HENRY KAISER Go to Next band (Kansas) Previous artist (Marc Johnson)
1 | Marrying for Money (G 1986 Minor Music 1010) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Murder One | 4:15 | Kaiser, Hanes and Hanes | Red Harvest | 3:38 | Kaiser, Hanes and Hanes | |
The Set-Up | 4:51 | Pigs and Battleships | 4:05 | |||
T-Men | 2:58 | Java Jack | 4:44 | |||
The Big Clock | 4:39 | The Honey Trap | 2:36 | |||
Too Late for Tears | 4:06 | The Hairy Eyeball | 4:35 | |||
Henry Kaiser - Electric Guitar Hilary Hanes - Bass Guitar John Hanes - Drums Special Guest Guitarists: Glen Phillips on Murder One Fred Marshal on The Set Up John Abercrombie on Too Late for Tears Amos Garrett on The Hairy Eyeball |
Artist Photography: Jim Marshall Album Design: Christin Schindler, Claus Peter Bauerle. Recorded at Mobius Music, San Francisco. Producer: Henry Kaiser. Engineers: Oliver Dicicco, Henry Kaiser. |
2 | Devil in the Drain (US 1987 SST 118) M-/M- $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Sugagaki for Conlon | 3:15 | Henry Kaiser | Free to Choose | 3:56 | Henry Kaiser | |
King of the Wild Frontier | 2:54 | Lost Horizon | 3:39 | |||
Dark Memory #4 | 5:18 | Devil in the Drain | 9:09 | |||
Smokestack Lightning | 1:28 | If This Goes On... | 3:07 | |||
Roadside Picnic | 5:21 | |||||
Henry Kaiser - guitar and synclavier keyboard Daniel Pinkwater wrote the text of the title track Bruce Anderson - guitar on Roadside Picnic Mark Holser - editing and co-production on the title track Kino - cover art and design |
Recorded January-February 1987 Mastered by Phil Brown Engineered and produced by Henry Kaiser |
1 | Kansas (US 1974 Kirshner 32817) M-/M- has inner sleeve promo stamp $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Can I Tell You | 3:32 | R. Williams - P. Ehart - D. Hope - S. Walsh | The Pilgrimage | 3:44 | K. Livgren - S. Walsh | |
Bringing it Back | 3:34 | J.J. Cale | Apercu | 9:40 | ||
Lonely Wind | 4:17 | S. Walsh | Death of Mother Nature Suite | 7:55 | K. Livgren | |
Belexes | 4:23 | Kerry Livgren | ||||
Journey from Mariabronn | 7:58 | K. Livgren - S. Walsh | ||||
Personnell Phil Ehart-Drums Dave Hope-Bass Guitar, vocals Kerry Livgren-Lead and Rhythm Guitar, Piano, Organ, Moog Synthesizer, Vocals Robbie Steinhardt-Violin, Lead Vocals and Harmony Steve Walsh-Organ, Piano, Congas, Lead Vocal and Harmony Rich Williams-Guitar |
Engineering: Dan Tuberville Assist. Engineers: Kevin "Whip" Herron, Jimmy "Shoes" Iovine Recorded at the Record Plant Studios "A" and "C", New York Mastering: Tom Rabstenek and Greg Caldi Cover Design: Ed Lee Painting: John Steuart Curry Back cover photo: Don Hunstein |
2 | Masque (US 1975 Kirshner 33806) M-/VG+ has inner sleeve, Side 2 label has no printing $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
It Takes a Woman's Love (To Make a Man)* | 3:06 | S. Walsh | Child of Innocence | ?? | K. Livgren | |
Two Cents Worth | 3:07 | K. Livgren - S. Walsh | It's You | S. Walsh | ||
Icarus - Borne on Wings of Steel | 6:02 | Mysteries and Mayhem | K. Livgren-S. Walsh | |||
All the World | 7:08 | S. Walsh-R. Steinhardt | The Pinnacle | K. Livgren | ||
Kansas is Phil Ehart: Drums, Moog drum, assorted percussion Dave Hope: Bass guitar Kerry Livgren: Lead and rhythm guitar, Acoustic guitar, Piano, Clavinet, Moog and ARP synthesizers Robbie Steinhardt: Violin and Vocals Steve Walsh: Organ, Piano, Clavinet, Moog synthesizer, Comgas and Vocals Rich Williams: Lead and rhythm guitar |
Produced by Jeff Glixman Recorded and Mixed at Studio in the Country, Bogalusa, La. Engineered by Lee Peterzell, assisted by Jimmy Stroud Mastering: Denny Purcell, Woodland Sound Studios, Nashville Direction: BNB Associates, Ltd., Budd Carr/Elliot Abbott Special thanks to Bleu Adams and Don Kirshner Design: Flournoy Holmes/Wonder Graphics Inc.; Atlanta; Nashville Back cover photo: David Gahrand Mark Lawhon Cover art: Guiseppe Arcimboldo; "Water," courtesy of Kunsthistorisches Museum, Vienna |
3 | Leftoverture (US 1976 Kirshner 34224) M-/VG+ has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Carry On Wayward Son | 5:13 | K. Livgren | Opus Insert | 4:26 | K. Livgren | |
The Wall | 4:47 | K. Livgren - S. Walsh | Question of my Childhood | 3:38 | S. Walsh - K. Livgren | |
What's On My Mind | 4:27 | K. Livgren | Cheyenne Anthem | 6:50 | K. Livgren | |
Miracles Out of Nowhere | 6:29 | Magnum Opus | 8:27 | K. Livgren - S. Walsh - R. Williams - D. Hope - P. Ehart - R. Steinhardt | ||
Kansas is Phil Ehart-Drums, all Percussion Steve Walsh-Organ, piano, vibes, lead and background vocals, synthesizer Kerry Livgren-Guitar, piano, clavinet, Moog, Oberheim, and ARP synthesizers Rich Williams-Acoutic and electric guitars Robby Steinhardt-Violin, violas, laed and background vocals Dave Hope-Bass Guitar |
Produced by Jeff Glixman Kansas road crew-Merle McLain, Jerry Gilleland, Ferdy Baumgart, Dave Luttjohann Management-Budd Carr, BNB Assoc. Ltd. Art Direction-Tom Drennon Photos-Wayne Whittier Kansas wishes to thank Don Kirshner, Wally Gold, Herb Moelis, Jeanne Taylot, Don Knotts, and Alan Black. Thanks also to Rick Piccolo of Slingerland Drum Co., and Hal Trummer of Deagan Vibes for their personal service. Children's Voices on "Cheyenne Anthem"-Toye La Rocca, Cheryl Norman. Illustration: Dave McMacken |
4 | Point of Know Return (US 1977 Kirshner 34929) M-/VG+ has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Point of Know Return | 3:11 | Walsh, Ehart, Steinhardt | Lightning's Hand | 4:21 | Walsh, Livgren | |
Paradox | 3:49 | Livgren, Walsh | Dust in the Wind | 3:26 | Livgren | |
The Spider | 2:08 | Walsh | Sparks of the Tempest | 4:15 | Livgren, Walsh | |
Portrait (He Knew) | 4:32 | Livgren, Walsh | Nobody's Home | 4:37 | ||
Closet Chronicles | 6:30 | Walsh, Livgren | Hopelessly Human | 7:10 | Livgren | |
Kansas is still: Phil Ehart-Drums, Chimes, Chain-driven Gong, Tympani, Percussion Dave Hope-Bass, Autogyro Kerry Livgren-Electric and Acoustic Guitars, Piano, Clavinet, Synthesizers, Rinauldo Whistling Machine, Percussion Robby Steinhardt-Violin, Viola, Faucon Lap Cello, Vocals Steve Walsh-Organ, Piano, Celeste, Vibes, Peabody Chromatic Inverter, Synthesizers, Vocals, Percussion Rich Williams-Electric and Acoustic Guitars, Bemis Cow Pedal All Arrangements by Kansas Produced and engineered by Jeff Glixman |
Additional engineering: Terry Diane Becker Recorded at Woodland Sound Studios, Nashville, 7/77 Studio in the Country, Bogalusa, Louisiana, 6/77 Mixed at Villiage Recorders, Los Angeles, 8/77 Disc Mastering: George Marino/Sterling Sound Studio, 9/77 This album was Aphex processed Cover Concept-Kansas Portrait Illustrations-Mike Maloney Illustration Art-Peter Lloyd Inner Sleeve Photography-Rick Seireene Calligraphy-Bob Maile Inner Sleeve Design-Red Dyer, Inc. Art Direction-Tom Drennon |
5 | Audio-Visions (US 1980 Kirshner 34929) M-/M- has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Relentless | 4:55 | Livgren | Got to Rock On | 3:19 | Walsh | |
Anything for You | 3:56 | Walsh | Don't Open Your Eyes | 4:03 | Walsh, Williams, Livgren, Ehart & Hope | |
Hold On | 3:45 | Livgren | No One Together | 6:54 | Livgren | |
Loner | 2:26 | Walsh | No Room for a Stranger | 2:55 | Williams & Walsh | |
Curtain of Iron | 6:08 | Livgren | Back Door | 4:20 | Walsh | |
Kansas is still: Phil Ehart - Drums, Percussion, Vocals Dave Hope - Bass, Vocals Kerry Livgren - Guitars, Keyboards, Percussion, Vocals Robby Steinhardt - Violins, Violas, Lead Vocals Steve Walsh - Keyboards, Vibes, Lead Vocals Rich Williams - Guitars, Percussion, Vocals All Arrangements by Kansas Produced and engineered by Jeff Glixman |
Produced by Kansas Co-Produced & Engineered by Brad Aaron and Davy Moire Thanks to Jerry Gilleland and Count Venezia for studio assistance Album Concept-Kansas Correspondence-Brad Lentz Additional Voices & Sounds: Donna Williams, Joey Jelf, Lisa White, Vicci Livgren, Terry Ehart, The Four Bassmen Recorded & Mixed at Axis Studios Assistant Engineer: Greg Webster (Thanks Greg) Mixed at Sterling Sound-George Marino Management: Budd Carr Album Design & Art Direction-Tom Drennon Illustration-Peter Lloyd Inner sleeve photography-Exley Additional Illustration-Tom Drennon and Wild Studios |
1 | Quah (w/Tom Hobson) (US 1987 Relix RRLP 2027) gatefold Ltd. Ed. of 1000 on Marble Vinyl M-/M- $25 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Genesis | 4:19 | Jorma Kaukonen | I Am the Light of This World | 3:46 | Rev. Gary Davis | |
I'll Be All Right | 3:08 | Trad.-Rev. Gary Davis | Police Dog Blues | 3:45 | Blind Arthur Blake | |
Song for the North Star | 2:52 | Jorma Kaukonen | Blue Prelude* | 4:05 | Gordon Jenkins | |
I'll Let You Know Before I Leave | 2:17 | Sweet Hawaiian Sunshine | 2:42 | Tom Hobson | ||
Flying Clouds | 4:07 | Hamar Promenade | 4:34 | Jorma Kaukonen | ||
Another Man Done Gone | 2:54 | Ruby Pickens Tart-Vera Hart-John & Alan Lomax | ||||
*Vocals: Tom Hobson Thanks to Gene Tortora Produced by Jack Casady Production Coordinator: Pat Ieraci (Maurice) |
Recording and Mixing Engineer: Mallory Earl Strings arranged and conducted by Tom Salisbury Recorded at Wally Heider's, San Francisco Cover by Margareta Photographs by Jim Marshall |
1 | Royal Bed Bouncer (US 1975 Janus JXS 7023) gatefold coh M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Royal Bed Bouncer | 3:55 | Ton Scherpenzeel | If This is Your Welcome | 4:54 | Ton Scherpenzeel | |
Life of Gold | 3:24 | Moments of Joy | 4:00 | |||
(You're So) Bizarre | 3:29 | Patricia Anglaia | 2:12 | Pim Koopman | ||
Bury the World | 4:23 | Said No Word | 5:16 | Ton Scherpenzeel | ||
Chance for a Lifetime | 4:12 | My Heart Never Changed | 2:31 | |||
Ton Scherpenzeel: keyboards - vocals Pim Koopman: drums - voclas Max Werner - lead vocal - mellotron Bert Veldkamp: bass - vocals Johan Slager: guitars - vocals |
Produced and arranged by Gerrit Jan Leenders and Kayak. Horns and violins arranged by Ton Scherpenzeel. Recorded and remixed during the summer 1975 at EMI-Intertone Studios Heemstede, Holland. Engineered by Pierre Geoffroy Chateau and Jan van Vrijaldenhoven. Mastered by Bernie Grundman. Sleeve design: Cream, Amsterdam. |
2 | Starlight Dancer (US 1977 Janus JXS-7034) has inner sleeve M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
*I Want You to be Mine | 4:46 | T. Scherpenzeel | *Starlight Dancer | 5:03 | T. Scherpenzeel | |
Ballad for a Lost Friend | 4:14 | **Love of a Victim | 2:48 | P. Koopman | ||
*Turn the Tide | 3:34 | **Land on the Water | 2:28 | |||
Nothingness | 3:56 | **Do You Care | 2:56 | |||
**Still My Heart Cries for You | 4:34 | P. Koopman | Back to the Front | 4:32 | T. Scherpenzeel/I. Slager | |
*Irene | 4:22 | T. Scherpenzeel | ||||
Johan Slager: electric and acoustic guitars, vocals. Ton Scherpenzeel: piano, clavinet, organ, string ensemble, mellotron, accordion, synthesizers, double bass, vocals. Max Werner: vocals, mellotron, percussion. Theo De Jong: bass guitar. Charles Louis Schouten: drums. Produced by Kayak *Produced by Jack Lancaster Arranged by Ton Scherpenzeel **Arranged by Pim Koopman |
Recorded at Morgan Studios, Brussels "I Want You To Be Mine" recorded Relight Studios, Holland "Turn the Tide," "Irene," and "Ballad For A Lost Friend" recorded Relight Studios, Holland; Morgan Studios, London "Starlight Dancer recorded Trident Studios, London Album re-mastered by Frank DeLuna and Marv Bornstein, A & M Studios Album assembled by Jim Conniff and Art Bethtel Album co-ordinated, United States by Steve Begor A & R co-ordination, United States by Allan Manson Management: Frits Hirschland Sleeve design: Rod Dyer, Inc. |
3 | Phantom of the Night (US 1978 Janus JXS-7039) cc has inner sleeve M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Keep the Change | 3:38 | T. Scherpenzeel | Crime of Passion | 3:30 | I. Linders, T. Scherpenzeel | |
Winning Ways | 3:35 | I. Linders, T. Scherpenzeel | The Poet and the One Man Band | 4:10 | T. Scherpenzeel | |
Daphne (Laurel Tree) | 5:06 | Ruthless Queen | 4:47 | I. Linders, T. Scherpenzeel | ||
Journey Through Me | 3:24 | No Man's Land | 4:00 | T. Scherpenzeel | ||
Phantom of the Night | 5:03 | First Signs of Spring | 3:39 | |||
Ton Scherpenzeel/keyboards Edward Reekers/lead vocals Max Werner/drums, percussion, lead vocal "No Man's Land" Katherine Lapthorn/background vocals Peter Scherpenzeel/bass guitar Irene Linders/background vocals Johan Slager/guitars |
Produced and arranged by Dennis Mackay and Kayak Additional Arrangements for strings and brass by Ton Scherpenzel Executive Producer: Frits Hirschland Recorded and Remixed at Wisseloord Studios, Hilversum, Holland except "Winning Ways," "First Signs Of Spring," and "Journey Through Time" - remixed at Trident Studios, London Engineered By: John Tilly and Jan-Fred Arendsen United States A&R and Sequencing: Allan Mason Mastering: Bernie Grundman, A&M Studios Art Direction/Concept: Elana Gutman, Marla Banks Design & Handlettering: Tom Drennon Photography: William Sosin, Paul Natkin Band Photo: Govert De Roos Logo Illustration: John Laven/Tom Drennon Design Personal Management: Frits Hirschland Management U.S.A.: Jack Nelson/Budd Carr |
1 | In the Court of the Crimson King (US 1969 Atlantic SD 8245) gatefold VG/VG+ $8 | |||||
2 | In the Court of the Crimson King (US 1969 Editions E.G. EGKC 1) gatefold M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
21st Century Schizoid Man including Mirrors | 6:52 | Fripp-McDonald-Lake-Giles-Sinfield | Moonchild including The Dream and The Illusion | 12:09 | Fripp-McDonald-Lake-Giles-Sinfield | |
I Talk to the Wind | 5:40 | McDonald-Sinfield | The Court of the Crimson King including The Return Of The Fire Witch and The Dance of the Puppets | 8:48 | McDonald-Sinfield | |
Epitaph including March For No Reason and Tomorrow And Tomorrow | 8:30 | Fripp-McDonald-Lake-Giles-Sinfield | ||||
Personnel: Robert Fripp-guitar Ian McDonald-reeds, woodwind, vibes, keyboards, mellotron, vocals Greg Lake-bass guitar, lead vocals Michael Giles-drums, percussion, vocals Peter Sinfield-words and illumination |
Cover by Barry Godber Equipment by Vick and Dik. Recorded at Wessex Sound Studios, London Engineer: Robin Thompson Assistant Engineer: Tony Page Produced by King Crimson |
3 | In the Wake of Poseidon (US 1970 Atlantic SD 8266) gatefold M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Peace-A Beginning | 0:37 | Fripp, Sinfield | Peace-A Theme | 1:14 | Fripp, Sinfield | |
Pictures of a City including 42nd At Treadmill | 8:12 | Cat Food | 4:52 | Fripp, Sinfield, McDonald | ||
Cadence and Cascade* | 4:32 | The Devil's Triangle including a)Merday Morn b)Hand of Sceiron c)Garden of Worm | 3:48 Total: 11:25 3:11 0:49 3:37 | Fripp Frip, McDonald Fripp | ||
In the Wake of Poseidon including Libra's Theme | 8:26 | Peace-An End | 1:58 | Fripp, Sinfield | ||
Personnel Robert Fripp / Guitar, Mellotron & Devices Greg Lake / Vocals Michael Giles / Drums Peter Giles / Bass Keith Tippet / Piano Mel Collins / Saxes & Flute Gordon Haskill / Vocal* Peter Sinfield / Words |
Engineer Robin Thompson Assistant Engineers Jeff & Tony Studio Wessex, Sound London Sleeve Design & Inside Painting Peter Sinfield Typography Virginia Cover Painting "12 Archetypes" Tammo de Jongh with reference to his book "The Magic Circle" and Richard Gardenera "The Purpose of Love" The Community, 10 Lady Somerset Rd, NW5 Produced and directed by Robert Fripp & Peter Sinfield for E.G. Records |
4 | Lizard (US 1971 Atlantic SD 8278) gatefold VG/VG+ $8 | |||||
Side 1 | Side 2 - Lizard | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Cirkus | 6:28 | Fripp, Sinfield | Prince Rupert Awakes | 4:34 | Fripp, Sinfield | |
Indoor Games | 5:38 | Bolero-The Peacock's Tale | 6:30 | |||
Happy Family | 4:15 | The Battle of Glass Tears | 10:55 | |||
Lady of the Dancing Water | 2:43 | Big Top | 1:05 | |||
Personnel Robert Fripp Guitar, Mellotron, Electric Keyboards & Devices Mel Collins Flute & Saxes Gordon Haskill Bass Guitar & Vocals Andy McCulloch Drums Peter Sinfield Words & Pictures with Robin Miller Oboe & Cor Anglais Mark Charig Cornet Nick Evans Trombone Keith Tippet Piano & Electric Piano Jon Anderson of YES Vocals on 'Prince Rupert Awakes' |
Engineer Robin Thompson Tapes Geoff Workman Studio Wessex Sound, London Sleeve Conception Peter Sinfield Outside Painting Gini Barris Inside Marbling Koraz Wallpapers Typography C.C.S. Written & Produced by Robert Fripp & Peter Sinfield for E.G. Records |
5 | Islands (US 1972 Editions E.G. EGKC 4) has inner sleeve M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Formentera Lady | 9:55 | Fripp, Sinfield | Ladies of the Road | 5:29 | Fripp, Sinfield | |
Sailor's Tale | 7:20 | Fripp | Prelude: Song of the Gulls | 4:14 | Fripp | |
The Letters | 4:23 | Fripp, Sinfield | Islands | 9:14 | Fripp, Sinfield | |
Robert Fripp: guitar, mellotron, Peter's Pedal Harmonium and sundry implements Mel Collins: flute, bass flute, saxes and vocals Boz: bass guitar, lead vocals and choreography Ian Wallace: drums, percussion and vocals Peter Sinfield: words, sounds and visions Featured players: Keith Tippett: piano. Paulina Lucas: soprano. Robin Miller: oboe. Mark Charig: cornet. Henry Miller: string bass. |
Engineer Andy Hendrikson. Cover Design & Painting Peter Sinfield Photographs Robert Ellis Equipment Vick & Mike Recorded at Command Studios, Piccadilly, London. Produced by King Crimson for E.G. Records Ltd Outer cover illustration 'Trifid Nebula in Sagittarius' by courtesy of The Institute of Technology and Carnegie Institution of Washington |
6 | Earthbound (I 1972 Polydor 2486 198) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
21st Century Schizoid Man | 11:45 | Fripp-Lake-McDonald-Giles-Sinfield | Earthbound | 7:08 | Fripp-Collins-Burell-Wallace | |
Peoria | 7:30 | Fripp-Collins-Burrell-Wallace | Groon | 15:30 | Fripp | |
The Sailor's Tale | 4:45 | Fripp |
7 | Larks' Tongues in Aspic (US 1973 Editions E.G. EGKC 6) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Larks' Tongues in Aspic, Part One | 13:36 | Cross, Fripp, Wetton, Bruford, Muir | Easy Money | 7:51 | Fripp, Wetton, Palmer-James | |
Book of Saturday | 2:59 | Fripp, Wetton, Palmer-James | The Talking Drum | 7:28 | Cross, Fripp, Wetton, Bruford, Muir | |
Exiles | 7:37 | Cross, Fripp, Palmer-James | Larks' Tongues in Aspic, Part Two | 7:10 | Fripp | |
Engineer: Nick Ryan Cover Design by Tantra Designs, London Equipment by Kettle, Simmons & Walmsley Recorded at Command Studios, London - Jan & Feb 1973 A King Crimson Production |
David Cross - Violin, Viola, Mellotron Robert Fripp - Guitar, Mellotron & Devices John Wetton - Bass & Vocals Bill Bruford - Drums Jamie Muir - Percussion & Allsorts |
8 | Starless and Bible Black (US 1974 Editions E.G. EGKC 7) M-/M- gatefold $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Great Deceiver | 4:02 | Wetton, Fripp, Palmer-James | Starless and Bible Black | 9:11 | Cross, Fripp, Wetton, Bruford | |
Lament | 4:00 | Fripp, Wetton, Palmer-James | Fracture | 11:14 | Fripp | |
We'll Let You Know | 3:46 | Cross, Fripp, Wetton, Bruford | ||||
The Night Watch | 4:37 | Fripp, Wetton, Palmer-James | ||||
Trio | 5:41 | Cross, Fripp, Wetton, Bruford | ||||
The Mincer | 7:37 | Cross, Fripp, Wetton, Palmer-James | ||||
David Cross - Violin, Viola, Keyboards Robert Fripp - Guitar, Mellotron, Devices John Wetton - Bass and Voice William Bruford - Percussives |
Produced by King Crimson for E.G. Records Ltd at Air Studios, London. January 1974. Acoustic Co-ordinator George Chkiantz Assistant Engineer Peter Henderson Cover Design by Tom Phillips Equipment by Chris and Tex Acknowledgement to D.T. |
9 | Red (US 1974 Editions E.G. EGKC 8) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Red | 6:20 | Fripp | Providence | 8:08 | Cross, Fripp, Wetton, Bruford | |
Fallen Angel | 6:00 | Fripp, Wetton, Palmer-James | Starless | 12:18 | Cross, Fripp, Wetton, Bruford, Palmer-James | |
One More Red Nightmare | 7:07 | Fripp, Wetton | ||||
Robert Fripp - Guitar and Mellotron John Wetton - Bass and Voice William Bruford - Percussives With thanks to: David Cross - Violin Mel Collins - Soprano Saxophone Ian McDonald - Alto Saxophone Robin Miller - Oboe Marc Charig - Cornet |
George Chkiantz Engineer Rod Thear Assitant Engineer Equipment by: Chris, Tex, Harvey and Peter Walmsley Cover by: John Kosh Photography: Gered Mankowitz Produced by King Crimson for E.G. Records Ltd (P)1974 at Olympic Sound Studios, London, England, July and August 1974 |
10 | USA (US 1975 Editions E.G. EGKC 9) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Larks' Tongues in Aspic Part II | 6:37 | Fripp | Asbury Park | 6:48 | Cross, Fripp, Wetton, Bruford | |
Lament | 4:02 | Fripp, Wetton, Palmer-James | Easy Money | 5:31 | Fripp, Wetton, Palmer-James | |
Exiles | 7:05 | Cross, Fripp, Palmer-James | 21st Century Schizoid Man | 7:27 | Fripp, McDonald, Lake, Giles, Sinfield | |
David Cross - Violin and Keyboards Robert Fripp - Guitar and Mellotron John Wetton - Bass and Voice William Bruford - Percussives Remix assistance Eddie Jobson, Violin on 'Larks' Tongues' 'Schizoid Man' and piano on 'Lament' George Chkiantz recording engineer throughout Recorded live by the Record Plant N.Y.C. June 1974 Mixed at Olympic Studios, London |
Road Team Peter Walmsley, Chris Kettle, Tex Read, Harvey Baker, Nick Bell Cover - Nicholas de Ville Typography - Bob Bowkett, C.C.S. Photography - Willie Christie Kirlian Photography inset on back cover by Joe Pizzo, David Zink and Riley Jackson of Lamar University, Beaumont, Texas With thanks to Atlantic Records, Island Records, Premier Talent and Chrysalis Our special thanks to Dik Fraser A Crimson Production for E.G. Records R.I.P. |
11 | The Young Persons' Guide to King Crimson (US 1976 Editions E.G. EGKC 10) M-/M-/M- w/25-page booklet $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Epitaph | 8:52 | Fripp, Sinfield, McDonald, Lake, Giles | Red | 6:18 | Fripp | |
Cadence & Cascade | 3:36 | Fripp, Sinfield | Starless | 12:17 | Cross, Fripp, Wetton, Bruford, Palmer-James | |
Ladies of the Road | 5:27 | |||||
I Talk to the Wind (previously unreleased version) | 3:15 | McDonald, Sinfield | ||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Night Watch | 4:38 | Fripp, Wetton, Palmer-James | Moonchild | 2:24 | Fripp, Sinfield, McDonald, Lake, Giles | |
Book of Saturday | 2:52 | Trio | 5:36 | Cross, Fripp, Wetton, Bruford | ||
Peace-A Theme | 1:14 | Fripp | In the Court of the Crimson King | 9:21 | McDonald, Sinfield | |
Cat Food | 2:43 | Fripp, Sinfield, McDonald | ||||
Groon (released as a single with 'Cat Food' in March 1970 | 3:30 | Fripp | ||||
Coda from Larks' Tongues in Aspic Part II | 2:09 | Cross, Fripp, Wetton, Bruford, Muir | ||||
on "I Talk to the Wind": Robert Fripp: Electric Guitar Ian McDonald: Acoustic Guitar, Flute, Clarinet, Vocal Peter Giles: Bass Guitar Michael Giles: Drums Judy Dyble: Vocal Recorded in the front room at 93A Brondesnbury Road, London NW6 during July 1968 on an old second-hand Revox manipulated by Peter Giles on "Groon": Robert Fripp: Guitar Peter Giles: Bass Guitar Michael Giles: Drums |
Front cover painting: The Landscape Player by Fergus Hall, courtesy of the Portal Gallery, London
Rear cover painting: Earth by Fergus Hall, courtesy of the Portal Gallery, London Cover concept, compilation of cuttings and photographs by Robert Fripp; presented by Nicholas de ville: Artwork Bob Bowkett C.C.S. Glued together at Air Studios, London; Engineer: Steve Nye |
12 | Discipline (US 1981 Warner Brothers BSK 3629) M-/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Elephant Talk | 4:40 | King Crimson | Thela Hun Ginjeet | 6:23 | King Crimson | |
Frame by Frame | 5:05 | The Sheltering Sky | 8:19 | |||
Matte Kudasai | 3:46 | Discipline | 5:00 | |||
Indiscipline | 4:30 | |||||
Adrian Belew: Guitar, lead vocal Robert Fripp: Guitar and devices Tony Levin: Stick, bass guitar, support vocal Bill Bruford: Batterie |
Music by King Crimson, elepantosity by Belew Produced by King Crimson and Rhett Dacies Assistant Engineer, Nigel Mills Gear, Graham Davies Graphica, Peter Saville Strategic Management, Paddy Spinks Discipline is never an end in itself, only a means to an end |
13 | Indisciple: Mining Rocks (US 1982 Yellow Jester) M-/M- $40 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Elephant Talk* | 4:35 | King Crimson | Thela Hun Ginjeet* | 4:23 | King Crimson | |
Red | 6:55 | Fripp | Turkish Tea | 5:49 | ||
The Sheltering Sky | 10:17 | King Crimson | (nameless) | 3:10 | ||
Lark's Tongues in Aspic (part II) | 7:08 | Fripp | ||||
parting words | :35 | King Crimson | ||||
Recorded at Stoneybrook U. Gym, 2/28/82 *Recorded on Friday's ABC-TV show 12/5/81 Adrian Belew - Lead Vocal; Roland GR-300 Electronic Guitar w/ synth unit into Roland JC-300 amp; Fender Strat w/ built-in 9 volt preamp and Ibanez Blazer thru custom switching panel wired to EH Graphic-Fuzz, EH Big Muff, EH Poly-Chorus, Roalnd DC-30 Analog Chorus-Echo, MXR Graphic EQ C-Custom patch panel, Goodrich volume pedal into Roland JC-120 amp; Dean Markley strings .010, .012, .016, .024, .032, .036 Robert Fripp - Roland GR-300 Electronic Guitar w/ synth unit and Roland Saturn 09 keyboard synth into Roland JC-120 amp; straight guitar signal thru Foxx Tone Machine, Pete Cornish custom "Fripperboard" w/volume pedal & EH Big Muff & Cry Baby Wah, A/DA Harmony Synthesizer, proprietary pedalboard w/Roland FX (SP-1, DS-1, CE-1) into Musicman 212-HO amp, John Alvey Turner strings starting w/.010 on top |
Tony Levin - Musicman Stingray Bass into Roland JC-120 amp; (Emmett) Chapman Stick, low end into Ampeg SVT amp, high into
JC-120 amp; both thru Yamaha SB-100 Professional System borads w/ attached pedal boards containig EQ, fuzz, analog delay, octave divider, and preamp,
an Yamaha Volume Pedal; Music Man Half Rounds strings Bill Bruford - 22" Tama bass drum; Tama Bell brass snare; Tama Gongdrum (24"); 5 Dragon Drums of varying lengths; 14" Remo Rototom; 5 Dave Simmons electric drums & 1 D.S. electric foot-pedal drum w/control unit; "xylo-slit box"; 20" Paiste 2002 Heavy Ride; 20" Paiste 2002 Chinese and several "prepared" old Zildjian's and Paiste's Tape by J.F. Produced by V.N. Executive Producer Yellow Jester Records, Inc. |
14 | Beat (US 1982 Warner Brothers 23692-1) M-/M- has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Neal and Jack and Me | 4:21 | King Crimson | Neurotica | 4:47 | King Crimson | |
Heartbeat | 3:54 | Two Hands | 3:22 | King Crimson/Margaret Belew | ||
Sartori in Tangier | 3:35 | The Howler | 4:10 | King Crimson | ||
Waiting Man | 4:22 | Requiem | 6:30 | |||
Adrian Belew: Guitar, Lead Vocal Robert Fripp: Guitar, Organ, Frippertronics Tony Levin: Stick, Bass Guitar, Support Vocal Bill Bruford: Drumming |
Music by King Crimson Lyrics by ABelew "Two Hands" lyric by Margaret Belew Produced by Rhett Davies Equipment Graham Davies Cover Design Rob O'Connor Social Services Tex Read Management Patrick Spinks |
15 | Three of a Perfect Pair (US 1984 Warner Brothers 25071-1) M-/M- cos has inner sleeve $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Three of a Perfect Pair | 4:11 | King Crimson | Industry | 7:22 | King Crimson | |
Model Man | 3:56 | Dig Me | 2:59 | |||
Sleepless | 5:20 | No Warning | 3:28 | |||
Man With an Open Heart | 3:00 | Larks' Tongues in Aspic Part III | 6:01 | |||
Nuages (That Which Passes, Passes Like Clouds | 4:42 | |||||
Adrian Belew: Voice, Fretted and Fretless guitars Robert Fripp: Guitar Tony Levin: Bass, Stick, Synth, and Background Voice Bill Bruford: Acoustic and Electric Drumming |
Music by King Crimson Words by Adrian Belew Produced by King Crimson for EG Records Engineer: Brad Davis With Tony Arnold (Arny's Shack) on Industry and Dig Me Sleepless Mixed by Bob Clearmountain Assistant Engineers: Nick James, Ray Niznik and Peter Hefter Social Services Tex Read Cover Symbol from a design by Peter Willis of the Trevail Mill Studio Cover art by Timothy Eames Management Patrick Spinks for EG Management |
1 | In Time AUTOGRAPHED (US 1985 Azimuth AZ 1004) autographed by Coco Roussel M-/VG+ $25 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Sprites | 4:36 | Watkins/Roussel | In Time | 4:52 | Watkins | |
7/8 Segue | 1:46 | Watkins | Smart | 3:15 | ||
Rumble at the Ruins | 3:22 | Roussel | Over the Andes | 5:37 | ||
Forte | 3:36 | Watkins | Spiral March | 2:41 | Roussel | |
Do You Mind? | 7:13 | Roussel | Apres-Midi | 4:49 | Roussel/Watkins | |
Kit Watkins - Keyboards, Flute, Percussion, Voice
Coco Roussel - Drums, Percussion, Keyboards, Voice Keyboards: Yamaha DX-7, Korg Poly-61M, Poly 800, EX-800, Yamaha Grand Piano, Minimoog Drums and Percussion: Linndrum, Simmons SDS5, Oberheim DMX, Paiste Cymbals and Gongs, Timbales, Sonar Snare Drum, Saw Blades Hardware/Software: Apple IIe, Passport Midi Interface with Drum/Tape Sync, Midi/8 Plus Recorder, Decillionix Sampler with MIDI Madness, DX-Pro Recording Equipment: TASCAM 38 Eight-Track with dbX, Revox PR99 Two-Track, Ramsa WR-8118 Mixer, Yamaha R1000 Reverb, Effectron IIs, Ashley Compressor/Limiter, AKG 451EB Mikes, Crown D150A Amp, ADX and Auratone Monitors | Produced and Engineered by Kit Watkins
Published by Peripheral Music, ASCAP Recorded March-June 1985 at Kit's Studio Mastered at Wakefield, Phoenix, AZ Public Relations: Sally Heldrich Jacket Design: Kit Watkins Thank You: Bob Toft, Pamela Roussel, Ted Veneman, Joe Rodgers, Veneman Music |
1 | Klaatu (US 1976 Capitol ST-11542) has inner sleeve M-/VG+ $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Calling All Occupants of Interplanetary Craft | 7:14 | Klaatu | True Life Hero | 3:25 | Klaatu | |
California Jam | 3:01 | Doctor Marvello | 3:37 | |||
Anus of Uranus | 3:16 | Sir Bodsworth Rubblesby III | 3:22 | |||
Sub-Rosa Subway | 4:36 | Little Meutrino | 8:25 | |||
Produced by Klaatu | A Daffodil Recording |
2 | Sir Army Suit (US 1978 Capitol SW-11836) coh, has inner sleeve M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
A Routine Day | 3:07 | Klaatu | Mister Manson | 4:13 | Klaatu | |
Juicy Lucy | 3:36 | Tokeymor Field | 3:25 | |||
Everybody Took a Holiday | 2:57 | Perpetual Motion Machine | 3:14 | |||
Older | 3:13 | Cherie | 3:03 | |||
Dear Christine | 3:50 | Silly Boys | 5:00 | |||
Produced by Klaatu |
1 | The Best (US 1978 Capitol SWBC-11867) gatefold M-/M-/M- $12 | |||||
Side 1 - Acoustic | Side 2 - Electric | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Machine #2 | 3:00 | Leo Kottke | Bean Time | 2:32 | Leo Kottke | |
Cripple Creek | 1:56 | Trad. arr./Leo Kottke | The Spanish Entomologist | 2:24 | ||
Bourree | 1:26 | J.S. Bach arr./Leo Kottke | Short Stories | 3:01 | Leo Kottke-C. Hand | |
When Shrimps Learn to Whistle | 3:28 | Leo Kottke | Hole in the Day | 2:50 | Leo Kottke | |
Bill Cheatham | 1:45 | Trad. arr./Leo Kottke | Mona Roy | 1:48 | ||
The Song of the Swamp | 3:00 | Leo Kottke | Venezuela, There You Go | 3:08 | ||
Last Steam Engine Train | 3:00 | John Fahey | Monkey Lust | 1:49 | L. Kottke-K. Fowley | |
Side 3 - Live | Side 4 - Singing | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Busted Bicycle | 2:39 | Leo Kottke | Standing in my Shoes | 3:06 | Leo Kottke-D. Bruce | |
June Bug | 2:20 | Bumblebee | 3:39 | Leo Kottke | ||
Eggtooth | 5:12 | Kottke-Johnson | Eight Miles High | 3:33 | McGuinn-Crosby-Clark | |
Stealing | 2:37 | Leo Kottke | Tilt Billings and the Student Prince | 4:56 | L. Kottke-R. Nagle | |
Living in the Country | 1:35 | Pete Seeger | Pamela Brown | 4:03 | Tom T. Hall | |
Medley: a)Crow River Waltz b)Jesu, Joy of Man's Desiring c)Jack Fig | 7:32 | Leo Kottke J.Back arr./Leo Kottke Leo Kottke | Standing on the Outside | 2:29 | L. Kottke-M. Kottke | |
Power Failure | 2:20 | G. Brooker-K. Reid | ||||
Produced by Denny Bruce, John Fahey & Wayne Moss Roy Estrada - bass Paul Lagos - drums Wayne Moss - bass Kenneth Buttrey - drums John Harris - piano Larry Taylor - Bass Kim Fowley - Vocals |
Bill Berg - drums Bill Peterson - bass Bill Barber - piano Cal Hand - steel guitar Recorded at The Sound Factory & Sound 80 |
2 | Megalithes 1 (F 1982 Prestige Auvidis AV4720) M-/M- has the insert $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Regard sur un temps immemorial | 3:34 | Kremski | Deesse memoire du Soleil | 6:55 | Kremski | |
Quete | 9:47 | Carnac, Porte du Temps | 12:50 | |||
Dans le Temple de Gavr’inis | 6:03 | |||||
Alain Kremski, piano |
3 | Vibrations (F 1984 Prestige Auvidis AV4727) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Mouvement de la Tranquillite | ?? | Kremski | Danse des Divinites de l’Eau | ?? | Kremski | |
Rituel de la Nuit | ||||||
improvisations for piano and Tibetan "Singing Bowls" |