PAPER BAG Go to Next band (Paris) Previous artist (Bob Ostertag)
1 | Ticket to Trauma (US 1987 SST 076) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ticket to Trauma | 0:57 | Paper Bag | Think for Myself | 0:50 | Paper Bag | |
Through Your Eyes | 3:41 | Priests on Drugs | 3:09 | |||
Crankman | 3:19 | The Devil's Cha-Cha | 1:15 | |||
Sublimation | 2:06 | Ambient Languages | 3:14 | |||
Rain on Benares | 1:56 | Homeless | 1:41 | |||
Monkey Jack | 2:16 | Garberville | 4:02 | |||
What More Do You Want? | 2:14 | The Nile Cries | 3:26 | |||
The Ballad of Ed Gein | 6:41 | Closed City | 5:06 | |||
M. Segal: drums, percussion, toys & effects, flutes & whistles, words, voice
Greg Eric Segal: guitars, effects Kenny Ryman: keyboards, tapes & tape loops, effects, words, voice George Radai: bass guitar, bass pedals, effects |
Aug., 1985 thru Feb., 1986 LBP Studios, Van Nuys, CA No Overdubs-First Takes Only Produced and engineered from 4 track recordings by C. Alleca Mixed April, 1986 at Platinum Studios, Hollywood, CA Photos by Ann Gardener Cover Art by MS Art Services Special thanks to Ken Rosser (fellow traveler) and Splatt of KXLU FM 88.9, Los Angeles |
1 | Paris (1976 US Capitol ST-11464) M-/VG+ has the insert $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Black Book | 3:10 | Robert Welch | Narrow Gate (La Porte Etroite) | 6:42 | Robert Welch | |
Religion | 5:18 | Solitaire | 4:04 | |||
Starcage | 3:56 | Breathless | 3:20 | |||
Beautiful Youth | 3:35 | Rock of Ages | 3:11 | |||
Nazarene | 3:56 | Red Rain | 3:21 | |||
Robert Welch-Guitar, Vocals Glenn Cornick-Bass, Keyboard Thom Mooney-Drums Produced by Jimmy Robinson Art Direction: Roy Kohara |
Recorded at The Record Plant: Los Angeles and "The Pit" Sausalito Engineer: Jimmy Robinson 2nd Engineers: John Henning, Deni King, Mike Braunstein Logo Design: Glenn Cornick Photography/Design: Herbert Wothington |
1 | I'm the One (US 1972 RCA LSP-4578) M-/VG+ has inner sleeve $20 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
I'm the One | 6:45 | Annette Peacock | Blood | 2:00 | Annette Peacock | |
7 Days | 3:54 | One Way | 6:12 | |||
Pony | 6:15 | Love Me Tender | 3:45 | Elvis Presley-Vera Matson | ||
Been & Gone | 2:20 | Gesture Without Plot | 3:29 | Annette Peacock | ||
Did You Hear Me Mommy? | 1:44 | |||||
Direction: Annette Peacock Produced by Annette Peacock and Bob Ringe Liner Note 1: Pain & Pleasure are equal but different One is no better than the other They Are Equal....But Different. "The Team" Players Tom Cosgrove, Guitar Stu Woods, Bass Rick Morotta, Drums Michael Garson, Organ on "one Way"; Piano & Organ on "I'm the One" Paul Bley, Synthesizer & Piano on "Blood" & "Gesture Without Plot" Glen Moore, Bass on "Blood" Laurence Cook, Drums on "Gesture Without Plot" Michael Moss, Tenor Barry Altschul, Airto Moreira, Orestes Vilato, Domun Romao, Percussion Apache Bley, Piano on "Did You Hear Me Mommy?" Annette Peacock, Composer (music & words), Arranger, Producer, Singer, Electric Vocals, Pianos (acoustic & electric), Synthesizers, Electric Vibraphone, Liner notes |
Liner Note 2: "It's Not About Music" Recorded at RCA Studios B, C, D, New York City Recording Engineer: Gus Mossler Recording Technicians: Pat Martin, Mike Hartry, Dick Baxter Cover image materialized by Richard Davis (photographer) With special thanks to Acy Lehman Liner Note 3: Dream to dream it takes a little more than it did to see it the time before. |
2 | The Perfect Release (UK 1979 Aura AUL 707) M-/VG+ not quite black vinyl $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Love's Out to Lunch | ?? | Annette Peacock | The Succubus | ?? | Annette Peacock | |
Solar Systems | Survival | |||||
American Sport | ||||||
A loss of Consciousness | ||||||
Rubber Hunger | ||||||
Max Middleton keyboards Robert Ahwal Guitars Richard Bailey Sonar Drums John McKenzie Bass Daryl Lee Que Percussion Lennox Langton Steel Drums and Percussion |
Produced by Annette Peacock Executive Producer Aaron Sixx Recorded at Konk Studios Engineer John Rollo and Scorpio Sound Studios Engineer Dennis Weinreich. |
1 | Music From the Penguin Cafe (US 1976 Editions EG EGED 27) M-/M- cos $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Penguin Cafe Single+ | ?? | Simon Jeffes | The sound of someone you love who's going away and it doesn't matter+ | ?? | Simon Jeffes | |
ZOPF | Hugebaby* | |||||
1. From the Colonies (for N.R.) 2. In a Sydney Motel 3. Surface Tension (where the trees meet the sky) 4. Milk 5. Coronation 6. Giles Farnaby's Dream 7. Pigtail | Chartered Flight* | |||||
ZOPF Simon Jeffes - Guitar, Bass, Ukelele, Quatro, Spinet, Electric Piano, Mouth percussion, vocals, Cello (Sydney Motel), Cheng, Ring Modulator Helen Leibman - Cello Gavyn Wright - Violin, Viola Neil Rennie - Ukelele (on Giles Farnaby's Dream) Emily Young - Vocals Steve Nye - Mixing |
Penguin Cafe Quartet (the 4 musicians in green clothes) Helen Leibmann - Cello Gavyn Wright - Violin Steve Nye - Electric Piano, Engineer Simon Jeffes - Electric Guitar Produced by Simon Jeffes and Steve Nye Recorded on location between 1974-1976 Words by Neil Rennie except "Milk." Painting by Emily Young. + Recorded in 1974 * Recorded in 1976 with thanks to the quartet for their developments & inspiration Brian Eno-Executive production |
2 | Penguin Cafe Orchestra (US 1981 Editions EG EGM 113) M-/M- cos $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Air a Danser | 4:27 | Simon Jeffes | Yodel 2 | 4:25 | Simon Jeffes | |
Yodel 1 | 4:00 | Salty Bean Fumble | 2:07 | |||
Telephone and Rubber Band | 2:25 | Paul's Dance | 1:37 | Jeffes, Nye | ||
Cutting Branches for a Temporary Shelter | 3:36 | Trad. Arr. Jeffes | The Ecstacy of Dancing Fleas | 3:55 | Simon Jeffes | |
Pythagoras's Trousers | 3:14 | Simon Jeffes | Walk Don't Run | 2:56 | Johnny Smith | |
Numbers 1-4 | 6:46 | Flux | 1:39 | Simon Jeffes | ||
Simon's Dream | 1:41 | |||||
Harmonic Necklace | 1:12 | |||||
Steady State | 3:28 | |||||
Simon Jeffes-Guitar, Cuatro, Ukelele, Piano, Bass, Violin, Dulcitone, Harmonium, Shakers, Drums, Ring Modulator, Rubber Band, Penny Whistle, Electronic Organ
Geoffrey Richardson-Viola, Guitar, Bass, Bongos, Metal Frame, Ukelele Peter Veitch-Accordian, Violin Steve Nye-Electric Piano, Cuatro Braco-Shakers, Drums, Bongos Giles Leaman-Oboe Gavyn Wright-Violin Helen Leibman-Cello Julio Segovia-Cymbals Neil Rennie-Ukelele |
Produced by Simon Jeffes for the Penguin Cafe Orchestra Recorded at the Penguin Cafe between 1977-1980 Mixed at Farmyard Studios, Bucks, England by Colin Green and Ian Morais Cover Painting by Emily Young Photography by Roger Whitaker Design & Typography by Ha Ha Ha Productions Cutting Branches appears in Nightshift, a film by Robina Rose Special Thanks to Rupert Hine, Trevor Morais, Geoff Jukes and Gillian McGregor |
3 | The Penguin Cafe Orchestra Mini Album (UK 1983 Editions EG EGMLP 2) M-/M- $15 | |||||
Side 1 | Side 2 - Penguin Cafe Orchestra in Japan | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Penguin Cafe Single | ?? | Jeffes/Nye/Wright/Leibmann | Numbers 1-4 | ?? | Jeffes | |
Air a Danser | Jeffes | Salty Bean Fumble | ||||
The Toy | Piano Music | |||||
Simon Jeffes: electric guitar (1); cuatro, guitar, bass, piano, voice (2);
omnichord, bass, electric guitar (3); guitar, pitch pipes (4); penny whistles (5), piano (6)
Steve Nye: electric piano (1); cuatro (2) Helen Leibmann: cello (1,2) Gavyn Wright: violin (1,2) Geoffrey Richardson: violas (2,3,4,5); slide guitar (3) Braco: shakers (2,5); bongos (4) Neil Rennie: ukelele (3,5) Peter Veitch: piano (4,5) Marcus Beale: violin (4,5) Giles Leaman: oboe (4); stick percussion (5) Kuma Herada, bass |
This album consists of six pieces of music, two from our previous albums, two recorded live
in Tokyo last year, and two new pieces: Piano Music, recorded in a basement whilst I was staying in Tokyo after our
tour, and The Toy which we recorded today. Simon Jeffes 23/3/83
Produced by Simon Jeffes for the Penguin Cafe Orchestra except The Toy Produced by Simon Jeffes with Geoffrey Richardson. Paintings by Emily Young. Photography, except The Toy, Mitsuru Tsubakino. Typo, Calligraphy Martyn Atkins & Ching Ching Lee. |
1 | Illustrative Problems (US 1986 Cuniform RUNE 6) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
All Bach'd Up | 3:43 | PFM | Cold Shower | 2:00 | PFS | |
Civil Circus | 1:19 | My Neice From Pittsburgh in 1992 | 4:01 | |||
Hruspex | 3:39 | 23rd Hour | 2:37 | |||
White Boys With No Rhythm | 2:18 | Nicht Shuldig | 6:36 | |||
Buster Keaton | 5:00 | Amsterdam | 3:14 | |||
Illustrative Problems | 2:17 | |||||
Scott Brazieal: Piano, Digital Synthesizer, Cassettes Herb Diamant: Tenor Sax, Basson, Quirmpaphonics Gary Para: Percussion, Roof Jacks, Noises Craig Fry: Violin on “Nicht Shuldig” |
Recorded and mixed at Mobius 3/85, 6/85 Produced by PFS and Oliver DiCicco Engineered by Oliver DiCicco Cover Art Susan Scott Art Production Larry Evans Mastering by Roger Siebel at Wakefield Mfg., Phx, AZ |
1 | The Geese & the Ghost (US 1977 PVC 8905) M-/M- $12 | |||||
2 | The Geese & the Ghost (US 1977 Passport PP 98020) M-/M- cc, has inner sleeve $15 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Wind - Tales | 1:02 | Phillips | Chinese Mushroom Cloud | 0:46 | Phillips-Rutherford | |
Which Way the Wind Blows | 5:51 | The Geese and Ghost | 15:40 | |||
Henry: Potraits From Tudor Times | 12:11 | Phillips-Rutherford |
| 8:01 | ||
0:56 |
| 7:39 | ||||
2:00 | Collections | 3:07 | Phillips | |||
1:15 | Sleepfall: The Geese Fly West | 4:33 | ||||
3:36 | ||||||
2:33 | ||||||
1:46 | ||||||
God if I Saw Her Now | 4:09 | Phillips | ||||
The Musicians (The relevant tracks are shown in brackets) Anthony Phillips; Acoustic 12 string, 6 string, classical guitar, electric 6 and 12 string guitars, basses, dulcimer guitar, bazouki, Synthesizers, mellotron, harmonium, piano, organ, celeste, pin piano, Drums, glockenspeil, timbales, bells and chimes, gong. Vocal on "Collections." Michael Rutherford; Acoustic 12 string, 6 string, classical guitars, electric 6 and 12 string guitars, basses, organ, drums, timbales, glockenspeil, cymbals, bells. Phil Collins; Vocals on "Which Way the Wind Blows" and "God if I Saw Her Now." Rob Phillips; Oboes (6,8). Lazo Momulovich; Oboes, Cor Anglais (3,6). John Hackett; Flutes (4,7,8). Wil Sleath; Flute, Baroque flute, recorders, piccolo (3). Jack Lancaster; Flutes, Lyricon (8). Charlie Martin; Cello (5,6). |
Kirk Trevor; Cello (5,6). Nick Haley + friend; Violins (6). Martin Westlake; Timpani (3,5,6)(and thanks to Brendan and Viv) Tom Newman; Hecklephone and bulk eraser (9). Viv McCauliffe; Vocals on "God if I Saw Her Now." Send Barns Orchestra and Barge Rabble conducted by Jeremy Gilbert. Ralph Bernascone; Soloist. Produced and Engineered by Simon Hayworth, Michael Rutherford and Anthony Phillips. Recorded at Send Barns Studios; Argonaut Galleries; Remixed and completed at Trident and Olympic Studios, (Engineer Anton Matthews). Equipment: Nick Blyth, Tex Read and Geoff Banks. Special thanks to: Bruce Elliot, Dave Rootes and Jumbo and to all at Hit and Run Music Ltd and to Send Barns for their patience and tenacity. Michael Rutherford and Phil Collins appear throgh the courtesy of Atlantic Records. Cover design and art by Peter Cross. Mastered by Greg Calbi at Sterling Sound, N.Y.C. |
3 | Wise After the Event GATEFOLD PROMO (US 1978 Passport PB 9828) M-/M- has photo and promo pack $20 SOLD! | |||||
4 | Wise After the Event (US 1978 Passport PB 9828) M-/M- cos $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
We're All As We Lie | 4:34 | Anthony Phillips | Pulling Faces | 4:32 | Anthony Phillips | |
Birdsong | 7:30 | Regrets | 5:15 | |||
Moonshooter | 5:52 | Greenhouse | 3:00 | Gilbert-Phillips | ||
Wise After the Event | 8:45 | Paperchase | 5:28 | Anthony Phillips | ||
Now What (Are They Doing to my Little Friends?) | 8:30 | |||||
The Players Anthony Phillips:Vocals and harmonica Michael Giles: Drums John G. Perry: Bass (Wal custom) The Vicar: Guitars, keyboards and sundries Jeremy Gilbert: keyboards on "Greenhouse", Harp on "Now What" Mel Collins: Soprano Sax on "We're All As We Lie", Flutes on "Birdsong" and "Trmulous" Robin Phillips: Oboe on "Sitars and Nebulous" Rupert Hine: Percussion, backing vocals, locks, probs, modes and vibes Perkin Alanbeck: Synthesiser on "Birdsong" Humbert Ruse/Vic Stench: Drums and bass on "Greenhouse" Rodent Rabble (Including "No Hours From Neasden"): Clicks, claps and crampons |
Orchestra on "Regrets" conducted by Gilbert Biberian Assembles by David Katz; Arranged by A.P. Produced by Rupert Hine. Recorded at Essex Studios (Oct. 1977), Engineer-Richard "Papercup" Austen; Things in papercups-Andy. And The Manor Mobile at the "Farmyard" (Nov/Dec. 77), Engineer and Twowood-Alan Perkins; (Thanks to Trevor, Eva and the Fish that didn't fly away). "Regrets" recorded at C.B.S. (Dec. '77), Engineer-Steve Taylor. Mixed at Trident Studios (Dec. 77/Jan. 78); Starter: R. St. John Lumley Maestro: Peter Kelsey; Assisted by Neil, Steve, Mike, John and Reno. Designs and artwork by Peter Cross Mastered at Trident by Ray Staff and at Sterling Sound, New York by George Marino. |
5 | Private Parts & Pieces (US 1978 PVC 7905) M-/M- cos $8 | |||||
Side 1 - Home Side | Side 2 - Away Side | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Beauty and the Beast (1972) | 4:07 | Anthony Phillips | Reaper | 7:38 | Anthony Phillips | |
Field of Eternity (Composed 1972, Recorded 1976) | 5:13 | Phillips/Rutherford | Autumnal | 6:02 | ||
Tibetan Yak-Music (1976) | 6:17 | Anthony Phillips | Flamingo | 11:08 | ||
Lullaby-Old Father Time (1976) | 1:10 | Seven Long Years | 3:00 | |||
Harmonium in the Dust | 2:32 | |||||
Tregenna Afternoons | 8:00 | |||||
All titles self-produced except. "Tibetan Yak-Music": Harry "pivanhaphone" Williamson
Recorded at Send Barns (thanks to all at Radio Athens). Remixed, mitigated, mollified by Ray Staff at Trident Studios. Chesse wine and Chick- |
Kirk Trevor; Cello (5,6). Nick Haley + friend; Violins (6). Martin Westlake; Timpani (3,5,6)(and thanks to Brendan and Viv) Tom Newman; Hecklephone and bulk eraser (9). Viv McCauliffe; Vocals on "God if I Saw Her Now." Send Barns Orchestra and Barge Rabble conducted by Jeremy Gilbert. Ralph Bernascone; Soloist. Produced and Engineered by Simon Hayworth, Michael Rutherford and Anthony Phillips. Recorded at Send Barns Studios; Argonaut Galleries; Remixed and completed at Trident and Olympic Studios, (Engineer Anton Matthews). Equipment: Nick Blyth, Tex Read and Geoff Banks. Special thanks to: Bruce Elliot, Dave Rootes and Jumbo and to all at Hit and Run Music Ltd and to Send Barns for their patience and tenacity. Michael Rutherford and Phil Collins appear throgh the courtesy of Atlantic Records. Cover design and art by Peter Cross. Mastered by Greg Calbi at Sterling Sound, N.Y.C. |
6 | Sides (US 1979 Passport PB 9834) M-/M- has inner sleeve $8 | |||||
7 | Sides TEST PRESSING (US 1979 Hub-Servall PB 9834) M-/M- $25 SOLD! | |||||
Side 1 - Um | Side 2 - Aargh | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Um & Aargh | 4:50 | Anthony Phillips | Sisters of Remindum | 4:29 | Anthony Phillips | |
I Want Your Love | 3:54 | Bleak House | 6:13 | |||
Holy Deadlock | 4:05 | Anthony Phillips/Martin Hall | Magdalen | 7:45 | ||
Lucy Will | 3:23 | Anthony Phillips | Nightmare | 7:25 | ||
Side Door | 3:48 | |||||
Anthony Phillips: Guitars, Keyboards, Obelisk The Vicar (Vocals): Lead vocals on 'Um & Aargh', 'Lucy Will', 'Holy Deadlock' Mike Giles (Drums): High hat, Bush, Sprang, Onion Bhajee John G. Perry (Bass Wal Custom): (with time) Pull-off pedal pump Dale Newman (Vocals): Lead vocals on 'Bleak House' Dan Owen (Vocals): Lead vocals on 'Side Door', 'I Want Your Love'. Ray Cooper (Percussion): Tambourine, Mark-Tree, Skulls Frank Ricotti (M. Timpani) Morris Pert: Monotroch, Congas on 'Lucy Will'. Ralph Bernascone: Lead vocals on 'Nightmare'. Humbert Ruse: Percussion on 'Lucy Will', Cor Anglais on 'Sisters of Remindum.' Vic Stench: Cellos on 'Lucy Will', Bass on 'Bleak House'. Hubert Rinse: Dungeon Vocals, Moravian Yam. Slim Long: C# Crampons, Tuned Bicycle Clips. |
Colonial Chorus & Rent-a-Rhyme: Man Newdale, Phil Anacoia, Wen O'Daniel Recorded at Essex Studios, Oct. 1978 Engineer: Richard Austin, aidied & abetted by Andy 'Poppadom' Pierce. Matrix Studios, Nov. 1978; Engineered by Module Repair Man and part-time billiard cue Nick Bradford, assisted by Jess 'Herbie' Sutcliff, Slick Huddersfield, Vic Grimsby and Dick Halifax. Mixed at Trident Studios Nov-Dec. '78 by Steve 'No bedclothes from Kingbury' Short, Colin Green (both), John Brand helped and humoured by Reno, Craig, Simon, Adam and Simon. Make-up: Sue Veneer & Justin Sane Co-ordination: Jaenette & Robin Physiotherapist, Equipment, Provisions, Lifts and Stanchions: Mick Shilton-Poole Humbert Ruse and Vic Stench appear courtesy of the Excrement and Obelisk Records Inc. Produced by Rupert Hine Conceived between Send Barnes & Golborne Road, Aug./Sept. 1978. Rehearsed at the Farmyard, Oct. '78. Artwork by Peter Cross (Tactical talks & cross-fertilization by Dallas P. Smith). Photography on inside cover by Robert Ellis |
8 | Private Parts & Pieces II - Back to the Pavilion (US 1980 PVC 7913) M-/M- cos $8 | |||||
Side 1 - N.O.R. Side | Side 2 - S.O.R. Side | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Scottish Suite | Anthony Phillips | Heavens | 4:22 | Anthony Phillips | ||
2:46 | Spring Meeting | 3:52 | ||||
2:26 | Romany's Aria | :50 | ||||
3:03 | Chinaman | :41 | ||||
4:53 | Nocturne | 4:05 | ||||
2:07 | Magic Garden | 1:56 | ||||
Lindsay | 3:50 | Von Runkel's Yorker Music | :41 | |||
K2 | 8:53 | Will O' the Wisp | 3:30 | |||
Postlude: End of the Season | :32 | Tremulous | 1:06 | |||
I Saw You Today | 4:34 | |||||
Back to the Pavillion | 2:51 | |||||
Drums & Percussion: Andy McCulloch. Bass on (i), (iv) "Scottish Suite": Mike Rutherford. Oboe on "Von Runkel's Yorker Music": Rob Phillips. Flute on "Tremulous": Mel Collins. "Scottish Suite" recorded at Send Barnes and Olympic Studios June 1976, produced by Anthony Phillips and Anton Matthews. Tracks 7, 8, 10, 12 recorded at Essex Studios, the Farmyard and Trident Studios, London, Nov-Dec 1977. Produced by Rupert Hine. The rest recorded at Slick Sound in the North Sea on the VICAR'S mobile oil rig ten and sponsored by Ralph Bernascone Aquasports Ltd. |
Put in the right order at Atmosphere Studios by John "a work of inspired genius" Reiner. Mastered at Trident by the celebrated cake-maestro, Ray Staff. Remastered at Sterling Sound, N.Y.C. by Jack Skinner. Photography and back cover: Pierrot Krols and Vic Stench of Thrombosis Productions. Cover Design: Peter Cross Any resemblance between themes in "Scottish Suite" and "Henry" from "The Geese and the Ghost" is entirely uncoincidental. |
9 | 1984 (US 1981 Passport PB 6006) M-/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Prelude '84 | 4:19 | Anthony Phillips | 1984 Part 2 | 15:28 | Anthony Phillips | |
1984 Part 1 | 19:06 | Anthem 1984 | 2:29 | |||
Performed by - Anthony Phillips: Keyboards, Drumbox (Roland CR78), Occasional Guitar, Basic Percussion Richard Scott: Basic Percussion, Effects, Vocal Ideas Morris Pert: Percussion (Timps, Tambourine, Gong, Congas, Bell-tree, Vibra-Slap, Marimbas, Vibes, etc.) |
8-Track recorded at Send Barns August 1980 to January 1981. Produced and engineered by Anthony Phillips assisted by Richard Scott.
Completed, mixed at Atmosphere Studios, (Lexington Street) February 1981 to March 1981. Engineered by Chris David. Vocoder manipulated by Chris and Anita David. Cover Design by - Under the Stairs Productions Cut by - Ray Staff at Trident Studios Peter Cross is on holiday with Ralph Bernascone |
10 | Private Parts and Pieces III (US 1982 PVC 8909) M-/M- cos $8 | |||||||
Side 1 | Side 2 | |||||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |||
Motherforest | 1:55 | Phillips/Berro Garcia | Danse Nude | 1:31 | Phillips/Berro Garcia | |||
Hurlingham Suite | 11:24 | Esperansa | 2:02 | |||||
Phillips | Elegy | 3:28 | ||||||
Phillips/Berro Garcia | Otto's Face | 4:23 | ||||||
Sand Dunes | 8:24 | |||||||
Old Wives Tales | 4:46 | Phillips | ||||||
Suite in D Minor | 8:27 | |||||||
Anthony Phillips: Classical, 12, 6 String Guitars, Bass Guitar. Enrique Berro Garcia: Classical, 12 String Guitars, Electric Guitar. Recorded at Send Barns June 1981. Mixed by Chris David at Atmosphere Studios August 1981. Produced by Anthony Phillips. Album Sleeve by Peter Cross. Cover Photography by Vic Stench of Thrombosis, Rome Sept. 81. Photo Collage by Pierrot Krols. Supper: Sylvie Salads: Henry Watercress |
We express our gratitude to the Institute of Coarse Art, Clapham, Ontario, for kind permission in using the Beach Sculptures of Bernascone.
Album conceived over a long weekend in the Banco di Roma. This album is dedicated to the memory of Send Barns and (to) all therein. Cut by Gordon at the Townhouse Studios. |
11 | Private Parts and Pieces IV: A Catch at the Tables (US 1984 PVC 8919) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Arboretum Suite | Anthony Phillips | Bouncer | 3:05 | Anthony Phillips | ||
2:07 | Eduardo | 9:53 | ||||
2:05 | Heart of Darkness | 3:20 | ||||
2:26 | The Sea and the Armadillo | 4:52 | ||||
5:27 | Sistine | 3:57 | ||||
Earth Man | 4:22 | |||||
Dawn Over the Table | 10:55 | |||||
All pieces composed, performed and produced by Anthony Phillips except "Sistine."
Arboretum Suite Recorded Send Barns, July 1980. Earth Man Recorded Send Barns, October 1979 Dawn Over the Lake Recorded Send Barns, March 1981 Bouncer Recorded Englewood Studios, June 1982 Eduardo Recorded Send Barnes , August 1981 Heart of Darkness Recorded Send Barnes, September 1980 The Sea and the Armadillo. Recorded Send Barnes, August 1981. |
Sistine Recorded at Englewood originally in June 1982 with the help of Richard Scott,
it was completed with the co-production of Trevor "If Professore" Vallis and the addition of the Bugle of Mark Emmey and the extraordinary Bagpipes and Harmonica of Judd Lander.
Chirange: Pedro Luigi Crass Armadillo trained by Ralph Bernascone Cut and rephased by the ever patient Ian "that sounds bloody awful" Cooper at the Townhouse, London. Original painting and cover design by Elsworth. |
12 | Harvest of the Heart (UK 1985 Cherry Red BRED 66) M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
1. Trail of Tears (-) | ?? | Anthony Phillips | 9. Erotic String (-) | ?? | Anthony Phillips | |
2. Esperansa (III) | Phillips/Berro Garcia | 10. Bandido (III) | Phillips/Berro Garcia | |||
3. Salmon Leap (II) | Anthony Phillips | 11. Sistine (IV) | Anthony Phillips | |||
4. Flapjack (IV) | 12. Lindsay | |||||
5. Bouncer (IV) | 13. Over the Gate (IV) | |||||
6. Beauty and the Beast (I) | 14. The Sea and the Armadillo (IV) | |||||
7. Amorphous, Cadaverous and Nebulous (II) | Lights on the Hill (IV) | |||||
8. Salmon's Last Sleep Walk (II) | ||||||
(I, II, III & IV Refer to previous 'Private Parts and Pieces' Album Nos)
All titles produced by Anthony Phillips except Track 1 - with Richard Scott: Tracks 2 & 10 - with Chris David, Tracks 3 & 7 - with Anton Matthews: Track 11 - with Richard Scott & Trevor Vallis The Musicians Anthony Phillips: Guitars, Keyboards, Bells, Chiranga, Vocals. Enrique Berro Garcia: Classical guitar on 2 & 10 Mike Rutherford: Bass on 3 & 7 Richard Scott: Roland TR 808 on 1 & 11 Andy McCulloch: Drums on 3 & 7 Judd Lander: Bagpipes and Harmonica on 11 Mark Emney: Bugle on 11 Ralph Bernascone: Suggestive Sarrusaphone on 9 |
There are also two previously unreleased tracks: Trail of Tears (1982) and Erotic Strings (1984)
Album Title: Theo Chambers Cut at Town House Studios by Tony Cousins Original Sleeve Painting 'Field of Eternity' by Peter Cross 'Harvest of the Heart' logo by Victor Napolski Art Direction and Layout by Jim Phelan |
13 | Private Parts and Pieces VI: Ivory Moon (US 1986 PVC 8946) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Suite: Sea Dogs Motoring | Anthony Phillips | The Old House | 5:17 | Anthony Phillips | ||
3:18 | Moonfall (from Masquerade) | 3:59 | Anthony Phillips and Rupert Hine | |||
5:05 | Rapids | 8:23 | Anthony Phillips | |||
2:31 | ||||||
1:08 | ||||||
Tara's Theme (from Masquerade) | 3:26 | |||||
Winter's Thaw | 9:26 | |||||
Produced and performed by Anthony Phillips at Englewood Studios, London, August, 1985
Thanks to understudy Nick Coster. Chris David for the Dolby and the Pull Shot. Maintenace: Paul Graves. Piano Tuning: John Armer. Photography: Pierror Krols and Vic Stench of Thrombosis. |
Cut at the Town House by Ian Cooper. Album Title: Kim Cross. Cover "Sea-Dogs Motoring" by Peter Cross, based on an impression of Leith Hill Tower, Dorking, England. |
14 | Private Parts and Pieces VII: Slow Waves, Soft Stars (US 1987 Audion SYN 308) M-/M- cc $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ice Flight | Anthony Phillips | Carnival | 1:34 | Anthony Phillips | ||
5:18 | Through the Black Hole | 3:16 | ||||
3:39 | Pluto Garden | 2:10 | ||||
1:27 | Sospirando | 3:00 | ||||
3:30 | Elevenses | 3:11 | ||||
2:19 | Goodbye Serenade | 2:29 | ||||
Beachrunner | 2:52 | Anthony Phillips/Enrique Berro Garcia | Bubble and Sqeak | 1:00 | ||
End of the Affair | 2:47 | Vanishing Streets | 4:10 | |||
The Golden Pathway | 1:44 | Anthony Phillips | Slow Waves, Soft Stars | 7:24 | ||
Behind the Waterfall | 3:32 | |||||
Recorded at Englewood Studios between July 1983 and March 1987. Technical Supervison: Paul Graves Equipment Synthesizers: Roland Jupiter 8, Casio 5000, ARP 2600 Polymoog. Guitars: Yari Classical, Rudloff 8-String and Alvarez 12-String on "Goodbye Serenade" Percussion: Tom Drum Machine, Tibetan Bells and Chimes, Zither (thanks to J.Y. for tuning key!) on "Behind the Waterfall". |
Ralph Bernascone: Frying-Pan on "Bubble and Squeak" Tif Hunter: Front cover photo Vic Stench of Thrombosis: Back cover photography Murray Brenman: Design |
1 | Elevator (US 1987 SST 136) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Micro | 4:01 | G. Phillips | Vista Cruiser | 4:39 | P. Provost | |
Sex Messiah | 3:09 | DNA | 3:13 | G. Phillips | ||
Inca Silver Metallic | 3:21 | B. Rea | Rememory | 4:03 | P. Provost | |
Arlo | 2:57 | P. Provost | Tower of Babel | 3:48 | B. Rea | |
John Marshall | 6:07 | G. Phillips | Rain Tonight | 5:01 | G. Phillips | |
The Death Ship | 2:02 | |||||
Glenn Phillips: 6 and 12 string electric guitars and acoustic guitars, electric autoharp
Bill Rea: Fretless and fretted bass Paul Provost: Keyboards Doug Landsberg: Drums |
Produced by Glenn Phillips Second Production: Bill Rea Recorded and mixed at Axis Sound Studios, Atlanta, Georgia Engineer: George Pappas Assitant Engineer: Dan Vaganek Cover Art Direction: Katie Oehler Photo: Hugh Fenlon Typeset: Elizabeth O'Hara |
1 | Second Contribution (US 1970 A&M SP 4282) M-/M- gatefold $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
She Was Waitin' For Her Mother at the Station in Torino And You Know I Love You Baby but it's Getting Too Heavy to Laugh | 4:54 | Shawn Phillips | Song for Sagitarians | 3:43 | Shawn Phillips | |
Keep On | 3:21 | Lookin' Up Lookin' Down | 3:55 | |||
Sleepwalker | 1:32 | Remedial Interruption | 1:56 | |||
Song for Mr. C | 3:49 | Whaz' Zat | 1:56 | |||
The Ballad of Casey Deiss | 6:12 | Schmaltz Waltz | 1:44 | |||
F Sharp Splendor | :36 | Paul Buckmaster | ||||
Steel Eyes | 4:18 | Shawn Phillips | ||||
Producer: Jonathan Weston for Philijo Music Inc. Engineer: Robin Cable (Trident Studios/London) Orchestral Arrangements: Paul Buckmaster Arrangement of SWWFHMATSITAYKILYBBIGTH (First cut on Side One): Ian Green Photographer: Sanders Nicholson Art Director: Michael Doud |
Musicians: Peter Robinson Paul Buckmaster Ann Odell Brian Odgers Harvey Burns Anello Capuano Bruce Rowland Jim Creegan John Michael Palmer Gerry Salisbury Barry Dean |
2 | Spaced (Can 1977 A&m SP 4650) M-/VG+ has inner sleeve $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Rant | 3:25 | Shawn Phillips | Parisan Plight I | 3:42 | Shawn Phillips | |
Italian Phases | 2:22 | Prelude to a Leaving | 2:37 | |||
The Light From Between Your Eyes | 4:33 | All Our Love | 1:32 | |||
Stranded | 4:48 | I Don't Want to Leave You, I Just Came to Say Good-Bye | 16:06 | |||
From All Of Us | 3:42 | |||||
Russ Kunkel: Drums Leland Sklar: Bass Joe Sample: Organ & Piano Sneeky Pete: Steel Guitar Shawn Phillips: Rhythm & Lead Guitar Peter Robinson: Clavinet & Synthesizer, Electric Piano Michael Baird: Drums Brandy (a beautiful lady): Bass Jim Horn: Soprano Sax Chuck Rainey: Bass Mike Miller: Bass & Lead Guitar Al Wing: Sax Steve R. Neilen: Drums Anthony Nedza: Synthesizer & Electric Piano Joseph Gaeta: Bass and Lead Guitar Daniel Timms: Piano Bruce Rowland: Drums Brian Odgers: Bass Chris Mercer: Sax Johnny Almond: Bass Flute & Concert Flute Improvised, Alto & Tenor Sax Mike Clark: Drums Paul Jackson: Bass Bill Summers: Percussion |
"Rant" and "The Light" Recorded at Clover Studios in Los Angeles in 1973. Engineered & Mixed by Robert Appere. Produced by Jonathan Weston
"The Light" Mixed by Shawn Phillips "Italian Phases" Engineered by Larry Forkner, Mixed and produced by Shawn Phillips "Stranded," "Prelude," "All Our Love," and "I Don't Want" Engineered by Ellis Sorkin, Mixed and Produced by Shawn Phillips "From All Of Us" Recorded May 16, 1977 at Cherokee Studios. Engineered by Dee Robb, Mixed and Produced by Shawn Phillips "Parisan Plight I" Engineered by Robin Cable and Produced by Jonathan Weston. |
1 | The Promise (US 1976 Threshold THS 18) M-/M- gatefold $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Free As a Dove | 4:10 | M. Pinder | Carry On | 4:18 | M. Pinder | |
You'll Make it Through | 3:50 | M. Pinder; J. Dillon | Air | 2:19 | ||
I Only Want to Love You | 3:28 | M. Pinder | Message | 2:44 | ||
Someone to Believe In | 3:18 | The Seed | 1:02 | |||
The Promise | 8:02 | |||||
Bill Berg: Drums, Percussion Flym J. Johnson: Bass Jim Dillon: Electric & Acoustic Guitar, Harmony vocals, Electric Slide Guitar, Classical Guitar, Electric Sitar Michael Pinder: Acoustic Guitar and Vocal, Piano, ARP, 12-string Guitar. Mellotron, Acoustic 6-string (Martin D-35S), RMI Fred Beckmeier: Bass Smitty Smith: Organ Steve Beckmeier: Electric Guitar Susan McDonald: Harp Joe Dibartello: Upright Bass Tom Peterson: Tenor Sax, Flute Michael Azevedo: Congas Dean Olch: Flute, Shakuhachi Steve Madaio: Trumpet Bobby Keyes: Tenor Sax Vocal Background: Maxine Willard, Jeanne King, Julia Tillman |
Recorded by Michael Pinder Recording Asst: Richard Kaplan Mix-Down: Engineered by Michael Pinder & Robert Margouleff Associate Engineer: Chris Blunt Tape Operator: Howard Siegal Mastered by Rick Collins at Kendun Recorders, Burbank Recorded at Indigo Ranch, Malibu Recorded with DBX noise reduction Front Cover: Organic Crystal Formation developed by Richard Kaplan at the Indigo Ranch Laboratory Graphics and Calligraphy: Terry Lamb, Living Water Studio, Encinitas Photography: Richard Kaplan Co-ordination: Gerry Hoff Cover Concept: Michael Pinder Printing Co-ordination: Quees Litho Color Separations by Reco Color Produced by Michael Pinder in association with Bob Margouleff Written & Arranged by Michael Pinder |
1 | Ummagumma (US 1969 Capitol SKBB-388) M-/M-/VG+ gatefold $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Live Album Recorded at Mothers Birmingham & Manchester College of Commerce, June 1969 | ||||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Astronomy Domine | 8:25 | Barrett | Set the Controls for the Heart of the Sun | 9:21 | Waters | |
Careful With That Axe Eugene | 8:47 | Waters- Wright- Mason- Gilmour | A Saucerful of Secrets | 12:51 | Waters- Wright- Mason- Gilmour | |
Side 3 | Side 4 | |||||
Studio Album | ||||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Featuring Richard Wright: | Featuring David Gilmour: | |||||
Sysyphus | Wright | The Narrow Way-Parts 1, 2 & 3 | 12:14 | Gilmour | ||
Part I | 4:29 | Featuring Nick Mason: | ||||
Part II | 1:45 | The Grand Vizier's Garden Party | 8:55 | Mason | ||
Part III | 3:07 | |||||
Part IV | 3:38 | |||||
Featuring Roger Waters: | ||||||
Grantchester Meadows | 7:23 | Waters | ||||
Several Species of Small Furry Animals Gathered Together in a Cave and Groovong with a Pict | 4:47 | |||||
Engineer: Brian Humphries Produced by Pink Floyd Sleeve Design & Photographs by Hipgnosis |
David Gilmour: lead guitar & vocals Roger Waters (and Jude): Bass guitar & vocals Richard Wright: Organ, Keyboards & Vocals Nick Mason: Percussion Engineer: Peter Mew Produced by Norman Smith |
2 | Atom Heart Mother (US 1970 Harvest SKA0-382) M-/M- gatefold $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Atom Heart Mother | 23:38 | Mason- Gilmour- Waters- Wright- Geesin | If | 4:25 | Roger Waters | |
Summer 68 | 5:29 | Richard Wright | ||||
Fat Old Sun | 5:19 | Dave Gilmour | ||||
Alan's Psychedlic Breakfast | 12:55 | Gilmour- Mason- Waters- Wright | ||||
Special thanks to John Aldiss Choir Engineers: Peter Bown, Allan Parsons Cover design & photos by Hipgnosis |
Produced by Pink Floyd Executive Producer: Norman Smith Recorded at EMI Studios - Abbey Road |
3 | Meddle (US 1971 Harvest SMAS-832) M-/M- gatefold $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
One of These Days | 5:50 | Waters- Wright- Mason- Gilmour | Echoes | 23:31 | Waters- Wright- Mason- Gilmour | |
A Pillow of Winds | 5:10 | R. Waters- D. Gilmour | ||||
Fearless (Interpolating "You'll Never Walk Alone"- Rogers- Hammerstein) | 6:03 | |||||
San Tropez | 3:42 | Roger Waters | ||||
Seamus | 2:09 | Waters- Wright- Mason- Gilmour | ||||
Produced by Pink Floyd Sleeve Designed by Pink Floyd Outer Sleeve Photos by Bob Dowling Inside Photo by Hipgnosis |
Recorded at Air Studios, EMI Abbey Road & Morgan Studios- London, 1971 Engineers: Peter Bown and John Lackie at Air & EMI Rob Black and Roger Quested at Morgan |
4 | Obscured by Clouds [Music from the film "The Valley"] (US 1972 Harvest SW-11078) M-/M- $8 ON HOLD | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Obscured by Clouds | 3:02 | Waters- Gilmour | Childhood's End | 4:27 | Gilmour | |
When You're In | 2:22 | Waters- Gilmour- Mason- Wright | Free Four | 4:07 | Waters | |
Burning Bridges | 3:24 | Wright- Waters | Stay | 3:58 | Wright-Waters | |
The Gold It's In The... | 3:00 | Waters- Gilmour | Absolutely Curtains | 5:49 | Waters- Gilmour- Wright- Mason | |
Wots...Uh the Deal | 5:03 | |||||
Mudmen | 4:16 | Wright- Gilmour | ||||
Produced by Pink Floyd | Recorded in England |
5 | A Nice Pair (US 1973 Harvest SABB-11257) M-/M-/VG+ gatefold has inner sleeves woc $12 | |||||
Side 1 | Side 2 | |||||
The Piper At The Gates Of Dawn | ||||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Astronomy Domine | 8:25 | Barrett | Interstellar Overdrive | 9:42 | Barrett- Waters- Wright- Mason | |
Lucifer Sam | 3:06 | The Gnome | 2:11 | Barrett | ||
Matilda Mother | 2:59 | Chapter 24 | 3:51 | |||
Flaming | 2:42 | The Scarecrow | 2:07 | |||
Pow R Toc H | 4:16 | Barrett- Water- Wright- Mason | Bike | 3:21 | ||
Take Up Thy Stethoscope and Walk | 3:06 | Waters | ||||
Side 3 | Side 4 | |||||
A Saucerful of Secrets | ||||||
Let There Be More Light | 5:32 | Waters | A Saucerful of Secrets | 11:52 | Waters- Wright- Mason- Gilmour | |
Remember a Day | 4:27 | Wright | See Saw | 4:30 | Wright | |
Set the Controls for the Heart of the Sun | 5:23 | Waters | Jugband Blues | 2:57 | Barrett | |
Corporal Clegg | 4:07 | |||||
Produced by Norman Smith Recording Engineer: Peter Bown Syd Barrett-Lead guitar & vocals Roger Waters-Bass guitar & vocals Richard Wright-Keyboards Nick Mason-Drums |
Produced by Norman Smith Richard Wright-Keyboards Nick Mason-Drums David Gilmour-Lead guitar & vocals Roger Waters-Bass guitar & vocals Cover design and photographs for A Nice Pair by Hipgnosis Graphics by George Hardie NTA and Richard Evans Band photographs by Hipgnosis, Dave Larcher, Vic Singh, R. Failla, David Albert, and others |
6 | Animals (US 1977 Columbia JC34474) M-/M- gatefold $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Pigs on the Wing (Part One) | ?? | Waters | Pigs (Three Different Ones) | ?? | Waters | |
Dogs | Waters, Gilmour | Sheep | ||||
Pigs on the Wing (Part Two) | ||||||
Produced by: Pink Floyd Engineered by: Brian Humphries Recorded at: Brittania Row Studios, London |
Sleeve Design Roger Waters Organised by Storm Thorgerson, Aubrey Powell Graphics Nick Mason Photography Aubrey Powell, Peter Christopherson, Howard Bartrop, Nic Tucker, Bob Ellis, Bob Brimson, Colin Jones Inflatable Pig Designed by E.R.G. Amsterdam |
7 | The Abdabs: A Great Set (US 1977 Night Plane RDRN-50977) M-/M-/M-/M- gatefold $60 SOLD | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Welcome to the Machine | 19:21 | Waters | Pigs on the Wing (Part 1) | 19:33 | Waters | |
Sheep | Pigs (Three Different Ones) | |||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Dogs | 21:02 | Waters, Gilmour | Have a Cigar | 20:13 | Waters | |
Pigs on the Wing (Part 2) | Waters | Shine on You Crazy Diamond Parts 1-5 | Waters, Wright, Gilmour | |||
Side 5 | Side 6 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Shine on You Crazy Diamond Parts 6-9 | 21:55 | Waters, Gilmour | Us and Them | 21:47 | Waters, Wright | |
Wish You Were Here | Waters, Gilmour | |||||
Money | Waters | |||||
Live at The Oakland Coliseum Recorded May 9th, 1977 |
8 | The Wall (US 1979 Columbia PC2 36183) VG+/VG+/VG+ gatefold has inner sleeves $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
In the Flesh? | ?? | Waters | Goodbye Blue Sky | ?? | Waters | |
The Thin Ice | Empty Spaces | |||||
Another Brick in the Wall part 1 | Young Lust | Gilmour/Waters | ||||
The Happiest Days of our Lives | One of My Turns | Waters | ||||
Another Brick in the Wall part 2 | Don't Leave Me Now | |||||
Mother | Another Brick in the Wall part 3 | |||||
Goodbye Cruel World | ||||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hey You | ?? | Waters | The Show Must Go On | ?? | Waters | |
Is There Anybody Out There? | In the Flesh | |||||
Nobody Home | Run Like Hell | Gilmour/Waters | ||||
Vera | Waiting for the Worms | Waters | ||||
Bring the Boys Back Home | Stop | |||||
Comfortably Numb | Gilmour/Waters | The Trial | Waters/Ezrin | |||
Outside the Wall | Waters | |||||
Produced by (in alphabetical order) Bob Ezrin, David Gilmour, Roger Waters Pink Floyd: Roger Waters David Gilmour Nick Mason Richard Wright Co-produced and engineered by James Guthrie Other Engineers: Nick Griffiths, Patrice Quef, Brian Christian, Rick Hart |
Sound Equipment: Phil Taylor Orchestra Arranged by Michael Kamen and Bob Ezrin Backing Vocals: Bruce Johnston, Toni Tennille, Joe Chemay, John Joyce Sleeve Design by Gerald Scarfe and Roger Waters Recorded at Superbear, France Miravel Producers Workshop Los Angeles C.B.S. New York between April and November, 1979 |
9 | The Screaming Abdabs: The Dark Side Of The Moo (US 1985 Trixie CUD-382) M-/M- $30 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Astronomy Domine | 4:08 | Barrett | Heart Beat, Pig Meat | 3:09 | Waters- Gilmour- Mason- Wright | |
Candy and a Currant Bun | 2:43 | Crumbling Land | 4:12 | |||
Apples and Oranges | 3:01 | Embryo | 4:39 | Waters | ||
It Would Be So Nice | 3:41 | Wright | Point Me At The Sky | 3:37 | Waters- Gilmour | |
Interstellar Overdrive | 3:04 | Barrett- Mason- Waters- Wright | Come In Number 51, Your Time is Up | 4:57 | Waters- Gilmour- Mason- Wright | |
Scream Thy Last Scream | 4:44 | Barrett | Mademoiselle Knobs | 1:50 |
1 | Enigmatic Ocean (US 1977 Atlantic SD 19110) M-/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Overture | 0:47 | Jean-Luc Ponty | Nostalgic Lady | 5:20 | Jean-Luc Ponty | |
The Trans-Love Express | 3:56 | The Struggle of the Turtle to the Sea | 13:10 | |||
Mirage | 4:51 | 3:32 | ||||
Enigmatic Ocean | 12:02 | 3:33 | ||||
2:20 | 6:05 | |||||
3:35 | ||||||
3:43 | ||||||
2:24 | ||||||
All music composed, orchestrated and conducted by Jean-Luc Ponty.
Jean-Luc Ponty: Electric violin, five-string electric violin, violectra, bells, grand piano on Nostalgic Lady Allan Holdsworth: Lead electric guitar Daryl Stuermer: Lead and rhythm guitar Ralphe Armstrong: Electric basses (fretless on Nostalgic Lady) Allan Zavod: Organ, synthesizer, electric piano, grand piano, clavinet Steve Smith: Drums and percussion |
Recorded and mixed in June & July, 1977. Engineer: Larry Hirsch Tape Handler: Mitch Gibson Front Cover Photo: Andy Kent/Mirage Liner Photo: Frank Moscati Produced by Jean-Luc Ponty for JLP Productions, Inc. Equipment: Joe Ocheltree & Larry Cell Electric violins by Barcus-Berry, electric guitars by Hagstrom, Synthesizers by ARP, Drums by Sonor, Electric Basses by Gibson This album is dedicated to Clara & Valerie |
2 | Mystical Adventures (Greece 1982 Atlantic 50872) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Mystical Adventures (Suite) | 20:28 | Jean-Luc Ponty | Rhythms of Hope | 3:58 | Jean-Luc Ponty | |
3:58 | As | 5:44 | Stevie Wonder | |||
3:36 | Final Truth | 6:59 | Jean-Luc Ponty | |||
7:28 | 4:53 | |||||
7:28 | 2:06 | |||||
4:54 | Jig | 3:54 | ||||
Jean-Luc Ponty 5-string electric violin, classical violin, Yamaha electric piano and synthesizers, organ, vocoder & voices, effects, Barytone-violectra, bass synthesizer
Rayford Griffin: Drums Chris Rhyne: Grand piano, Fender Rhodes, Prophet-5, Oberheim 8-voice, bass synthesizer Jamie Glaser: Guitar Randy Jackson: Bass Rayford Griffin: Drums Paulinho Da Costa: Percussion |
All music composed, orchestrated and produced by Jean-Luc Ponty, except AS, composed by Stevie Wonder, Arranged by Jean-Luc Ponty and Co-Produced by Arif Mardin.
Recorded at Cherokee Recording Studios, Los Angeles, California, August and September, 1981. Recording engineer: Dee Robb, assisted by Brad Gilderman Overdubs engineered by: Stuart Graham and Bruce Robb Mixing engineer: Peter R. Kelsey Mastered at A&M Studios, Los Angeles, California by Bernie Grundman Cover concept: Claudia Ponty Front cover painting: Daved Levitan © 1980 Back cover photography by Sam Emerson |
1 | Cosmic Furnace (US 1973 Atlantic SD 7251) M-/M- $20 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ictus-the promordial pulse | 4:57 | Roger Powell | Hermetic Enigma-the fixed volatile (the answer is but another riddle) | 5:47 | Roger Powell | |
Lumia-dance of the nebulae | 5:14 | Queene Enfineska | 3:24 | |||
Fourneau Cosmique-the alchemical furnace of Cleopatra | 7:42 | Tensegrity | 8:37 | |||
All sounds on this album are created on ARP Synthesizers, programmed by Roger Powell, except
for electric clavichord, electric and acoustic pianos. The electronic instruments are: ARP 2500: Percussion & complex filtering ARP Soloist: Strings ARP 2600: Brass & bass ARP Odysseys: Reeds & fuzz sounds |
Recorded at Intermedia Sound Boston, Massachusetts Recording Engineers: Richard "Berred" Ouellette (Ictus) Dave Baker (All Others) Assitant Engineer: Bob Stoughton Remixing: Dave Baker, Roger Powell Photography: Mel Goldman Album Design: Julia Pearl Executive Producer: Gunther Weil Produced by Dave Baker and Roger Powell for Intermedia Productions |
1 | Photos of Ghosts (US 1973 Manticore MC 66668) M-/M- gatefold $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
River of Life | 6:56 | Mussida- Premoli- Sinfield | Il Banchetto | 8:34 | Pagani- Mussida- Premoli | |
Celebration | 3:50 | Mr. 9 'Till 5 | 4:07 | Mussida- Premoli- Sinfield | ||
Photos of Ghosts | 5:20 | Promenade the Puzzle | 7:35 | |||
Old Rain | 3:40 | Premoli | ||||
Celebration and Old Rain produced by Pete Sinfield
who also remixed the other tracks and produced the English vocals. Engineered by Andy Hendriksen ar Command Studios, London, February 1973. |
Original Italian production by P.F.M. and Claudio Fabi. Engineered by Gartano Ria at Fonorama C.A.R. Studios, Milan, October 1972. Illustrations by Julia Fryer. Photography by Angela Williams. Design by Nick Darke & Julia Fryer. |
1 | Le Poison Qui Rend Fou (US 1985 Cuniform RUNE 3) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Le Poison Qui Rend Fou, Part 1: Ram Ram Va Faire "Pif Paf" | 15:25 | Roger Trigaux | Le Poison Qui Rend Fou, Part 2: Didi, Dans Ta Chambre! | 9:42 | Roger Trigaux | |
Ersatz | 5:07 | Samana | 9:15 | Alain Rochette | ||
Recorded and mixed at Studio Bobine, Mons, Belgium Recording and mixing by M. Rorive and Present Mastered at Wakefield Cover photos by Marc Feltesse and Roger Trigaux Design and graphics by Tom Shultz |
Present: Roger Trigaux: guitars Alain Rochette: pianos and synthesizer Daniel Denis: percussion Ferdinand Philippoi: electric bass Marie-Anne Polaris: vocals |
1 | See Forever Eyes (US 1978 Ariola SW 50034) M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hello+ | 2:43 | C. Prest, W.K. McColl | N-N-N-No!* | 2:51 | R. Higgs | |
Flyin'^ | 4:34 | Allen Harlow | Take Me Away* | 3:18 | Allen Harlow | |
Nickles and Dimes* | 4:04 | L. Mitchell, A. Harlow | You're My Reason^ | 3:36 | Michael Koren | |
Crime Wave* | 4:36 | Lindsay Mitchell | Just Like Me* | 4:40 | L. Mitchell, A. Harlow, J. Hall, R. Norton, R. Tabak | |
You're Like the Wind% | 3:44 | R. Higgs | See Forever Eyes* | 5:10 | L. Mitchell, J. Hall | |
Allen Harlow-rhythm guitar/bass Ron Tabak-vocals Lindsay Mitchell-lead guitar Rocket Norton-drums John Hall-keyboards produced by Bruce Fairbairn and Prism chief recording and mixing engineer Rolf Hennemann assistant engineer Jeff Tolman |
*recorded and mixed at Mushroom Studios, January-February, 1978 +recorded at Mushroom Studios; recording engineer Keith Stein %recorded and mixed at Little Mountain Studios, May, 1978 assisting engineer Roger Monk ^recorded at Pinewood Studios, May, 1978, recording engineer Jeff Turner front cover photo by Peter Beard courtesy of Viva Magazine art direction, photography, tinting James O'Mara Prism management by Bruce Allen and Bruce Fairbairn. |