BACK STREET CRAWLER Go to Next band (Badger) Previous band (Azimuth)
| 1 | The Band Plays On (US 1975 Atco SD 36-125) VG+/VG+ $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hoo Doo Woman | 4:12 | A. Braunagel, P. Kossoff, M. Montgomery, T. Slesser & T. Wilson | All the Girls are Crazy | 3:32 | M. Montgomery | |
| New York, New York | 4:37 | M. Montgomery | Jason Blue | 4:56 | ||
| Stealing My Way | 4:19 | P. Kossoff, M. Montgomery | Train Song | 4:31 | A. Braunagel & T. Wilson | |
| Survivor | 3:34 | M. Montgomery | Rock & Roll Junkie | 3:15 | M. Montgomery | |
| It's a Long Way Down to the Top | 5:56 | The Band Plays On | 5:04 | T. Wilson | ||
| Mike Montgomery Terry Wilson-Slesser Tony Braunagel Paul Kossoff Terry Wilson Produced by Back Street Crawler for Oak Records Limited Engineer: Rod Thear |
On Jason Blue & Rock & Roll Junkie Pete Van plays Baritone Sax Eddie Quansah plays Trumpet & Flugel Horn George Lee plays Flutes, tenor & soprano Saxes Special thanks to Rod Thear for all his help & to Mike Johann, Jack & Ron for theirs: E,S & D. Photography by Dick Polak Art Direction by John Bull of CCS | |||||
| 1 | One Live (US 1973 Atco SD 7022) M-/M- gatefold $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wheel Of Fortune | 7:04 | Badger | River | 7:00 | Badger | |
| Fountain | 7:12 | The Preacher | 3:35 | Brian Parrish | ||
| Wind of Change | 7:00 | On the Way Home | 7:10 | Badger | ||
| Tony Kaye-Keyboards Dave Foster-Bass Guitar Roy Dyke-Drums Brian Parrish-Lead Guitar Produced by Geoffrey Haslam, Badger and Jon Anderson Engineers: Geoffrey Haslam and Martin Rushent |
Thanks for Tapes: Mike Dunn Photography: Martin Dean Cover designed and drawn by Roger Dean Recorded live at the Rainbow Theatre 15th/16th December, 1972 | |||||
| 1 | The Baker Gurvitz Army (US 1975 Janus JXS 7015) M-/M- has inner sleeve $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Help Me | 4:34 | A. Gurvitz | Mad Jack | 7:54 | G. Baker/A. Gurvitz | |
| Love Is | 2:47 | 4 Phil | 4:25 | |||
| Memory Lane | 4:46 | G. Baker/A. Gurvitz | Since Beginning | 8:05 | A. Gurvitz | |
| Inside of Me | 5:33 | A. Gurvitz | ||||
| I Wanna Live Again | 4:22 | G. Baker/A. Gurvitz | ||||
| Ginger Baker-Drums/Percussion/Vibes/Vocals Adrian Gurvitz-Guitars/Vocals Paul Gurvitz-Bass/Vocals John . Norman B. Normal . Mitchell-Keyboards/Synthesizer/Vibes Produced by Ginger Baker, Adrian Gurvitz, Paul Gurvitz |
Recorded at Ramport Studios . Engineer . Cyrano
Mixed at Trident Studios & Island Studios . Engineer . Anton Matthews Orchestrations by Martyn Ford & John Bell Arrangements by The Baker Gurvitz Army Backing Vocals on 'I Wanna Live': Madeline Bell, Rosetta Hightower, Barry St. John, Lisa Strike Cover Painting: Petagnoe A Mountain Records Production | |||||
| 1 | Bakersfield Boogie Boys (US 1980 Rhino RNEP 507) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Okie from Muskogee | 4:34 | Haggard-Burris | I Get Around | 7:54 | Wilson | |
| Get Off My Cloud | 2:47 | Jagger-Richards | Flying Tigers | 4:25 | Conrad-Nelson | |
| Produced by Harold Bronson and Richard Foos Photography and Design by Andy Caulfield Engineered by Bob Wayne and Richard McAndrew, Sunburst Recording |
Thanks to: Harold Bronson, Richard Foos, Jo Hansch, Tim Fleming, Shari Famous (vocals on "Around" and Cloud"), Jeremy Gilian, Fred Grabert, Mushrooms Incorporated, Jed the Foish, Bob Marin | |||||
| 1 | Band of Joy (US 1978 Polydor PD-1-6133) M-/VG+ has inserts cc has ring wear $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| 3 A.M. in the City | 3:31 | Band of Joy | Live Bait (to Highway 8) | 4:46 | Band of Joy | |
| Woman | 3:44 | Like a River | 3:30 | |||
| Overseer | 5:19 | Please Call Home | 3:48 | |||
| So Cold | 5:41 | She's the One | 3:05 | |||
| Shock House | 4:13 | |||||
| Paul Lockey: Vocals & Guitar John Pasternak: Bass Francesco Nizza: Drums & Percussion Kevyn Gammond: Ld Guitar Michael Chetwood: Keyboards |
Recorded at "The Old Smithy," Worchester, Engineer: Colin Owen Mixed at "Maison Rouge," Mixing Engineer: Robin Black Mixing and Post Recording Production: Shel Talmy All Titles Produced by Band of Joy A SHERWOOD PRODUCTION Art Direction & Design: Jo Mirowski Photography: Bob Carlos Clarke Artwork: WadeWood Associates | |||||
| 1 | Hearth (US 1981 Innovative Communication KS 80 008) M-/VG+ cos $15 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Indian | 6:35 | Giuseppe Banfi | This You Was | 8:50 | Giuseppe Banfi | |
| The Incredible Doogy | 5:45 | Heart Circuit Machine | 8:40 | |||
| Dancing on the Ship | 4:55 | |||||
| Baffo Banfi - Synthesizers and Keyboards and Bruno Bergonzi - Drums and Cybernetic Drums Maurizio Gianni - Guitar Maurizio Anesa - Bass Recorded and mixed at -IC- Studio, and "La Basilica", Milano. |
Arrangements by Baffo Banfi and Maurizio Anesa. Frontcover-Photo by Michael Weisser, Bremen Backcover-Photo by Claus Cordes Produced by Klaus Schulze | |||||
| 2 | Ma, Dolce Vita (US 1982 Innovative Communication KS 80 032) NEW/SEALED $15 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Oye Cosmo Va | 6:41 | Baffo Banfi | Fantasia Di Un Pianeta Sconosciuto | 17:57 | Baffo Banfi | |
| Quelle Dolce Estate Sul Pianeta Venere | 6:05 | |||||
| Vino, Donne E Una Tastiera | 7:14 | |||||
| Astralunato | 3:51 | |||||
| Baffo Banfi plays on this album: Moog Modular System, Minimoog, Yamaha CS-80, Korg Vocoder
Recorded, mixed and mastered by Klaus Schulze at his studio. |
Produced by Klaus Schulze Coverdesign by Ezio Geneletti | |||||
| 1 | Two Sides of (US 1973 Sovereign SMAS-11217) gatefold M-/M- $25 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Vision of the King | 1:25 | P. Banks-J. Akkerman | Beyond the Loneliest Sea | 3:04 | Jan Akkerman | |
| The White House Vale (a)On the Hill (b)Lord of the Dragon | 7:13 | Peter Banks | Stop That! | 13:41 | P. Banks-J. Akkerman | |
| Knights (a)The Falcon (b)The Bear | 6:53 | Get Out of My Fridge | 3:20 | |||
| Battles | 2:23 | P. Banks-J. Akkerman | ||||
| Knights (Reprise) | 2:13 | Peter Banks | ||||
| Last Eclipse | 2:28 | P. Banks-J. Akkerman | ||||
| Musicians:
Peter Banks: Electric and acoustic guitar, ARP, Mini Moog, and Fender Piano Jan Akkerman (by permission of Radio Tele Music): Electric guitar (left-hand channel) on "Vision of the King," "Battles," "Last Eclipse," "Stop That!," "Get Out of My Fridge";Acoustic Guitar on "Beyond the Lonliest Sea" Ray Bennett: Bass guitar on "Knights," "Battles," "Knights (Reprise," "Stop That!," and "Get Out of My Fridge" Phil Collins (by permission of Charisma Records): Drums on "Battles," "Knights (Reprise)," "Stop That!," and "Get Out of My Fridge" Steve Hackett (by permission of Charisma Records): Electric Guitar on "Knights (Reprise)" Mike Hough: Drums on "Knights" John Wetton (by permission of E.G. Management): Bass guitar on "Knights (Reprise)" |
Produced by Peter Banks Engineered and Endured by Geoff Young Assisted by Paul Northfield Equipment and Interruptions by Mike, Paul and Chris Management and Guidance by Ben Nisbet Recorded at Advision Studios, between November, 1972 and June, 1973 "Stop That!" and "Fridge" on Side Two are spontaneous jams A sincere thanks to everyone who played on this record without whom etc. etc. Dedicated to the "Hoboken Dazzler" | |||||
| 1 | The Fugitive (US 1983 Atlantic 80071-1) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| This is Love | 5:06 | Tony Banks | By You | 4:27 | Tony Banks | |
| Man of Spells | 3:43 | At the Edge of Night | 6:01 | |||
| And the Wheels Keep Turning | 4:45 | Charm | 5:26 | |||
| Say You'll Never Leave Me | 4:31 | Moving Under | 6:03 | |||
| Thirty-Threes | 4:39 | |||||
| Tony Banks-Vocals, Keyboards, Synth Bass & Linn Drum
Daryl Struermer-Guitars Mo Foster-Bass Guitar Tony Beard-Drums on Tracks 1, $ & 9 Steve Gadd-Drums, Percussion on Tracks 2, 3 & (6) Andy Duncan-Drums on Tracks 7 & 8 Produced by Tony Banks Assisted by Stephen Short Engineered by Stephen Short |
Basic tracks recorded at home on 8 track, added to amd mixed at The Farm, Surrey. Technical Assistance Geoff Callingham,
Equipment & food etc. Dale and Clare Newman.
Thanks to Tony Smith, Carol Willis, Geoff Banks, Steve Jones, Andy Mackrill, Ian Tucker and Hit & Run. Cover by Bill Smith | |||||
| 1 | Everyone is Everybody Else (UK 1974 Polydor 2383-286) M-/VG+ $12 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Child of the Universe | ?? | John Lees | Crazy City | ?? | Les Holroyd | |
| Negative Earth | Les Holroyd-Mel Pritchard | See Me See You | John Lees | |||
| Paper Wings | Poor Boy Blues | Les Holroyd | ||||
| The Great 1974 Mining Disaster | Jon Lees | Mill Boys | John Lees | |||
| For No One | ||||||
| John Lees: Lead Guitar, Acc. Guitar Mel Pritchard: Drums, Percussion Les Holroyd: Bass, Acc. Guitar, Rhythm Guitar ('Picked' Guitar on 'Poor Boy Blues' and 'Mill Boys') Stuart 'Woody' Wolstenholme: Keyboards Produced by Rodger Bain Recorded at Olympic Studios London Engineer: Rufus Cartwright |
Mixed at Trident Studios London Engineer: Ted Sharp Mastering: Trident Studios Management Representation: Harvey Lisberg & Danny Betesh, Kennedy St Enterprises Photography: Alex Agor Art Direction: Vincent McEvoy | |||||
| 2 | Octoberon (US 1976 MCA MSM-35037) M-/M- $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The World Goes On | 6:24 | Les Holroyd | Rock 'n' Roll Star | 5:17 | Les Holroyd | |
| May Day | 8:00 | John Lees | Polk Street Rag | 5:39 | John Lees | |
| Ra | 7:18 | Woolley Wolstenholme | Believe in Me | 4:22 | Les Holroyd | |
| Suicide? | 7:56 | John Lees | ||||
| Produced by Barclay James Harvest | Recorded in England | |||||
| 3 | Eyes of the Universe (US 1979 Polydor PD-1-6267) M-/M- has inner sleeve $8 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Love On the Line | 4:38 | Les Holroyd | Sperratus | 4:58 | John Lees | |
| Alright Down Get Boogie (Mu Ala Rusic) | 4:06 | John Lees | Rock 'n' Roll Lady | 4:30 | Les Holroyd | |
| The Song (They Love to Sing) | 6:00 | Les Holroyd | Capricorn | 4:28 | John Lees | |
| Skin Flicks | 6:52 | John Lees | Play to the World | 7:03 | Les Holroyd | |
| Recorded at: Strawberry Studios (North) - between July and September 1979
Produced by: Barclay James Harvest and Martin Lawrence Engineered and re-mixed by: Martin Lawrence Assisted by: Richard Scott, Chris Nagle, and Glenn Mackintosh Mastered By: Melvyn Abrahams at Strawberry Mastering |
John Lees/ Les Holroyd/ Mel Pritchard: All Instrumentation and Vocals Except: Kevin McAlea played: Grand piano and Mini Moog on: 'The Song (They Love to Sing') Yamaha CS80 and C3 Hammond Organ on: 'Sperratus' Alan Fawkes played: Saxophone on: 'Play to the World' Art Director/Design Alwyn Clayden Photography John Shaw Assisted by Tony Latham | |||||
| 1 | Watchin' TV (US 1974 Monument KZ 32926) promo, has inner sleeve M-/VG+ $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Watchin' TV (With the Radio On) | 3:36 | W. Moss | Faded Love | 4:12 | B. Wills - J. Wills | |
| Funny Lookin Eyes | 3:41 | W. Moss - B. Thompson | There Must Be a Better Way | 3:18 | W. Moss - D. Doran | |
| Pig Snoots and Nehi Red | 3:09 | F. Newell - B. Skipper | If There Were Only Time for Love | 3:46 | W. Moss | |
| Hay Queen | 3:21 | R. Hicks | Violets and Daffodils | 2:57 | B. Thompson - W. Moss | |
| Two Mile Pike | 4:02 | R. Hicks - B. Skipper | Mother Nature's Way of Saying High | 5:40 | W. Moss - B. Thompson | |
| Lead Guitar: Dave Doran & Wayne Moss Keyboards: Buddy Skipper & John Harris Steel Guitar: Russ Hicks Bass: Fred Newell, Wayne Moss, Dave Doran & Bobby Thompson Percussion: Si Edwards & Kenny Malone Acoustic Guitars: Wayne Moss, Bobby Thompson & Russ Hicks Banjo: Fred Newell Harmonica: Fred Newell Condor Innovator: Russ Hicks Orchestra Bells: Buddy Skipper "Hendersonville Horns": Buddy Skipper & Russ Hicks "Goodletsville String Sextet": Wayne Moss, Russ Hicks, Buddy Skipper & Fred Newell Background Vocals: Wayne Moss, Russ Hicks, Dave Doran, Buddy Skipper, Fred Newell & Bobby Thompson |
Special Thanks to: Fred Foster & Bill (Groover) Aikins Personal Management: Bert Block Produced by: Wayne Moss & Russ Hicks for Pumpkin Productions Recorded & Remixed at Cinderella Sound-Madison, Tennessee Recording Engineers: Wayne Moss & Paul Skala Remix: Wayne Moss, Buddy Skipper, Russ Hicks, Fred Newell & Terry Dearmore Mastering: Paul Richmond Tea & Goodies: Aunt Lucy Good Grease: "B&B" Cafe & "El Taco" Vitamin C: Home Juice Co. Inspiration: Each Other Art Direction: Bill Barnes Cover Illustration: Gene Wilkes Flyleaf Photography: Ken Kim | |||||
| 1 | The Madcap Laughs (UK 1970 Harvest SHVL 765) gatefold M-/M- $20 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| *terrapin | 5 | Syd Barrett | octopus | 3.45 | Syd Barrett | |
| *no good trying | 3.26 | golden hair | 1.56 | |||
| *love you | 2.25 | long gone | 2.47 | |||
| *no man's land | 3.5 | she took a long cold look | 7.59 | |||
| dark globe | 2.10 | feel | ||||
| *here i go | 3.13 | if it's in you | ||||
| *late night | 3.12 | |||||
| Engineers: Jeff jarratt Pete Mew, Mike Sheady, Phil McDonald, Tony Clark
Cover design and photographs by HIPGNOSIS Produced by David Gilmour & Roger Waters except * produced by Malcom Jones |
The lyric of "Golden Hair" is from a poem by James Joyce. Permission for use granted by The Society Of Authors, literary representatives of the estate of James Joyce. | |||||
| 1 | Venus in Cancer (US 1970 Blue Thumb BTS 10) coh wlp gatefold M-/VG+ $15 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Venus in Cancer | 9:30 | Robbie Basho | Song for the Queen | 9:30 | Robbie Basho | |
| Eagle Sails the Blue Diamond Waters | 6:45 | Cathedrals et Fluer de Lis | 8:00 | |||
| Kowaka D'Amour | 9:45 | Wine Song (Sweet Wine of Love) | 5:50 | |||
| This album is dedicated to AVATAR MEHERA BABA
Ed Bogus - Producer / Recorded at Sierra Sound / Engineers: Robert C. Desousa & Roy Ward Design: Tom Wilkes / Photography: Front cover - Barry Feinstein / Back cover - Paul Slaughter / Inside - Tom Wilkes. | ||||||
| 1 | Warm Breeze (US 1981 Pablo Today D2312131) M-/M- red vinyl $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| C.B. Express | 6:05 | Sam Nestico | Cookie* | 3:58 | Sam Nestico | |
| After the Rain | 7:15 | Flight to Nassau* | 4:27 | |||
| Warm Breeze | 6:45 | How Sweet it is** | 7:58 | |||
| Satin Doll | 5:56 | Ellington-Strayhorn-Mercer | ||||
| Personnel: Piano: Count Basie Guitar, Shaker: Freddie Green Bass: Cleveland Eaton Drums: Gregg Field, Harold Jones* Trumpet: Willie Cook, Harry "Sweets" Edison** Trumpet & Flugelhorn: Sonny Cohn, Dale Carley, Frank Szabo, Bob Summers Trombones: Mitchell "Booty" Wood, Dennis Wilson, Grover Mitchell, Bill Hughes Tenor Saxophone: Eric Dixon Tenor Saxophone & Flute: Bobby Plater, Danny Turner Baritone Saxophone: Johnny Williams Arranged & Conducted by Sam Nestico |
Produced by Norman Granz Photo by: Phil Stern Layout & Design: Norman Granz & Sheldon Marks Studio: Group IV Studios Hollywood, Ca. September 1 & 2, 1981 Engineers: Angel Balestier, Dennis Sands Second Engineers: Greg Orloff, Paul Aronoff This record was recorded and mastered using the 3M Digital Mastering System. | |||||
| 1 | Mantle-Piece (US 1970 Harvest SKAO-422) gatefold M-/VG $20 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sunshades | 3:28 | Chris Spedding | Staggered | 4:04 | Nisar Ahmad Khan | |
| Late Into the Night | 5:23 | Chris Spedding, Pete Brown | Twisted Track | 4:24 | Chris Spedding, Pete Brown | |
| Then I Must Go | 4:09 | Smoke Rings | 5:07 | Roger Potter, Chris Spedding | ||
| The Crosswords and the Safety Pins | 5:31 | Pete Brown | Take Me Now | 3:00 | Roger Potter, Chris Spedding, Pete Brown | |
| My Love's Gone Far Away | 3:32 | Chris Spedding, Pete Brown | ||||
| Nisar Ahmad Khan: Gibson maestro, reeds, flute, vocals
Chris Spedding: guitars, steel guitar, Portuguese chittara, piano, organ, vocals Roger Potter: bass guitar, vocals Pete Bailey: conga drums, African percussion, vocals Rob Tait: drums, guira, tambourine, vocals |
Produced by Andrew King for Blackhill Enterprises Limited Many thanks to engineer Peter Brown Musical direction and arrangements by CHris Spedding Steel guitar loaned by Rose-Morris Cover art and design by Valery Allen Layout and typography bt George Powell From a trauma by Pete Bailey Recorded at E.M.I. Studios, St. John's Wood, London | |||||
| 1 | Gandharva (US 1971 Warner Brothers WS 1909) M-/M- $15 | |||||
| Side 1 | Side 2 (Grace Cathedral, San Francisco, February 10-11, 1971) | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Soft/White | :52 | Beaver and Krause | Gandharva | 1:12 | Beaver and Krause | |
| Saga of the Blue Beaver | 4:19 | By Your Grace | 5:13 | Gerry Mulligan | ||
| Nine Moons in Alaska | 3:04 | Good Places | 3:37 | Beaver and Krause | ||
| Walkin' | 2:42 | Short Film for David | 5:23 | |||
| Walkin' by the River | 2:39 | Bright Shadows | 4:53 | |||
| Musicians: Paul Beaver - Moog, Hammond and pipe organ (Grace Cathedral) / Bernard L. Krause - Moog /
Mike Bloomfield - guitar (appears courtesy of Columbia Records) / Ray Brown - bass / Lee Charlton - drums /
Rodd Ellicott - bass (appears courtesy of the Fillmore Corporation) / Rik Elswit - guitar / Lamont Johnson - piano / Mike Lang - piano /
Gail Laughton - harp / George Marsh - drums / Ronnie Montrose - guitar (appears courtesy of the Fillmore Corporation) /
Gerry Mulligan - baritone sax (appears courtesy of A&M Records) / Howard Roberts - guitar (appears courtesy of ABC/Dunhill Records) /
Bud Shank - altosax, flute
Voices: Clydie King - lead / Patrice Holloway - lead / Evaneline Carmichael / Vanetta Fields / Ron Lee Hicklin / Bill King / Bernard L. Krause / Lewis Morford / Edna Wright |
Audio Supervision and Mixing: Robert Orban Engineers: Phil Edwards / Robert de Sousa / Rudy Hill / Robert Orban / John Payne / Ed Peterson / Sol Weiss Additional Technical Assistance: Coast Recorders / Different Fur Trading Company / Robert Easton / Sierra Sound Labs / Warner Bros. Records Quadraphonic and Stereo Mixdown Facilities: The Villiage Recorder, Los Angeles Concept Assistance: Denise Krause / Charles Swisher Talent Co-ordination: Sid Goldstein Cover Art: Satty / D. Singer (lettering) Liner Photos: Jack Fulton / Gil Hubbs Production: Paul Beaver / Bernard L. Krause Special Thanks to: Staff of Grace Cathedral, San Francisco | |||||
| 1 | Axe Victim (US 1974 Harvest SM-11689) M-/VG+ $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Axe Victim | 5:12 | Bill Nelson | Rocket Cathedrals | 2:58 | R. Bryan | |
| Love is Swift Arrows | 4:11 | Adventures in a Yorkshire Landscape | 3:34 | Bill Nelson | ||
| Jet Silver and the Dolls of Venus | 4:07 | Jets at Dawn | 7:07 | |||
| Third Floor Heaven | 2:24 | No Trains to Heaven | 6:36 | |||
| Night Creatures | 3:32 | Darkness (L'Immoraliste)*** | 3:19 | |||
| Produced by Ian McLintock Arranged by Bill Nelson except *** by Andrew Powell Recorded in England |
William Nelson: lead guitars, lead vocals, acoustic guitar and grand piano
Ian Parkin: rhythm and acoustic guitar (Organ on 'Rocket Cathedrals') Robert Bryan: bass guitar, vocal (Lead vocal on 'Rocket Cathedrals') Nicholas Chatterton-Dew: drums and percussion | |||||
| 2 | Futurama (US 1975 Harvest ST-11432) M-/M- has inner sleeve $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Stage Whispers | 3:01 | Bill Nelson | Music in Dreamland | 4:40 | Bill Nelson | |
| Love of the Madman | 3:09 | Jean Cocteau | 2:50 | |||
| Maid in Heaven | 2:24 | Between the Worlds | 3:21 | |||
| Sister Seagull | 3:35 | Swan Song | 5:56 | |||
| Sound Track | 6:14 | |||||
| Bill Nelson - All guitars Keyboards Lead Voclas and Percussion Charles Tumahai - Fender Bass Vocals and Percussion Simon Fox - Drums and Percussion Cover art and Design George Hardie NTA Photography Malcolm Taylor Jr Produced for Be-Bop Deluxe by Roy Thomas Baker for The Muse in the Moon |
Instrumental tracks recorded at Rockfield Studios, South Wales, and engineered by Pat Moran.
Vocals overdubs and mixing completed at Sarm Studios, London and engineered by Gary Lyons The Grimethorpe Colliery Band played on Music in Dreamland, Conducted by John Barryman, and recorded at E.M.I. Abbey Road. Brass band arrangement by Sir Peter Oxendale. Thanks to Andy Evans who played string bass on Jean Cocteau. | |||||
| 3 | Sunburst Finish (US 1976 Harvest ST-11478) M-/M- coh has inner sleeve $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Fair Exchange | 5:20 | Bill Nelson | Beauty Secrets | 2:50 | Bill Nelson | |
| Heavenly Homes | 3:40 | Life in the Air Age | 4:07 | |||
| Ships in the Night | 4:00 | Like an Old Blues | 3:26 | |||
| Crying to the Sky | 3:50 | Crystal Gazing | 3:23 | |||
| Sleep that Burns | 5:50 | Blazing Apostles | 4:30 | |||
| Bill Nelson :- Lead vocals, all guitars, harmonica, tubular bells and percussion
Andrew Clark :- All keyboards Charles Tumahai :- Bass guitar, vocals and percussion Simon Fox :- Drums and percussion |
Produced by John Leckie and Bill Nelson Engineered by John Leckie Tape operated by Peter James and Nigel Walker Recorded at E.M.I. Studios, Abbey Road and Air London. Thanks to Andrew Powell for the orchestral arrangement on "Crystal Gazing" and "Like An Old Blues" Thanks to Ian Nelson for alto saxophone on "Ships In The Night" Art direction: Mike Doud (AGI, London) Photography by John Thornton Cover Concept: Bill Nelson, Mike Doud | |||||
| 1 | Truth (US 1968 Epic BXN 26413) M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Shapes of Things | 3:17 | P. Samwell-Smith - K. Relf - J. McCarthy | Greensleeves | 1:47 | Trad.: Arranged by A. Jeffrey | |
| Let Me Love You | 4:41 | J. Rod | Rock My Plimsoul | 4:11 | J. Rod | |
| Morning Dew | 4:38 | B. Dobson - T. Rose | Beck's Bolero | 2:50 | J. Page | |
| You Shook Me | 2:28 | W. Dixon - J.B. Lenore | Blues De Luxe | 7:32 | J. Rod | |
| Ol' Man River | 3:57 | O. Hammerstein II - J. Kern | I Ain't Superstion | 4:53 | W. Dixon | |
| Guitar: Jeff Beck Vocals: Rod Stewart Bass: Ron Wood Drums: Mick Waller Jeff Beck, Bass, on "Ol' Man River" J. P. Jones, Hammond Organ, on "Ol' Man River" Timpani by "You Know Who" Nicky Hopkins, Piano, on "Morning Dew" and "Blues De Luxe" |
Produced by Mickey Most Arranged by Jeff Beck Engineer: Ken Scott | |||||
| 2 | With the Jan Hammer Group Live (US 1977 Epic 34433) M-/VG+ $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Freeway Jam | 7:22 | M. Middleton | Darkness/Earth in Search Of a Sun | 7:52 | J. Hammer | |
| Earth (Still Our Only Home) | 4:38 | J. Hammer | Scatterbrain | 7:26 | J. Beck | |
| She's a Woman | 4:26 | J. Lennon - P. McCartney | Blue Wind | 5:47 | J. Hammer | |
| Full Moon Boogie | 6:10 | J. Hammer - J. Goodman | ||||
| Recorded live and remixed by Dennis Weinreich and Jan Hammer at
Scorpio Sound Studios, London, England - A Fiberchem International Production
Many thanks to our long suffering & hard working road force: Andy Topeka, Chris Hill, Dave Cohen, Bob Schachner, John Dodd, and, of course, Alan Dutton and Elliot Sears. Cover design: John Berg / Front photo: Larry Yelen / Back photo: Hue and Eye / Lettering: Joyce McGregor |
Personnel: Jeff Beck-Guitar & special effects
The Jan Hammer Group: Tony Smith/Drums & lead vocal on "Full Moon Boogie"; Fernando Saunders/Bass, rhythm guitar on "She's a Woman" and vocal harmony; Steve Kindler/Violin, string synthesizer on "Darkness" and rhythm guitar on "Blue Wind"; Jan Hammer/Moog & Oberheim synthesizer; Freeman/Moog string synthesizer, electric piano, timbales, and lead vocal on "Earth (Still Our Only Home)." Jan Hammer appears courtesy of Nemporer Records | |||||
| 1 | Beck Bogart Appice (US 1973 Epic KE 32140) textured cover M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Black Cat Moan | 3:47 | D. Nix | Sweet Sweet Surrender | 3:58 | D. Nix | |
| Lady | 5:33 | J. Beck-T. Bogart-C. Appice-D. Hitchings-P. French | Why Should I Care | 3:33 | R. Kennedy | |
| Oh to Love You | 4:05 | J. Beck-T. Bogart-C. Appice | Lose Myself with You | 3:18 | J. Beck-T. Bogart-C. Appice-P. Frence | |
| Superstition | 4:19 | S. Wonder | Livin' Alone | 4:13 | J. Beck-T. Bogart-C. Appice | |
| I'm So Proud | 4:11 | C. Mayfield | ||||
| Engineering: Baker Bigsby, Gary Starr, Mike Colchamiro
Remix Engineer: John Fry An Equator-Timcar Production Thanks to: Danny Hutton (background vocal on "Sweet Sweet Surrender"), Duane Hitchings (piano and mellotron on "Oh To Love You"), Jim Greenspoon (piano on "Sweet Sweet Surrender") Special thanks to "Magnet" for tea, coffee, pizza, booze, etc., etc. |
Produced by: Don Nix and The Boys Cover design: Ed Lee Photo: Fred Lombardi Logo design: Kelvin Hughes | |||||
| 1 | Star's End (US 1974 Virgin VR 13-114) M-/M- cos $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Star's End | 23:18 | David Bedford | Star's End | 22:26 | David Bedford | |
| Performed by the Royal Philharmonic Orchestra Conducted by Vernon Handley with Mike Oldfield: Guitar and Bass Guitar Chris Cutler: Percussion |
Produced by David Bedford and Mike Oldfield Recorded by the Manor Mobile at Barking Town Hall Engineer: Phil Becque Photography: Chris Callis | |||||
| 1 | Bedful of Metaphysicians (US 1986 Digitek B2786) SEALED $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Wish Id Gone to Vietnam Blues | 4:36 | Dirt Condominium/ Burma Diode | eMpTy-Vee | 3:23 | Dirt Condominium/ Burma Diode | |
| Gravity Pulls the Trousers Down; Morality Pulls the Trousers Up | 6:54 | Sisters in Bed | 2:40 | |||
| Its Hip to be Nip and Hype is Hip | 2:45 | The Amorous Days of the Legendary Henry K. | 3:36 | |||
| Rambo Love | 1:16 | For Cash | 2:48 | Kid Trousers/ Burma Diode | ||
| BEDFUL is... DIRT CONDOMINIUM "Hunter, Illusionist" Guitar, bass, Chroma BURMA DIODE "Has greater contempt for private property than a Marxist" Keyboards THE DARK BONGO "Rebel without a car" Saxophone GORDON SPIWAK "Soldier of Fortune" Drums, percussion, piano MICHAEL "Mr. Future" GARRISON "A Threat to Aviation" Electric guitar, bass DAVID JOHN WALTON "Drives ten miles, to jog one mile, where he can be seen by women" Vocal on "Vietnam Blues" |
WHIT MacLAUGHLIN "Is to the theater, what Edison was to electricity" Voice on "Gravity Pulls" KID TROUSERS "Amway mystic" Voice on "For Cash" ADDITIONAL MUSICIANS... Larry Choli Ted Naratil Toshi Makihara All compositions by Dirt Condominium and Burma Diode except For Cash by Kid Trousers vs Dirt Condominium Cover painting by Biff Aerosol-Doglung Vision by Dirt Condominium Engineered by Michael Garrison additional engineering by George Graham and Scott Heatherington Recorded & Mixed @ Susquehanna Sound Northumberland, PA WVIA-FM Pittston, PA "One on One" Phoenix, AZ Art Direction by Katrina Hellebush Mastered by Masterdisk, New York City | |||||
| 1 | Lone Rhino (UK 1982 Island ILPS 9675) M-/M- has inner sleeve $12 SOLD! | 
| ||||
| 2 | Lone Rhino (US 1982 Island il 9751) M-/M- has insert $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Big Electric Cat | 4:51 | Adrian Belew | Hot Sun | 1:29 | Adrian Belew | |
| The Momur | 3:45 | The Lone Rhinoceros | 3:57 | |||
| Stop It | 2:45 | Swingline | 3:25 | |||
| The Man in the Moon | 3:45 | Adidas in heat | 2:44 | |||
| Naive Guitar | 3:58 | Animal Grace | 3:58 | |||
| The Final Rhino | 1:24 | Adrian & Audie Belew | ||||
| Musicians: Adrian Belew: guitars effects drums percussives and lead vocals Christy Bley: acoustic piano and vocals William Janssen: alto/bariton sax and vocals J. Clifton Mayhugh: bass/fretless bass guitar and vocals Audie Belew (age 4): acoustic piano on "The Final Rhino" |
Recorded at Compass Point Studios, Nassau, Bahamas in August/September 1981
Engineered by Plattski, assisted by Rich Denhart Photography by Sukita Produced by Adrian Belew for Macaque | |||||
| 3 | Twang Bar King (US 1983 Island 90108-1) gatefold cos M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I'm Down | 2:54 | Lennon/McCartney | Paint the Road | 3:19 | Adrian Belew | |
| I Wonder | 4:39 | Adrian Belew | She is not Dead | 4:41 | ||
| Life Without a Cage | 3:20 | Fish Head | 4:30 | |||
| Sexy Rhino | 0:37 | The Ideal Woman | 4:08 | |||
| Twang Bar King | 1:26 | Ballet for a Blue Whale | 4:44 | |||
| Another Time | 3:02 | |||||
| The Rail Song | 5:39 | |||||
| Adrian Belew: guitars, percussion and lead vocals
Christy Bley: acoustic piano, vocals William Janssen: saxophones, bass clarinet, vocals Larrie London: drums J. Clifton Mayhugh: bass, vocals recorded with the full sail mobile unit at our rehearsal studio in the c.v. lloyde complex in greater downtown champaign, illinois february/march 1983 engineered by gary platt... assisted by rytt hershberg |
remixed to jvc digital at fifth floor studio in greater downtown cincinnati, ohio
remix engineer: gary platt... assisted by kathy jo williams edited and matered by the jvc cutting center in greater downtown los angeles, california mastered by joe gastwirt the lead guitar and vocal in twang bar king were recorded in 1979 at cwazy wabbit 8-track studio and former potato cooler in springfield, illinois engineered by rich denhart album design and artwork mike getz produced by Adrian Belew executive production stan hertzman production assistant rich denhart for macaque, inc. | |||||
| 4 | Desire Caught by the Tail (US 1986 Island 90551-1) M-/M- $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Tango Zebra | 7:30 | Adrian Belew | Portrait of Margaret | 4:00 | Adrian Belew | |
| Laughing Man | 3:45 | Beach Creatures Dancing Like Cranes | 3:28 | |||
| The Gypsy Zurna | 3:03 | At the Seaside Cafe | 1:50 | |||
| Guernica | 2:00 | |||||
| "Z" | 5:40 | |||||
| Note: this album uses the GR-300 guitar synthesizer
instrumental music for guitar and percussion composed and performed by adrian belew engineer rich denhart recorded at creative audio mixed at royal recorders assistant engineer jim bartz technician bruce breckenfeld mastered at sterling sound by ted jensen |
painting margaret belew cover design sotto voce calligraphy ginger lepley front photo paul hixson back photo chris covatta executive producer stan hertzman produced by adrian belew | |||||
| 1 | Good King Bad (US 1976 CTI 6062) gatefold M-/VG+ $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| theme from Good King Bad | 6:00 | David Matthews | Cast Your Fate to the Wind | 6:56 | Vince Guaraldi | |
| One Rock Don't Make No Boulder | 6:48 | Siberian Workout | 6:40 | David Matthews | ||
| Em | 4:53 | Philip Namanworth | Shell of a Man | 5:13 | Eugene McDaniels | |
| Arranged by David Matthews Rhythm arrangements on Em and Shell of a Man by Gary King Recorded at Van Gelder Studios Rudy Van Gelder, Engineer Recorded July and December, 1975 Cover photograph by Pete Turner Liner photograph by Pete Turner Album design by Rene Schumacher *courtesy Arista Records |
Guitar George Benson, Eric Gale (all selections except Shell of a Man) Keyboards Ronnie Foster (Shell of a Man), Don Grolnick (clavinet Good King Bad, One Rock), Roland Hanna (Em), Bobby Lyle (Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout) Bass Gary King Drums Dennis Davis (Shell of a Man), Steve Gadd (Em), Andy Newmark (Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout Percussion Sue Evans, David Friedman (vibes Good King Bad, Cast Your Fate to the Wind, solo of Shell of a Man) Trumpet *Randy Brecker (Good King Bad) Trombone Fred Wesley Saxophone *Mike Brecker (tenor Good King Bad), Robbie Cuber (baritone Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout), David Sanborn (alto Good King Bad), Frank Vicari (tenor Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout) Flute Joe Farrell (solo Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout), Romeo Penque (Em, Shell of a Man), David Tofani (Em, Shell of a Man) Violin Max Ellen, Paul Gershman, Harry Glickman, Emanuel Green, Harold Kohon, David Nadien, John Pintavalle, Max Pollikoff Viola Harold Coletta, Theodore Israel Cello Charles McCracken, Alan Shulman | |||||
| 1 | Champion (US 1985 Passport Jazz PJ88004) M-/M- cos $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Mother Lode | 5:30 | Jeff Berlin | Three Nighter | 5:18 | Jeff Berlin | |
| 20,000 Prayers | 6:07 | Dixie | 3:11 | |||
| Marabi | 5:34 | Julian "Cannonball" Adderly | What I Know Now | 5:12 | ||
| Subway Music | 3:53 | Jeff Berlin | Champion (of the World) | 4:41 | Jeff Berlin-Ronnie Montrose | |
| Musicians Bass: Jeff Berlin Guitars: Scott Henderson, Neal Schon Drums: Steve Smith, Neil Peart Keyboards: T. Lavitz, Clare Fisher, Walter Afanasieff, Jeff Berlin Vocals: Keith England, Roger Love Background Vocals: Jeff Berlin, Ronnie Montrose, Paul Kingery Produced by Ronnie Montrose Co-Produced by Jeff Berlin Executive Producer: Jim Snowden for the P.A.R.A.S. Group Engineered by: Roger Wiersema, Ron Malo ("Dixie" and Vocal on "Champion") DX-7 Programming by: Walter Afanasieff Oberheim Analog Programming by: Ronnie Montrose Recorded: March 85 at the Music Annex, Menlo Park, CA Mastered by: Steve Hall at Future Disc Equipment: Carl Thompson Bass Strings, Booklyn, N.Y. (the best on earth), Keith Worsley / Klark-Teknik, Michael Tobias / Tobias Basses, L.A., CA (for the loan of his incredible instrument), Kevin Monahan / E-MU Systems, Kahler Guitar Bridges Road Crew: Fred Lucero, Rick Garcia. Larry "Shrav" Allen |
Art Direction: Kathleen Covert Cover Computer Art: Neil Zachary Back Cover Photo: Kristen Dahline Special Thanks to: Glen Quan, Phil Mandel, Jeff Jampl, Ron Malo (for everything you've done), Davey Pattison, Dave Porter and the Staff at the Music Annex, Pat Hicks from the Musician's Institute (for your support), Gerry Weiner (thanks for all your special attention), Steve Smith, Neil Schon, Neil Peart (for your contribution and time). Lyrics to "Champion" by Ronnie Montrose Neal Schon & Steve Smith appear coutesy of Columbia Records Neil Peart appears courtesy of Polygram Records Apparently Jeff Berlin maintains his love for the Leo Quan Badass Bass Bridge. | |||||
| 1 | Cloud Chorus (US 1987 Inner Light IL-1107) M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Cloud Chorus | 5:50 | Michael Bierylo | View From Above | 6:01 | Michael Bierylo | |
| Fictional Characters | 2:48 | Frontiers | 5:20 | |||
| Island X | 7:34 | Traveling Light | 3:20 | |||
| Closing Time in Mexico | 4:31 | Fishermans Song | 1:53 | |||
| Psalm | 5:21 | |||||
| Musicians:
Michael Bierylo: Guild D50 and Ovation Custom Legend acoustic guitars, Gibson Les Paul, processed Matt Darriau: curved soprano saxophone, alto saxophone and wood flutes Brian Capouch: cello |
Produced by John Ashbrook | |||||
| 1 | Swimmer (US 1986 Warner Brothers 25519) M-/M- cos has inner sleeve $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Prospect street | 3:21 | Steven Lindsay | Swimmer | 5:22 | Steven Lindsay | |
| Christina's World | 4:10 | The Lonliest Man in the World | 3:39 | |||
| Slide | 5:06 | Jealous** | 4:27 | |||
| Big New Beginning* | 3:21 | Her Town | 3:56 | |||
| Another People's Palace*** | 4:46 | Beyond the Pale | 3:57 | |||
| Second Swimmer | 2:43 | Steven Lindsay/Brian McFie | ||||
| The Big Dish are: Steve Lindsay: singer, guitars, keyboards Brian Mcfie: lead guitar, second guitar Raymond Dochery: bass With Ian Richie: programming, saxophone Thanks to Steven Cheyne and Ronnie Gurr |
Produced by Ian Richie; engineered by Chris Sheldon *produced by Paul Hardiman **produced by The Big Dish ***produced by Glyn Johns Art direction: Gary Wathen Design: Red Ranch Photography: Heather Angel Thanks to Chris Andrews and staff at the London Zoo Aquarium | |||||
| 1 | Bellowing Room (UK 1987 Recommended RRC27) M-/M- w/ visual folio & full notes $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| A | 23:30 | Tom Katsimpalis/Mark Piersel/Steve Scholbe/ William Sharp/Gordon H. Whitlow/Larry Wilson | B | 23:50 | Tom Katsimpalis/Mark Piersel/Steve Scholbe/ William Sharp/Gordon H. Whitlow/Larry Wilson | |
| Autumn 1985 - Spring 1986 Engineering: Piersel/Sharp Technical Assistance: Mark Derbyshire Sources: organ/piano/accordian/guitars/banjo/cheng/zither /autoharp/psaltery/ukulele/voice/alto saxophone/ bass & b-flat clarinets/trumpet/bagpipes/harmonica/melodica & bellows/ flute/recorder/orchestra bells/kit drums/ congas/bodhran/kalimba/bongos/bass drums/... Visuals by Mnemonists. Jacket drawings: Tom Katsimpalis Center label drawings: Dana Sharp Folder cover: Larry Wilson (photography & assemblage) Jean Michel Papillion (letter illustrations, c. 1760 Folder inside: Randy Yeats (drawings at left, & right overleaf) Mareye Yeats (embroidery at left, & right overleaf) Heidi Eversley (drawing above) Ti Birchrose (drawings at right) |
Inserts: Tom Katsimpalis (all drawings, except...) William Sharp (title page, after photographs by Guillermo Aldana E. & Fred Bruemmer) Cutting Engineer: Roger Seibel Wakefield Inc/Phoenix Arizona Lacquer Pressing: Record Technology Inc/Camarillo CA Pressing: Statetune Ltd/Leicester Jacket silkscreen printing: Third Step Printworks/London Folder/insert printing: Blackrose Press (TU), 30 Clerkenwell Close, London EC1, 01-251 3043 Camera: George Harms Reprographics Inc/Ft Collins CO Invaluable assistance: Joy Froding/the entire RR staff/Carol Heineman Staley Contact: Biota-Mnemonists/910 W Mulberry/Ft Collins Colorado/80521 USA | |||||
| 2 | Tinct (UK 1988 Recommended RRC31) M-/M- w/dayglo poster $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Tottery | ?? | Biota | Astray | ?? | Biota | |
| Motives | Lapse | |||||
| Riddles | ||||||
| Composition/Production/Mixdown: Biota
Tom Katsimpalis: organ/guitars/bass guitar/voice/harmonica/ recorder/bells/autoharp Mark Piersel: trumpet/guitars/banjo/cheng/psaltery/ukulele/organ/voice/perc Steve Scholbe: alto saxophone/bass clarinet/flute/guitars/cheng/bells/perc William Sharp: tapes/voice/organ/bass clarinet/perc Gordon H. Whitlow: bass guitars/guitars/piano/accordion Larry Wilson: Kit drums/congas/bongos/bodhran Randy Yeates: kalimba/toy piano Recorded & Mixed: Bughouse & Dys Studios/Summer 1986 - Spring 1987 Engineers: Sharp/Piersel |
Visuals: Mnemonists
Jacket front painting: Ken DeVries Jacket back painting & backdrop: Tom Katsimpalis Center labels: Larry Wilson Insert: (top, l) Ann Stretton/Stan Starbuck (top, r) Tom Katsimpalis (middle, l) Randy & Mareye Yeates (middle, r) Kay Tuttle (bottom, l) Dana Sharp (bottom, r) Heidi Eversley Insert photography: Third Step Printworks/London Jacket color photography: Dick Keslan/Loveland Colorado Offset negatives: Spectrum Inc/Golden Colorado | |||||
| 1 | EP (US 1983 Ace of Hearts AHS 1008) M-/M- $20 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sound Valentine | 3:15 | R. Miller | The Orange Ocean | 2:28 | R. Miller | |
| Transformation of Oz | 2:20 | Triassic, Jurassic, Cretaceous | 6:15 | |||
| Drift | 2:39 | R. Miller/M. Swope | ||||
| Roger Miller- Piano, tom-toms (Oz, Triassic), snare drum, cymbals, reed organ (Valentine), wood block, voice
Erik Lindgren- Synthesizer, rhythm machine Martin Swope- Electric Guitar, acoustic guitar (Valentine), manipulated bird calls (Triassic), cymbal loop, pre-recorded tape (Drift) Rick Scott- Electric organ, maracas With Guests: Michael Cohen- Roto-toms & cymbals (Oz, Triassic) Steve Stain- Chain on Metal (Triassic) Peter Prescott- Tom-tom (Triassic) Karen Kaderavek -'Cello (Ocean) Leon Janikian- Clarinet (Valentine) |
Produced by Richard W. Harte/Birdsongs of the Mesozoic Recorded Aug. '81-Dec. '82 at Downtown Recorders, Boston Engineer- Jeff Whitehead Cover design- Holly Anderson/Roger Miller Photo- Kathy Chapman | |||||
| 2 | Faultline (US 1989 Cuniform RUNE 19) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The True Wheelbase | 2:59 | Eric Lindgren | Faultline | 4:41 | Steve Adams | |
| They Walk Among Us | 3:35 | Martin Swope | On the Street Where You Live | 4:05 | Martin Swope | |
| Coco Boudakian | 5:47 | Eric Lindgren | Maybe I Will | 6:08 | Rick Scott | |
| I Don't Need No Crystal Ball | 3:20 | Steve Adams | There Is No One | 3:44 | Eric Lindgren | |
| Chariots of Fire | 2:46 | Martin Swope | Slo-Boy | 4:26 | ||
| Steve Adams: tenor and alto sax, synth, bass clarinet, percussion, drum machine
Martin Swope: guitar, samples Rick Scott: synth, percussion, piano Ken Field: alto and soprano sax, percussion Erik Lundgren: piano, samples, trumpet, drum machine and Willie Loco Alexander: percussion (tracks B3, B4) |
Produced by Bob Windsor and Birdsongs of the Mesozoic Recording/mixdown engineer: Bob Winsor Recording/mixdown done at Lyx Studio, Worchester, MA January/February 1989 Mastering: Roger Siebel at SAE Cover: Martin Swope Photography: Kathy Chapman, Ken Winokur Special thanks to Steve Izzi and Alactronics (for customized digital mixdown equipment), Nancy Given (for cover assistance), Peter J. McDonald, D.M.D. (Ken's dentist), and Yvonne | |||||
| 1 | Sabbath Bloody Sabbath (US 1974 Warner Brothers BS 2695) has insert, slight water damage M-/VG+ $5 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sabbath, Bloody Sabbath | 5:35 | Black Sabbath | Killing Yourself to Live | 5:35 | Black Sabbath | |
| A National Acrobat | 6:20 | Who are You? | 4:10 | |||
| Fluff | 4:10 | Looking for Today | 5:00 | |||
| Sabbra Cadabra | 5:55 | Spiral Archetect | 4:40 | |||
| Tony-Electric and acoustic guitars, pianos, synthesizer and bagpipes
Ozzy-Vocals and synthesizers Bill-Drums, percussion, timpani and fuzz bass-drum Geezer-Bass, Fuzz bass, synthesizer, Mellotrons and nose Rick Wakeman: piano and synthesizer on Sabbra Cadabra The Phantom Fiddlers arranged by Will Malone and Black Sabbath Conducted by Bill Malone |
Produced by Black Sabbath for excellency productions engineered by Mike Butcher Coordination: Mark Forster Direction: Patrick Meehan special thanks to Mike Butcher and Spock Wall for all their help and enthusiasm throughout the production of this album. Thanks also to tape-operator George Nicholson and Frank Silvagni and Les Martin Album concept and design: Pacific eye & ear Illustrations: Drew Struzan Photography: Shepard Sherbell | |||||
| 1 | Black Swan Quartet (G 1986 Minor Music 009) M-/M- $10 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Double-Up | 3:00 | Lee Morgan | Liberation Suite | 20:42 | Ali Akbar | |
| Justification | 5:05 | Akbar Ali | Spider Dance | 3:23 | BSQ | |
| Prelude to a Kiss | 3:48 | Duke Ellington | All Talk | 2:56 | ||
| Komor | 4:17 | Ali Akbar | ||||
| For Rita | 7:13 | |||||
| Inside Mr. Outside | 3:53 | |||||
| Akbar Ali: violin Abdul Wadud: cello Eileen M. Folson: cello Reggie Workman: bass |
Studio: Quadrasonic Studio, New York City, June 1985. Format: Live to Nakamichi DMP digital mastering processor using the Carlec Soundfield microphone. Digital postproduction: Tonstudio Bauer, Ludwigsburg, engineer: Johannes Wohlleben. Cover paintin: Kelly Smith Spalding, 1983. Album design: Claus Peter Bauerle, Christin Schindler. Solo note: Folson solos on "Double-Up" and first on "Liberation Suite"; all other cello solos by Wadud. Produced by: David Breskin Engineered by: Ron Saint Germain. | |||||
| 1 | Original Soundtrack (US 1987 Phlamingo PHR-001) M-/M- $25 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Morning in the City | ? | Gary Blanchard | Tin Man | ? | Gary Blanchard | |
| Polyester from Hell | Walk, Don't Walk | |||||
| Ladies in Mercedes | Sowebohemia | |||||
| Time/Silence | Butter Fly | |||||
| Pink Flamingos | Blue Diamonds | |||||
| Technology Mythology | Time Travel | |||||
| The Big Chill | Picture | |||||
| Evening in the City | ||||||
| This album contains studio versions of the audio portion of "Show", a performance art program by Gary Blanchard with the Generic Art Ensemble. "Show" combines music & spoken with dance, acting & movement. To compensate for the visuals that cannot be provided on record, we have added many effects that are not used in the live performance. I would like to thank Erik Steensen of M&M Productions for his assistance in the production of this album. | Thanks also to Janet Tracy for the phrase "Polyester from Hell"; & poet Ted Getzel, whose
"Citizen Thomas Pleasure" provided the inspiration for "Technology Mythology". I'd like to give special thanks
to Joan Mosca, dancer & choreographer of the Generic Art Ensemble, for her help, inspiration & friendship.
Recorded & mixed at M&M Production Studios Baltimore, Maryland Cover Photo by Jeff Patti Cover Design & Art by Monica Broere Produced by Eric Steensen & Gary Blanchard All songs written & performed by Gary Blanchard | |||||
| 1 | Bloodrock 2 (US 1970 Capitol ST-491) VG+/VG+ w/DOA $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Lucky in the Morning | 5:43 | John Nitzinger | Childrens Heritage | 3:30 | John Nitzinger | |
| Cheater | 6:43 | Rutledge-Hill-Grundy- Taylor-Pickens-Cobb | Dier Not a Lover | 4:05 | Pickens-Hill-Gummett | |
| Sable and Pearl | 4:12 | John Nitzinger | D.O.A. | 8:25 | Rutledge-Hill-Grundy-Taylor-Pickens-Cobb | |
| Fallin | 4:00 | Rutledge-Hill-Grundy- Taylor-Pickens-Cobb | Fancy Space Odyssey | 5:06 | John Nitzinger | |
| Jim Rutledge: Lead Vocals Lee Pickens: Lead Guitar Nick Taylor: Rhythm Guitar/Vocals Eddie Grundy: Bass/Vocals Stevie Hill: Keyboards/Vocals Rick Cobb: Drums |
BLOODROCK is from Ft. Worth, Texas. This is their second album. Engineer: Kenneth Hamann Recording produced by TERRY KNIGHT | |||||
| 1 | Zodiac Blowfly (US 1970? Weird World WW-2023) M-/VG+ $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Intro | ? | Blowfly | Intro | ? | Blowfly | |
| Virgo | Aries | |||||
| Pisces | Taurus | |||||
| Libra | Gemini | |||||
| Capricorn | Leo | |||||
| Scorpio | Cancer | |||||
| Aquarius | Sagitarius | |||||
| Narration.......BUTTER FLY | ||||||
| 1 | Outsideinside (US 1968 Philips PHS 600-278) VG+/VG+ gatefold $20 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Feathers From Your Tree | 3:29 | Peterson, Stevens and Wagner | (I Cant Get No) Satisfaction | 5:07 | Jagger, Richards | |
| Sun Cycle | 4:12 | The Hunter | 4:22 | Booker T. Jones | ||
| Just a Little Bit | 3:24 | Peterson | Magnolia Caboose Babyfinger | 1:38 | Stevens, Peterson | |
| Gypsy Ball | 2:57 | Peterson, Stevens | Babylon | 4:22 | Peterson | |
| Come and Get It | 3:13 | Stevens, Peterson and Wagner | ||||
| Organ and reeds on "Babylon": Ralph Kellogg
Outside sessions recorded at: Gate Five, Sausalito, Calif., Engineers: Hank McGil & Jay Snyder Muir Beach, Calif., Engineer: Jay Snyder Pier 57 (Courtesy Department of Marine & Aviation, N.Y.C), Engineer: Jay Snyder/Sound Consultant: Henry Cattaneo, Adams Ltd. Inside sessions recorded at: A & R Studios, N.Y.C., Engineer: Tony May Olmstead Studios, N.Y.C. Record Plant, N.Y.C., Engineer: Eddie Kramer Pacific Recorders, Inc., San Mateo, Calif., Engineer: Eddie Kramer | Produced by Abe "Voco" Kesh Lead vocals by Dick Peterson Cover painting: Arab Album design: Gut Color photo: Stef Leinwohl Black & white photo (sky): Jim Marshall Black & while photo (on stage): Gut | |||||
| 1 | Anatidae (US 1985 Cuniform RUNE 4) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Continuing Story of Counterpoint Part 5 | 7:50 | David Borden | Anatidae 1 | 8:30 | David Borden | |
| The Continuing Story of Counterpoint Part 2 | 11:17 | The Continuing Story of Counterpoint Part 3 | 12:08 | |||
| Anatidae 2a | 3:02 | Anatidae 2b | 2:35 | |||
| Rebecca Armstrong - voice (TCSOC Part3)
David Borden - synthesizers, electric piano (All but TCSOC Part 2) Edmund Niemann - piano, synthesizer, electric piano (TCSOC Part 2 & 5) Chip Smith - synthesizer (TCSOC Part 3) Les Thimming - soprano sax, baritone sax (TCSOC Part 3 & 5, anatidae 1, 2a & 2b) Nurit Tilles - piano, synthesizer (TCSOC Part 2, 3, & 5) Special Guest Artists: David Torn - guitar (Anatidae 2a & 2b) David Van Tieghem - drums & percussion (TCSOC Part 5) | Produced by David Borden and Alex Perialas Recorded in New York City at Seltzer Sound, and in Ithica, NY at Calf Audio and Pyramid Sound. Mixed at Pryamid Sound and Calf Audio Engineered by Todd Hutchinson (Calf Audio) and Alex Perialas (Pyramid Sound) David Torn appears through the courtesy of ECM Cover design by David Borden & Michael Boyd Front cover drawing by David Borden Front cover photo by Steve Drews Backliner photo by Wally Wiggins Special thanks to the Department of Ornithology, Cornell University, Steve Feigenbaum, Jane Yockel, David Wickstrom, Lena Belle Mallard, Jake, and Bard Prentiss for his duck decoy sounds. | |||||
| 2 | Migration (US 1988 Cuniform RUNE 10) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Trains I | 7:30 | David Borden | Dick Twardzik | 9:55 | David Borden | |
| The Continuing Story of Counterpoint, Part Four | 19:25 | Enfield in Summer | 9:15 | |||
| Trains II | 7:30 | |||||
| David Borden - Yamaha KX88 Midi Controller Keyboard, TX216+1, TX81Z, FB01, SPX90,
Roland Juno 60, Macintosh computer, Performer sequencer.
David Swaim - Yamaha KX88 Midi Controller Keyborad, Roland JX-10, Prophet VS, Tom drum machine, Lexoicon PCM 70 Les Thimming - E flat Clarinet, Bass Clarinet, Contrabass Clarinet, Tenor Saxophone, Soprano Saxophone Ellen Hargis - voice Recorded at Calf Audio, Ithica NY Todd Hutchinson, engineer Mastered by Roger Seibel at SAE The creative input of the musicians on this record is gratefully acknowledged. Cover design by Michael Boyd Front cover painting, Lone Tree 1986 Acrylic on canvas, by Michael Boyd Back cover computer graphics courtesy of the University of Michigan Center for the performing Arts and Technology, Michael Knight, Video Technology Consultant | Special thanks to Verlaine Boyd, Gabriel Borden, Flathead Flaherty, Lynne Abel, Jane Belonsoff, Tom Sokol,
Nurit Tilles, Edmund Niemann, Jon Hassell, Jessica Fogel, Roy Groth, David Gregory, Eric Feinstein, Rich Crawford, Penny Crawford,
Bob Moog, Steve Drews, Doug Wyatt, Phill Niblock, John Mavraides, David Van Tieghem, Mark Callisto, Matt Howarth, Harvey Pekar,
Harmon Bro, June Bro, Marilyn Peterson, Herbert Avrum Levine, Kathy Arnaud, Bill and Lynn Purse, Jackie Brissette and the guy
who once wrote a nice note to me on the back of a napkin when I was playing piano in a lounge.
Dick Twardzik is from the Boston Elegies, Trains is from Edward Hopper in Three Parts, Enfield in Summer is from Places, Times, The Continuing Story of Conterpoint has twelve parts and was composed over a period of eleven years (1976-1987) | |||||
| 1 | Low (US 1977 RCA CPL1-2030) M-/M- has inner sleeve $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Speed of Life | 2:45 | Bowie | Warszawa | 6:17 | Bowie, Eno | |
| Breaking Glass | 1:42 | Bowie, Davis, Murray | Art Decade | 3:43 | Bowie | |
| What in the World | 2:20 | Bowie | Weeping Wall | 3:25 | ||
| Sound and Vision | 3:00 | Subterraneans | 5:37 | |||
| Always Crashing in the Same Car | 3:26 | |||||
| Be My Wife | 2:55 | |||||
| A New Career in a New Town | 2:50 | |||||
| Produced by David Bowie and Tony Visconti
Recorded at the Chateau and Hansa by the Wall Mixed at Hansa by the Wall Carlos Alomar: Rhythm Guitars, Guitar David Bowie: ARP, Tape Horn and Brass - Synthetic Strings, Vocals, Saxophones, Tape Cellos, Guitar, Pump Bass, Tape Sax Section, Harmonica, Piano, Pre-Arranged Percussion, Vibraphones, Xylophones Dennis Davis: Percussion George Murray: Bass Roy Young: Piano, Farsifa Organ | Eno: Splinter Mini-Moog, Report ARP, Rimmer E.M.I., Vocals,
Guitar Treatments, Piano, Synthetics, Chaimberlain Ricky Gardener: Rhythm Guitar, Guitars Iggy Pop: Vocals Mary Visconti: Vocals Eduard Meyer: Cellos Peter and Paul: Pianos, ARP | |||||
| 2 | Bertolt Brecht's "BAAL" (US 1982 RCA CPL1-4346) M-/M- $5 Sold! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Baal's Hymn | 4:02 | Bertolt Brecht/Dominie Muldowney | Ballad of the Adventurers | 1:54 | Bertolt Brecht/Dominie Muldowney | |
| Remebering Marie A. | 2:04 | Trad.-Adapted by Bertolt Brecht | The Drowned Girl | 2:24 | Bertolt Brecht/Kurt Weill Bertolt | |
| The Dirty Song | 0:37 | Brecht/Dominie Muldowney | ||||
| Arranged by Dominie Muldowney Produced by Tony Visconti and David Bowie | ||||||
| 1 | Unorthodox Behaviour (US 1976 Passport PB 9819) M-/M- $5 | |||||
| 2 | Unorthodox Behaviour (UK 1976 Charisma CAS 117) M-/M- has the insert $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nuclear Burn | 6:25 | Collins/Goodsall/Lumley/Jones | Smacks of Euphoric Hysteria | 4:25 | Collins/Goodsall/Lumley/Jones | |
| Euthanasia Waltz | 5:37 | Unorthodox Behaviour | 8:13 | |||
| Born Ugly | 8:10 | Running on Three | 4:35 | |||
| Touch Wood | 3:03 | |||||
| Produced by Brand X and Dennis Mackay | ||||||
| 3 | Moroccan Roll (UK 1977 Charisma CAS 1126) M-/M- $8 | |||||
| 4 | Moroccan Roll (US 1977 Passport PB 9822) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sun in the Night *+ | 4:23 | Goodsall | Disco Suicide | 7:55 | Lumley | |
| Why Should I Lend You Mine (When You've Broken Yours Off Already)*** | 11:19 | Collins | Orbits | 1:35 | Jones | |
| "Maybe I'll Lend You Mine After All" | 2:09 | Malaga Virgen | 8:27 | |||
| Hate Zone | 4:41 | Goodsall | Macrocosm | 7:23 | Goodsall | |
| Collapsar | 1:34 | Lumley | ||||
| John Goodsall: Fender Stratocaster Electric guitar / Acoustic guitar / Zone Boxes / Space Echo / Sitar / Backing vocals / Voltage-controlled aluminium bidet
Percy Jones: Fender Bass / Amos effects boxes / Autoharp on "Orbits" / Marimba on "malaga Virgen" Robin Limley: Fender Rhodes electric piano / Acoustic piano / Autoharp on "Collapsar" / Mini-Moog synthesizer / ARP Odyssey synthesiser / Roland String synthesiser / Backing vocals / Clavinet / Pulsar processor / Space Echo. Philip Collins: Drums / Lead vocals / Acoustic piano on "Maybe I'll Lend You Mine After All" / Frequency Eater. Morris Pert: Percussion and a vast number of bits and things that he hit while the tape was running, including: the Q.E. 2, Idi Amin, and undiscovered parts of Scotland. *+ The Sanskrit lyrics on this track mean: "Sun in the Night, Everyone is together, Ascending in the heavens, Life is forever" *** This track was recorded "live" in the studio:-there are no overdubs. Phil Collins appears courtesy of Atlantic Records |
Recorded in Panavision at Trident Studios, London December 1976/January 1977, and mixed at Morgan Studios, London, February 1977 where the curtains are drawn,
but the furniture is real.
Engineered by Dennis (face-Blaster) Mackay in association with Brand X Tape Ops: Trident: Neil Ross, Geoff Leach, Steve Short, John Brand. Morgan: Chris Tsangarides. Tea Boys: Trident: Simon, Nigel, Bob. Morgan: Perry, Mark, and Victim. Album mastered by Ray Staff Equipment: Pete Donovan, Geoff Banks, Andy Mackrill, Tex Read and Dale. Thanks: to Tony Smith, Brian Murray-Smith, and Alexandra Sim of Hit and Run Music for their management and guidance; to Peter Booth and Navel Nitram for limiting studio chaos; to the Ifield Male voice Girls Choir for excessive yodelling; to Richard and John of Portobello Weird Languages Ltd.; to Bill Bruford and Marty Scott, to Sarah, without whom several cars would have been towed away. Sleeve Design by Hipgnosis/Hardie Cover Photograph by Hipgnosis Group Photographs by Rob Brimson | |||||
| 5 | Livestock (US 1977 Passport PB 9824) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nightmare Patrol* | 7:50 | Goodsall/Dennard | Isis Mourning i) | 10:15 | Goodsall/Jones/Lumley/Pert/Collins | |
| -Ish | 8:20 | Goodsall/Lumley/Jones/Pert/Collins | ii) | Collins | ||
| Euthanasia Waltz | 5:30 | Goodsall/Jones/Lumley/Collins | Malaga Virgen* | 9:35 | Jones | |
| Phil Collins-Drums John Goodsall-Guitars Percy Jones-Bass Robin Lumley-Keyboards Morris Pert-Percussion Kenwood Dennard-Drums* Recorded on the Manor Mobile at Ronnie Scotts, London Sept. 1976 and at the Hammersmith Odeon and the Marquee Club, London August 1977 |
Mixed at Trident Studios London August 1977 Engineer-Jerry Smith Assistants-John Brand, Steve Short, Neil Ross Produced by Brand X Sleeve design & photos by Hipgnosis Equipment-Steve Hall, Pete Donovan Management-Tony Smith, Hit & Run Music Brian Murray-Smith & Alex Sim Hammersmith concert produced by Straight Music, London Phil Collins appears by courtesy of Atlantic Records | |||||
| 6 | Masques (US 1978 Passport PB 9829) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Poke | 5:06 | J. Goodsall | Earth Dance | 6:10 | M. Pert | |
| Masques | 3:17 | P. Jones/P. Robinson | Access to Data | 8:04 | J. Goodsall | |
| Black Moon | 4:48 | M. Pert | The Ghost of Mayfield Lodge | 10:08 | P. Jones | |
| Deadly Nightshade | 10:54 | |||||
| Percy Jones: Bass Morris Pert: Percussion (Fender Piano on "Black Moon") Peter Robinson: Keyboards Chuck Burgi: Drums John Goodsall: Guitar Grateful Thanks To: Tony Smith, Brian Murray-Smith, Steve Hall, Peter Thompson, Gail Colson, Walter O'Brien, Nancy Lewis, Mike Farrell, Clive Davis and Marty Scott, Bernadette Sheridan, David and Sharon, Shergold Custom Guitars, Wal Custom Basses, Rotosound Strings, Farmyard, Doc Dymond, H.H.B., The London Ambulance Service and The Norman Choir for Unphazed vocals on "The Poke" |
Recorded and mixed at Trident Studios, London, May/June 1978 Producer: Robin Lumley Engineer: Stephen W. Tayler Asst. Engineers: Colin Green, Reno Ruocco, Mike Donegani Mastered at Sterling Sound, NY by Jack Skinner Brand X Equipment: Pete Donovan, Steve Jones, Dave Powell Management: Hit & Run Music Sleeve Design: Front Photo-Chris Kutschera Back Cover-Hag ©.(Courtesy of the bag) Layout-A D Design | |||||
| 7 | Product (US 1979 Passport PB 9840) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Don't Make Waves* | 5:28 | Goodsall | Algon (where an ordinary cup of drinking chocolate costs £8,000,000,000)* | 6:07 | Lumley | |
| Dance of the Illegal Aliens+ | 6:52 | Jones | Rhesus Perplexus* | 4:06 | Giblin | |
| Soho* | 3:47 | Goodsall & Collins | Wal to Wal^ | 3:09 | Giblin Jones | |
| ...And So to F....* | 6:34 | Collins | Not Good Enough-See Me!+ | 7:27 | Jones & Robinson | |
| April* | 2:40 | Giblin | ||||
| Musicians: Mike Clark-Drums+ Phil Collins-Drums, Percussion, Vocals*^ John Goodsall: Guitar & Vocals*+ John Giblin-Basses*^ Robin Lumley-Keyboards, Gunfire, Chainsaw* Morris Pert-Percussion+ Peter Robinson-Keyboards, Gunfire, Vocals+ Percy Jones-Basses+^ Recording Engineers-Colin Green, Neil Kernon Remix Engineers-Richard Austin, Colin Green, Neil Kernon, Reno Ruocco Recorded at Startling Studios, Ascot, England, April 1979 Remixed at Farmyard Studios, Trident and Starling June/July 1979 'Soho" and 'Wal to Wal' recorded at 'Old Croft' Surrey. Eng: P. Collins (Modern, Noisy and Effective) Mastered by Ray Staff Produced by Brand X with Colin Green and Neil Kernon Sleeve Design-Hipgnosis/Elgie Photos by Hipgnosis. Graphics by Colin Elgic Photos of Morris and Peter by Paul Canty, LFI Photo of Mike Clarke by Jon Giblin Equipment: Pete Donovan, Andy Mackrill and Geoff Banks |
Thanks to: Munch by Rose(Ode to Joy) Levison, the invaluable Brian (Jaws) Murray hyphen Smith, Uncle Tony cash flow Smith and Hit and Run, Mike O'Donnell, Trevor and Eva Morais, Rupert Hine, Martin Howe and Superwound Strings, The Vibe Cats (Cloth Ears and ??thbert) Occasional Title + handclaps by Edward Carson The Belvedere Airship Hangar, Ascot The Royal Argon Hotel Asgot Brand X would like to thank each other for the warmth generated suring the making of this record. Ambushes furnished by Robinson/Lumley Ltd. Authentic Animal Noises by Authentic Animals Research for 'Soho' by B.M. Smith + J. Goodsall Entertainment by Basil, Sybil, Polly, Manuel, Linda Lovelace Costumes by L. Taked'Ehemupp What the Critics Said.... "Fantastic, I laughed 'til I stopped!" (A. Whicker) "A fantastic year for sheep" (A. Sheep.[Min.of Certain Things]) "What a fine body of men they nearly are." (Mr O.W.A Giveaway) "GR ST" (Mr. Jo Sm) "EA UF" (Mr. Oh I) "T F" (Mr Hn Th) "Eeeaaayyyeeeaaagh!" (E. Waring) | |||||
| 8 | Do They Hurt? (US 1980 Passport PB 9845) M-/M- co $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Noddy Goes to Sweden | 4:30 | P. Jones | Cambodia | 4:31 | J. Goodsall | |
| Voidarama | 4:21 | J. Goodsal | Triumphant Limp | 7:34 | J. Goodsal, J. Giblin, R. Lumley, P. Collins | |
| Act of Will | 4:43 | D.M.Z | 8:49 | P. Jones | ||
| Fragile | 5:26 | P.Jones, P. Robinson | ||||
| Percy Jones: bass & vocals Peter Robinson: keyboards & tam tam Mike Clark: drums John Goodsall: guitars & vocals John Giblin: bass Phil Collins: drums Robin Lumley: piano & keyboards |
Recorded at Startling and Farmyard Studios, England Engineer: Neil Kernon Produced by Brand X & Neil Kernon Morris Pert: Percussion on Noddy Goes to Sweden & Fragile Title Spoken by: Michael Palin Management: Tony Smith Brian Murray-Smith Hit & Run Music Cover Design & Photos: Hipgnosis (Not Again) Colouring: Richard Manning | |||||
| 9 | Is There Anything About? (US 1982 Passport PL 5006) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ipanaemia | 4:30 | Goodsall | Swan Song | 5:30 | Collins/Lumley/Giblin/Short | |
| A Longer April | 7:00 | Giblin | Is There Anything About? | 7:52 | Jones/Goodsall/Lumley/Collins | |
| Modern, Noisy and Effective | 3:56 | Goodsall/Lumley/Short | Tmiu-Atga | 5:07 | Giblin/Robinson/Lumley | |
| Personnel: Philip Collins: Drums and concussion Percy Jones: Bass John Giblin: Bass, Whitbread, a vocal Robin Lumley: Keyboards and vocal |
Peter Robinson: Keyboards John Goodsal: Guitar Raf Ravenscroft: Saxophone Steven Short: Syndrums and vocal Nora W. Deensman Eamonn Andrews: anagrams | |||||
| 1 | The Wild Places (US 1978 Sire SRK 6065) has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Wild Places | 5:59 | Browne | Samurai | 4:34 | Browne, Godwin | |
| Roman Vecu | 4:42 | Kisarazu | 7:10 | Browne | ||
| Camino Real (Part 1, 2 & 3) | 8:28 | Browne, Hymns, Giblin, Phillips | The Crash | 3:53 | ||
| Planet Earth | 6:30 | Browne, Godwin | ||||
| Musicians:
Duncan Browne - Vocals, electric & acoustic guitars, keyboards on "Kisarazu", percussion. Tony Hymas - ARP & Oberheim synthesizers, Roland string synth. John Giblin - Fretless & Precision Bass. Simon Phillips - Drums & percussion, piano on "Camino Real". Strings & synthesizer arrangements by Tony Hymas. Vocal arrangements by Duncan Browne. Back-up vocals by Duncan Browne & Ray Hendriksen. |
Cover concept and photography by Sanders Femme fatale: Mary Dobson. Make-up by Mary Vango. Sleeve Design: Jean-Luke Epstein (Graphyk). Recorded and mixed at Scorpio Sound. Produced by Duncan Browne with Engineer Ray Hendriksen. | |||||
| 1 | Brubeck Time (US 1955 Columbia CL 622) VG+/VG original $30 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Audrey | ?? | Brubeck-P. Desmond | Stompin for Mili | ?? | Brubeck-P. Desmond | |
| Jeepers Creepers | Mercer-Warren-arr;Collins | Keepin Out of Mischief Now | Razaf-Waller | |||
| Pennies from Heaven | Burke-Johnston | A Fine Romance | Fields-Kern | |||
| Why Do I Love You | Hammerstein II-Kern | Brother, Can You Spare a Dime | Harburg-Gorney | |||
| Musicians:
Dave Brubeck: Piano Paul Desmond: Sax Bob Bates: Bass Joe Dodge: Drums | ||||||
| 1 | Feels Good to Me (US 1977 Polydor PD-1-6149) VG/VG+ has inner sleeve $5 | |||||
| 2 | Feels Good to Me (US 1977 Editions EG EGLP 33) M-/M- $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Beelzebub | 3:16 | Bill Bruford | Feels Good to Me | 3:49 | Bill Bruford | |
| Back to the Beginning | 7:09 | Either End of August | 5:27 | |||
| Seems Like a Lifetime Ago (Part One) | 2:30 | If You Cant Stand the Heat... | 3:20 | Bill Bruford/Dave Stewart | ||
| Seems Like a Lifetime Ago (Part Two) | 4:25 | Springtime in Siberia | 2:43 | |||
| Sample and Hold | 5:12 | Bill Bruford/Dave Stewart | Adios a la Pasada (Goodbye to the Past) | 7:56 | Bill Bruford/Annette Peacock | |
| The music on this album was written between January and June 1977, rehearsed for three weeks and recorded and
mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex. Dave Stewart appears through courtesy of Front-Line Music, Inc. Produced by Robin Lumley and Bill Bruford for E.G. Records Ltd. The Players: Bill Bruford: tuned and untuned percussion, kit drums; tunes and final say Dave Stewart: keyboards - reasonably advanced harmonic advice Allan Holdsworth: guitar Annette Peacock: vocal Jeff Berlin: bass Kenny Wheeler: flugelhorn | Steve W. Taylor: engineer John Brand, Colin Green, Stephen Short: tape operators Pete Revill, Mick Rossi: equipment Gered Mankowitz: sleeve photography Dick Wallis & Jacquie Deegan: inner sleeve photography Cream: sleeve design with thanks to: John Goodsall: additional guitar on "Feels Good To Me" Neil Murray: a bass player when I needed one Val Joseph: polymoog consultant Apparently Jeff Berlin uses Leo Quan 'BAD ASS' Musical Products | |||||
| 2 | The Bruford Tapes (US 1979 Editions EG [white label] EGS 106) co M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hell's Bells | 4:02 | Stewart/Gowen | Beelzebub | 3:28 | Bruford | |
| Sample and Hold | 6:18 | Bruford/Stewart | The Sahara of Snow (part one) | 4:46 | ||
| Fainting in Coils | 6:34 | Bruford | The Sahara of Snow (part two) | 3:07 | Bruford/Jobson | |
| Travels with Myself - and Someone Else | 4:37 | One of a Kind (part two) | 8:06 | Bruford/Stewart | ||
| 5g | 2:39 | Berlin/Stewart/Bruford | ||||
| Bill Bruford-drums, percussion, electric chat
Dave Stewart-electric keyboards Jeff Berlin-electric bass The ‘Unknown' John Clark-electric guitar | ||||||
| 3 | Gradually Going Tornado (US 1980 Polydor PD-1-6261) M-/VG+ $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| age of information | 4:41 | bruford/stewart | the sliding floor | 4:58 | bruford/stewart/berlin | |
| gothic 17 | 5:07 | palewell park | 3:57 | bruford | ||
| joe frazier | 4:41 | berlin | plans for j.d. | 3:50 | ||
| q.e.d. | 7:46 | bruford/stewart | land's end | 10:20 | stewart | |
| Bill Bruford: drums and cymbals Dave Stewart: keyboards Jeff Berlin: bass and lead vocals The Unknown John Clark: guitar cello on "gothic 17": georgie born voices on "land's end": barbara gaskin, amanda parsons sleeve art direction and design: paul neagu | recorded at surrey sound, leatherhead, surrey, october and november 1979
first engineer: ron malo second engineer: martin moss tape operator: peter buhlman mixed at devonshire sound, north hollywood, california, engineer: ron malo | |||||
| 1 | If I Were Brittania I'd Waive the Rules (US 1976 A&M SP-4593) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Anne Neggen | 4:05 | Bourge and Shelley | Sky High Percentage | 5:57 | Bourge and Shelley | |
| If I Were Brittania I'd Waive the Rules | 5:53 | Heaven Knows Our Name | 3:51 | |||
| You're Opening Doors | 4:17 | Black Velvet Stallion | 8:06 | |||
| Quacktors and Bureaucats | 3:52 | |||||
| Produced by Budgie Engineered by Pat Moran Recorded at Rockfield Studios (appreciation to Cyril & Henry) | Special Thanks to: Richard Dunn-Keyboards, Ray Le Goueze, Colin Jones, Jill of Wilderness
Junction N.Z., Mick Owen, Pete Long, Tommy John. Art Direction: Fabio Nicoli Illustration: Alun Hood Photographs: Gered Mankowitz | |||||
| 1 | Mosaic - Electronic Vignettes by (US 1984 Fortuna FOR-LP025) M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Physics | 4:15 | Richard Burmer | '88 | 2:54 | Richard Burmer | |
| Solarsex | 6:11 | Ave Pladaelio | 4:36 | |||
| Winter on the Wind | 5:00 | The Hill | 4:19 | |||
| Riverbend | 2:18 | Under Shaded Water | 3:42 | |||
| The Serum | 7:02 | Lamento Di Tristan | 3:07 | anonymous | ||
| Ela-A (Theme #2) | 4:45 | Richard Burmer | ||||
| Richard Burmer: Emulator, synthesizers, Mellotron, Chamberlain
Debra Burmer: Voice on "The Serum" and "Ave Pladaelio" Dennis Baglama: Saxophone on "Solarsex" and "The Serum" Don Swanson: Bells and cymbals on "Solarsex" Produced by Richard Burmer Recorded by Richard Burmer at Symmetrical Sound. Mixed by Richard Burmer and Darwin Foye at EFX Systems. Disc mastered by George Horn at Fantasy Studios, Berkeley. | Matrix and Pressing by Record Technology, Inc., Camarillo, CA
Special thanks to Henry and Theresa Burmer, E-mu Systems, Kevin Monahan, Denise Gallant, Stephen Hill, and Ethan Edgecomb. This album is dedicated to Jimmie. Design Direction by Janaia Donaldson, Palo Alto, California. Cover Photo by Stephen Mangold, digitally processed by Solzer & Hail. Special thanks to Mik Lamming of Xerox PARC and William Stewart. Richard's photo by Sue Consiglio. Copy by Lee Underwood, Anna Turner, and Janaia Donaldson. | |||||
| 1 | Never For Ever (US 1980 EMI America ST-17115) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Babooshka | ?? | Kate Bush | The Wedding List | ?? | Kate Bush | |
| Delius | Violin | |||||
| Blow Away | The Infant Kiss | |||||
| All We Ever Look For | Night Scented Stock | |||||
| Egypt | Army Dreamers | |||||
| Breathing | ||||||
| Stuart Elliot - Drums, Bodhran John Giblin - Electric Bass Max Middleton - Fender Rhodes, string arrangement, Mini-Moog Paddy Bush - Balalaika, backing vocals, Delius, star, bass voices, Koto, Strumento de Porco, harmonica, musical saw, Banshee, mandolin Brian Bath - Electric and acoustic guitars, backing vocals Alan Murphy - Electric and acoustic Guitars, backing vocals, bass acoustic guitar Gary Hurst - Backing vocals Kate Bush - C.S.80 Roland - Percussion Ian Bairnson - Bass voices The Martin Ford Orchestra - Strings Preston Heyman - Drums, Percussion Del Palmer - Fretless bass Morris Pert - Timpani Duncan Mackay - Fairlight Andrew Bryant - backing vocals Mike Moran - Prophet 5 Kevin Burke - violin Adam Screaping - Viol and string arrangement Jo Screaping - Lironi and string arrangement Larry Fast - Prophet Roy Harper - backing vocals |
Produced by Kate Bush and Jon Kelly; Engineer, Jon Kelley; Assistant Engineer at Abbey Road Studios,
John Barratt, at Air Studios, Jon Jacobs; Art Direction, Kate Bush; Front Cover and Centre, Nick Price; Back Cover concept
and photography, John Carder Bush, Lettering, Carol Bennett; Costume Design, Gini Hardy; Artwork Co-Ordination, Paul Maxwell Ltd,;
Vocals, Piano and Harmonies, Kate Bush; Re-Mastered by Ron McMaster at EMI America/Liberty Recording Studio
Richard Burgess and John Walters appear courtesy of RCA Records. Special thanks to Paddy for all his ideas; to Richard Burgess and John Walters for bringing in and programming the Fairlight, CMI, and for their warmth and enthusiasm; Max Middleton for all his help; Kevin McAlea for his ingenuity and for playing me Chopin; Herbie Flowers for making me feel happy; Roy Harper for holding on to the poet in his music; Peter Gabriel for opening the windows; Hannah and Jack for being there; Krishna and Ranchor for showers of gifts; and to Richard Ames, Jeremy, Andrew, Eddie, Lisa, Vera, Hil Bill and Tell, John, John, John, Jon, Jon and to all the musicians who have worked patiently and understandingly on this album to make it the way I always wanted it to be. | |||||
| 2 | The Sensual World 12" (UK 1989 EMI 12EM102) M-/M- $10 has parallel grooves that will randomly play vocal or instrumental mix | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Sensual World | 3:56 | Kate Bush | The Sensual World (Instrumental Mix) | 3:56 | Kate Bush | |
| Walk Straight Down the Middle | 3:48 | |||||
| Produced by Kate Bush Recorded by Del Palmer Mixed by Kevin Killen (Sensual World) Engineered and Mixed by Del Palmer |
Photography: John Carder Bush Design: Kindlight/Bill Smith Studio | |||||
| 3 | This Woman's Work 12" (UK 1989 EMI 12EM119) M-/M- $10 SOLD! | |||||
| 4 | This Woman's Work 7" Picture Disk (UK 1989 EMI EMPD119) M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| This Woman's Work (Single Mix) | 3:33 | Kate Bush | Be Kind to My Mistakes | 3:03 | Kate Bush | |
| I'm Still Waiting* | 4:25 | |||||
| Produced by Kate Bush Recorded by Del Palmer Mixed by Kevin Killen (This Woman's Work) Engineered by Del Palmer (with thanks to Nicolas Roeg) |
Photography: John Carder Bush Design: Kindlight/Bill Smith Studio *this track not on picture disk | |||||
| 5 | Love and Anger 12" (UK 1990 EMI 12EM134) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Love and Anger | 4:41 | Kate Bush | Ken (from the comic-strip film "GLC") | 3:48 | Kate Bush | |
| The Confrontation | 2:56 | |||||
| One Last Look Around the House Before We Go... | 1:00 | |||||
| Produced by Kate Bush Recorded by Del Palmer Mixed by Kevin Killen, Cut by Ian Cooper (Love and Anger) Engineered by Del Palmer |
Photography: Kindlight Design: Kindlight/Bill Smith Studio | |||||
| 1 | The Catherine Wheel (US 1981 Sire SRK 3645) M-/M- has inner sleeve $12 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| His Wife Refused | 4:26 | David Byrne | Eggs in a Briar Patch | 3:31 | David Byrne | |
| Two Soldiers | 4:45 | Byrne/Eno | Poison | 2:38 | ||
| The Red House | 3:17 | David Byrne | Cloud Chamber | 2:42 | ||
| My Big Hands (Fall Through the Cracks) | 2:45 | What a Day That Was | 5:32 | |||
| Big Business | 5:16 | Byrne/Chernoff | Big Blue Plymouth (Eyes Wide Open) | 4:45 | ||
| Light Bath | 1:08 | |||||
| David Byrne: Vocals, Basses, Guitars, OBX, Primetime, Percussion, Prophet, Fierce and High Guitars, Horses, Kitchen Metals, Triggered Flute
Yogi Horton: Drums, Concert Toms John Chernoff: Ging Gong, Congas, Galloping Guitar, Percussion Bernie Worell: Mini Moog, Piano, Clavinet Adrian Belew: Steel Drum Guitar, Guitars, Floating Guitar Brian Eno: Bass, Piano, Prophet Scream, Vibes Jerry Harrison: Clavinet, Large Drum Dolette McDonald: Vocals Twyla Tharp: Water Pot John Cooksey: Drums Steve Scales: Congas Sue Halloran: Vocals |
Choreographed and Directed by Twyla Tharp Studios: Celestial Sound Studios Julie Last: Engineer Cheryl Smith: Assistant Engineer Olympic Sound (London) Doug Bennett: Engineer Bill Gill: Assistant Engineer Blank Taes, Butch Jones: Mixing Engineer Mastered at Sterling Sound by Greg Calbi Design by Jim Feldman for Resource Manhattan All cover photos by David Byrne | |||||