FACE DANCER Go to Next band (Family) Previous band (Esperanto)
| 1 | This World (US 1979 Capitol ST-11934) woc has insert M-/VG+ $20 SOLD | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Red Shoes | 2:30 | S. McGinn-J. Adams | Cry Baby | 4:59 | S. McGinn-B. Trainor | |
| Can't Stand Still | 2:37 | S. McGinn | Heart's at Home | 2:48 | S. McGinn | |
| Change | 3:39 | S. McGinn-C. Kress | Hard to Please | 2:46 | ||
| If I Could Kiss You | 3:22 | S. McGinn | Time Bomb | 3:20 | S. McGinn-C. Kress | |
| The Sphinx | 3:31 | S. McGinn-C. Kress | When You Said | 2:38 | S. McGinn | |
| Face Dancer is, Jeff Adams-Lead Guitar Carey Kress-Lead Vocals Scott McGinn-Bass Guitar, Keyboards & Vocals Billy Trainor-Drums David Utter-Guitar & Vocals Produced by Richie Wise Executive Producer-Robert Aiss |
Recorded in Los Angeles at Group IV., Sound City, Record Plant and Larrabee Sound
Engineered by: Doug Rider, Ron Saint Germain, Bob Merritt, D.C. Snyder, Joe Chiccarelli Mixed by: Doug Rider and Richie Wise at Westlake Audio, Los Angeles, California Assistant Engineers: Ira Leslie, Mike Beiriger, Linda Corbin, Sherry Klein, Mitch Gibson Mastered by Ken Perry at Capitol Studios, Hollywood, California Pre-Production: Sheffield Recording, Timonium, Maryland Cover Concept: Face Dancer. Art Direction: Roy Kohara. Design: Art Sims. Cover Map Photo: Ron Slenzak. Group Photo: Jim McCrary. Special Color Effects: Daniel Catherine | |||||
| 1 | Anyway (US 1971 United Artists UAS-5527) cc woc M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Good News-Bad News | 7:22 | Chapman/Whitney | In My Own Time | 3:30 | Whitney/Chapman | |
| Willow Tree | 4:20 | Part Of the Load | 4:38 | |||
| Holding the Compass | 3:40 | Anyway | 3:30 | |||
| Strange Band | 3:11 | Whitney/Chapman/ Williamson | Normans | 2:25 | Palmer/Whitney/ Welder | |
| Lives and Ladies | 6:29 | Whitney/Chapman | ||||
| John Weider - Bass, Vocals
Roger Chapman - Harmonica, Vocals Poli Palmer - Bass, Keyboards, Vibraphone Rob Townsend - Drums John "Charlie" Whitney - Guitar | ||||||
| 2 | Bandstand (US 1972 United Artists UAS-5644) die-cut gatefold M-/M- $12 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Burlesque | 4:04 | Whitney/Chapman | My Friend the Sun | 4:20 | Whitney/Chapman | |
| Bolero Babe | 4:11 | Glove | 4:53 | |||
| Coronation | 3:49 | Whitney/Chapman/Wetton | Ready to Go | 4:35 | ||
| Dark Eyes | 1:48 | Chapman/Palmer | Top of the Hill | 5:41 | ||
| Broken Nose | 4:09 | Whitney/Chapman | ||||
| John Wetton: Bass, Vocals Roger Chapman: Harmonica, Vocals, Photography, Cover Art Poli Palmer: Bass, Keyboards, Vibraphone Rob Townsend: Drums John "Charlie" Whitney: Guitar |
Produced by Family & George Chkiantz Linda Lewis: Vocal Assistance Del Newman: String Arrangements John Kosh: Design, Concept, Cover Design | |||||
| 1 | 5th Anniversary (I 1974 Charisma 9299 288) M-/M- $50 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Artist | Title | Time | Artist | |
| Theme One | ?? | Van der Graaf Generator | Happy the Man | ?? | Genesis | |
| W | Twilight Alehouse | |||||
| Wake Up Little Sister | Capabiity Brown | Watcher of the Skies | ||||
| Wind Fall | Sympathy | Rare Bird | ||||
| It's a Game | String Driven Thing | Lady Eleonor | Lindisfarne | |||
| Are You a Rock and Roller | Scotch Mist | |||||
| Indian Summer | Audience | No Time to Lose | ||||
| Realizzazione a cura di Ronnie Thorpe | ||||||
| 1 | Waiting for the Electrician or Someone Like Him (US 1968 Columbia CS 9518) M-/VG+ $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Temporarily Humboldt County | ?? | P. Austin - P. Bergman - D. Ossman - P. Proctor | Waiting for the Electrician or Someone Like Him | ?? | P. Austin - P. Bergman - D. Ossman - P. Proctor | |
| W.C. Fields Forever | ||||||
| Le Trente-Huit Cunegonde | ||||||
| Philip Austin David Ossman |
Peter Bergman Philip Proctor | |||||
| 2 | I Think We're All Bozos on this Bus (US 1971 Columbia C 30737) VG+/VG+ $10 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Side .001 | 20:55 | David Ossman, Philip Proctor, Peter Bergman, Phil Austin | Side .002 | 18:15 | David Ossman, Philip Proctor, Peter Bergman, Phil Austin | |
| Rewritten from re-cycled materials and reproduced April 1971 by The Firesign Theater and performed by The Firesign Theater with Tiny as "Ann" and Annalee as "Mickey" and Sheliah & Amanda, Gai & Tracy, Bill & Joan, Jon & Katherine, Alizon & Devon, oona, Richard, Annie, Stephen, Edgar, Jill, Mike and C.D. as Bozos, Boogies and Beaners, and with Phil and Bill, the two Canteen ladies, two guards named Joe, Kenner, and Dan the Electrician speaking for the Future. | Keyboard Stylings by Annalee of Mixville. Album engineered by Bill Driml and Phil Cross. Album photography by John Rose at C.D. Taylor's XMIX Studios. | |||||
| 3 | Everything You Know is Wrong (US 1974 Columbia KC 33141) VG+/M- $10 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Everything You Know is Wrong | 20:45 | The Firesign Theater | Everything You Know is Wrong | 21:15 | The Firesign Theater | |
| Written and Produced by The Firesign Theater Performed by Philip Austin, Peter Bergman, David Ossman & Philip Proctor Recorded in Hellmouth, California Summer '74 and at "The Burbank Studios" Engineered by Andy MacDonald Assisted by Frank Jones |
Designed by Brian Hagiwara Rod Dyer, Inc. and T.F.T. Photos by Tyler Thorton Art Direction: Ron Coro Orchestral Music (ASCAP) licenced through "Music Industries" Synthetape by Western Ralph And "Thanks!" to Jim Winfree, The Nudists (Edgar, Marie and Fred) and Goldie at he bank. | |||||
| 1 | Big Wedge (UK 1989 EMI 12EMPD 125) M-/M- Picture Disc $15 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Artist | Title | Time | Artist | |
| Big Wedge | ?? | Dick/Simmonds | Jack and Jill | ?? | Dick/Simmonds | |
| Faith Healer (Live) | Alex Harvey | |||||
| Illustration Mark Wilkinson Sleeve Design Russell Walker |
Recorded during 1989 UK Tour | |||||
| 2 | A Gentleman's Excuse Me (UK 1990 EMI 12 EMPD 135) M-/M- Picture Disc $15 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Artist | Title | Time | Artist | |
| A Gentleman's Excuse Me | ?? | Dick/Simmonds | Whiplash | ?? | Dick/Simmonds | |
| A Gentleman's Excuse Me (Demo Version) | ||||||
| Produced by Jon Kelly Arranged by Dick/Simmonds Strings arranged by Simmonds Orchestrated by Simmonds Taken from the CD, Cassette, L.P. Vigil in a Wilderness of Mirrors |
Arranged by Dick/Simmonds Recorded at the Funny Farm in January 1989 Illustration - Mark Wilkinson Artwork/Design - Artful Dodgers | |||||
| 1 | Flash (US 1972 Capitol/Sovereign SMAS-11040) gatefold M-/VG+ $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Small Beginnings (from the film "Record Review") | 9:23 | Banks-Carter | Dreams of Heaven | 12:57 | Banks-Carter | |
| Morning Haze | 4:32 | Bennett | The Time it Takes | 5:48 | ||
| Children of the Universe | 8:55 | |||||
| Personnel: Colin Carter: Lead Vocal, Incidental Percussion Peter Banks: Electric, Acoustic and Spanish Guitars, Hooter, A.R.P. Synthesizer, Backing Vocals Ray Bennett: Bass Guitar, Backing Vocals, Lead Vocal (on "Morning Haze"), Acoustic Rhythm Guitar (on "Morning Haze") Mike Hough: Drums, Cymbals, Percussion, Bandinage Tony Kaye: Organ, Piano, A.R.P. Synthesizer |
Produced by Derek Lawrence Engineered by Martin Birch Assisted by George and Hulk Tony Kaye appears by kind permission of Atlantic Records Recorded at De Lane Lea Studios, Wembley, between 11/8/71 and 11/21/71 | |||||
| 2 | Out of Our Hands (US 1973 Capitol/Sovereign SMAS-11218) gatefold has inner sleeve M-/M- $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Open Sky | :40 | Banks | The Bishop | 4:21 | Bennett | |
| None the Wiser (King) | 3:17 | Bennett | Psychosync (Escape) (Farewell Number Two) (Conclusion) | 4:50 | Banks/Bennett Bennett | |
| Farewell Number One (Pawn) | 1:37 | Manhattan Morning (Christmas '72) | 6:24 | Carter | ||
| Man Of Honour (Knight) | 4:45 | Shadows | 3:20 | |||
| Dead Ahead (Queen) | 4:38 | |||||
| Produced by Flash Colin Carter: Vocals Ray Bennett: Bass Guitar, Vocals, Mellotron, Piano, Clavinet, Acoustic Guitar, ARP Synthesizer Peter Banks: Guitars, Backing Vocals, Moog, ARP Synthesizer, Banjo Michael Hough: Drums, Congas, Tablas |
Recorded at Advision and Morgan Studios London April to June 1973 Engineers: Geoff Young and Mike Dunne Assisted by Paul Northfield (Advision) Mike Butcher (Morgan) Cover Design and Photography by Hipgnosis Tinting by Philip Crennell | |||||
| 1 | Black Noise (US 1978 Visa 7007) cc promo has insert M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Phasors on Stun | 3:48 | Hawkins/Nash the Slash | Slaughter in Robot Villiage | 5:00 | Deller | |
| One O'Clock Tomorrow | 6:04 | Aldeberan | 5:03 | Hawkins/Nash the Slash/Deller | ||
| Hours | 2:35 | Deller | Black Noise | 10:01 | Hawkins/Nash the Slash | |
| Journey | 4:40 | Hawkins | ||||
| Dilaing for Dharma | 3:12 | Hawkins/Nash the Slash | ||||
| Cameron Hawkins: Synthesizer, bass guitar, piano, lead vocals
Martin Deller: Drums, percussion, synthesizer Nash the Slash: Electric violins and mandolin, glockenspiel, vocals, effects Producer: Keith Whiting, courtesy of Jake Productions. Engineer: Mike Jones Asst. Engineer: Ed Stone Studio: Sounds Interchange, Toronto |
Cover photo: Paul Till Art Direction and Design: Murray Brenman Management: Snuff Management Box 6992, Postal Station A, Toronto, Ontario M5W 1X7 | |||||
| 2 | City of Fear (US 1980 Passport PB 6004) cos gatefold M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Krakow | 4:37 | FM | Surface to Air | 5:18 | FM | |
| Power | 3:28 | Up to You | 4:21 | |||
| Truth or Consequences | 4:13 | Silence | 3:22 | |||
| Lost and Found | 4:25 | Riding the Thunder | 4:06 | |||
| City of Fear | 5:07 | Nobody at All | 4:09 | |||
| Martin Deller: Drums, Electronic and Acoustic Percussion
Ben Mink: Electric and Acoustic Mandolin and Violin, Vocals Cameron Hawkins: Lead vocals, Synthesizer, Bass Guitar Produced by Larry Fast Engineered by Jim Frank and Charles Conrad Assisted by Scott Rea and Cliff Hodsdon Production Assistance by Ian Murray Recorded at Soundstage, Toronto Ont. and House of Music, West Orange, N.J. Additional material recorded at Phas One, Toronto by Mark Wright Mastered by Bob Ludwig at Masterdisk, N.Y.C. Spoken word by Pamela Silverstein Synthy maintenance by Rob Onedera Pre-production with Ed Stone, Ian Dunbar, Jim Frank, Ian Murray, Mark Wright |
Instruments used on this album: Gretsch Drums, Zildian and Paiste Cymbals, Glockenspiel, Moog Percussion Controller w/
Micromoog, PAIA Programmable Drum Synthesizer, Tympani, 5 string "Bent" Mandolin, 5 string "Violite", 5 sring Viola,
1912 "The Gibson" Mandolin, Fender Amplifiers, Mutron and Electroharmonix FX Pedals, 9.95, Prophet 5, Minimoog, Taurus Pedals,
ELKA, Yamaha Grand, Rickenbacker Bass, Polyfusion Sequencer, Larry's Moog 15 and Mellotron
Words by Cameron Hawkins Art Direction & design: Murray Brenman Photography: Cover; Eric Staller Inside Cover: Paul Till Stand-ups; Bob Rock | |||||
| 1 | In and Out of Focus (US 1973 Sire SAS 7404) coh M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Focus (Instrumental) | 9:45 | Thijs van Leer | Anonymous | 7:00 | Thijs van Leer/Jan Akkerman/M. Dresden | |
| Why Dream | 3:57 | Thijs van Leer/E. Cleuver | Black Beauty | 3:05 | Thijs van Leer/E. Cleuver | |
| Happy Nightmare (Mescaline) | 3:56 | Thijs van Leer/M. Dresden/M. Hays | Focus (Vocal) | 2:44 | ||
| Produced by Hubert Terheggen for RTM Recorded at Sound Technique Studios, London |
"In and Out of Focus" was originally released by Sire in 1970. (SES97027) | |||||
| 2 | Focus II (Hol 1976 EMI-BOVEMA) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hocus Pocus | 4:35 | Thijs van Leer | Eruption | Basical idea: Thijs van Leer | ||
| Le Clochard (Bread) | 1:55 | Jan Akkerman | 1.
| 1:20 | Thijs van Leer | |
| Janis | 3:00 | Jan Akkerman - Middlepart: Thijs van Leer |
| 1:35 | ||
| Moving Waves | 2:30 | Thijs van Leer - Words: Inayat Khan |
| 1:20 | ||
| Focus II | 4:00 | Thijs van Leer | 2.
| 0:50 | ||
| 1:00 | |||||
| 1:45 | T. Barlage | ||||
| 0:30 | Thijs van Leer | ||||
3.
| 0:45 | |||||
| 5:15 | Jan Akkerman | ||||
4.
| 1:40 | Thijs van Leer - E. Nobel | ||||
| 2:05 | Thijs van Leer | ||||
| 1:35 | Pierre van der Linden | ||||
5.
| 0:35 | Thijs van Leer | ||||
| 0:50 | |||||
| 1:30 | Thijs van Leer - E. Nobel | ||||
| Drums: Pierre van der Linden Organ - Harmonium - Melotron - Soprano and Alt Flute - Piano: Thijs van Leer Solo - Bass and Acoustic guitar: Jan Akkerman Bassguitar: Cyriel Havermans Voices: Thijs van Leer and Cyriel Havermans. |
Produced by Mike Vernon. Sound Engineer: Jerry Boys Recorded in Sound Techniques and Morgan Studios London between: April 13th and May 14th 1971. Coverphoto: Janos Barendsen Sleeve design: Dennis Kloeth | |||||
| 3 | Focus 3 (US 1972 Sire SAS 3901) die-cut gatefold M-/M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Round Goes the Gossip | 5:16 | Thijs van Leer | Focus III | 6:07 | Thijs van Leer | |
| Love Remembered | 2:49 | Jan Akkerman | Answers? Questions! Questions? Answers! | 14:03 | Jan Akkerman, Bert Ruiter | |
| Sylvia | 3:32 | Thijs van Leer | ||||
| Carnival Fugue | 6:02 | |||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Anonymus II (Part 1) | 19:28 | Thijs van Leer - Jan Akkerman - Pierre van der Linden - Bert Ruiter | Anonymus II (Conclusion) | 7:30 | Thijs van Leer - Jan Akkerman - Pierre van der Linden - Bert Ruiter | |
| Elspeth of Nottingham | 3:15 | Jan Akkerman | ||||
| House of the King | 2:23 | |||||
| Thijs van Leer: vocal, organ, piano, alto, flute piccolo, harpsicord
Jan Akkerman: solo, acoustic guitar Bert Ruiter: bass guitar Pierre van der Linden: drums |
Produced by Mike Vernon for R.T.M. Recording Engineer: George Chkiantz Recorded at Olympic 'B' Studios, Barnes, U.K. Disc Mastering: Robert Ludwig (Sterling Sound, N.Y.) Art Direction: Bill Levy Design: Fred Marcellino | |||||
| 4 | Live at the Rainbow (US 1973 Sire SAS 7408) cc M-/VG+ $10 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Focus III | 3:53 | Thijs van Leer | Eruption (Excerpt) I. Orfeus II. Answer III. Orfeus IV. Answer V. Pupilla VI. Tommy VII. Pupilla | 8:44 | Thijs van Leer?T. Barlache | |
| Answers? Questions! Questions? Answers! | 11:37 | Jan Akkerman-Burt Ruiter | Hocus Pocus | 8:30 | Thijs van Leer-Jan Akkerman | |
| Focus II | 4:22 | Thijs van Leer | Sylvia | 2:48 | Thijs van Leer | |
| Hocus Pocus - Reprise | 2:49 | Thijs van Leer-Jan Akkerman | ||||
| Thijs van Leer: vocal, organ, piano, alto, flute piccolo, harpsicord
Jan Akkerman: solo, acoustic guitar Bert Ruiter: bass guitar Pierre van der Linden: drums |
Produced by Mike Vernon for R.T.M. Recording Engineer: George Chkiantz Recorded at Olympic 'B' Studios, Barnes, U.K. Disc Mastering: Robert Ludwig (Sterling Sound, N.Y.) Art Direction: Bill Levy Design: Fred Marcellino | |||||
| 5 | Hamburger Concerto (US 1974 Atco SD 36-100) M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Delitiae Musicae | 1:12 | Trad. Arr. & adpt. Jan Akkerman | Hamburger Concerto | 20:15 | Jan Akkerman - Thijs van Leer | |
| Harem Scarem | 5:51 | Thijs van Leer | 1. Starter | 2:00 | Trad. Arr. & adpt. Thijs van Leer | |
| La Cathedrale de Strasbourg | 4:59 | 2. Rare | 3:20 | Jan Akkerman | ||
| Birth | 7:46 | Jan Akkerman | 3. Medium I | 4:05 | Thijs van Leer - Jan Akkerman | |
| 4. Medium II | 6:05 | Jan Akkerman | ||||
| 5. Well Done | 3:25 | Thijs van Leer | ||||
| 6. One for the Road | 1:15 | Jan Akkerman | ||||
| Thijs van Leer: Vocal, organ, flute Jan Akkerman: Guitar Bert Ruiter: Vocal, bass guitar Pierre van der Linden: Drums |
Production and Mix-down by Mike Vernon for RTM Recorded at the Rainbow Theatre, London, Saturday, 5th May, 1973 Location recording: Pye Studios Mobile Unit Engineer: Phil Dunne Mix down at AIR (London) Studios-Engineer: John Punter Assisted by Gareth Edwards Photography: Marshall Fallwell, Jr. Design: Peter Corriston-AGI | |||||
| 6 | Ship of Memories (US 1977 Sire SA 7531) cos M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| P's March | 4:48 | Thijs van Leer | Glider* | 4:38 | Jan Akkerman | |
| Can't Believe My Eyes | 5:22 | Jan Akkerman | Red Sky at Night* | 5:50 | Thijs van Leer - Jan Akkerman | |
| Focus V | 3:02 | Thijs van Leer | Spoke the Lord Creator** | 2:32 | Thijs van Leer | |
| Out of Vesuvius | 5:50 | Thijs van Ler - Jan Akkerman - Bert Ruiter - Pierre v.d. Linden | Crackers* | 2:42 | Jan Akkerman | |
| Ship of Memories | 1:48 | Pierre van der Linden | ||||
| Produced by Mike Vernon for R.T.M. except
*Produced by Focus for R.T.M. **Produced by Terheggen for R.T.M. |
Remixed by Mike Vernon at The Chipping Norton Recording Studio Engineer - Barry Hammond Mastered by: Joe Gastwert at Master Disk, New York Art Direction and design by Cream, Amsterdam | |||||
| 1 | 4 Out of 5 Doctors (US 1980 Nemperor 36575) has inner sleeve M-/M- $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Modern Man | 3:37 | J. Severson | New Wave Girls | 3:45 | G. Pittaway | |
| Jeff, Jeff | 3:55 | Mr. Cool Shoes | 4:11 | C. Everett | ||
| Waiting for a Change | 4:00 | C. Everett | Danger Man | 3:48 | J. Severson | |
| Elizabeth | 2:36 | Mushroom Boy | 4:35 | |||
| Opus 10 | 2:45 | G. Pittaway | Not From Her World | 4:37 | C. Everett | |
| I Want Her | 3:19 | C.Everett | ||||
| 4 Out of 5 Doctors are: Jeff Secerson: Vocals, Guitars, Keyboards Cal Everett: Lead Vocals, Bass George Pittaway: Vocals, Guitar Tom Ballew: Drums Produced and Engineered by Alan Winstanley Assistant Engineer: Patrice Carroll Recorded at Coconuts Recording Company, North Miami Beach, Florida Mastered at Sterling Sound, NYC by Greg Calbi Sound Advice: Joe Mills |
Additional Players: Vocal Chorus on "Modern Man": Maine Men Background Vocal on "Jef, Jeff": Patrice Carroll Sax on "Jeff, Jeff"/Flute on "Waiting for a Change": Jeff Kirk Art Direction: John Berg Front Cover Drawing: Scott Severson Photography: David Gahr | |||||
| 2 | 2nd Opinion (US 1982 Nemperor 37700) has inner sleeve M-/VG $15 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Good Pretender | 4:05 | G. Pittaway | Waiting for Roxanne | 3:11 | J. Severson | |
| Dawn Patrol | 3:47 | G. Pittaway - C. Everett | Lonely Ones | 3:54 | C. Everett | |
| Anna with Antennae | 3:42 | J. Severson | Heart on a Chain | 3:35 | J. Severson | |
| Breaking Rocks | 3:35 | C. Everett | Call Me at Home | 3:26 | C. Everett | |
| Never Say Die | 3:29 | Young World | 4:02 | |||
| Jeff Severson George Pittaway Cal Everett Tom Ballew Jeff Glixman |
Produced by Jeff Glixman Recorded at Axis Studios, Atlanta, Georgia; Summer 1981 Assistant Engineer: Les Horn Mastered at Sterling Sound, New York, New York by George Marino Art Direction: Carlin Goldberg Back Cover Photograph: Carol Friedman Illustration: Braldt Bralds Inner Sleeve Photograph: Joanna Lawton Concept: Scott Severson Management: Entertainment Services Unlimited, Ltd. Larry Mazer, Philadelphia, Pennsylvania Equipment: Veneman Music | |||||
| 1 | Exposure (US 1979 EG/Polydor EGLP 101 PD-1-6201) M-/M- has inner sleeve $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Preface | 1:20 | Fripp | Exposure | 4:25 | Fripp/Gabriel | |
| You Burn Me Up I'm a Cigarette | 2:23 | Fripp/Hall | Haaden Two | 2:53 | Fripp | |
| Breathless | 4:41 | Fripp | Urban Landscape | 2:35 | ||
| Disengage | 2:46 | Fripp/Hammill/Walton | I May Not Have Had Enough of Me but I've Had Enough of You | 3:50 | Fripp/Walton | |
| North Star | 3:06 | First Inaugural Address to the I.A.C.E. Sherborne House | 0:03 | Bennett | ||
| Chicago | 3:12 | Water Music I | 1:27 | Fripp/Bennett | ||
| NY3 | 2:16 | Fripp | Here Comes the Flood | 4:01 | Gabriel | |
| Mary | 2:06 | Fripp/Hammill/Walton | Water Music II | 4:16 | Fripp | |
| Postscript | 0:37 | |||||
| Recorded mainly and mixed entirely at The Hit Factory, New York between January 1978 and January 1979
Engineer: Ed Sprigg Assistant Engineers: Jon Smith, Michael Ruffo, David Prentice Track for "Exposure" recorded at Relight Studios, November 1977. Engineer: Steve Short Track for "Here Comes the Flood." Engineer: Steve Short "Water Music II" recorded at The House of Music, New Jersey, July 1977. Engineer: Jim Bonneford N.B. Ms. Roche's voice on "Exposure" was Fritched. All Frippertronics other than "Water Music II" - recorded at the Fripp Mobile in Lower East Side, Upper East Side, Hell's Kitchen and the West Village of New York between June 1977 and November 1978. Engineer: Fripp. Location recordings mainly at W. 51st and the West Village. |
Contributors: Barry Andrews (courtesy of Virgin Records) Phil Collins (courtesy of Charisma Records) Brian Eno Robert Fripp Peter Gabriel (courtesy of Charisma Records) Daryl Hall (courtesy of RCA) Peter Hammill (courtesy of Charisma Records) Tony Levin Jerry Marotta Sid McGinness Terre Roche (courtesy of Warner Bros.) Narada Michael Walden (courtesy of Atlantic Records) And the voices of (among others) Shivapuri Baba (courtesy of Mrs Elizabeth Bennett) J.G. Bennett (courtesy of Mrs Elizabeth Bennett) Mrs Edith Fripp Mrs Evelyn Harris Album Cover: Chris Stein: design and photography Steve Sprouse: colorist Amos Poe: VTR images Thanks to Mick and Ernie Mary Lou Green: hair Cream: typography | |||||
| 2 | Let the Power Fall - An Album of Frippertronics (US 1981 Editions EG EGS 110) cos M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| 1984 | 12:16 | Fripp | 1986 | 5:22 | Fripp | |
| 1985 | 10:54 | 1987 | 5:24 | |||
| 1988 | 6:44 | |||||
| 1989 | 10:57 | |||||
| 1985 was the first piece, 1984 the second, played at the Robson Square Theatre, Vancouver, on August 4th 1979 and 1987 on August 6th, 1986 is the second piece from Tower Records, Berkeley, on July 30th, Red Two Scorer being the first. 1988 is drawn from the concert at the Walker Arts Centre, Minneapolis on June 22nd and 1989 from the Mabuhay Gardens, San Francisco on July 29th. | Photo of Robert Fripp in Amsterdam by Joep Bruinje Hair by the famous Mary Lou Green Front Cover by Danielle Dax Cover Assemblage by Alwyn Clayden & Rob O'Connor Produced and Engineered by Robert Fripp 1984 is featured in the Amos Poe film 'Subway Riders' Selections featured in the Victor Schonfeld film 'Animals'. | |||||
| 3 | God Save The King [w/The League of Gentlemen] (US 1985 Editions EG EGED 9) M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| God Save the King | 13:11 | Fripp | Inductive Resonance | 4:35 | Robert Fripp and the League of Gentleman | |
| Under Heavy Manners | 4:53 | Cognitive Dissonance | 2:54 | |||
| Heptaparaparshinokh | 2:03 | Fripp/League of Gentlemen | Dislocated | 4:35 | ||
| H.G. Wells | 3:25 | |||||
| Eye Needles | 3:12 | |||||
| Trap | 4:39 | |||||
| All tracks on this current record re-mixed by Brad Davies and Robert Fripp to Sony Digital Stereo System at Marcus Studios, London.
Front cover by Danielle Dax Photo of Robert Fripp by Ron Cohen taken at the first Frippertronics Concert in Europe, Pizza Express, Notting Hill Gate, London, April 25th 1979. Photo of The League of Gentlemen by Marjori, taken at Gramercy Park, New York, July 1980. Sleeve Layout Stylo Rouge Strategic Interraction Paddy Spinks. |
Frippertronics for "Under Heavy Manners" were the first piece at the Calgary Planetarium, August 8th, 1979. Paul Duskin (drums) and Busta Jones (bass) and
Robert Fripp (guitar) were recorded at The Hit Factory, New York in September 1979, engineer Ed Sprigg, producer Robert Fripp. The guitar solo to "God Save the King" was overdubbed
at Arny's Shack, Parkstone, Dorset in 1983, engineer Tony Arnold, re-producers Tony Arnold and Robert Fripp. David Byrne added vocals to
"Under Heavy Manners" at Island Studios, London in November 1979.
The League of Gentlemen began rehearsing on March 19th 1980 in a 14th century hunting Lodge adjacent to Badbury Rings, near Wimborne, Dorset. The personnel were Barry Andrews (organ), Robert Fripp (guitar), Sara Lee (bass guitar) and Johnny Toobad (drums). Johnny Toobad was replaced by Kevin Wilkinson on November 22nd and on this album Kevin Wilkinson plays all but "Heptaparaparshinokh" and "Dislocated." Recorded at Arny's Shack during 1980, engineer Tony Arnold, producer Robert Fripp. | |||||
| 1 | No Pussyfooting (UK 1973 Island HELP 16) M-/M- gatefold $15 | |||||
| 2 | No Pussyfooting (US 1973 Editions EG EGS 102) M-/M- cos $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Heavenly Music Corporation | 20:53 | Fripp/Eno | Swastika Girls | 18:52 | Fripp/Eno | |
| Recorded at Eno’s Studio 8.9.72 Equipment: Gibson Les Paul The Fripp Pedalboard 2 Modified Revox A77 Tape Recorders Mastering Engineer: Arun Chakraverty Cover Design & Photography: Willie Christie Produced by Robert Fripp & Eno for E.G. Records |
Recorded at Command Studios 4/5.8.73 Engineer Ray Hendricksen Mixed at Air Studios 21/22.8.73 Equipment: Gibson Les Paul Frizzbox/VCS3 Synthesizer with Digital Sequencer/Modified Revox A77 Tape Recorder | |||||
| 3 | Evening Star (US 1975 Editions EG EGS 103) cos M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wind on Water | 5:35 | Fripp & Eno | An Index of Metals | 27:55 | Fripp & Eno | |
| Evening Star | 7:41 | |||||
| Evensong | 2:47 | |||||
| Wind on Wind | 3:04 | Eno | ||||
| "Wind on Water" recorded live at The Olympia, Paris and at Olympic Studios, London
"Evening Star" recorded at Island and Air Studios "Evensong" recorded at Olympic Studios "Wind on Wind" and "An Index of Metals" recorded at Eno's Studio. |
Engineered by Denny Bridges, Phil Chapman and Rhett Davies
The cover is a reproduction of a painting by Peter Schmidt. The back cover photograph is by Antonio Tiedra. Special thanks to Nick Bell and Malcom le Grice. Produced by Eno and Fripp for E.G. Records Robert Fripp - Guitar Brian Eno - Loops and Synthesizer | |||||
| 1 | Speechless (US 1981 Ralph FF 8106) M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Kick the Can (part 1) | ?? | Fred Frith | A Spit in the Ocean | ?? | Fred Frith | |
| Carnival on Wall St. | Navajo | |||||
| Ahead in the Sand | Balance | |||||
| Laughing Matter | Saving Grace | |||||
| Esperanza | Speechless | |||||
| Women Speak to Men; Men Speak to Women | Frith/Curran | Conversations with White Arc | Frith/Laswell | |||
| Domaine de Planousset | Fred Frith | |||||
| Kick the Can (part 2) | ||||||
| Fred Frith: guitar, violin, mellotron, bass and organ on 1, voice on 3
with Etron Fou LeLoubian: Guigou Chenevier: drums, tenor sax and voice on 3 Margot Mathieu: soprano and tenor saxes, voice on 3 Ferdinand Richard: bass, guimbarde, voice Jo Thirion: organ, harmonium and Tina Curran: recorders, unusual edits Roger Kent Parsons: bagpipes Asha and Storm: singing on 6 The tapes used on this side were recorded in New York City at street fairs, demonstrations and, along with the bagpipes, in Washington Square. Thanks to Bob Ostertag. Recorded July/August 1980 at Studio Freeson, Pujaut, France and Studio Sunrise, Kirchberg, Switzerland Engineer in France: Francois Riether |
Fred Frith: guitar, violin, keyboards; bass on 3,5 and 8; drums on 2, 3; voice
with Massacre: Bill Laswell: bass Fred Maher: drums and Steve Buchanan: snake sax on 2 George Cartwright: alto sax Tina Curran: recorders, bass on 2, 7 Ferdinand Richard: guimbarde Mars Williams: baritone sax Tracks 1, 4 and the end of track 2 are based on a live concert recorded at CBGB in New York, April 1980; subsequently altered and added to in Switzerland. Track 6 is from the same concert and is an improvised piece heard as played. Recorded July/August 1980 at Sunrise Engineer at CBGB: Charlie Martin Engineers in Switzerland: Etienne Conod and R. Vogel Cover: Tina Curran Produced by Frith/Curran and Conod/Vogel (with Francois Riether on side one) | |||||
| 2 | Cheap at Half the Price (US 1983 New Ralph FF 8356) M-/M- cc $15 SOLD | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Some Clouds Don't | ?? | Fred Frith | Instant Party | ?? | Fred Frith | |
| Cap the Knife | Walking Song | |||||
| Evolution | Flying in the Face of Facts | |||||
| Too Much, Too Little | Frith/Curran | Heart Bares | ||||
| The Welcome | Fred Frith | Absent Friends | Frith/Trad. Swedish | |||
| Same Old Me | The Great Healer | Frith | ||||
| Some Clouds Do | ||||||
| All songs written by Fred Frith except where noted and recorded at home on a 4-track.
Drums recorded at various times and places. Thanks to Frank Wuyts, Fred Maher, Paul Sears and especially to Hans Bruniusson who let me make a tape of generic drum examples 4 years ago without having any idea what I would do with them. |
Bass on "Too Musch Too Little" by Tina Curran Bass on "Same Old Me" by Bill Laswell Clapping on "Absent Friends" by Aksak Maboul Instruments used: Guitar, 6-string bass, Casio-101, violin, xylophone, voice, home-mades. Cover photos: Tina Curran Type: Eugene Nowacki | |||||
| 3 | The Technology of Tears and Other Music for Dance and Theatre (US 1988 SST 172) M-/M-/M- $20 SOLD! | |||||
| Side A: The Technology of Tears | Side B: The Technology of Tears | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sadness, its bones bleached behind us | 13:05 | Frith | You Are What You Eat [continued] | 11:39 | Frith | |
| You Are What You Eat | 7:22 | The Palace of Laughter, The Technology of Tears | 10:08 | |||
| Side C | Side D: Propaganda | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Jigsaw | 14:39 | Frith | Shelter For Them All | 1:36 | Frith | |
| Jigsaw Coda | 3:04 | A Deeper Understanding of Conflict | 0:54 | |||
| The Turning of an Hourglass | 2:04 | |||||
| Birth of a Rebel | 1:51 | |||||
| Your Beautiful Corpse | 1:17 | |||||
| The Excellent Hyena | 1:24 | |||||
| The old man moves a mountain | 1:06 | |||||
| The Wolf Demon [part 1] | 1:07 | |||||
| Meditation Upon Propaganda | 3:06 | |||||
| Liberty | 1:59 | |||||
| The Relentless Lndscape | 0:59 | |||||
| The gaze that sings | 1:03 | |||||
| The Wolf Demon [part 2] | 1:05 | |||||
| Rashomon | 3:30 | |||||
| Sides A & B: Alto sax: John Zorn Voice: Tenko Turntables: Christian Marclay Recorded at BC Studio, June '86 and Noise New York, Nov '86-Jan '87 Engineers: Martin Bisi [BC] & Kramer [Noise] Assistant Engineers: Sue Fisher & Louie Fleck Synclavier recorded in California, June '86, with programming guidance from Henry Kaiser |
Side C: Trombone: Jim Staley Recorded at Noise, Oct '86 Side D: Recorded at Noise, April '87 All instruments and voices by Fred Frith unless otherwise noted. Digitally re-mastered at New York Digital, Aug '87 Engineer: Paul Zinman Cover images and photos: Pierre Hebert Cover design: Peter Bader | |||||
| 1 | Nous Autres (Can 1987 Victo 01) M-/M- $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cage de Verre | 3:38 | Lussier | De Mémoire | 1:33 | Lussier | |
| The Same Wide | 3:19 | Frith | Two Squares and Three Circles | 6:09 | Frith/Lussier/Cora | |
| Wall | 5:02 | Frith/Lussier/Ueno | Cage de Fer | 2:08 | Frith | |
| Ketsui | 2:52 | Lussier | J’aime la Musique | 5:00 | Lussier/Anders | |
| Plaisirs Instantanés | 6:03 | Lussier/Letarte | Domaine Revisited | 3:41 | Frith/Letarte | |
| Solo en ré Mineur | 1:26 | Frith | Riaville Bump | 2:14 | Lussier/Morton | |
| Fred Frith: guitare, basse, batterie, violon, piano, voix, boîte à rythme.
René Lussier: guitare, pieds, percussions, basse, voix, cassettes. Tenko Ueno: voix. (A-3) Christoph Anders: voix, cassettes, (B-4) Geneviève Letarte: voix. (A-5, B-5) Chris Cutler: divers contenants de peinture et autres objets trouvés. (A-1) |
Enregistré "LIVE" au 4ième FESTIVAL INTERNATIONAL DE MUSIQUE ACTUELLE DE VICTORIAVILLE le samedi 4 octobre 1986 par Guillaume Bengal du Studio Mobile | |||||
| 1 | Aqua (US 1974 Virgin VR 13-111) gatefold VG+/VG+ $15 | |||||
| 2 | Aqua (G 1974 Brain 1053) gatefold VG+/M- $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| ngc 891 | 13:50 | edgar froese | aqua | 17:00 | edgar froese | |
| upland | 6:10 | panorphelia | 9:25 | |||
| recorded from nov.'73 to march '74 in berlin produced by edgar froese special sounds with the artificial head system (kinstkopf) by gunther brunschen |
cover design & photography: monique froese thanks to chris franke for moog sounds on "ngc 891" contact: 1000 berlin 30, schwabische str. 7B 030 211 46 88 phone | |||||
| 3 | Stuntman (US 1979 Virgin International VI 2139) M-/M- cos $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Stuntman | 4:13 | Edgar Froese | Drunken Mozart in the Desert | 9:55 | Edgar Froese | |
| It Would Be Like Samoa | 10:40 | A Dali-Esque Sleep Fuse | 8:26 | |||
| Detroit Snackbar | 6:26 | Scarlet Score for Mescalero | 4:12 | |||
| Produced, Recorded and Engineered in Summer 1979 by Edgar Froese at the Amber Studio Berlin
Mixed by Edgar Froese at the Hansa Studio Berlin - Mixing Engineer Eduard Meyer |
All Instruments Played by Edgar Froese - Only Electronic Analog and Digital Equipment were used, except Grand Piano
Sleeve Photographs by Monique Froese | |||||
| 4 | Pinnacles (UK 1983 Virgin V2277) M-/M- $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| specific gravity of smile | 9:35 | Edgar Froese | pinnacles | 22:00 | Edgar Froese | |
| the light cone | 4:22 | |||||
| walkabout | 7:10 | |||||
| Produced by Edgar Froese All material written and played by Edgar Froese |
Recorded May 1983 at the Amber Studio Berlin Sleeve design Monique Froese | |||||