THE ABDABS Go to Next band (Abercrombie Quartet)
1 | A Great Set (US 1977 Night Plane RDRN-50977) M-/M-/M-/M- $60 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Welcome to the Machine | 19:21 | Waters | Pigs on the Wing (Part 1) | 19:33 | Waters | |
Sheep | Pigs (Three Different Ones) | |||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Dogs | 21:02 | Waters, Gilmour | Have a Cigar | 20:13 | Waters | |
Pigs on the Wing (Part 2) | Waters | Shine on You Crazy Diamond Parts 1-5 | Waters, Wright, Gilmour | |||
Side 5 | Side 6 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Shine on You Crazy Diamond Parts 6-9 | 21:55 | Waters, Gilmour | Us and Them | 21:47 | Waters, Wright | |
Wish You Were Here | Waters, Gilmour | |||||
Money | Waters | |||||
Live at The Oakland Coliseum Recorded May 9th, 1977 |
1 | M (US 1981 ECM ECM-1-1191) M-/M- promo $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Boat Song | 9:52 | Abercrombie | Flashback | 6:13 | Beirach | |
M | 6:17 | To Be | 5:14 | Abercrombie | ||
What Are the Rules | 7:28 | Beirach | Veils | 5:42 | Beirach | |
Pebbles | 4:42 | Mraz | ||||
John Abercromie: Electric and Acoustic Guitars
Richard Beirach: Piano George Mraz: Bass Peter Donald: Drums |
Recorded November 1980 at Tonstudio Bauer, Ludwigsburg Engineer: Martin Wieland Design: Barbara Wojirsch Produced by Manfred Eicher |
1 | Conferring with the Moon (US 1986 Windham Hill WH-1050) M-/M- promo $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Conferring with the Moon | 7:31 | Ackerman | Climbing in Geometry | 6:08 | Ackerman | |
Improv 2 | 3:28 | The Last Day at the Beach | 6:52 | Ackerman/Eugene Friesen | ||
Lago de Montanas (Mountain Lake) | 4:10 | Ackerman/Enrique Cruz | Singing Crocodile | 3:21 | Ackerman | |
Big Thing in the Sky (for Jess) | 6:35 | Ackerman | Shape of the Land | 3:21 | ||
Conferring with the Moon (solo) | 2:20 | |||||
William Ackerman: Guitar, charango Chuck Greenberg: lyricon Charles Bisharat: violin Michael Manring: bass Enrique "Quique" Cruz: zampona Bob Hubbard: English horn Ira Stein: piano Philip Aaberg: piano Eugene Friesen: cello |
Produced by William Ackerman and Elliot Mazer Engineered by Stephen Hart. Recorded and mixed at Fantasy Studios, Berkeley, CA. Design by Anne Robinson. Cover and liner photos by Dennis G. Olson. This is an all digital recording courtesy of Bud Costanza. Euguen Friesen appears courtesy of Living Music Records. |
1 | Art of the State (US 1985 Kerygma KRR-5401) M-/M- has inner sleeve $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
All Creation Sings | 4:22 | Kerry Livgren | The Fury | 5:34 | Kerry Livgren | |
We Are the Men | 4:41 | Progress | 4:39 | |||
Lead Me to Reason | 3:56 | Heartland | 3:42 | Mike Gleason | ||
The Only Way to Have a Friend | 4:16 | Zion | 3:26 | Warren Ham and Kerry Livgren | ||
Games of Chance and Circumstance | 4:18 | Mike Gleason | Up From the Wasteland | 4:25 | Kerry Livgren and Mike Gleason | |
Michael Gleason: Lead & Background Vocals, Keyboards Warren Ham: Lead & Background Vocals, Keyboards, Woodwinds & Harmonica Dennis Holt: Drums, Percussion, Background Vocals Dave Hope: Bass Guitar Kerry Livgren: Guitars & Keyboards Additional Vocals: Debi Chapman & Suzan Shewbridge on "All Creation Sings", "Up From the Wasteland" |
Produced & Engineered by Kerry Livgren for Grandy Zine Productions Assistant Engineer: Mike Gleason Executive Producers: Ken Marcellino & Mark Ferjulian Recorded and mixed at: Camp Dunwoody Studio, Dunwoody GA, September 1984-February 1985 This album was mixed on the dbx 700 Digital Processor Mastered by Glenn Meadows, Masterfonics Inc. Front Cover Illustration: Tim Wild Front Cover Concept: Mike Gleason, Ken Marcellino Art Direction: Bill Murphy, Ken Marcellino |
2 | Reconstructions (US 1986 Kerygma KRR-5406) M-/M- has insert $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
All Fall Down | 4:27 | Kerry Livgren/Michael Gleason | We Draw the Line | 3:43 | Kerry Livgren | |
Life of Crime | 4:16 | Michael Gleason | Walking the Wire (With No Apologies to the Supreme Court) | 3:44 | Michael Gleason | |
No Standing | 3:58 | Kerry Livgren | You Are the Distance | 4:06 | Mike Gleason/Kerry Livgren | |
Exiles | 4:15 | Highway to the Heart | 3:45 | Mike Gleason | ||
One Golden Thread | 4:20 | Kerry Livgren | ||||
Produced and Engineered by Kerry Livgren for Grandy Zine Productions
Michael Gleason: Lead & Background Vocals, Keyboards Kerry Livgren: Guitars, Keyboards and Percussion Dennis Holt: Percussion Dave Hope: Bass Guitar |
Additional Background Vocals: Keith Evans on You Are the Distance, and Terry Brock on Walking the Wire,
Exiles, We Draw the Line, Life of Crime, Highway to the Heart, One Golden Thread
Recorded at Camp Dunwoody Studio, Georgia, October 1985-June 1986 Art Direction by Jean Hoefel Jacket Design by Jim Shaman |
1 | Songs of Praise (F 1990 On U Sound ON-U LP 50) M-/M- $15 BUY! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Free Chant (Churchical Chant of the Iyabinghi) | 3:30 | B. Anderson | Hold Some More | 6:18 | B. Anderson / A. Maxwell / D. Harrow | |
Orderliness, Godliness, Discipline and Dignity | 3:16 | B. Anderson / A. Maxwell / B. Alexander | Healing Father | 4:48 | D. Harrow / B. Alexander | |
Hymn | 5:30 | Healing Ceremony | 3:48 | B. Anderson / A. Maxwell / B. Alexander | ||
Dervish Chant | 7:50 | Cattle Herders Chant | 4:15 | |||
All Percussion: Bonjo Iyabinghi Noah/Sunny Akpan
Drums: L.V. Scott Bass: Junior Moses / Crocodile Guitar / Keyboards; B. Alexander (a.k.a. Skip McDonald) Piano: Bubblers Effects: Prisoner Programming: D. Harrow Produced by Adrian Sherwood Another ON-U Sound Recording |
Recorded at the Matrix and the Manor Engineers; Dave Pine (a.k.a. Deptford)/Hugo Mastered at Townhouse by Kevin Metcalfe Sleeve Design by Kishi Very Special Thanks to Alan Lomax, Robert Marshall and Dr.Lion |
1 | Profile (US 1972 Sire SAS 7407) VG+/VG cover has light water damage at bottom $12 | |||||
2 | Profile (H 1972 Harvest 5CO56-24707) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Fresh Air a. Must be my land b. Wrestling to get out c. Back again d. The fight e. Fresh air-blue notes for listening f. Water and skies are telling me g. Happy Gabriel? | 19:50 | J. Akkerman | Kemps jig | 1:28 | Anonym | |
Etude | 1:30 | Carcassi | ||||
Blue Boy | 2:24 | J. Akkerman | ||||
Andante Sustenuto | 4:05 | Diabelli | ||||
Maybe just a dream | 2:33 | J. Akkerman | ||||
Minstrel/Farmers dance | 2:45 | |||||
Stick | 3:30 | |||||
Jan Akkerman: Guitar on all tracks Bass-guitar on Side 1, track e, f and g Alto-lute on Side 2, track 1, 2, and 6 Spanish-guitar on Side 2, track 4 Album design: John Van Den Berg. Photo: Dolf Straatemeter |
Pierre v.d. Linden: Drums on Side 1, all tracks, and Side 2, track 3 and 5
Burt Ruiter: Bass-guitar on Side 1, track a, b, c, and d, and on Side 2, track 3 and 5. Ferry Maat: Piano on Side 2, track 7 Jaap v. Eyck: Bass-guitar on Side 2, track 7 Frans Smit: Drums on Side 2, track 7 Intro side 1. Electric Fender piano: Jan Akkerman |
3 | Tabernakel (US 1973 Atco SD 7032) M-/M- gatefold $15 SOLD! | |||||||||||||||||||||||
Side 1 | Side 2 | |||||||||||||||||||||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |||||||||||||||||||
Britannia by John Dowlsn | 3:55 | Jan Akkerman & George Flynn | A Fantasy by Laurencini of Rome | 3:17 | Jan Akkerman | |||||||||||||||||||
Coranto for Mrs. Murcott by Francis Pilkington | 1:26 | Jan Akkerman | Lammy | 14:06 | Jan Akkerman | |||||||||||||||||||
The Earl of Derby, His Galliard by John Dowland | 1:36 | Jan Akkerman & George Flynn | ||||||||||||||||||||||
House of the King | 2:23 | Jan Akkerman & George Flynn | Jan Akkerman | |||||||||||||||||||||
A Galliard by Anthonie Holborne | 2:10 | Jan Akkerman | Jan Akkerman & George Flynn | |||||||||||||||||||||
A Galliard by John Dowland | 1:31 | A Pavan by Thomas Morley | 3:03 | Anthonie Holborne, Jan Akkerman & George Flynn
| Javeh | 3:22 | Jan Akkerman & George Flynn | George Flynn & Jan Akkerman
| Jan Akkerman - lute & bass guitar, electric guitars & percussion, acoustic guitar, organ
|
Ray Lucas - drums Tim Bogert - bass guitar Carmen Appice George Flynn - harpsicord, piano, Glockenspiel Daniel Waitzman Additional musicians: Gene Orloff, Joseph Malignaggi, David Kunstler, Norman Carr, Harry Cykman, Arnold Eidus, Harold Cohon & Carmen Malignaggi, Frederick Buldrini, Guy Lumia, Elliot Rosoff, Kathryn Kienke, Raoul Poliakin, Lewis Eley, violin Emanuel Vardi, Alfred Brown, Selwart Clarke, David Sackson, Richard Maximoff & Seymour Berman, viola Lucien Schmit, Kermit Moore, Charles McCrackin, George Ricci, George Koutzen, Gloria Lanzarone & Jesse Levy, cello Russel Savakus, Richard Davis, contrabass Harold Bennett & Albert Block, flute Alan Rubin, Raymond Crissara & Joseph Wilder, trumpets
| Robert Alexander & Dominic Gravine, trombones Tony Miranda, Ray Alonge, James Buffington & Earl Chapin, french horns Philip Bodner, oboe Charles Russo, clarinet Walter Kane, bassoon Stephen M. Johns, tuba Eugene Levine, bass Orchestra and chorus conducted by George Flynn Recorded at Atlantic Recording Studios, New York, N.Y. Recording engineers: Gene Paul & Joel Kerr Assistant engineer: Stephen Dowd Re-mixed by Geoffrey Haslam, Jan Akkerman & George Flynn Photos of Geoffrey Haslam & Gene Paul: David Gahr Photo of Ray Lucas: Kathy Moore Album photography & design: Norman Seeff Produced by Geoffrey Haslam for R.T.M. |
4 | Eli [w/Kaz Lux] (US 1976 Atlantic SD 18210) M-/VG+ has inner sleeve, promo strip $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Eli | 4:25 | Jan Akkerman/Kaz Lux | There He Still Goes | 3:45 | Jan Akkerman/Kaz Lux | |
Guardian Angel | 4:58 | Strindberg | 3:06 | Jan Akkerman/Rick van der Linden/Kaz Lux | ||
Tranquillizer | 4:20 | Jan Akkerman | Wings of Strings | 3:15 | Jan Akkerman | |
Can't Fake a Good Time | 5:25 | Kaz Lux | Naked Actress | 5:45 | Jan Akkerman/Kaz Lux | |
Fairytale | 3:45 | Jasper van 't Hof | ||||
Kaz Lux - vocals Jan Akkerman - guitars, bassguitar Jasper van 't Hof - keyboards Rick van der Linden - keyboards Warwick Reading - bassguitar Pierre van der Linden - drums Richard DeBois - drums Neppie Noya - percussion Margriet Eshius - backing vocals Maggie MacNeal - backing vocals Patricia Paay - backing vocals |
Produced by Richard DeNois (Ladybird Productions) and Jan Akkerman. Arranged by Jan Akkerman. Recording Engineer: Jan Schuurman Remixed by: Richard DeBois & Jan Schuurman Recorded at the Soundpush Studios - Blaricum - Holland Mastered by Henk Horden & Jacques Delemarre Mastered at the EMI Studios - Heemstede - Holland Design: Hans Tonino & Harry van Zijl Photography: Joost Noordhoek Retouch: Four Color-Amsterdam Frame-maker: Mr. Kurvers Art-Direction: Hans Tonino |
1 | Now is the Happiest Time of Your Life (F 1977 Tapioca TP 10017) M-/M- $15 SOLD | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Flamenco Zero | 1:45 | Biblioni | Nonsense Rap | 1:00 | Allen | |
Why Do We Treat Ourselves Like We Do? | 6:45 | Allen | Lady Dear Lady | 5:29 | ||
excerpt de un discours sur Planute Gong Mythology (ICA London PL-Lune Paques 1977) suive par big daddy camembert et "Tally & Orlando Meet the Cockpot Pixie" | 3:13 | I Am | 9:15 | |||
See You in the Moontower | 5:46 | Deya Goddess | 6:36 | |||
Poet for Sale | 3:55 | |||||
Daevid Allen - vocal, guitar Juan Biblioni & Pepsi Milan - acoustic guitars Sam Gopal - tablas & chairs Xavier Reba - violin Ramon Farran - strings Victor Perraino - synthis |
2 | Jungle Windo(w) 10" (UK 1982 Charly CYX 203) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Jungle Windo(w) | ?? | D. Allen | Much Too Old | ?? | D. Allen, B. Laswell | |
Materialism | ?? | D. Allen, C. Culteri | ||||
Notes: with New York Gong a.k.a. Material | DAEVID ALLEN - vocal, guitar MICHAEL BEINHORN - synth GARY WINDO - tenor sax CLIFF CULTRERI - lead guitar BILL LASWELL - bass BILL BACON - drums FRED MAHER - drums |
1 | Eat a Peach (US 1972 Capricorn 2CP 0102) M-/M-/VG+ gatefold $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ain't Wastin' Time No More | 3:40 | Gregory L. Allman | Mountain Jam (Theme from "First There is a Mountain" courtesy of Peer International) | 19:37 | D. Leitch, G. Allman, D. Betts, J.J. Johanson, B. Oakley, B. Trucks | |
Les Brers in A Minor | 9:05 | Dicky Betts | ||||
Melissa | 3:05 | Gregory L. Allman - Steven Alaimo | ||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
One Way Out | 4:58 | Elmore James-Marshall Sehorn | Mountain Jam, Cont'd | 15:08 | D. Leitch, G. Allman, D. Betts, J.J. Johanson, B. Oakley, B. Trucks | |
Trouble No More | 3:28 | McKinley Morganfield | ||||
Stand Back | 3:25 | Gregory L. Allman - Berry Oakley | ||||
Blue Sky | 5:10 | Dicky Betts | ||||
Little Martha | 2:08 | Duane Allman | ||||
Dedicated to a Brother, Duane Allman
Produced by Tom Dowd by Special arrangement with Phil Walden and associates, inc. Cover by Wonder Graphics |
1 | Shen Men (Sw 1984 Mistlur MLR 31) M-/M- $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Street Runner | 6:10 | Almqvist | Take Off | 5:42 | Almqvist | |
Blue Suite Part I, Part II, Part III | 12:25 | Hot Fingers | 1:41 | |||
Bad Breaks | 4:07 | |||||
Sun Signs | 5:04 | |||||
Musicians:
Thomas Almqvist: Guitars Stefan Blomqvist: Keyboards, vocoder Lars Lamberger: Bass (B2, B3) Tommy Cassemar: Bass (B1) Bengt Lindgren: Bass (A2) Gunnar Wenneborg: Drums, Percussion Magnus Persson: Drums, Percussion (B1) Stefan Glaumann: Syn Drums (A1, B4) Anders Karlen: Elecric Guitar Solo (B3) Gustavo Bergalli: Trumpet Baltasar Gorosabel: Trumpet Hans Peter Andersson: Sax |
Bass solo arranged by Bengt Lindgren (A5) Horns arranged by Stefan Blomqvist Linn programming: Thomas Almqvist, Stefan Glaumann Synergy bass programming (A1): Greg Fitzpatrick Engineered by Stefan Glaumann at Mistlur Studio 1 Logo painting: Thomas Almqvist Photography: Ake Ostman Cover design: Ermalm's Egenart and Thomas Produced by Thomas Almqvist and Stefan Glaumann |
1 | Hermanos de Sentimiento (Guat 1984 Discos de Centroamerica 84595) VG/VG has inner sleeve $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hermandos de Sentimiento | ?? | Alux Nahual | Mira el Sol Brillar | ?? | Ranferi Aguilar | |
Agui esta tu Tierra | Alvaro Aguilar | Dime que has Olvidado | Alvaro Aguilar | |||
Juego Nuclear | Oscar Conde | Al diablo el diablo | Plubio Aguilar | |||
El Espiritu del Duende | Paulo Alvarado | Lejos de la Ciudad | Orlando A. | |||
Orlando: Bateria, Metalofono, timbales, bongos, tortuga, Canofono, campanas chinas, habas, manias, etc., aplausos
Plubio: Bajo y Coros, Voces y guitarra, aplausos Alvaro: Voz y Guitarra, Sintetizador, percusion Ranferi: Guitarra y coros, sinte polifonico Oscar: Sax Alto, Flauta, Voz, Guitarra, Sax Tenor, Pandereta Paulo: Piano, Cello, sintetizador, Sinte Monofonico, aplausos, Sintentizador de cuerdas Jack: Violin, Auto-harp, mandolina, Salterio Jorge Estrada: Sintetizador |
Ingeniero de Sonido: Guillermo Castillo Diseno y fotografia de cubierta: Luis Fernando Ponce, Fernando Alburaz, Fernando Duque, Beverly Dacaret, Eric Bonduel Arreglos y Production: Alux Nahual. Foto Interior: Rafael Vettorazzi Diseno Onterior: Oscor Conde |
1 | Evensong (UK 1970 Island ILPS 9136) M-/M- gatefold $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Pavan | 3:20 | J. Gladwin | The Ploughman | 3:05 | J. Gladwin | |
St. Crispins Day | 2:18 | Old Moot Hall | 2:38 | |||
Spring Season | 3:38 | Lady Marion's Galliard | 3:44 | |||
Willowood | 3:22 | Under the Greenwood Tree | 3:15 | |||
Evensong | 3:10 | Anthem | 2:52 | |||
Blondel Are:-
John David Gladwin: Lead Vocals, Lute, Theorboe, Cittern, Double Bass Terence Alan Wincott: Crumhorn, Recorders, Pipe-Organ, Vocals (and occasional Lead Vocals), Tabor Pipe, Tabor, Flute, Harmonium, Lute, Harpsicord. Edward Baird: Lute, Cittern, Vocals (and very occasionally Lead Vocals) |
Other Musicians: Chris Karan: Percussion Adam Skeaping: Viola Da Gamba, Violone Our thanks to the Dean and Chapter of Linclon Cathedral, Richard for transcriptions, and Shepard Sherbell for photography. Recorded at Island Studios Roger Beale: Engineer Produced by Paul Samwell-Smith |
1 | Ambrosia (US 1975 20th Century T-434) M-/M- has insert $15 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Nice, Nice, Very Nice | 5:55 | Kurt Vonnegut, Jr. - Puerta - Pack - North - Drummond | Make Us All Aware | 4:29 | Pack - Drummond - Puerta - North | |
Time Waits for No One | 4:53 | Pack - Puerta - Drummond - North | Lover Arive | 3:11 | Pack | |
Holdin On to Yesterday | 4:19 | Puerta - Pack | Mama Frog | 6:05 | Puerta - North - Drummond - Pack | |
World Leave Me Alone | 3:18 | Pack | Drink of Water | 6:29 | Puerta - Pack - North - Drummond | |
Joe Puerta: Bass Guitar & Lead Vocals
David Pack: Guitars, Lead Vocals & Keyboards on "Lover Arrive" Christopher North: Keyboards & Vocals Burleigh Drummond: Percussion, Bassoon & Vocals Arranged & orchestrated by 'us' |
Realized, Recorded & Mixed at: Mama Joe's, North Hollywood, California Engineers: Chuck Johnson, Billy Taylor, Freddie Piro & Tom Trefethen Mixdown engineer & co-production of mixdown: Alan Parsons Mastered by Doug Sax at Mastering Labs Art Direction, Illustration & Design: Eddie Douglas Our thanks to Gordon F. Parry and Chuck Johnson for their help and synergy. "...So many people in the same device:" Chuck Girard, Keith Johnson, Jim West, Splash Price, Fletch Wiley, Andy Toth, Odessa Balalaika Ensemble, Daniel Kobialka (violinist), Michael Granger and James Newton Howard (synthesizer programming). ...all waiting there for your pleasure Dedicated to Russ Regan for his patience and belief. A Rubicon Production. |
2 | Somewhere I've Never Travelled (US 1976 20th Century T-510) M-/M- cover folds into a pyramid!! has inner sleeve $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
And... | 0:47 | Drummond | The Brunt | 5:26 | Pack, Puerta, North, Drummond | |
Somewhere I've Never Travelled | 4:09 | Pack, Puerta | Danse with me George | 7:47 | ||
Cowboy Star | 6:20 | Puerta, Pack, North, Drummond | Can't Let a Woman | 4:18 | Pack | |
Runnin' Away | 3:27 | Pack | We Need You Too | 5:31 | Puerta, Pack | |
Harvey | 1:27 | Puerta | ||||
I Wanna Know | 5:58 | Puerta, Pack | ||||
Christopher North: Acoustic and Electric Keyboards, Vocals David Pack: Guitars, String Ensemble, Rhodes on "George", Vocals Joe Puerta: Bass, Moog Pedals, Guitar on "Harbey", Vocals Burleigh Drummond: Drums, Percussion, Bassoon, Vocals Produced by Alan Parsons (for Rubicon Productions) |
Executive Producer: Freddie Piro Recorded and Mixed at Mama Jo's, North Hollywood, California Engineered by Alan Parsons Additional Engineering: Tom Trefethen All arrangements by Ambrosia Orchestral Arrangements by Andrew Powell, Recorded at Abbey Road Studios, London Art Direction: David Larkham for John Reid Enterprises, Inc. Pyramid Art and Production, Clligraphy and Design: Hogin McMurtrie Photography: Ed Caraeff |
1 | Vive La Trance (US 1974 United Artists UA-LA198-F) cc M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
A Morning Excuse | 3:19 | Amon Duul II | Apocalyptic Bore | 6:38 | Amon Duul II | |
Fly United | 3:33 | Dr. | 3:00 | |||
Jalousie | 3:27 | Trap | 3:35 | |||
Im Krater Bluhn Wieder die Baume | 3:08 | Pig Man | 2:38 | |||
Mozambique | 7:40 | Manana | 3:20 | |||
Ladies Mimikry | 3:18 | |||||
All music composed & arranged by Amon Duul II
Produced by Olaf Kubler & Amon Duul II Recorded at Bavaria Studios Remixed at Bavaria Studios & Union Studio Munchen |
Many thanks to our engineer, Peter Kramper Photography: F.U. Rogner & Gena Zimmermann Design & Artwork: Jurgen Rogner Personal Manager: Wolfgang Dorsch |
1 | Olias of Sunhillow (US 1976 Atlantic SD 18180) gatefold/insert M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ocean Song | 3:12 | Jon Anderson | Solid Space | 5:16 | Jon Anderson | |
Meeting (Garden of Geda) Sound Out the Galleon | 3:28 | Moon Ra Chords Song of Search | 12:48 | |||
Dance of Ranyart Olias (To Build the Moorglade) | 4:14 | To the Runner | 4:26 | |||
Qoquao en Transic Naon Transic To | 7:03 | |||||
Flight of the Moorglade | 3:22 | |||||
Companions: Mike Dunne Sound advice and Recording engineer John Martin: Co-ordination, equipment, goodies Brian 'It's going now' Gaylor: Electonics Music written and performed by Jon Anderson Recorded at Seer Green Matered at RCA by Brian East Illustrated and designed by Dave Roe Art direction by Hipgnosis Portrait: Jeii Cummings Portrait coloring: Richard Manning |
For their help MCI Florida USA, Richard Factor Eventide USA, Ken Freeman string, Mike King, Ian Hawes, Graham Davies and the Organ Master of Beaconsfirld Parish Church For their energy: Steve, Alan, Chris, Patrick, Brian, Alex, Sandy, Jill, Urszula, Phil Carson, Brian Gulland, Martin Dean, Donald Lehmkuhl, Keith Goodwin, Ilhan and Vangelis For planting the seed: Roger Dean |
1 | Big Science (US 1982 Warner Brothers BSK 3674) has inner sleeve M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
From the Air | 4:29 | Laurie Anderson | O Superman (For Massenet) | 8:21 | Laurie Anderson | |
Big Science | 6:14 | Example #22 | 2:59 | |||
Sweaters | 2:18 | Let X=X/It Tango | 6:52 | |||
Walking & Falling | 2:10 | |||||
Born, Never Asked | 4:56 | |||||
Produced by Laurie Anderson & Roma Baran
Assistant Producer: Perry Hoberman Engineer: Leanne Ungar Technical Consultant & Systems Design: Bob Biecki Recorded at The Lobby, New York City Mixed at The Hit Factory, New York City (Assistant Engineer: Jon Smith) Additional tracks recorded at: The Hit Factory (Assistant: Bob Musso) Skyline Studios (Assistant: Arthur Payson) Sorcerer Sound (Assistant: Al Fierstein) Mastered at Masterdisk by Bob Ludwig Plated at Europadisk O Superman: Engineer: Roma Baran Mixed at The Lobby Mastered by Bill Kipper and Bob Ludwig Cover: Laurie Anderson Art Direction: Perry Hoberman Design: Cindy Brown Front Cover Photo: Greg Shifrin Back Cover Photo: James Hamilton Inner Sleeve Photo: Laurie Anderson |
Laurie Anderson: Vocals, Vocoder, Farsifa, OBXa, Percussion, Electronics, Violins, Keyboards, Marimba, Sticks Roma Baran: Farsifa Bass, Glass Harmonica, Claps, Farsifa, Casio, Accordian, Whistling, Sticks Bill Obrect: Alto Sax Peter Gordon: Clarinet & Tenor Sax David Van Teighem: Drums, RotoToms, Tympani, Marimba Perry Hoberman: Bottles, Sticks, Claps, Flute, Sax, Piccolo, Backup Vocals Rufus Harley: Bagpipes Chuck Fisher: Alto & Tenor Sax Richard Cohen: B-flat & E-flat Clarinets, Bassoon, Bari Sax George Lewis: Trombones |
1 | Moteur! (F 1981 Philips 6313 156) gatefold M-/M- $40 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tant Pis L'indien | 3:46 | Christian Decamps/Francis Decamps | Detective Prive | 3:01 | Christian Decamps/Francis Decamps-Didier Viseux | |
Saga | 5:07 | Un Autre Jazz | 3:13 | Christian Decamps/Francis Decamps | ||
Rien n'est Trop Beau Pour Toi | 2:04 | Moi, Pas Idiot! | 4:08 | |||
Mourir, Souffrir | 3:40 | Christian Decamps/Didier Viseux | Assisi | 5:24 | ||
Touchez pas a Mon Cine! | 5:04 | Christian Decamps/Francis Decamps | Chatte, Chatte | 4:07 | ||
Un album de Ange avec par ordre d'apparition au bar:
Francis Decamps/Claviers Christian Decamps/ chant/ pianos Robert Defer/ Guitares Jean-Pierre Guichard/ Batterie Didier Viseux/ Basses/ backing vocal Paroles/ Christian Decamps Torne et mixe a Maison Rouge Studio, London SW6 |
Son/ Tony "smart fart" Taverner Assistance/ Colin "tea's maid" Leggett Production/ Ken "Jouez avec moi" Burgess Decors/ Elizabeth II Travelling/ Mac Ewans/John Quito Accessoires/ Vigier S.A. (incroyable basse ! n'est-ce pas Patrice?) Savarez (Philippe Durand)/ Gur Music (merci Bernard) Ludwig (Philippe Nicoly)/ Wolf Music (merci Harry) M.D.I. Kustom (Jeanne, Gilles et Rudy/ S.P.L. (beau merle staff) Mise en Page/Photographie/ Belle Journee en Perspective/Philippe Huart |
1 | Appaloosa (US 1971? Columbia CS 9819) VG+/VG $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tulu Rogers | ?? | J. P. Compton | Pascal's Paradox | ?? | J. P. Compton | |
Thoughts of Polly | Yesterday's Roads | |||||
Feathers | Now That I Want You | |||||
Bi-Weekly | Georgia Street | |||||
Glossolalia | Rosalie | |||||
Rivers Run to the Sea | ||||||
Produced by Al Kooper Arranged and Conducted by Al Kooper *Arranged and Condcted by Charlie Calello Personnal of Appaloosa: John Parker Compton-Acoustic guitar, vocals and composing Robin Batteau-Violin, vocals and string arrangements Gene Rosov-Cello and string arrangements David Reiser-Electric bass and California vibrations |
Engineering: Fred Catero, Stan Tonkel and Glen Kolotkin Fred Lipsius-Alto Sax Al Kooper-Electric harpsicord, Electric guitar, Organ, Vibraphone, Temple blocks Bob Colomby, Artie Schroeck, Jimmy Alcamo-Drums Romeo Penque-Oboe Tony Ackerman-2nd Guitar Fred Catero-Sea Gulls Robin Batteau-Harmony background voices Front cover photo: Marie Cosindas Back cover photo: George Kraus |
1 | Un Peu de l'Ame des Bandits (B 1979 Atem/Crammed 002) M-/M- $40 Sold! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
A Modern Lesson | 4:58 | Hollander | Cinema | 22:45 | Hollander & Wuyts except d. and part of a. by all players | |
Palmiers en Pots | 3:24 | Wuyts-Hollander Andre Verchuren | a. Ce quon peut voir avec un bon microscope | 7:25 | ||
Geistige Nacht | 5:18 | Frith | b. Alluvions | 5:27 | ||
I Viaggi Formano la Gioventu | 5:09 | traditional | c. Azinou Crapules | 7:05 | ||
Inoculating Rabies | 1:47 | van Hecke-Wuyts | d. Age Route Brra! (Radio Sofia) | 2:48 | ||
Notes: controversial erect penis album cover, w/Frith & Cutler See Also: Henry Cow |
1 | Circus (US 1975 Epic PE 33422) has inner sleeve M-/M- $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Circus | 3:45 | Rod Argent | Trapese | 8:48 | Jim Rodford | |
Highwire | 9:05 | Shine on Sunshine | 4:02 | Rod Argent | ||
Clown | 5:50 | The Ring | 1:20 | |||
The Jester | 3:35 | |||||
Rod Argent: Hammond organ, Piano, Fender Rhodes, Hohner electric piano, Moog, Mellotron, vocals
Jim Rodford: Bass guitar, vocals Robert Henrit: Drums, Percussion John Grimaldi: Guitar John Verity: Guitar, vocals |
Produced by Rod Argent & Chris White Engineer-Mike Ross Second engineer-Mark Williams Recorded at CBS Studios, London Good Earth Management Cover by John Grimaldi |
1 | The World as it is Today (UK 1981 Re 6622) M-/M- w/booklet $15 Sold! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
the song of investment capital overseas | ?? | Cutler/Frith | Democracy | ?? | Cutler/Frith | |
Truth | the song of the martyrs | |||||
Freedom | Law | |||||
(armed) Peace | the song of the Monopolists | |||||
Civilization | the songs of the bignitx of Labour under Capital | |||||
Albion, Awake! | ||||||
Engineered (& much more) by Elienne Conrod & Robel Vogel at SUNRISE Studio CH 9533 Kirchberg between August 24 & Sept 7, 1980
The Bears are: Fred Frith: guitar, keyboards, violin, viola Chris Cutler: drums, electric drums, noise Dagmar Krause: singing |
Cover by Art Bear IV Printed by Westerham Press, Sevenoaks Cut & Pressed by Nimbus, Wyastone Leys Monmouth NPS 35R, to whom many, many thanks. This booklet: Chris Cutler; illustrations pp. 2 & 18 E.M.Thomas |
1 | Asia (US 1982 Geffen GHS 2008) has inner sleeve M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Heat of the Moment | 3:50 | Wetton/Downes | Wildest Dreams | 5:10 | Wetton/Downes | |
Only Time Will Tell | 4:44 | Without You | 5:04 | Wetton/Howe | ||
Sole Survivor | 4:48 | Cutting it Fine | 5:35 | Wetton/Downes/Howe | ||
One Step Closer | 4:16 | Wetton/Howe | Here Comes the Feeling | 5:42 | Wetton/Howe | |
Time Again | 4:45 | Downes/Howe/Palmer/Wetton | ||||
Geoffrey Downes - Keyboards and Vocals
Steve Howe - Guitars and Vocals Carl Palmer - Drums and Percussion John Wetton - Lead Vocal and Bass Guitar |
Produced and engineered by Mike Stone for Mike Stone Enterprises Ltd. Recoded at Townhouse Studio London England Cover Design: © 1982 Roger Dean Inner Sleeve Photo: Brian Griffin |
1 | Cut in Ice (Sw 1984 Vertigo 818 416-1) M-/VG+ $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Cut in Ice | 3:26 | M. Bjorkman - H. Sodor | Hard | 4:53 | T. Deander - H. Sodor | |
I'm Alive | 5:18 | T. Denander - H. Sodor | It's Alright | 3:20 | ||
Reach Out | 3:42 | M. Bjorkman - H. Sodor | Bursting Out | 4:05 | M. Bjorkman - H. Sodor | |
Above the Clouds | 7:46 | Nobody's Heroes | 4:42 | |||
Bass: Anders Gustafsson Rhythm Guitar: Mappe Bjorkman Lead Guitar: Tommy Denander Vocals: H. Spider Soder Drums: Per Liljefors |
Produced by Mikael Lundstedt Engineering: Lino Aiello Recorded and Mastered at Humlan Studio, January 1984, Stockholm Foto: Goran Lindsjoo . Artwork: Olle Erikson . Layout: Johan Brodin |
1 | Atlantis (US 1973 Vertigo VEL-1016) M-/M- swirl label $20 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Get Up | 5:20 | I. Rumpf | Let's Get On the Road Again | 3:33 | I. Rumpf | |
Big Brother | 5:03 | Living At The End Of Time | 9:05 | F. Diez | ||
Rock'n Roll Preacher | 3:39 | F. Diez | Words Of Love | 4:52 | F. Diez-I. Rumpf | |
Maybe It's Useless | 3:39 | J.J. Kravetz-I. Rumpf | ||||
Inga Rumpf: vocal, percussion Jean-Jaques Kravetz: piano, organ Frank Diez: guitar Karl-Heinz Schott: bass Curt Cress: drums, percussion Reebop Kwakuh Baah plays congas on "Big Brother" and "Let's Get On The Road Again" Jean Alain Roussel plays organ on "Maybe It's Useless," and "Let's Get On The Road Again" and electric piano on "Get Up." Background vocals by Inga Rumpf, Jackie Diez and Claire on "Maybe It's Useless" and "Get Up." |
Recorded and mixed at Island Studios, London - 13th-22nd of November 1972, Re-mixed 2nd - 5th of December 1972 at Island-Studios.
Produced by John Burns and Atlantis Engineer: John Burns Re-mix engineers: John Burns and Phil Brown Mastering: Gilbert Kong |
1 | Live Oblivion, Vol. 1 (US 1974 RCA CPL 1-0645) M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Beginning Again | 8:08 | Brian Auger | Bumpin' On Sunset | 9:55 | Wes Montgomery | |
Don't Look Away | 14:10 | Lingertwood-Dean-Mullen | Truth | 9:55 | Alex Lingertwood | |
The Oblivion Express Brian Auger - organ, electric piano, backing vocals Alex Lingertwood - lead vocal, percussion Barry Dean - bass Jack Mills - lead guitar Stephen Ferrone - drums |
Recorded live at the Whiskey a Go Go, Sunset Strip, Hollywood Special Thanks to Mario Maglieri and Elmer Valentine Recorded by Wally Heider's Mobile Remixed at CBS Studios, Whitfield Street, London, England Special thanks to our Remix Engineer, Mike Ross Cover design and logo from an idea by Ella Produced and Directed by Brian Auger. A Nasty Production. |
1 | Yes We Have No Mananas (US 1977 ABC Records AB-1021) M-/VG+ cos, has inner sleeve $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Star | 4:18 | Kevin Ayers | Help Me | 2:40 | Kevin Ayers | |
Mr. Cool | 3:00 | Ballad of Mr. Snake | 2:02 | |||
The Owl | 3:14 | Everyone Knows the Song | 2:33 | |||
Love's Gonna Turn You Round | 4:52 | Yes I Do | 3:08 | |||
Falling in Love Again | 2:35 | Connelly/Hollander | Blue | 6:26 | ||
Drums/Rob Townsend Bass/Charlie McCracken Keyboards/Billy Livsey Rhythm Guitar/Roger Saunder and Kevin Ayers, Andy Roberts Lead Guitar/Ollie Halsall and Kevin Ayers Steel Guitar/B. J. Cole String Arrangemet/Pip Williams Drums/Tony Newman |
Bass/Rick Wills Keyboards/George Money Drums/Roger Pope Bass/Mick Feat Keyboards/Nick Rowley Choral Arrangement/David Bedford Produced by Muff Winwood Design Peter Shepherd EMI Design Cover photo of Kevin Ayers by Peter Vernon |
1 | The Touchstone (G 1978 ECM 1130) M-/VG+ $10 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Eulogy | 10:22 | John Taylor | Jero | 6:18 | John Taylor | |
Silver | 6:27 | Prelude | 5:34 | |||
Mayday | 5:27 | See | 10:45 | |||
All compositions by John Taylor
John Taylor: Piano, organ Norma Winstone: Voice Kenny Wheeler: Trumpet, Flugelhorn |
Recorded June 1978 at Talent Studio, Oslo Engineer: Jan Erik Kongshaug Photo: Dieter Rehm Cover Design: Barbara Wojirsch Produced by Manfred Eicher |