Mundy Ellis Bootleg Chorus: Manor Choir conducted by Mike Oldfield Drums: Steve Broughton (Courtesy Harvest) Sound: Tom Newman, Simon Heyworth and Mike Oldfield Sleeve Design and Photography: Trevor Key Recorded at: The Manor/Autumn 1972 Spring 1973 |
2 | Boxed (UK 1976 Virgin VBOX1) M-/M-/M-/M-/M- with book $25 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tubular Bells Part One | 25:55 | Mike Oldfield | Tubular Bells Part Two | 25:47 | Mike Oldfield | |
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hergest Ridge Part One | 21:33 | Mike Oldfield | Hergest Ridge Part Two | 18:40 | Mike Oldfield | |
Side 5 | Side 6 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ommadawn Part One | 20:06 | Mike Oldfield | Ommadawn Part Two | 17:17 | Mike Oldfield | |
Side 7 | Side 8 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Phaneacian Games | 3:58 | David Bedford | First Excursion | 5:56 | Mike Oldfield/David Bedford | |
Extract from Star's End | 7:33 | Argiers | 3:59 | Trad. arr. Mike Oldfield | ||
The Rio Grande | 6:37 | Trad. arr. David Bedford | Portsmouth | 2:02 | ||
In Dulci Jubilo | 2:49 | R.L. Pearsall, arr. Oldfield | ||||
Speak (Tho You Only Say Farewell) | 2:54 | Ray Morello/Horatio Nicholis | ||||
"Tubular Bells" re-mixed in quad by Phil Newell, assisted by Alan Perkins
"Hergest Ridge" re-mixed in quad by Mike Oldfield "Ommadawn" re-mixed in quad by Mike Oldfield and Phil Newell. |
"Collaborations" re-mixed in quad by Phil Newell except "First Excursion" by Mike Oldfield Cover by Cooke Key |
3 | Five Miles Out (US 1982 Epic ARE 37983) VG+/VG+ gatefold $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Taurus II | 24:42 | M. Oldfield | Family Man | 3:49 | M. Oldfield - T. Cross - R. Fenn - M. Frye - M. Reilly - M. Pert | |
Crabidoo | 13:03 | |||||
Mount Teidi | 4:10 | M. Oldfield | ||||
Five Miles Out | 4:14 | |||||
Maggie Reilly - Vocals Morris Pert - Percussion, Keyboards Tim Cross - Keyboards Rick Fenn - Guitars Mike Oldfield - Guitars, Bass, Keyboards, Vocals Mike Fye - Percussion Paddy Moloney - Uileann pipes on 'Taurus II' Carl Palmer - Percussion on 'Mount Teidi' Graham Broad - Drums on 'Five Miles Out' Strings on 'Five Miles Out' arranged by Morris Pert and conducted by Morris Pert |
Produced and Engineered by Mike Oldfield except 'Five Miles Out,' Produced and Engineered by Mike Oldfield and Tom Newman
and 'Mount Teidi,' Produced by Mike Oldfield and Engineered by Richard Mainwaring Mastered at the CBS Recording Studios, New York on the CBS Discomputer System by Ray Janos. Technical Assistant Richard Barrie Special Thanks Jeremy Parker, Martin Birch Sleeve Design by Mike Oldfield Painting by Gerald Coulson Photographs by Fin Costello |
1 | Distant Hills (US 1973 Vanguard VSD 79341) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Aurora | 7:42 | Ralph Towner | Distant Hills | 6:31 | Ralph Towner | |
Dark Spirit | 5:50 | Canyon Song | 4:56 | |||
Mi Chinita Suite | 7:00 | McCandless, Moore, Towner, Walcott | Song for a Friend | 5:19 | ||
Confession | 6:24 | McCandless, Moore, Towner, Walcott | ||||
Paul McCandless: oboe, English horn Glen Moore: violin, flute, electric bass, bowed bass, piano Ralph Towner: piano, twelve string guitar, trumpet, guitar, mellophone Colin Walcott: tabla, sitar, clarinet, piano, mirimba, congas, guitar, tamboura, drums |
Produced by Oregon Engineering and Mixing: Jeff Zaraya Recorded at Vanguard's 23rd Street Studio, New York City, July 2, 3, 5, 1973 Cover painting and Calligraphy: Leanne Harrison Back Photo: Monica Mosley Oregon Management: Vince Cirrincione/Tom Paine With thanks to RCI-Productions, Inc. |
1 | Getting a Head (US 1980 Rift 2) M-/M- $25 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Getting a Head | 18:40 | Medwed, Ostertag, Frith | In Tundra | 21:10 | Medwed, Ostertag | |
Fred Frith: guitars Bob Ostertag: tapes Getting a Head is a live improvisation involving a real-time tape system originally conceived by Bryan Medwed, realized by the two of us working together, and further elaborated on by myself. Recorded in concert in Washington D.C., June 1980. During the last third of the piece another performance, recorded in NYC, May 1980, is also heard. All sounds appear exactly as heard in concert. Mixed at Sorcerer Sound. |
Charles K. Noyes: percussion Bob Ostertag: tapes In Tundra began as a live improvisation using the same tape system as Getting a Head which was then reworked in the studio. Recorded at the Kitchen, January 1980. Mixed at Noise, New York. Cover photo by Ruth Thorne-Thomsen Back photo by Tina Curran Dedicated to George Loftus Thanks to Linda Jordan and Orlan Cannon (type and layout), Frank Eaton (studio time), Fred Frith (patience, advice). |