JOHN CAGE / CHRISTIAN WOLFF Go to Next band (Camel) Previous artist (Kate Bush)
| 1 | John Cage/Christian Wolff (US 1962 Time S/8009) VG+/VG+ gatefold $20 SOLD! | |||||
| Side 1 - John Cage | Side 2 - Christian Wolff | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cartridge Music | ?? | John Cage | Duo for Violinist and Pianist | ?? | Christian Wolff | |
| Summer for String Quartet | ||||||
| Duet II for Horn and Piano | ||||||
| John Cage David Tutor |
Kenji Kobayashi David Tutor Matthew Raimondi Walter Trampler David Soyer Howard Hillyer | |||||
| 1 | Moonmadness (US 1976 Passport PB 9857) M-/VG+ cos, has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Aristillus | 1:54 | Latimer | Another Night | 6:55 | Latimer, Bardens, Ward, Ferguson | |
| Song Within a Song | 7:12 | Latimer, Bardens | Air Born | 5:01 | Latimer, Bardens | |
| Chord Change | 6:43 | Lunar Sea | 9:08 | |||
| Spirit of the Water | 2:04 | Bardens | ||||
| Doug Ferguson: bass, lead vocal Song Within a Song Andy Ward: drums, percussion, voice Aristillus Peter Bardens: keyboards, vocal Spirit Of The Water Andy Latimer: guitars, flute recorders, vocal Song Within A Song; Another Night & Air Born Produced by Rhett Davies & Camel |
Engineer: Rhett Davies Assistant engineer: Guy Bidmead Recorded at Basing Street Studios, London, january/February 1976 Sleeve design by Field Camel logo by David Anstey Co-ordination by Geoff Jukes | |||||
| 2 | Rain Dances (US 1977 Janus JXS-7035) M-/VG+ cc, has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| First Light | 5:02 | Andy Latimer/Peter Bardens | Unevensong | 5:34 | Latimer/ Bardens/ Ward | |
| Metrognome | 4:14 | One of These Days I'll Get an Early Night | 5:50 | Latimer/ bArdens/ Ward/ Sinclair/ Collins | ||
| Tell Me | 4:08 | Elke | 4:25 | Latimer | ||
| Highways of the Sun | 4:29 | Skylines | 4:23 | Latimer/ Bardens/ Ward | ||
| Rain Dances | 2:53 | Latimer/Bardens | ||||
| Andrew Latimer: 6 and 12 String guitars, Pan pipes, Fretless bass, Backing vocals, Flute, Electric and Acoustic piano, Mini Moog, String synthesizer, Fuzz guitars, feedback, sore fingers, Pizzicato guitar, Glockenspiel, Treated piano, umbrellas
Peter Bardens: Mini Moog, String synthesizer, Electric acoustic piano, Organ, Clavinet, Car horns Andy Ward: Drums, Nocarina, Teeth, Cheek and Turkish ring, Money, Percussion, Finger cymbals, Glockenspiel, Liquid Boo Bams, Rototoms, Talking Drum, Smurd, Swanee whistle, Tunsian clay drums Richard Sinclair: Bass and Vocals, Wicket Keeper, Umbrellas Mel Collins: Alto Saxophone, Tenor Saxophone, Clarinet, Bass clarinet, Bass and Concert flutes, Umbrellas Martin Drover: Trumpet, Flugel horn Malcolm Griffiths: Trombone Eno: Mini Moog, Electric and Acoustic piano, Random notes, Bells Fiona Hibbert: Harp |
Produced by Camel and Rhett Davies Assistant Engineer: Dave Hutchins Tape Op Extrordinaire: Greg Cobb Brass Arrangements: Mel Collins Sleeve Design: Paul Henry Illustration: Bob Searles Photography: Trevor Rogers Album concept from an original idea by Bert Ford Album Coordination: Tangee Miles Album Remastered by Bernie Grundman at A & M Records | |||||
| 3 | Breathless (US 1978 Arista AB 4206) M-/M- promo cc $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Breathless | 4:16 | Latimer, Bardens, Ward | Summer Lightning | 6:03 | Latimer, Sinclair | |
| Echoes | 7:22 | You Make Me Smile | 4:13 | Latimer, Bardens | ||
| Wing and a Prayer | 4:41 | Latimer, Bardens | The Sleeper | 7:02 | Latimer, Bardens, Ward, Collins | |
| Down on the Farm | 4:20 | Sinclair | Rainbow's End | 3:00 | Latimer, Bardens | |
| Starlight Ride | 3:20 | Latimer, Bardens | ||||
| Andrew Latimer: Guitar, CS80/50, Vocals Peter Bardens: Keyboards Andy Ward: Drums, percussion Richard Sinclair: Bass, Vocals Mel Collins: Flute, Saxes |
Produced by Camel & Mick Glossop Recorded at The Manor, Chipping Norton Studios and Threshold Engineered by Mike Glossop Some overdubs engineered by Graham Meek Assistant Engineers: Alan Douglas and Paul Taylor A Gama Records Limited Production Art Direction: Michael Munday & Cream Photography: Keith Morris & Trevor Rogers | |||||
| 4 | Nude (US 1981 Passport PB 6008) M-/M- has inner sleeve $12 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| City Life | 5:02 | Latimer, Hoover | Changing Places | 4:10 | Latimer | |
| Nude | 4:18 | Latimer | Pomp and Circumstance | 2:03 | ||
| Drafted | Latimer, Hoover | Please Come Home | 1:12 | |||
| Docks | 3:50 | Latimer, Watkins | Reflections | 2:45 | ||
| Beached | 3:32 | Latimer | Captured | 3:13 | Latimer, Schelhaas | |
| Landscapes | 2:36 | The Homecoming | 2:40 | Latimer | ||
| Lies | 4:57 | Latimer, Hoover | ||||
| The Last Farewell-The Birthday Cake/Nude's Return | 4:05 | Latimer | ||||
| Musicians Andrew Latimer - Guitars, vocals, flute, koto & various keyboards Andy Ward - Drums & percussion Colin Bass - Bass & vocals Mel Collins - Flute, piccolo & saxophones Duncan MacKay - Keyboards Jan Schelhaas - Piano on 'The Last Farewell' Chris Green - Cello Gasper Lawal - All percussion on 'Changing Places' Herbie Flowers - Tuba |
Produced by Camel, Tony Clark and Hayden Bendall for Gama Records, Ltd. Engineer - Tony Clark Assistant engineer - Hayden Bendall Assisted by Tony Richards & Daniel Dawson Mastered at Sterling Sound, N.Y.C. by George Marino Recorded at Abbey Road Studio 3, September 1980 Camel are managed by Max Hole for Mole Management Ltd. Concept devised and written by Susan Hoover Editing and empathy - Cynthia Hole Sleeve - Mayblin/Shaw/Munday | |||||
| 5 | The Single Factor (US 1982 Passport PB 6013) M-/M- $10 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| No Easy Answer | 2:55 | Latimer | Sasquatch | 4:40 | Latimer | |
| You Are the One | 5:20 | Manic | 4:24 | Latimer/Hoover | ||
| Heroes | 4:47 | Latimer/Hoover | Camelogue | 3:41 | ||
| Selva | 3:30 | Latimer | Today's Goodbye | 4:04 | ||
| Lullabye | :55 | A Heart's Desire | ||||
| End Peace | 4:00 | Latimer/Phillips | ||||
| Produced by Tony Clark, Andy Latimer, Haydn Bendall for Gama Records, Ltd. | ||||||
| 1 | Monster Movie (UK 1969 United Artists UAS 29094) VG+/VG+ $10 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Father Cannot Yell | 7:01 | The Can | Yoo Doo Right | 20:14 | The Can | |
| Mary, Mary, So Contrary | 6:16 | |||||
| Outside My Door | 4:06 | |||||
| Recorded live at Schloss Nörvenich Inner Space for Prom Production Illustration + Design by Wandrey's Studio |
Musicians: Irmin Schmidt - Organ Jacki Liebezeit - Drums Holger Czukay - Bass Mauchael Karoli - Guitar Malcolm Mooney - vocal | |||||
| 2 | Soundtracks (Ger 1970 Liberty LBS 83 437 I) VG+/VG+ $10 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Deadlock from the Movie "Deadlock" by Roland Klick (recorded August 1970) | 3:25 | The Can | Mother Sky from the movie "Deep End" by Jercy Skolimovsky (recorded July 1970) | 14:30 | The Can | |
| Tango Whiskyman from the Movie "Deadlock" by Roland Klick (recorded August 1970) | 4:02 | She Brings the Rain from the movie "Bottom" by Thomas Schamoni (recorded November 1969) | 4:04 | |||
| Deadlock instrumental title melody from the movie "Deadlock" by Roland Klick | 1:40 | |||||
| Don't Turn the Light On, Leave Me Alone from the movie "Cream" by Leonidas Capitanos (recorded June 1970) | 3:42 | |||||
| Soul Desert from the movie "Mädchen mit Gewalt" by Roger Fritz (recorded December 1969) | 3:46 | |||||
| "Can Soundtracks" is the second album of THE CAN but not album no. two.
"Can Soundtracks" means a selection of title songs and soundtracks from the last five movies for which THE CAN wrote the music. Album no. two will be released in the beginning of 1971. Produced by THE CAN for PROM |
Irmin Schmidt: organ Holger Czukay: bass Jaki Liebezeit: percussion, flute Michael Caroli: guitar Damo Suzuki: vocal (Malcom Mooney: vocal in "Soul Desert" and "She Brings the Rain") Recorded at Inner Space Studios Design: Albert Leuthenmayr | |||||
| 3 | Ege Bamyasi (US 1973 United Artists UA-LA063-F) VG+/VG+ has insert $10 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Pinch | 9:28 | Can | Vitamin C | 3:34 | Can | |
| Sing Swan Song | 4:18 | Soup | 10:25 | |||
| One More Night | 5:35 | I'm So Green | 3:03 | |||
| Spoon | 3:03 | |||||
| Michael Caroli: Guitar, Acc.-G., 12 String-G., Shenai
Kenji "Damo" Suzuki: Vocal Jaki Liebezeit: Percussion, Flexaton Irmin Schmidt: Organ, E.-Piano, Violine, Steel-G. Holger Czukay: E.Bass Art Direction: Ingo Trauer Richard J. Rudow |
Recording Engineer: Holger Czukay Assistant: Uli Gerlach Special Thanks to: Peter Przygodda, Frau Helfter, Hans+Rosemarie Please Contact: Can c/o 5 Koln 30 Postfach 35 02 09 | |||||
| 4 | Soon Over Babaluma (US 1975 United Artists UA-LA343-G) VG+/VG+ $10 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Dizzy Dizzy | 5:40 | Can/Duncan Fallowell | Chain Reaction | 11:12 | Can | |
| Come Sta, La Luna | 5:44 | Can | Quantum Physics | 8:33 | ||
| Splash | 7:47 | |||||
| Michael Caroli: Voc., Viol., Guitar, elt. Viol.
Irmin Schmidt: org., e. Piano, alpha 77, voc. Piano, elect. Perc Jaki Liebezeit: perc. Holger Czukay: bass | ||||||
| 5 | Can (G 1978 Harvest 1C 066-45099) M-/M- $12 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| All Gates Open | 8:16 | Karoli, Schmidt, Liebezeit, Gee, Reebop | Sodom | 5:43 | Karoli, Schmidt, Liebezeit | |
| Safe | 8:36 | A Spectacle | 5:52 | Karoli, Schmidt, Liebezeit, Gee, Czukay | ||
| Sunday Jam | 4:17 | Karoli, Schmidt, Liebezeit, Gee | E.F.S. Nr. 99 ("Can Can") | 3:16 | Karoli, Schmidt, Liebezeit, trad., J. Offenbach | |
| Ping-Pong | 0:25 | trad. | ||||
| Can be | 3:00 | Karoli, Schmidt, Liebezeit | ||||
| Michael Karoli: Guitars, voc., Bass on Can be
Irmin Schmidt: Keyboard & Synth. Rosco Gee: Bass Jaki Liebezeit: Drums Reebop Kwaku Baah: Percussion produced by CAN Recorded at INNER SPACE STUDIO Recording-Engineer: Rene Tinner mixed at HANSA-Tonstudios Berlin, Soundengineer: Eduard Meyer Editing: Holger Czukay |
KEYBOARDS + Electronics: Alpha 77, Zurich Polymoog, Dynacord -- Echolette Orgeltonkabinett, Crumar: Organizer !!, Multiman S Farsifa, AKG Art Direction: Dirk Weber Coverphoto: Arke Coverdesign: WERBEGRUPPE Kochlowski | |||||
| 1 | From Scratch aka Scratching the Surface (US 1972 Charisma CAS 1056) M-/VG+ cos has insert $10 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Beautiful Scarlet | 4:55 | Rare Bird | No Range | 4:08 | Dave Nevin | |
| Do You Beleive | 4:30 | Dave Nevin | I Will Be There | 3:26 | Tony Ferguson | |
| The Band | 3:42 | Tony Ferguson | Redman | 3:10 | M. Hall/S. Gould/F. Kelly/A. Curtis/D. Kaffinetti | |
| Garden | 3:24 | Day in Day Out | 3:51 | Dave Nevin | ||
| Liar | 7:15 | R. Ballard |
| 9:48 | Tony Ferguson | |
| Produced by Steve Rowlands Engineer: John Macswift Tape Op: Ashley & Bob Recorded at Lansdowne Studios Sleeve: Kenny Rowe | ||||||
| 1 | Captain Beyond (US 1972 Capricorn CP 0105) M-/VG+ 3d cover $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Dancing Madly Backwards (On a Sea of Air) | 4:08 | Bobby Caldwell and Rod Evans | Thousand Days of Yesterdays (Intro) | 1:30 | Bobby Caldwell and Rod Evans | |
| Armworth | 2:50 | Frozen Over | 3:55 | |||
| Myopic Void | 3:37 | Thousand Days of Yesterdays (Time Since Come and Gone) | 4:05 | |||
| Mesmerization Eclipse | 3:45 | I Can't Feel Nothin' (Part 1) | 3:07 | |||
| Raging River of Fear | 3:48 | As the Moon Speaks (To the Waves of the Sea) | 2:30 | |||
| Astral Lady | 1:15 | |||||
| As the Moon Speaks (Return) | 2:16 | |||||
| I Can't Feel Nothin' (Part II) | 1:11 | |||||
| Rod Evans: Lead Vocals Bobby Caldwell: Drums, All Percussion, Backing Vocals, Piano, Vibes, Bells Rhino: Lead Guitar, Acoustic Guitar, Slide Guitar Lee Dorman: Bass Guitar, Backing Vocals, Piano Arranged by Captain Beyond Published by Starship Music-ASCAP Produced by Captain Beyond |
Engineer: Wayne Dailey Mixed by Johnny Sandlin Recorded at Sunset Sound Recorders in Hollywood, California Mixed at the Record Plant in Los Angeles, California Album Concept and design: Pacific Eye & Ear Illustration: Joe Garnett This Album is Dedicated to the Memory of Duane Allman | |||||
| 2 | Sufficiently Breathless (US 1973 Capricorn CP 0115) gatefold M-/M- $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bright Blue Tango* | 4:12 | Lee Dorman | Starglow Energy | 5:11 | Lee Dorman | |
| Sufficiently Breathless | 5:04 | Distant Sun | 4:41 | |||
| Drifting in Space | 3:13 | Voyages of Past Travellers | 1:30 | |||
| Evil Men* | 4:57 | Everything's a Circle | 4:26 | |||
| Lee Dorman: Bass
Guille Garcia: Congas, Timbales, Percussion Rhino: Lead, Acoustic, and Slide Guitar Rod Evans: Lead and Harmony Vocals Marty Rodriguez: Drums, Back-up Vocals Reese Wynans: Electric and Acoustic Pianos Paul Hornsby: Organ on "Starglow Energy" Produced by Captain Beyond for Capricorn Records, Inc. by Special Arrangement with Phil Walden and Associates, Inc., Macon, GA. Published by Starship Music D/b/a Beyond Music (ASCAP) Arranged by Captain Beyond |
Recorded at Capricorn Studios, Macon, Georgia *Recorded at the Record Plant, Sausalito, California Mixed at the Record Plant John "The Nail" Stronach: Engineer Ovie "Light" Sparks: Engineer Mike "8 Days" Stone: Engineer Kurt "Down Time" Kinzel: Assistant Engineer Album Design: Pacific Eye & Ear Photography: Bob Jenkins Dedicated to the Memory of Berry Oakley | |||||
| 1 | A Roomful of Monkeys (UK 1985 Go! Disks AGOLP5) has inner sleeve M-/M- $15 SOLD! | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Land of the Faint at Heart | ?? | Eric Goulden | Reputation (A Serious Case of a) | ?? | Eric Goulden | |
| Our Neck of the Woods | Food Factory | |||||
| Julie | Lifeline | |||||
| Home and Away | Lady of the Manor | |||||
| The Lucky Ones | Playtime is Over | |||||
| Produced by Eric Goulden, with Captains of Industry Nailed Down & Blended at Gooseberry Sound Studios, London Audio Butcher, Lester Johnson Unbalance & Knocked out of True by Eric Goulden & Lester Johnson Bal.Movements, Lesley Symons Soul Stealer, Bleddyn Butcher Pac Format, Humphrey Ocean & C.More.Tone.Studios Recorded at Lansdowne Studios Sleeve: Kenny Rowe |
Captains of Industry on this record are: Eric Goulden, Heart Guitar & Singing Norman Watt-Roy, Deep Guitar Dick Adland, Hitting Things with their guests: The Lady of the Manor, Little Ginny, Ivory & Plastic Dept., Mickey Gallagher, Anne Otherchap, Brett Fremlin ('A' Team Theme) An Industrial Product - Made in the Land of the Faint in Heart | |||||
| 1 | Waterloo Lily (US 1972 London XPS 615) promo sticker gatefold G/G $1 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Waterloo Lily | 6:47 | Coghlan, Hastings, Sinclair | Aristocracy | 3:03 | Coghlan, Hastings, Sinclair | |
| Nothing at All | 10:25 | The Love in Your Eye | 12:31 | |||
| Its Coming Soon | Miller | To Catch Me a Brother | ||||
| Nothing at All (reprise) | Coghlan, Hastings, Sinclair | Subsultus | ||||
| Songs and Signs | 3:39 | Miller | Debouchment | |||
| Tilbury Kecks | ||||||
| The World is Yours | 3:41 | |||||
| Richard Coughlan: Drums and Percussion Pye Hastings: Lead vocals,.... Lol Coxhill, Phil Miller, David Sinclair... | ||||||
| 2 | Blind Dog at St. Dunstans (US 1976 Arista AL 4088) M-/M- $10 | 
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| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Here Am I | 6:19 | P. Hastings | Jack and Jill | 6:26 | P. Hastinga | |
| Chiefs and Indians | 5:13 | M. Wedgewood | Can You Hear Me? | 6:17 | ||
| A Very Smelly, Grubby Little Oik | 4:15 | P. Hastings | All the Way (With John Wayne's Single-Handed Liberation of Paris) | 9:03 | ||
| Bobbing Wide | 1:30 | |||||
| Come on Back | 4:50 | |||||
| Oik (Reprise) | 4:50 | |||||
| Richard Coughlan: Drums Mike Wedgwood: Bass, Congas, Vocals. Pye Hastings: Electric & Acoustic Guitars, Vocals. Geoffrey Richardson: Viola, Electric Guitar, Flute, Night-Shift Whistle. Jan Schelhaas: Piano, Electric Piano, Clavinet D6, ARP String Ensemble, Mini-Moog, Organ. with Jimmy Hastings: Saxes, Clarinet & Flute Girl Vocals: Irene and Doreen (The Chanter Sisters) |
Produced by David Hitchcock Backing tracks recorded at Basing Street Studios, London Engineer: Phil Ault; Assistant Engineers: Dave Hutchins, Barry Sage, Robert Ash Overdubs recorded at Graveney Village Hall, Kent with the Manor Mobile. Engineer: Django Johnny Punter Assistant Engineer & Phasing: Steve Prestage Cover Art: David English/Andrew Archer Associates Design: David English/Andrew Archer Associates | |||||
| 1 | Switched-On Bach (US 1968 Columbia MS 7194) VG+/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sinfonia to Cantata No. 29 | 3:20 | Bach | Prelude and Fugue No. 2 in C Minor (from Book I of "The Well-Tempered Clavier") | 2:43 | Bach | |
| Air on a G String | 2:27 | Chorale Prelude "Wachet Auf" | 3:37 | |||
| Two-Part Invention in F Major | :40 | Brandenburg Concerto No. 3 in G Major | ||||
| Two-Part Invention in B-Flat Major | 1:30 | First Movement | 6:35 | |||
| Two-Part Invention in D Minor | :55 | Second Movement | 2:50 | |||
| Jesu, Joy of Man's Desiring | 2:56 | Third Movement | 5:05 | |||
| Prelude and Fugue No.7 in E-Flat Major (from Book I of "The Well-Tempered Clavier") | 7:07 | |||||
| Walter Carlos Performing on the Moog Synthesizer | Electronic Realizations and Performances by Walter Carlos with the assistance of Benjamin Folkman | |||||
| 2 | The Well-Tempered Synthesizer (US 1969 Columbia MS 7286) has insert VG+/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Stereo Test Tone | :10 | -- | Brandenburg Concerto No.4 in G Major, BWV 1049 | J.S. Bach | ||
| "Orfeo" Suite Tocatta; Ritornello I; Choro II; Ritornello II; Choro II; Ritornello II | 3:15 | Monteverdi | Allegro | 8:03 | ||
| Sonata in G Major, L. 209/K. 455 | 1:38 | Scarlatti | Andante | 3:30 | ||
| Sonata in D Major, L. 164/K. 491 | 2:25 | Presto | 4:40 | |||
| Water Music | Handel | "Domine Ad Adjuvandum," from 1610 Vespers | 2:13 | Monteverdi | ||
| Bourree | :43 | |||||
| Air | 2:42 | |||||
| Allegro Deciso | 2:57 | |||||
| Sonata in E Major, L. 430/K. 531 | 1:52 | Scarlatti | ||||
| Sonata in D Major, L. 465/K. 96 | 1:52 | |||||
| Produced by: Rachel Elkind Engineering: Walter Carlos Sundry Benefactors: Mark Aubert, Nancy Chessare, H. Jon Geis, Stewart Kellerman, Donald Longmore, Philip Ramey, Eric Siday, Helena Sterling, Ettore Stratta, and G.L. |
For Columbia Records: Producer: Tom Frost Mastering: John Guerriere, Lawrence Keyes, Raymond Moore Cover photo: Horn/Griner | |||||
| 3 | Stanley Kubrick's Clockwork Orange (US 1972 Warner Brothers BS 2573) M-/VG+ gatefold $20 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Theme Music from A Clockwork Orange | 2:21 | Walter Carlos and Rachel Elkind | Pomp and Circumstance March No. I | 4:28 | Sir Edward Elgar | |
| The Thieving Magpie (Abridged) | 5:57 | Gioacchino Rossini | Pomp and Circumstance March No. IV - Abridged | 1:33 | ||
| Theme form A Clockwork Orange (Beethoviana) | 1:44 | Walter Carlos and Rachel Elkind | Timesteps (Excerpt) | 4:13 | Walter Carlos | |
| Ninth Symphony, Second Movement - Abridged | 3:48 | Ludwig van Beethoven | Overture to the Sun | 1:40 | Terry Tucker | |
| March from A Clockwork Orange (Ninth Symphony, Fourth Movement-Abridged) | 7:00 | I Want to be a Lighthouse Keeper | 1:00 | Erika Eigen | ||
| William Tell Overture-Abridged | 1:17 | Gioacchino Rossini | William Tell Overture-Abridged | 2:58 | Gioacchino Rossini | |
| Suicide Scherzo (Ninth Symphony, Second Movement-Abridged) | 3:07 | Ludwig van Beethoven | ||||
| Ninth Symphony, Fourth Movement-Abridged | 1:34 | |||||
| Singin' in the Rain | 2:36 | Arthur Freed, Nacio Herb Brown | ||||
| Starring Malcom McDowell, Patrick Magee, Adrienne Corri, Miriam Karlin
Screenplay by Stanley Kubrick Based on the book by Anthony Burgess Produced and Directed by Stanley Kubrick |
Produced by Rachel Elkind Walter Carlos appears courtesy of CBS Records, Inc. Edited for LP by John Wood and supervised by Joe Boyd. Art Direction: Ed Thrasher Cover Art: Philip Castle | |||||
| 4 | Sonic Seasonings (US 1972 Columbia PG 31234) M-/M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Spring | 22:09 | Walter Carlos | Summer | 21:31 | Walter Carlos | |
| Side 3 | Side 4 | |||||
| Fall | 20:56 | Walter Carlos | Winter | 20:31 | Walter Carlos | |
| A Temp Production Produced by Rachel Elkind Mixed by Walter Carlos Matering: Cliff Morris |
Sundry benefactors: Sue C. Clark / Ed Lee / Chris Nelson / Philip Ramey / Bebe Schwartz /
R. Dennis Schwartz / Stephen Temmer
Cover Design: Ed Lee / Cover Art: ISLANDS OF MATSUSHIMA / accession number: 11.4584 | |||||
| 5 | Beauty in the Beast (US 1986 Audion SYN 200) M-/M- $10 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Incantation | 6:45 | Wendy Carlos | Just Imaginings | 12:06 | Wendy Carlos | |
| Beauty in the Beast | 3:57 | That's Just It | 3:36 | |||
| Poem for Bali | 17:39 | Yusae Aisae | 3:12 | |||
| C'est Afrique | 6:13 | |||||
| A Woman's Song | 4:10 | |||||
| CREDITS: Produced & Engineered by Wendy Carlos Assistance, Ideas & Logistics by Annemarie Franklin Customized GDS & Synergy Digital Synthesizers 216 Vocoder (cuts 1& 7) by Synton Transfers by Rhonda Epstein Schoen & Mastering by George Marino at Sterling Sound Cover Design by Murray Brenman Cover Painting by W. Y. Weca, Ubud BALI Photo of Wendy Carlos by Vernon Smith Border is a 1K (kilobit) Gallium Arsenide (GaAs) Gate Array microchip. Photo courtesy of Texas Instruments |
SPECIAL THANKS TO: Larry Fast, Stoney Stockell, John Klett, Jerry Ptaszynski, and the Moogs | |||||
| 1 | Fandangos in Space (US 1974 ABC DSDP-50192) M-/VG+ gatefold $35 | ||||||||||||||||||||||||||||||||||||
| 2 | Fandangos in Space (US 1974 Paramount PAS-1044) VG+/VG+ gatefold coh $25 | ||||||||||||||||||||||||||||||||||||
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| Title | Time | Composer(s) | Title | Time | Composer(s) | ||||||||||||||||||||||||||||||||
| Bulerias | 5:10 | David Allen | Por Tarantos | 1:40 | D. Allen | ||||||||||||||||||||||||||||||||
| Looking Outside (My Window) | 7:10 | D. Allen/Amaral | ||||||||||||||||||||||||||||||||||
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| Produced by Tony Visconti for Good Earth Productions, Ltd.
Recorded at John Kongos Studios, Air Studios and E.M.I. Studios, London Engineered by Tony Visconti, John Kongos, Alan Harris, John Kurlander and Peter Mew Cover Photo by Benno Friedman Back Cover & Inside Photography by Peter Howe Cover Design: Robert L. Heimall |
David Allen: vocals, 6 string electric guitar, flamenco guitar Roberto Amaral: vocals, vibraphone, footwork, castanets Angela Allen: vocals, mellotron, synthesizer, footwork John Glascock: vocals, bass, bass pedals Paul Fenton: Drums, percussion | ||||||||||||||||||||||||||||||||||||
| 1 | Cartoone (US 1969 Atlantic SD 8219) w/Jimmy Page M-/M- gatefold sm coh $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Knick Knack Man | 3:50 | Derek Creigan | I Cant Walk Back | 2:52 | Derek Creigan | |
| Withering Wood | 2:24 | Let Me Reassure You | 2:20 | |||
| The Sadness of Toby Jugg | 2:39 | Mr. Poor Man | 3:43 | |||
| A Penny for the Sun | 3:06 | Ice Cream Dreams | 2:47 | |||
| I'll Stay | 2:07 | Mike Allison | Doing What Mamma Said | 2:39 | ||
| Girl of Yesterday | 3:10 | Derek Creigan | See Me | 2:05 | ||
| Derek Creigan/Bass & Lead Singer Mike Allison/Lead Guitar Mo Trowers/Rhythm Guitar Chick E. Coffils/Drums Jimmy Page/Guest Artist John Cameron/Orchestral Arrangements |
Recording engineers: Dave Siddle, E. Offord, & Brian Humphries
Album photos: Duffy Album design: Peter Dyer This album was produced by Mark London | |||||
| 1 | Good Morning America (US 1981 RCA AFL1-4137) M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| good morning america | 5:23 | Thomas | all my life | 3:43 | Thomas | |
| i can't get over you | 3:40 | fool for your love | 4:11 | |||
| roll the dice | 3:58 | C.P. & M. Couchois | my perfect lover | 3:34 | ||
| heading for home | 4:11 | Thomas | i'm angry with you | 3:04 | Anderson-Gadd-Henrit-Thomas-Verity | |
| saturday night | 3:16 | Troyer-Brown | just one more chance | 3:46 | Thomas | |
| the girl won't dance with me | 3:43 | |||||
| produced and arranged by Terry Thomas with John Verity
recorded and mixed by John Verity at Livingstone Studios, London management and direction by Dave Thomas |
Charlie are: John Anderson (bass, vocals) Steve Gadd (drums) Bob Henrit (drums) Terry Thomas (guitar, vocals) John Verity (guitar, vocals) | |||||
| 1 | Wasted Time (US 1987 Parapsychosis CHAZ1968AB) M-/M- $50 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Move in Time | ?? | Charles Moss | Human Cage | ?? | Charles Moss | |
| Our Country | On the Church Floor | |||||
| Anymore | All Dreamed Up | |||||
| Here and Around | Wasted Time | |||||
| Produced and Mixed by Brad Knox (the Trash 1 Unit)
Pre-production by Chazz on the basement 4-track Noises by Chazz-Composed by Chazz |
Thanx-Bart Carl Karen Tracy Ed Dug Hodge Mark Lisa Randy Dave Sheri Kieth and all who believe
For Jennifer | |||||
| 1 | 7 (US 1978 Columbia 35612) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Away We Go Again | 6:25 | Trad. arr. by Moloney | No. 6 the Coombe | 3:50 | Trad. arr. by Potts | |
| Dochas | 3:47 | Trad. arr. by Potts | O'Sullivan's March | 4:00 | Trad. arr. by Tubridy | |
| Hedigan's Fancy | 3:47 | Trad. arr. by Fay | The Ace and Duece of Pipering | 3:23 | Trad. arr. by Keane | |
| John O'Connor and the Ode to Whiskey | 2:38 | Trad. arr. by Bell | The Fairies' Lamentation & Dance | 6:52 | Trad. arr. by Bell | |
| Friel's Kitchen | 4:41 | Trad. arr. by Keane | Oh! The Breeches Full of Stitches | 4:21 | Trad. arr. by Tudridy | |
| Produced by Paddy Moloney for Claddagh Records Limited Recorded in Dublin Sound Studios, Ireland Engineer: John Wood Mixed at Olympic Studios, London Engineer: Victor Gamm Design: Elena Pavlov Illustration: James Grashow |
Paddy Maloney: uillean pipes, tin whistle Sean Potts: tin whistle, bones Sean Keane: fiddle, tin whistle Martin Fay: fiddle, bones Michael Tubridy: flute, concertina, tin whistle Derek Bell: neo Irish harp, mediaeval harps, tiompan, oboe Kevin Conneff: bodhran | |||||
| 1 | Child's Play (US 1979 Moonlight MLR 1004) M-/M- $20 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| 'sNo Danz | 6:05 | B.W. Ford-Fyffe | Little David | 5:38 | B.W. Ford-Fyffe | |
| Stella (by Flashlight) | 7:18 | Lumpkin/Muddd/Ford-Fyffe | Bossa Who? | 4:40 | ||
| Captain's Groove | 6:10 | B.W. Ford-Fyffe | Melichar Babie | 8:15 | ||
| Jonqille Pour Moi, Stanley? | 5:28 | B.W. Ford-Fyffe/Stanley Carke | The Gnome House that Franco Built | 4:26 | Reese/Ford-Fyffe | |
| Bruce Ford-Fyffe: Piano Merrill Reese: Drums Muddd: Guitar, ARP Synthesizer Richard Lumpkin: Electric Bass Neon Graphics "How I Spent My Summer Vacation" Robert Ziegler Photography: Candy Welsh Art Direction: M. Leslie Ford-Fyffe |
Produced by Dave Robert Recorded at No Evil Multimedia, Washington, D.C. Engineering and Mixdown, Nick Komoutseas Special thanks to Bruce and Doug. Mastered at Masterfonics, Inc., Nashville, Tennessee | |||||
| 1 | Yellow River(US 1970 Epic E 30403) promo/sug. cuts sticker WJHU on cover M-/VG+ $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Yellow River | 2:45 | J. Christie | Down the Mississippi Line | 2:51 | J. Christie | |
| Gotta Be Free | 3:12 | San Bernadino | 3:13 | |||
| I've Got a Feeling | 2:50 | Country Boy | 2:39 | |||
| New York City | 3:06 | V. Elmes - H. Blaikley | Johnny One Time | 3:25 | ||
| Inside Looking Out | 2:43 | J. Christie | Coming Home Tonight | 3:00 | ||
| Put Your Money Down | 2:43 | |||||
| Produced by Mike Smith
Mike Blakley, drums |
Vic Elmes, lead guitar Jeff Christie, lead singer and bass guitar | |||||
| 1 | Book Early (US 1978 Mercury SRM-1-3737) has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| 5.7.0.5. | 3:10 | Mason/Broughton | Do What You Do, Do Well | 3:29 | Ward/Slamer/Mason | |
| Summer in the School Yard | 3:52 | Mason/Broughton/Slamer | The World Loves a Dancer | 3:24 | Mason/Thomas | |
| Goodbye Laurelie | 3:10 | Mason/Thomas | Beth | 2:45 | Mason/Broughton | |
| Raise Your Glass (To Foolish Me) | 2:57 | Broughton | Moving in Circles | 4:05 | Broughton | |
| Cigarettes | 5:30 | Mason/Broughton/Slamer | Dangerous Ground | 4:53 | Mason/Thomas | |
| Produced by Robert John Lange Chris Dunn (The Duck): Bass Guitar Mike Slamer (The Duke): Electric Guitars (and bass on SUMMER IN THE SCHOOL YARD Lol Mason: Lead vocals, backing vocals Roy Ward: Drums, percussion, lead vocals, backing vocals Max Thomas: Electric and acoustic pianos, synthesizers Steve Broughton: Lead voclas, backing vocals, acoustic guitar Road Crew: Dave Smith and Derek King All arrangements by CITY BOY and ROBERT JOHN LANGE Recorded at: Rockfield Studios, Monmouth, South Wales (Engineers: Robert John Lange, Ted Sharp) Trident Studios, London (Engineer: Neil Ross) Wessex Studios, London (Engineer: Gary Edwards) |
Mixed at: The Record Plant, Los Angeles (Mixing Engineer: Gary Ladinsky) (Assistant Engineer: Mike Beiriger) Mastered at: A & M Los Angeles by Bernie Grundman Orchestra arranged and conducted by Lou Clark Country guitar on 'BETH' by 'Doc' Merle Anger and his City Pickers Double bass on 'BETH' by Babbington Additional keyboards: Greg Mathieson Acoustic Guitar: Robert John Lange Executive Engineer: Robert John Lange Design and Art Direction: Schmidt/Walden/Bailey & AGI Cover Photography: Richard Haighton Logo Design: Hothouse | |||||
| 2 | The Day the Earth Caught Fire (US 1979 Atlantic SD 19249) has inner sleeve, cos M-/M- $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Day the Earth Caught Fire | 5:21 | Mason- Thomas- Slamer | Up in the Eighties | 4:18 | Mason- Thomas | |
| It's Only the End of the World | 4:01 | Mason- Broughton- Ward- Lange | Machines | 5:01 | Mason- Slamer- Ward | |
| Interrupted Melody | 5:26 | Mason- Thomas- Stamer | Ambition | 12:36 | City Boy | |
| Modern Love Affair | 3:27 | a. Ambition | Mason- Broughton- Slamer | |||
| New York Times | 5:07 | Mason- Broughton- Slamer- Thomas | b. Me and My Tarot | Mason- Broughton- Thomas | ||
| c. Rev-On (The Crunch) | Mason- Broughton- Slamer- Ward- Thomas- Lange | |||||
| d. The End (Came Easy) | Mason- Broughton | |||||
| Lol Mason: Lead and Backing Vocals Steve Broughton: Lead and Backing Vocals, Acoustic Guitar Mike Slamer: All Electric Guitars Roy Ward: Lead and Backing Vocals, Drums, Percussion Max Thomas: Keyboards and Backing Vocals Chris Dunn: Bass Guitar and Acoustic Guitar Produced by Robert John Lange Engineered by Tim Friese-Greene |
Additional Musicians: Kendal Stubbs: Bass Guitar and Percussion on "Modern Love Affair" "Mutt" Lange: Bass Guitar and Backing Vocals on "It's only the End of the World" Huey Lewis: Harp on "It's only the End of the World" Tim Friese-Greene: Honky Synthesizer on "Rev-On (The Crunch)" Derek 'Calorie' King: Piano "God Save the King" Strings Arranged by Louis Clarke Album recorded at Compass Point Studios, Nassau, Bahamas Speaking Clock recorded at Zella Studios Cover illustration: Don Brautigam Photography: Jim Houghton Art director: Bob Defrin | |||||
| 1 | Clannad 2 (US 1979 Shanachie 79007) cc M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| An Gabhar Ban | ?? | ?? | Dheanainn Sugradh | ?? | ?? | |
| Eleanor Plunkett | Gaoth Barra na dTonn | |||||
| Coinleach Ghlas an Fhomair | Teidhir abhaile Riu | |||||
| Rince Philib a'Cheoil | Fairly Shot of Her | |||||
| By Chance it Was | Chuaigh me 'na Rosann | |||||
| Rince Briotanach | ||||||
| Pol O Braonain: Fliuit, Bongos, Giotar, Amhrain Maire Ni Bhraonain: Cruit, Amhrain Padraig O Dugain: Giotar, Mandola, Amhrain Noel O Dugain: Giotar, Amhrain Ciaran O Braonain: Dord, Giotar, Piano, Amhrain |
Produced by: Donal Lunny Design: Bill Bolger Notes: Fachtna O'Kelly Photography: Dominic Ledwidge-O'Reilly, i Rough Deal, Straid Essex Recorded at: Eamonn Andrews Studios (Pat Morley-Philip Begley) | |||||
| 1 | Slide of Hand (US 1987 SST 151) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Slide of Hand | 2:33 | Scott Colby | Adrenaline | 2:06 | Scott Colby | |
| Late | :53 | Obligatory Blues | 8:16 | |||
| The World Owes Me a Living | 4:39 | Staring Out the Window | 1:15 | |||
| Metal & Wood | 2:05 | A Good Talking To | 1:33 | |||
| Sure Looks That Way | 4:01 | Let's Go Places & Eat Things | 3:13 | |||
| The Weight of the World | 5:05 | At Last | 5:04 | |||
| Produced by Zoogz Rift Scott Colby - slide guitar, digital keayboard cello, bottleneck dobro, kalimba Willie Lapin - bass, upright acoustic bass, downright electric bass Mark Crawford - drums, rhythm abuse Jim Germann - tenor sax, baritone sax Ben Clatworthy - alto sax John French - drums Bruce Fowler - trombone Toby Holmes - trombone Henry Kaiser - guitar solo Toby Holmes - trombone Jesse Ed Davis - guitar solo |
Recorded July - August 1987 at Trigon Studios, Canoga Park, CA Engineered by Mark Mylar Mastered at K-Disc by John Golden Font cover art by Lee Kaplan Back cover photo by Dennis Keeley Horn arrangement, cover concept & direction by Scott Colby Layout by Rob Dixie | |||||
| 1 | Body Meta (US 1978 Artistshouse AH1) gatefold M-/M- $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Voice Poetry | 8:00 | Ornette Coleman | Macho Woman | 7:35 | Ornette Coleman | |
| Home Grown | 7:36 | Fou Amour | 8:31 | |||
| European Echoes | 7:40 | |||||
| Produced by Ornette Coleman | ||||||
| 1 | Marjory Razor Blade (US 1973 Virgin VR 13-106) M-/VG+ $12 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Eastbourne Ladies (a)(b) | 4:37 | Kevin Coyne | House on the Hill (c)(g) | 4:52 | Kevin Coyne | |
| Old Soldier (a)(c)(d) | 3:53 | Nasty (a)(c) | 5:03 | |||
| Marlene (a)(c) | 2:44 | Talking to No One (c)(g) | 2:30 | |||
| Everybody Says (c)(e) | 4:24 | Dog Latin (a)(h)(i) | 4:55 | |||
| Lovesick Fool (a)(c)(f) | 2:19 | I Want My Crown (a)(b) | 4:20 | |||
| Marjory Razorblade (a)(h) | 1:46 | |||||
| (a) Recorded at The Manor, Oxfordshire (b) Engineer: Phil Newell (c) Engineer: Simon Heyworth (d) Strings arranged: Jean Roussel (e) Recorded at Saturn Studio, Worthing, Sussex (f) Rhythm guitar: John Varnom Piano: Nick Cudworth Horns: Mel Collins (g) Recorded at The Blue Horizon Studio, Chipping Nortin (h) Engineer: Tom Newman (i)Acoustic guitar: Dave Clague |
Kevin Coyne: Vocals, guitar Gordon Smith: Acoustic, slide, 12 string and electric guitars Jean Roussel: Piano, organ, Fender Rhodes Tony Cousins: Bass Chilli Charles: Drums, congas Tracks arranged by Steve and Kevin Produced for Virgin Records by Steve Verroca Re-mixed at The Manor, Oxfordshire Mixing engineer: Simon Heyworth A + R direction: Simon Draper Design/Photography: Phil Franks | |||||
| 2 | Matching Head and Feet (US 1975 Virgin VR 13-117) M-/VG+ has inner sleeve $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Saviour | 5:31 | Coyne- Legget- Smith | Mrs. Hooley Go Home | 6:04 | Coyne | |
| Lucy | 3:02 | Coyne-Legget | It's Not Me | 3:30 | ||
| Lonely Lovers | 4:18 | Coyne | Turpentine | 3:38 | ||
| Sunday Morning Sunrise | 5:33 | Tulip | 6:36 | Coyne-Summers | ||
| Rock 'N' Roll Hymn | 3:38 | Coyne- Legget- Penn | One Fine Day | 4:55 | Coyne | |
| The Kevin Coyne Band Is: Kevin Coyne: Vocals Archie Legget: Bass Tim Penn: Keyboards Andy Summers: Electric Guitars Gordon Smith: Semi Acoustic, ELectric and Slide Guitars, Harmonica Peter Woolf: Drums and Percussion String arrangements: Derek Wadsworth Horn arrangements: Geoffrey Haslam Thanks to Chris Mercer-Tenor Sax, Bud Beadle-Baritone Sax, Steve Gregory-Tenor Sax, Clarinet and Flute |
Produced by Geoffrey Haslam Engineered by Michael Glossop Recorded at Farmyard on the Manor Mobile Mixed at Morgan Studios Cover painting, photograph and design by Ray Smith | |||||
| 1 | The Vigil (US 1982 Star Song SSR 0030) VG+/VG+ has inner sleeve $45 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sunset Before the Vigil | 1:21 | P. Mills | Saltarello | 1:18 | P.D. | |
| The Vigil | 2:03 | K. Crabb, C. Marshall | The Danse | 4:50 | K. Crabb | |
| They That Go Down to the Sea in Ships | 4:12 | K. Crabb | Thigpen's Wedding | 2:00 | ||
| Tannin | 3:03 | Taking the Cross | 1:35 | C. Mills | ||
| Doulos | 3:32 | Candle Flame | 2:34 | K. Crabb | ||
| All Father Litany | 2:09 | Te Deum | 1:47 | P.D. | ||
| Be Thou My Vision | 2:45 | P.D. | Fairest Lord Jesus (Crusader's Hymn) | 2:59 | ||
| Outremer | 1:16 | K. Crabb | The Vigil | 2:04 | K. Crabb, D. Marshall | |
| Sunrise After the Vigil | 2:13 | P. Mills | ||||
| Produced, arranged, and Engineered by Paul Mills Engineered and Mixed at Rivendell Sound Recorders, Pasadena, Texas. Assistant Engineers: Rick Thigpen, and Cathy Mills. Mixed by Paul Mills and Kemper Crabb. Mastered at Sterling Sound by Greg Calbi. The Players: Kemper Crabb - Lead and Backing Voices, Recorders, Tin Whistle, Guitar, Dulcimer, Bells, Psaltery Lee Ann Turner - Guitar Bekah Crabb, Rick Thigpen - Backing Voices Paul Mills - Organ Jerry McPherson - Mandolin Russell Dunlap - Percussion John Witte - Percussion Cathy Mills - Timpani Andy White - Bagpipes Barbara Goodrich - Troubador Harp |
The Orchestra: Mike White - flute Wake Foster - Oboe Fletch Wiley - Trumpet (solo on Tannin) Dave Vandiver - Trombone Mike Barker - Tuba Bruce Kenney - Horn Violins: Lydia Simon, Linda Sanders, Eddie Chen, Eric Brahnsky, Janet Kline, Carolyn Harkins (played on Be Thou My Vision), Larry Lawrence (played on Be Thou My Vision) Violas: Stan Oakes, Greg Deskins Cello: David Humes, Mark Kenney Bass: Diane Burkey Strings contracted by Stan Oakes. Brass contracted by Dave Vandiver. Boy's Choir - The Singing Boys of Houston directed by Gary Patterson. Randy Rogers, Illustration Frank White, Photography Dave Rogers, Art Direction Bekah Crabb, Front Photo Concept (adapted from the painting "The Vigil" by John Petty). | |||||
| 1 | Crack the Sky (US 1975 Lifesong LS 6000) has inner sleeve VG+/VG+ $20 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hold On | 3:00 | John Palumbo | Ice | 4:36 | John Palumbo | |
| Surf City | 3:54 | Mind Baby | 4:32 | |||
| A Sea Epic | 6:33 | I Don't Have a Tie | 3:04 | |||
| She's a Dancer | 3:54 | Sleep | 7:48 | |||
| Robots for Ronnie | 4:39 | |||||
| Musicians: Jim Griffiths: lead guitar, harmonies Joe Macre: bass guitars, harmonies John Palumbo: keyboards,guitars, lead vocals Joey DAmico: drums, harmonies Rick Witkowski: lead guitar, percussion Produced by Terrence P. Minogue, Marty Nelson, and William Kirkland for Cashwesh Productions, Inc. |
Recording and mixing engineer: Donald Puluse Tape master: Ted Brosman Major-domo: Danny Palumbo Mastering engineer: Stan Kalina/CBS Studios, New York Michael Brecker, Randy Brecker, and David Sanborn: horns on Shes a Dancer and Mind Baby George Marge: woodwinds on Robots for Ronnie, Sleep, and A Sea Epic Tom Jones: trombones on Sleep | |||||
| 2 | Animal Notes (US 1976 Lifesong LS 6005) M-/M- has inner sleeve cc $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| We Want Mine | 4:54 | John Palumbo | Rangers at Midnight (including Night Patrol and featuring Let's Lift Out Hearts Up) | 7:34 | John Palumbo | |
| Animal Skins | 3:33 | Virgin...No | 4:55 | |||
| Wet Teenager | 3:32 | Invders from Mars | 3:31 | |||
| Maybe I Can Fool Everybody (Tonight) | 5:57 | Play On | 4:10 | |||
| The songs on this album were written and sung by John Palumbo who also played the keyboards and some acoustic guitar. The electric guitar passages were conceived and played by Jim Griffiths and Rick Witkowski and the rhythm sections were created by Joe Macre who played them on the bass guitar in conjunction with Joey D'Amico who played the drums. Harmony was supplied by all. The horn and string arrangements were done by Terence P. Minogue. This album was recorded at The Record Plant in New York City in 1976 and was engineered by Shelly Yakus and Andy Abrams. The orchestra was recorded by Don Puluse at CBS Studios, 30th Street, New York City. The concert master was David Sackson. |
For the live work we've done...our credit to Danny Palumbo who was our sound engineer and to Darrell Grysko for his very tasteful lighting design in the crudest of places.
Also...to the "Singin' Mounties" for sterling vocal work on the grande finale of "Rangers of Midnight" and to George Marge, Robert (Chic) DiCiccio and the Gotham City Swing Band for their display on the "We Want Mine" track. Back cover photography: Hauser and D'Orio Illustration: Guy Billout Art Direction and Design: Lopaka The producers of this album were Terence P. Minogue, Marty Nelson, and William Kirkland for Cashwest Productions, Inc. This record is given to Derek with our respect. | |||||
| 3 | Safety in Numbers (US 1978 Lifesong JZ 35041) M-/VG+ has inner sleeve $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nuclear Apathy | 8:32 | John Palumbo | Lighten Up McGraw | 5:08 | R. Stevens-R. Witkowski-J. Macre | |
| Long Nights | 3:59 | Give Myself to You | 3:23 | R. Witkowski-R. Stevens | ||
| Flashlight | 4:45 | J. Palumbo-J. D'Amico-J. Macre-J. Griffiths-R. Witkowski | A Night on the Town (with Snow White) | 3:25 | R. Witowski-D. Kucan | |
| Prelude to Safety in Numbers | 1:15 | J. Macre-R. Witkowski | Safety in Numbers | 6:41 | J. Macre-R. Witkowski | |
| Joey D'Amico: percussion, background vocals and lead vocals on "Long Nights"
Jim Griffiths: electric and acoustic guitars, background vocals Joe Macre: electric and synthesized basses, moog pedals, background vocals Rick Witkowski: electric and acoustic guitars, mellotron, background vocals Gary Lee Chappell: lead vocals, background vocals, acoustic guitar Rob Stevens: piano, mini-moog, oberheim synthesizer Produced by Rob Stevens for Cashwest Productions, Inc. Executive Producers: Terry Cashman and Tommy West |
All songs arranged and performed by Crack the Sky Recording and Mixing Engineer: Nick Blagona Assisted by: Bernard Dubuc This album was recorded and mixed at Le Studio, Morin Heights, Quebec Mastered by: George Marino, Sterling Sound, New York City Cover Photo: Jay Maisel Inner Sleeve Photos: Don Hunstein/Tom Hill Back Cover Photo: Sandy Speiser Handlettering: Gerard Huerta Cover Design: John Berg/Nancy Greenberg Production Coordinator: Susan Senk Our appreciation to Vince De Paul who plays keyboards on tour. | |||||
| 4 | Live Sky (US 1978 Lifesong 35620) M-/M- has inner sleeve $20 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hold On | 2:48 | J. Palumbo | Ice | 12:18 | J. Palumbo | |
| Maybe I Can Fool Everybody (Tonight) | 6:30 | Surf City | 7:42 | |||
| Lighten Up McGraw | 5:05 | R. Stevens - R. Witkowski - J. Macre | I Am the Walrus | 5:36 | J. Lennon - P. McCartney | |
| She's a Dancer | 9:08 | J. Palumbo | ||||
| Musicians: Rick Witkowski-lead guitar Joe Macre-bass guitar, harmonies Jim Griffiths-lead guitar, harmonies Joey D'Amico-drums, harmonies Vince De Paul-keyboards Gary Lee Chappel-lead vocals Recorded at: Tower Theatre-Philadelphia, Pennsylvania Record Plant Truck Engineered by David Hewitt, Rob Stevens Agora Theatre-Cleveland, Ohio Engineered by Rob Stevens and Nick Blagona |
"Hold On," "Maybe I Can Fool Everybody (Tonight)" and "Surf City" Produced by Rob Stevens for Cashwest Productions, Inc.
"Lighten Up McGraw," "She's a Dancer," "Ice" and "I Am The Walrus" Remixed by Bruce Tergesen. Recording Supervisor: Nick Blogona Executive Producers: Terry Cashman and Tommy West for Cashwest Productions, Inc. Design: Susan Reinhardt (AGI) Art Direction: Bob Heimall (AGI) | |||||
| 5 | Classic Crack (US 1978 Lifesong LS 8029) M-/M- has inner sleeve $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ice | 4:36 | John Palumbo | Nuclear Apathy | 8:32 | J. Palumbo | |
| We Want Mine | 4:54 | She's a Dancer | 3:54 | |||
| Long Nights | 3:59 | Lighten Up McGraw | 5:08 | R. Stevens/R. Witkowski/J. Macre | ||
| Hold On/Surf City | 6:54 | Maybe I Can Fool Everybody (Tonight) | 5:57 | J. Palumbo | ||
| Front Cover Photography: Mary Walsh Back Cover Photography: Marc Romanelli |
Art Direction and Design: Bob Heimall | |||||
| 6 | White Music (US 1980 Lifesong LS 8028) M-/M- $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Poptown | 3:47 | John Palumbo | All American Boy | 3:18 | John Palumbo | |
| Living With the Lights On | 2:56 | Hot Razors in My Heart | 4:38 | |||
| The Radio Cries (It's Singles Time) | 3:59 | Suspicion | 4:50 | |||
| Skin Deep | 4:08 | Techni Generation | 4:05 | |||
| White Music | 4:12 | Flying | 1:21 | |||
| Songs of Soviet Sons | 5:05 | |||||
| John Palumbo: Lead Vocal, Guitars, Bass, Piano Rick Witkowski: Guitars, Drums, IBM Selectric II, Backup Vocals Vince DePaul: Synthesizers, Electronic Keyboards Produced by Terence P. Minogue for TPM Productions and Rick Witkowski, in association with Cashwest Productions, Inc. Protection: Jeffrey Sharp for Sharp Enterprises |
Executive Producer: Jeffrey Sharp String Arrangement: Terence P. Minogue Recording Engineer: Victor Giordano at Flite III Recordings Ltd., Baltimore, Maryland Mastered by: Ted Jensen at Sterling Sound, NY The Acoustic guitar strings used by Rick Witkowski and John Palumbo are LSR Strings Album Concept by John Palumbo Album Design by Consuello Y. Regan | |||||
| 7 | World in Motion I (US 1983 Criminal PRT 1696) M-/M- cc $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Breakdown | 3:17 | John Palumbo | Stealer | 3:37 | John Palumbo | |
| Skindiver | 2:41 | This Time | 3:47 | |||
| Needles and Pins | 3:36 | Nitzche & Bono | Mr. DJ | 3:19 | ||
| All Fly Away | 4:07 | John Palumbo | Telephone Lady | 4:26 | ||
| Too Cold To Be Cool | 2:37 | Lose That Girl | 2:48 | |||
| Talking To Napoleon | 4:43 | Working Boys | 2:52 | |||
| When I Grow Up | 1:04 | Mary and John Palumbo | ||||
| John Palumbo: Voices, Guitars, & Computers Vince DePaul: Synthesizers, Pianos Bobby Hird: Lead Guitar John Tracey: Drums Carey Ziegler: Bass Guitar Recorded and Mixed at Sheffield Audio/Video Productions, Studio A Engineered by Victor Giordano Mastered at Masterdisc by Bob Ludwig Man Laughing: David Lewis Original Policeman: James (Beau) Ried |
Executive Producer: John Ariosa Assistant Executive Producer: Richard Van Horn Road Crew: Vanessa Koolhof, Lyle Weintzweig Transportation: Rena of Monaco Protection: Jeffery Sharp Cover Art: John Palumbo Back Cover Photo: James Jones Produced by John Palumbo | |||||
| 8 | From the Greenhouse (US 1988 Grudge 4500-1-F) M-/VG+ gatefold $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| From the Greenhouse | 5:40 | John Palumbo | Monkey Boy | 3:48 | John Palumbo | |
| Under Red Skies | 3:28 | All the Things We Do | 5:00 | |||
| Big Money | 5:43 | Lost in America | 4:28 | |||
| The Frozen Rain | 5:51 | Can I Play For You (Ian's Song) | 8:17 | |||
| Crack the Sky John Palumbo: Voice, Guitars, Bass, Drums Rick Witowski: Lead Guitar Vince DePaul: Keyboards Joe d'Amico: Backing Vocals Dave Carrero, Guitar solo on "Lost in America" Paul Soroka, Lyricon solos and brass Marvin Brown, Backing vocals Terry, Backing vocals Louis Roscar, Brass Otis Demteen, Brass |
Cover Concept and Design: Ross Anzalone Adcreations Mastering: Bob Ludwig, Masterdisc Recorded and Mixed at, The Mainframe Engineer, Steve Palmieri Editing, Victor Giordano Producer, John Palumbo Tape Machines, Donald Stewart | |||||
| 1 | Crazy Backwards Alphabet (US 1987 SST 110) M-/M- $8 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Blood and the Ink | 5:00 | Adams, French | Sarayushka (La Grange) | 2:30 | Gibbons-Hill-Beard | |
| Det Enda Raka? | 2:00 | Maksamenko | Dropped D | 8:15 | Adams, Kaiser, Maksymenko, West | |
| Get to You | 4:25 | French | The Book of Joel | 2:10 | Adams, Shock | |
| The Welfare Elite | 3:55 | French, Kaiser | Bottoms Up! | 3:55 | Maksymenko | |
| Ghosts | 4:20 | Ayler | We Are in Control? | 5:20 | French | |
| Lobster on the Rocks | 3:10 | French, Kaiser, Maksymenko, West, Wold | Maran II | :25 | Maksymenko | |
| Bob Adams - guitar, bass Henry Kaiser - guitar, slide guitar John French - vocal, drums, guitar, harp Michael Maksymenko - vocal, drums Andy West - bass Scott Colby - slide guitar, vocal Darol Anger - violin Harry Duncan - harp |
Recorded July and December 1986 Engineering - Phil Brown , Oliver DiCicco, Mark Bryan Johnson Andy West plays a West Six String Bass Front cover Art by Matt Groening Production by Henry Kaiser Photo - Hugh Brown | |||||
| 1 | Fresh Cream (US 1966 RSO RS-1-3009) M-/M- $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| N.S.U. | 2:45 | Jack Bruce | Cat's Squirrel | 3:05 | Trad.arr. S. Splurge | |
| Sleepy Time Time | 4:20 | Janet Godfrey-Jack Bruce | Four Until Late | 2:07 | Trad.arr. Eric Clapton | |
| Dreaming | 1:55 | Jack Bruce | Rollin' and Tumblin' | 4:00 | Muddy Waters | |
| Sweet Wine | 3:15 | Janet Godfrey-Jack Bruce | I'm So Glad | 3:55 | Skip James | |
| Spoonful | 4:20 | Willie Dixon | Toad | 5:10 | Peter Baker | |
| Ginger Baker (drums/vocals) Jack Bruce (bass guitar/harmonica/vocals) Eric Clapton (guitar/vocals) |
A Robert Stigwood Production Cover design: Paragon Publicity and Public Relations Ltd. | |||||
| 2 | Disraeli Gears (US 1967 Poldor 823 636-1) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Strange Brew | 2:45 | E. Clapton-G. Collins-F. Pappalradi | Tales of Brave Ulysses | 2:48 | E. Clapton-M. Sharp | |
| Sunshine of Your Love | 4:10 | E. Clapton-J. Bruce-P. Brown | Swlabr | 2:31 | J. Bruce-P. Brown | |
| World of Pain | 3:00 | G. Collins-F. Pappalardi | We're Going Wrong | 3:21 | J. Bruce | |
| Dance the Night Away | 3:27 | J. Bruce-P. Brown | Outside Woman Blues | 2:25 | Reynolds; Arr. E. Clapton | |
| Blue Condition | 3:35 | G. Baker | Take it Back | 3:05 | J. Bruce-P. Brown | |
| Mother's Lament | 1:48 | Trad. arr. P. Baker-J. Bruce-E. Clapton | ||||
| Produced by Felix Pappalardi by arrangement with Robert Stigwood Organisation, Ltd. | ||||||
| 3 | Wheels of Fire (US 1968 RSO RS-2-3802) gatefold M-/M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| White Room | 4:56 | Jack Bruce & Pete Brown | Pressed Rat and Warthog | 3:13 | Ginger Baker & Mike Taylor | |
| Sitting on Top of the World | 4:56 | Chester Burnett | Politician | 4:11 | Jack Bruce & Pete Brown | |
| Passing the Time | 4:31 | Ginger Baker & Mike Taylor | Those Were the Days | 2:52 | Ginger Baker & Mike Taylor | |
| As You Said | 4:19 | Jack Bruce & Pete Brown | Born Under a Bad Sign | 3:08 | Booker T. Jones & William Bell | |
| Deserted Cities of the Heart | 4:36 | Jack Bruce & Pete Brown | ||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Crossroads | 4:13 | Robert Johnson | Traintime | 6:52 | Jack Bruce | |
| Spoonful | 16:44 | Willie Dixon | Toad | 15:53 | Ginger Baker | |
| Jack Bruce, bass, harmonica, Calliope, acoustice guitar, cellos, recorder & vocal Eric Clapton, guitars & vocal Ginger Baker, drums, glockenspiel, vocal, marimba, tubular bells, tambourine & tympani Felix Pappalardi, violas, organ pedals, trumpet, Swiss hand bells & tonette |
Recording engineers on Sides One & Two: Tom Dowd & Adrian Barber
Recording Engineer on Sides Three & Four: Bill Halverson Re-mix engineer on Sider Three & Four: Adrian Barber Album art: Martin Sharp Album design: Stanislaw Zagorski Produced by Felix Pappalardi by arrangement with Robert Stigwood Organisztion, Ltd. | |||||
| 1 | CCC Vol. II (US 1976 Muse MR5097) M-/M- $12 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| No More White Gloves (with Sand Under Your Shoes Doing a Dance)-Part I | 17:30 | L. Jenkins | No More White Gloves (with Sand Under Your Shoes Doing a Dance)-Part II | 16:58 | L. Jenkins | |
| Leroy Jenkins: Violin, viola, recorder, toy xylophone, harmonica, bicycle horn
Anthony Braxton: Alto sax, soprano sax, clarinet, flute, contrabass clarinet, orchestral chimes Leo Smith: trumpet, flugel horn, french horn, seal horn, misc. percussion Muhal Richard Abrams: piano, cello, clarinet Richard Davis: bass Steve McCall: drums, misc. percussion |
Recording Supervisor: Ornette Coleman Recorded at Washington Square Methodist Church (Peace Church NYC) Concert Production: George Conley Recording Engineer: Orvelle O'Brian Cover Painting by: P. Givens Art Direction: P. Givens Cover Design: Doug Dunn | |||||
| 1 | Consequences (US 1977 Mercury SRM-3-1700) M-/M-/M-/M- 3-LP Promo with book $30 SOLD! | |||||
| Side A | Side B | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Seascape | 17:00 | Godley and Creme | Sleeping Earth | 17:58 | Godley and Creme | |
| Wind | Honolulu Lulu | |||||
| Fireworks | The Flood | |||||
| Stampede | ||||||
| Burial Scene | ||||||
| Side C | Side D | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Five O'Clock in the Morning | 23:12 | Godley and Creme | Rosie | 20:30 | Godley and Creme | |
| When Things Go Wrong | Office Chase | |||||
| Lost Weekend | Cool, Cool, Cool | |||||
| Side E | Side F | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cool, Cool, Cool (Reprise) | 20:29 | Godley and Creme | Blint's Tune (Movements 1-17) | 14:18 | Godley and Creme | |
| Sailor | ||||||
| Mobilization | ||||||
| Please, Please, Please | ||||||
| Written arranged and performed by Lol Creme & Kevin Godley
with dialogue written and performed by Peter Cook Guest appearances: Sarah Vaughan Judy Huxtable (as Lulu) Peter Wheeler Andy Peebles Produce by Godley & Creme |
Engineered and Mixed by Martin Lawrence Recorded at Strawberry Studios, 3 Waterloo Road, Stockport, Cheshire and The Manor Studios, Shipton-on-Cherwell, Oxon. Mastered by Melvyn Abrahams Gizmo Prototype John McConnell Saxophones on When Things Go Wrong Mel Collins Photography Lew Long Retouching Mike Mann Text Paul Gambaccini Lay-out and typography Jack Wood | |||||
| 1 | Featuring Johnny Caswell (US 196? Capitol SKAO-227) gatefold M-/M- $30 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| For the First Time | 3:17 | Dave White | The Thought of Loving You | 2:26 | Dave White | |
| I Used to Be a Boy | 2:18 | V. Baldino-J. Caswell-D. White | And it Takes My Breath Away | 4:12 | Dave White-Johnny Caswell | |
| Everything's in Love Today | 3:10 | Dave White-Johnny Caswell | Barbara | 4:00 | Dave Caswell | |
| Country | 3:20 | Eric Faulkner | Wishful Thinking | 2:35 | Johnny Caswell | |
| Hallelujah | 2:45 | Dave White-Johnny Caswell | Rhapsody | 2:25 | V. Baldino-D. White | |
| I Got Somethin' For You | 3:28 | R. Gentile-R. Morley-J. Caswell-D. White | Goin' to the Fields | 7:00 | Dave White-Johnny Caswell | |
| The Group: Eric Faulkner (vocal & musical ass't) Johnny Caswell (vocal) Jerry Marlow (bass) Ronny Gentile (guitar & bass) Vince Baldino (organ & piano) Rickey Morley (drums) Dave White (piano & vocal) Produced by Bob Cullen, Dave White, Art Kaplan for Kaplan-Cullen Assoc., Ltd. |
Al Gorgoni - Arrangements Paul Miult - Art Jim O'Neill - Photography Brooks Arthur - Engineer (Century Sound) Mike Moran - Engineer (RCA Victor) Wendy White - Poems Ed Melzi - The Band Man | |||||
| 1 | Live in Berlin (US 1988 Cuniform RUNE 12) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Moonlake | 9:19 | George Cartwright | Barking (I want a dog) | 4:00 | George Cartwright/Tom Cora | |
| Ray (for Barry Hannah) | 10:42 | George Cartwright/Tom Cora | Mink's Dream (for Mink Snopes) | 5:38 | George Cartwright | |
| Shoats | 6:39 | Agitar/The Victim/Improvisation/Oklahoma | 16:40 | George Cartwright/Mark Howell/Rick Brown/Tom Cora | ||
| Curlew is: George Cartwright-saxophones Tom Cora-cello Pippin Barnett-drums Davey Williams-guitar Wayne Horvitz-keyboard bass and keyboards |
All songs recorded live at the Quasimodo Club, Berlin, October 1986 by Amadeus except "Barking" which was recorded at CBGB's,
New York City by Judy Mareiniss, March 1987. Cassette to reel to reel transfer done by Greg Guarino of Sorceror Sound, New York City.
Mastered at SAE by Roger Seibel. Cover photo, "Electric Lady," by Jane Rule Burdine Album design by Mark Uriu | |||||
| 1 | Second Album (US 1971 Warner Brothers WS 1951) gatefold M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Young Mother | 5:55 | Way-Linwood | Everdance | 3:06 | Monkman | |
| Back Street Luv | 3:38 | Way-Linwood-Eyre | Bright Summer's Day | 2:52 | ||
| Jumbo | 4:11 | Way-Linwood | Piece of Mind | 12:54 | ||
| You Know | 4:11 | |||||
| Puppets | 5:26 | |||||
| Sonja Linwood: Vocals Darryl Way: Vocals, Electric Violin, Piano on Puppets Francis Monkman: Guitar, Keyboards, VCS3 Synthesizer Ian Eyre: Bass Guitar Florian Pilkington-Miska: Drums |
All electronics by courtesy of Peter Zinovieff, E.M.S., London. Produced by Curved Air and Colin Caldwell Engineered by Colin Caldwell Art Direction and Photography: Ed Thrasher A Lymark Production | |||||
| 2 | Air Cut (UK 1973 Warner Brothers K46224) gatefold M-/M- $15 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Purple Speed Queen | ?? | Kristina/Kirby | Armin | ?? | Jobson/ Wedgwood/ Kirby/ Russel | |
| Elfin Boy | Kristina/Jobson | U.H.F. | Kirby | |||
| Metamorphosis | Jobson/Kristina | Two-Three-Two | Wedgwood | |||
| World | Wedgwood | Easy | Kristina | |||
| Curved Air: Sonja Kristina, Eddie Jobson, Kirby, Mike Wedgwood, Jim Russell.
Produced by Martin Rushent Engineer - Paul 'The Rock' Hardiman |
Design by Modula Illustration based on an original drawing by Ian Fink Photographs by Mal Linwood - Ross & Mike Putland Recorded at Advision Junuary/February 1973. | |||||
| 3 | Live (US 1975 BTM 5001) cc promo M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| It Happened Today | 5:25 | Monkman-Kristina | Young Mother | 8:56 | Way-Kristina | |
| Marie Antoinette | 6:45 | Way-Kristina | Vivaldi | 9:00 | Way | |
| Back Street Luv | 3:43 | Eyre-Way-Kristina | Everdance | 5:36 | Monkman | |
| Propositions | 7:42 | Monkman | ||||
| Sonja Kristina: Vocals Darryl Way: Violin, Keyboards, Vocals Francis Monkman: Lead Guitar, Organ, Synthesizers Florian Pilkington-Miska: Percussion Philip Kohn: Bass Guitar |
Recorded live at Cardiff University and Bristol Polytechnic in December 1974 with the Manor Mobile
Re-mixed at AIR London Studios Produced by David Hitchcock for BTM Productions Recording and re-mixing Engineer: Django Johnny Punter Assistant Engineers: Alan Perkins, Phil Becque, Andy Morris, Paul Nunn, Sean Milligan Design and Artwork: Liz Gilmore Photography: Michael Allard for BTM Design Special thanks to Ben Mullet and Yamaha for stage equipment | |||||
| 1 | Jammy Smears (UK 1976 Virgin V2065) M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bicarbonate of Chicken | 21:30 | Ivor Cutler | Unexpected Join | 23:55 | Ivor Cutler | |
| Filcombe Cottage, Dorset | Phyllis April King | A Wooden Tree | ||||
| Squeeze Bees | Ivor Cutler | When I Stand on an Open Cart | ||||
| The Turn | High is the Wind | |||||
| Life in a Scotch Sitting Room, Vol.2 Ep.11 | The Surly Buddy | |||||
| A Linnet | Phyllis April King | Pearly-Winged Fly | ||||
| Jumping and Pecking | Ivor Cutler | Garden Path at Filcombe | ||||
| The Other Half | Paddington Town | |||||
| Beautiful Cosmos | Cage of Small Birds | Phyllis April King | ||||
| The Path | Life in a Scotch Sittting Room, Vol.2 Ep.6 | Ivor Cutler | ||||
| Barabadabada | Irk | |||||
| Big Jim | Lemon Flower | |||||
| In the Chestnut Tree | Red Admiral | Phyllis April King | ||||
| Dust | Phyllis April King | Everybody Got | Ivor Cutler | |||
| Rubber Toy | Ivor Cutler | The Wasted Call | Phyllis April King | |||
| Fistyman | ||||||
| Ivor Cutler's landlady, Joyce Edwards took the photographs
Back cover design, Phyllis April King |
Recorded by David Vorhaus at Kaleidophon | |||||