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1 | Bill Bruford's Earthworks (US 1987 Editions EG EGED 48) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Thud | 4:10 | Ballamy | My Heart Declares a Holiday | 4:35 | Bruford/Ballamy/ Bates | |
Making a Song and Dance | 5:52 | Bruford/Ballamy | Emotional Shirt | 4:45 | Bates | |
Up North | 5:19 | Bruford/Ballamy/ Bates | It Needn't End in Tears | 5:04 | Ballamy | |
Pressure | 7:25 | Bruford | The Shepherd is Eternal | 1:50 | Bruford/Bates | |
Bridge of Inhibition | 4:15 | Bruford/Ballamy/ Bates | ||||
Bill Bruford: Acoustic and Electronic Drums, Percussion, Whirled Instruments
Iain Ballany: Soprano, Alto and Tenor Saxophones Django Bates: Keyboards, Eb Tenor Horn and Trumpet Mick Hutton: Acoustic Bass Produced by Dave Stewart and Bill Bruford for EG Records with Dave Stewart: Samples, Keyboard Bass, very occasional additional Keyboards |
Recorded at Terminal 24 Studios, London, England, October 1986. Mixed at Spaceward Studios, Cambridge, England Recording Engineer: Martin Rex Mix Engineer: Owen Morris Assisted by Jim Abbiss This record was direct metal mastered by Tony Cousins at the Townhouse. Inset rear sleeve photography Aidan Sullivan except Iain Ballamy by Nick White Artwork: Federation Considerable thanks to Barbara Gaskin for her sampled vocals on "It Needn't End in Tears' and to Max Eastley for supplying the whirled instruments heard on 'The Shepherd Eternal' Bill Bruford plays Simmonds Electronic Drums, Tama Acoustic Drums and Paiste Metals. |
1 | Kick Off Your Muddy Boots (US 1975 Threshold THS 15) gatefold M-/M- $12 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Bareback Rider | 5:15 | Gurvitz | My Life's Not Wasted | 2:59 | Gurvitz | |
In Dreams | 5:13 | The Tunnel | 2:06 | Edge; A. & P. Gurvitz | ||
Lost in Space | 4:38 | Edge | Gew Janna Woman | 4:15 | Gurvitz | |
Have You Ever Wondered | 5:10 | Shotgun | 4:10 | |||
Somethin' We'd Like to Say | 3:32 | Edge | ||||
Credits : Instuments G. Edge : Drums A. Gurvitz : Guitar P. Gurvitz : Bass M. Gallagher : Keyboards Vocals: Lead - A. Gurvitz, except "My Life's Not Wasted" special guest appearance B. Parrish Backing - P. Gurvitz R. Thomas G. Edge B. Parrish N. James Lesley Duncan Barry St. John Sunny Leslie Joanne Williams Ruby James |
Summary - Special thanks to Ginger Baker for drumming with me on Gew Janna Woman
Arrangements: Group - A. Gurvitz; Orchestra - Martyn Ford, J. Bell Recording Engineers: A. Martins, D. Varnals, J. Burns Mixing Engineers: Anton and Paul Gurvitz, Except Shotgun - A. Martins Producers: G. Edge, A. Gurvitz Sleeve Design and Painting: Petagno III |
2 | Paradise Ballroom (US 1977 London PS686) gatefold VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Paradise Ballroom | 8:13 | Graeme Edge/Adrian Gurvitz | All is Fair | 5:05 | Graeme Edge/Adrian Gurvitz | |
Human | 6:06 | Down, Down, Down | 5:54 | |||
Everybody Needs Somebody | 3:23 | In the Night of the Light | 5:07 | |||
Caroline | 5:59 | |||||
Paul Gurvitz: Bass Guitar + Vocals Graeme Edge: Drums Adrian Gurvitz: Guitar, Keyboards + Vocals Recorded at Threshold Studios, London. Brass + Strings: Recorded at Ardent Studios, Memphis, Tennessee. Recording Engineers: Anton Matthews + Paul Gurvitz, Mixing Engineers: Paul Cooper + Paul Gurvitz Engineer: Ardent Studios Memphis: Ron Capone |
Musicians: Ann Odell: Keyboards + Moog Tony Hymas: Keyboards Blue Weaver: Organ + Synthesizers. Rebop Knaku Baah: Percussion B.J. Cole: Steel Guitar Memphis Strings + Horns-Bill Easley: Sax, Tenor Alto, Flute + All Sax Solos Ken Spain: Trombone Ben Cawley: Trumpet, Flugel Horn Edgar Matthews: Trumpet, Flugel Horn Lawrie McMillan: Tenor Flute Bill Floores: Trombone, Bass Tenor. Emerson Able: Baritone Sax. Produced by G. Edge + A. Gurvitz Sleeve Design: Petagno III |
1 | Drawings of O.T. (US 1984 PVC 9902) M-/M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Vanadium-I-Ching | 4:54 | Einsturzende Neubauten | Zeichungen des Patienten O.T. | 3:23 | Einsturzende Neubauten | |
Hospital Istische Kinder Engel der Vernichtung | 5:09 | Finger und Zahne | 0:17 | |||
Abfackeln! | 3:32 | Falschgeld | 2:42 | |||
Neun Arme | 2:34 | Styropor | 2:24 | |||
Herde | 1:24 | Armenia | 4:57 | |||
Merle | 2:20 | Die Genave Zeit | 7:06 | |||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Der Herrscher und der Sieger | 3:32 | Einsturzende Neubauten | Durstiges Tier | 6:25 | Einsturzende Neubauten | |
Affenroulette | 2:59 | Wasserturm | 6:27 |
1 | 00.04 (G 1972 Philips 6423 019) M-/M- $15 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Ave Maria | 2:34 | arr. R.v.d. Linden | Partita No. 2 in C Minor | 5:44 | J.S. Bach/R.v.d. Linden | |
Body party | 3:32 | R.v.d. Linden | Piccadilly Sweet | 14:28 | R.v.d. Linden | |
Monlope | 4:48 | J. Smith | ||||
Monkey dance | 2:41 | R.v.d. Linden | ||||
Choral | 4:02 | |||||
Produced and directed by Rick van der Linden Direction Picadilly Sweet by Ferry Wienneke and Rick van der Linden Supervised by Tony Vos Sound Engineer: Pieter Nieboer Ass. Sound engineer: Jaap de Jong Guests: Royal Philharmonic Orchestra Members of the Dutch Chamber Choir: Erik van Lier - trombone Tony Vos - alto and soprano saxophone |
Recorded at Phonogram Studios, Hilversum, Holland Command Studios, London, England Bavo Church, Haarlem, Holland: pipe organ Created by: Rick van der Linden - piano/spinet/hammond organ/pipeorgan/mellotron/ARP synthesizer Rein van der Broek - trumpet/flugelhorn Dick Remelink - alto and tenor saxophones Peter de Leeuwe - drums Cor Dekker - bass |
1 | II (US 1973 United Artists UA-LA040-F) gatefold has inner sleeve M-/VG+ $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
In Old England Town (Boogie #2) | 6:51 | J. Lynne | From the Sun to the World | 8:17 | J. Lynne | |
Mama | 7:00 | Kuiama | 11:14 | |||
Roll Over Beethoven | 8:05 | Chuck Berry | ||||
Jeff Lynne: Guitar, Vocals & Moog Synthesizer Bev Bevan: Drums Wilf Gibson: Violin Mike Edwards: Cello Colin Walker: Cello Mike Alberquerque: Bass Richard Tandy: Moog Synthesizer, Harmonium, Piano & Guitar |
Produced by Jeff Lynne Recorded at Air Studios, London Photography: Marty Evans; Al Vandenberg Art Direction: Mike Salisbury Design: Lloyd Ziff |
2 | Out of the Blue (US 1977 Jet JTLA-823-L2 1198) gatefold has inner sleeves & poster cos M-/M-/M- $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Turn to Stone | 3:48 | J. Lynne | Night in the City | 4:02 | J. Lynne | |
It's Over | 4:08 | Starlight | 4:30 | |||
Sweet Talkin' Woman | 3:48 | Jungle | 3:51 | |||
Across the Border | 3:52 | Believe Me Now | 1:21 | |||
Steppin' Out | 4:38 | |||||
Side 3: Concerto for a Rainy Day | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Standin' in the Rain | 4:20 | J. Lynne | Sweet is the Night | 3:26 | J. Lynne | |
Big Wheels | 5:10 | The Whale | 5:05 | |||
Summer and Lightning | 4:13 | Birmingham Blues | 4:21 | |||
Mr. Blue Sky | 5:05 | Wild West Hero | 4:40 | |||
Jeff Lynne - Lead vocals, backing vocals, lead guitar, slide guitar, rhythm guitar, Gibson EDS 1274,
Les Paul Custom, Marauder, Ovation 1615/4, 1619/4, Wurlitzer E.P. 200, Mini-moog, percussion.
Bev Bevan - Slingerland drums, Remo Roto Toms, Avedis Ziljian Cymbals, Slingerland 'Bev Bevan' drumsticks, Remo drum heads, gong, various percussion instruments, backing vocals. Richard Tandy - Polymoog, Mini-moog, ARP 2600, Odyssey, Omni, Sequencer, minus noise mixer, Wurlitzer E.P. 200, Yamaha C 7B piano, SLM concert spectrum, mellotron M 400, Hohner clavinet, Gibson S.G. custom guitar Kelly Groucutt - Vocals, backing vocals, Gibson G.3 bass, percussion Mik Kaminski - Barcus Berry violin. Hugh McDowell - William Lewis cello. Melvyn Gale - William Lewis cello Special Effects: EMS, Vocoder 2,000, Eventide harmonizer, Digital delay, MXR flanger, Analog delay line, Electronic mistress, Systec flanger, Roland space echo, Shaffer Vega diversity systems, Musictronics octave divider, Mutron 3M, Maestro stage phaser, fire extinguisher/Tarzan. |
Orchestra and choral arrangements - Jeff Lynne - Richard Tandy - Louis Clark. Orchestra conducted by Lewis Clark Produced by Jeff Lynne Amplification: Acoustic Control Corp, Harmon Kardon, Marshall amps (Tony Frank custom built for Jeff Lynne), Gauss speakers. All road cases by Anvil Recorded and mixed at Musicland Stusios, Munich, Germany. Engineered by Mack. Special effects by Mack. All songs composed in Bassins, Switzerland. Dance sequence by Spratley's Dancing Acadamy featuring Bladys and Goreen Turvis Cover illustration by Shusei Nagaoka Portraits by Michael Bryan Art direction & design: Ria Lewerke with Kosh |
1 | Lights of the Ivory Plains (US 1984 Fortuna Records FOR-LP026) M-/M- $10 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Obelisk | 1:54 | Bob Stohl and Kat Epple | Images of Purl | 2:39 | Bob Stohl and Kat Epple | |
Diamond Passage | 8:22 | Nether Flow | 8:53 | |||
Lights of the Ivory Plains | 4:37 | Koto Blue | 5:40 | |||
Dew Point | 7:52 | Auspice | :39 | |||
Refraction | 4:59 | |||||
Bob Stohl and Kat Epple perform on: Synthesizers: Synergy II/GDS Digital Synthesizer System with Kaypro 4 Computer, Roland JX 3P with PG200 Programmer, SCI 6 Track Synth, MSQ 700 Midi Digital Sequencer, Drumulator, Lyricon I Woodwind Synth, Roland String Synth, SCI Pro 1 Synth, Roland SH101 Synth and CSQ600 Digital Sequencer, SCI 64 Midi Digital Sequencer with Commodore 64 computers. Flutes: Concert flutes, bass flute, Japanese shakuhachi flutes, recorders, bamboo bird call, and various percussion instruments. | Recorded 1984 at Bobkat Studio, Berkeley, CA. Multitrack and syncronised real-time tracks were digitally mastered (PCM)
Digitally remastered by George Hern at Fantasy Studios, Berkeley Matrix/Pressings by Record Technology, Inc., Camarillo, CA Design Direction: Janaia Donaldson, Palo Alto, CA Photos: Dan Draisin Cover painting: Bruce Ricker Copy: Jim Aikin, Associate Editor of Keyboard Magazine. |
1 | Trilogy (US 1971 Atlantic SD 19123) M-/M- $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Endless Enigma (Part 1) | 6:37 | Emerson-Lake | Trilogy | 8:54 | Emerson-Lake | |
Fugue | 1:57 | Emerson | Living Sin | 3:11 | Emerson-Lake-Palmer | |
The Endless Enigma (Part 2) | 2:00 | Emerson-Lake | Abaddon's Bolero | 8:13 | Emerson | |
From the Beginning | 4:14 | Lake | ||||
The Sheriff | 3:22 | Emerson-Lake | ||||
Hoedown | 3:48 | Aaron Copeland | ||||
Keith Emerson: Hammond Organ C3, Steinway Piano, Zoukra, Moog Synthesizer III C, Mini Moog Model D
Greg Lake: Vocals, Bass, Electric & Acoustic Guitars Carl Palmer: Percussion |
Recorded at Advision, Production engineer: Eddie Offord
Produced by Greg Lake Arranged by Emerson, Lake & Palmer Lyrics Greg Lake Cover design & Photography by Hipgnosis Tinting by Phil Crennell |
2 | Pictures at an Exhibition (US 1972 Cotillion ELP 66666) M-/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Promenade | 19:12 | Mussorgsky | Promenade | 18:58 | Mussorgsky | |
The Gnome | Mussorgsky-Palmer | The Hut of Baba Yaga | ||||
Promenade | Mussorgsky-Lake | The Curse of Baba Yaga | Emerson-Lake-Palmer | |||
The Sage | Lake | The Hut of Baba Yaga | Mussorgsky | |||
The Old Castle | Mussorgsky-Emerson | The Great Gates of Kiev | Mussorgsky | |||
Blues Variation | Emerson-Lake-Palmer | The End/Nutrocker | Kim Fowley | |||
Recorded live, Newcastle City Hall, 26 March 1971
Arranged: Keith Emerson. Produced by Greg Lake for E.G. Records Lyrics: Lake/Fraser. Engineer: Eddy Offord |
Cover & Paintings: William Neal. Photography: Keith Morris/Nigel Marlow |
3 | Brain Salad Surgery (US 1973 Manticore MC 66669) folding cover and poster VG+/VG+ $8 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Jerusalem | 2:41 | Perry/Blake | Karn Evil 9 | |||
Tocatta | 7:16 | Ginastera/ Emerson/ Palmer | 1st Impression-Part 2 | 4:43 | Emerson & Lake | |
Still....You Turn Me On | 2:50 | Lake | 2nd Impression | 7:08 | Emerson | |
Benny the Bouncer | 2:15 | Emerson, Lake & Sinfield | 3rd Impression | 9:05 | Emerson, Lake & Sinfield | |
Karn Evil 9 1st Impression-Part I | 8:39 | |||||
Keith Emerson: Organs, Piano, Harpsichord, Accordian, Custom Built Moog Synthesizers & Moog Polyphonic Ensemble
Greg Lake: Vocals, Bass, Zemaitis Electric 6 string and 12 string guitars Carl Palmer: Percussion and Percussion Synthesizers Produced by Greg Lake at Advision Studios. Engineers-Geoff Young; Chris Kimsey |
Special thanks to Bob Moog, Dave Luce, Tom Rhea, Ray Updike and others at Moog Music Inc. for their technical advice.
Also to E.L.P.'s Nick Rose on his Percussion Synthesizers Original cover painting by H.R. Giger by arrangement with the House of Ideas, Zurich. Design and Art Direction-Fabio Nicoli Associates. Photographs of Keith, Greg and Carl-Rosemary Adams. |
4 | Welcome Back, My Freinds, to the Show That Never Ends- Ladies and Gentlemen (US 1974 Manticore MC 3-200) triple die-cut gatefold M-/M-/M-/VG+ $15 | |||||
Side 1 | Side 2 - Tarkus | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Hoedown | 14:59 | Aaron Copeland | Eruption | 16:42 | Emerson | |
Jerusalem | Perry/Blake | Stones of Years | Emerson & Lake | |||
Tocatta | Ginastera/Emerson/Palmer | Iconoclast | Emerson | |||
Mass | Emerson & Lake | |||||
Manticore | Emerson | |||||
Battlefield (including Fripp- McDonald- Lake- Giles- Sinfield's "Epitaph") | Lake | |||||
Side 3 | Side 4 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Tarkus - Aquataurus | 21:42 | Emerson | Piano Improvisations (including Friedrich Guida's "fugue" & Joe Sullivan's "Litle Rock Getaway") | 20:19 | Emerson | |
Take a Pebble (including Still..You Turn Me On & Lucky Man) | Lake | Take a Pebble (Conclusion) | Lake | |||
Jeremy Bender the Sheriff (Medley) | Emerson & Lake | |||||
Side 5 - Karn Evil 9 | Side 6 - Karn Evil 9 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
1st Impression | 17:19 | Emerson, Lake & Sinfield | 2nd Impression | 17:50 | Emerson | |
Includes percussion solo | Con Brio, Palmer | 3rd Impression | Emerson, Lake & Sinfield | |||
Produced by Greg Lake Engineered by Andy Hendriksen and Peter Granet Recorded live on Emerson, Lake & Palmer's 1973/74 World Tour |
Package Concept and Design: Michael Ross Photography: Carl Dunn |
5 | Love Beach (US 1978 Atlantic SD 19211) M-/M- cos $5 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
All I Want is You | 2:33 | Lake/Sinfield | Memoirs of an Officer and a Gentlman | Emerson/Sinfield | ||
Love Beach | 2:44 | a. Prologue/The Education of a Gentlman | 5:33 | |||
Taste of My Love | 3:31 | b. Love at First Sight | 5:37 | |||
The Gambler | 3:19 | Emerson/Lake/Sinfield | c. Letters from the Front | 5:18 | ||
For You | 4:25 | Lake/Sinfield | d. Honourable Company (a March) | 3:45 | Emerson | |
Canario* | 3:57 | J. Rodrigo | ||||
*from “Fantasia para un Gentilhombre” All arrangements by Emerson, Lake & Palmer Recorded at Compass Point Studio, Nassau, Bahamas during the summer of 1978. Engineers: Karl Pitterson, Jack Nuber Art Director: Bob Defrin Photography: Jim Houghton |
Special Thanks: Ahmet Ertegun; Terry Holman; Ministry of Tourism Nassau; guitar synthesizers by Roland; guitars by Alembic; synthesizers: Yamaha GX1, Korg, Moog; percussion: Premier, Paiste, Gretch; Chris Young, Kenny Smith, Glenn Woo, Nick Rose. |
1 | Here Come the Warm Jets (US 1973 Editions EG ENO 1) M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Needles in the Camel’s Eye | 3:25 | Eno/Manzanera | On Some Faraway Beach | 4:40 | Eno | |
The Paw Paw Negro Blow Torch | 3:00 | Eno | Blank Frank | 3:35 | Eno/Fripp | |
Baby’s on Fire | 5:15 | Dead Finks Don’t Talk | 4:20 | Eno (arr. Thomson/Jones/Judd/Eno) | ||
Cindy Tells Me | 3:30 | Eno/Manzanera | Some of them are Old | 4:40 | Eno | |
Driving Me Backwards | 5:15 | Eno | Here Come the Warm Jets | 4:00 | ||
Keyboards: Nick Kool and the Koolaids (7) Nick Judd (4,8) Andy Mackay (6, 9)
Guitars: Robert Fripp (3, 5, 7) Phil Manzanera (1, 2, 4) Paul Rudolph (3, 10) Chris ‘Ace’ Spedding (1, 2) Bass Guitars: Busta Cherry Jones (2, 4, 6, 8) Bill MacCormick (1, 7) Paul Rudolf (3, 5, 10) John Wetton (3, 5) Percussion: Simon King (1, 3, 5, 6, 7, 10) Marty Simon (2, 3, 4) Paul Thompson (8) Saxophone septet on 9: Andy Mackay Slide guitars on 9: Lloyd Watson Backing vocals on 6 and 7: Sweetfeed Extra Bass on 8: Chris Thomas |
Eno sings all other vocals and (occasionally) plays simplistic keyboards, snake guitar, electric larynx and synthesizer, and treats the other fine instruments
Recorded at Majestic Studios London September 1973: Recording Engineer: Derek Chandler Mixed at Air and Olympic Studios by Eno and Chris Thomas Mixing Engineers: Denny Bridges, Phil Chapman, Paul Hardiman Tape Mastering: Arun Chakraverty Cover Photography: Lorenz Zatecky Design Supervision: Carol McNicoll Artwork: C.C.S. Associates Produced by Eno for E.G. Records Ltd p 1973 All songs published by E.G. Music © 1973 |
2 | Taking Tiger Mountain (By Strategy) (US 1974 Editions E.G. ENO 2) VG+/VG+ $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Burning Airlines Give You So Much More | 3:15 | Eno | Third Uncle | 5:01 | Eno arr. Turrington | |
Back in Judy’s Jungle | 5:14 | Put a Straw Under Baby | 3:28 | Eno | ||
The Fat Lady of Limbourg | 5:05 | The True Wheel | 5:20 | Eno/Manzanera | ||
Mother Whale Eyeless | 6:00 | China My China | 5:45 | Eno | ||
The Great Pretender | 5:15 | Taking Tiger Mountain | 6:00 | |||
Eno: Vocals, Electronics, Snake Guitar, Keyboards Phil Manzera: Guitars Brian Turrington: Bass Guitar Freddie Smith: Drums Robert Wyatt: Percussion and backing vocals Special Guests: Portsmouth Sinfonia: Strings on 7 Randi & the Pyramids: chorus on 8 The Simplistics: chorus on 2 + 10 Andy Mackay: Brass on 3 Phil Collins: Extra drums on 4 Polly Eltes: Vocals on 4 |
Recorded at Island Studios London, September 1974 Engineer: Rhett Davies Ass. Eng.: Robert Ash Special Aide: Nicholas Pearson Special Equipment: Bill Kelsey Arranged by Phil Manzanera and Eno Assistant Producer: Phil Manzanera Produced by Eno for E.G. Records All songs published by E.G. Music © 1974 |
3 | Another Green World (US 1975 Editions E.G. ENO 3) cos M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Sky Saw | 3:27 | Eno | Sombre Reptiles | 2:23 | Eno | |
Over Fire Island | 1:57 | Little Fishes | 1:32 | |||
St. Elmo's Fire | 3:01 | Golden Hours | 4:00 | |||
In Dark Trees | 2:32 | Becalmed | 3:55 | |||
The Big Ship | 2:37 | Zawinul/Lava | 2:56 | |||
I'll Come Running | 3:50 | Everything Merges with the Night | 4:03 | |||
Another Green World | 1:42 | Spirits Drifting | 2:47 | |||
Phil Collins: Drums (1,2,12)
Percy Jones: Fretless bass (1,2,12) Paul Rudolph: Anchor Bass (1), Bass Snare Drums, Bass Guitar, Assistant Castanet Guitars (6), Guitar (12) Rod Melvin: Rhodes Piano (1,12), Lead Piano (6) John Cale: Viola (1,10) Brian Eno: Snake Guitar, Digital Guitar (1), Synthesizer (2,4,5,6,11,14), Guitars (2,4,8,13), Tape (2, 12), Organ (3, 12, 14), Piano (3,7), Synthetic Percussion (3,5,6), Desert Guitars (3,7), Electric Percussion and treated rhythm generator (4,5), Castanet Guitars, Chord Piano (6), Farsifa Organ (7,9), Hammond Organ, Synthetic and Peruvian Percussion, Electric Elements and Unnatural Sounds (8), Prepared Piano (9), Choppy Organs, Spasmodic Percussion, Club Guitars, Uncertain Piano (10), Leslie Piano (11), Grand Piano (12), Bass Guitar (14) Robert Fripp: Wimshurst Guitar (3), Restrained Lead Guitar (6), Wimborne Guitar (10) Brian Turrington: Bass Guitar, Pianos (13) |
For their (sometimes inadvertent) advice and encouragement, I would like to thank: Fred Frith, Bill Kelsey, Ian MacDonald, Phil Manzanera,
Carol McNicoll, Ritva Saarikko, Peter Schmidt, Pete Townshend, Robert Wyatt
Oblique Strategies by Brian Eno and Peter Schmidt The cover is a detail from "After Raphael" by Tom Phillips The back cover isa photograph by Ritva Saarikko Typography: Bob Bowkett at C.C.S. Recorded at Island Studios during July and August 1975. Engineered by Rhett Davies Assistant Engineers: Guy Bidmead, Bari Sage, Robert Ash. Produced by Brian Eno and Rhett Davies for E.G. Records Ltd. |
4 | Discreet Music (US 1975 Editions E.G. EGS 303) M-/M- $12 SOLD! | |||||
Side 1 - Discreet Music | Side 2 - Three Variations On The Canon in D Major by Johann Pachelbel | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Discreet Music 1 & 2 | 30:30 | Eno | Fullness of Wind | 9:58 | Eno | |
French Catalogues | 5:11 | |||||
Brutal Ardour | 4:18 | |||||
Recorded at Brian Eno's Studio 9.5.75 | Performed by the Cockpit Ensemble conducted by Gavin Bryars (who also helped arrange the pieces).
Recorded at Trident Studios 12.9.75. Engineered by Peter Kelsey. Produced by Brian Eno. The cover photograph is from a video by Brian Eno. |
5 | Ambient #1 Music For Airports (US 1978 Editions E.G. EGS 201) cos has inner sleeve M-/M- $8 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
1/1 | 16:30 | Eno/Wyatt/Davies | 1/2 | 11:30 | Eno | |
2/1 | 8:20 | Eno | 2/2 | 6:00 | ||
All compositions by Brian Eno except 1/1 which was co-composed with Robert Wyatt (who also played acoustic piano on this track) and Rhett Davies. The voices on 2/1 and 1/2 are those of Christa Fast, Christine Gomez and Inge Zeininger. | Engineering was by David Hutchins (2/1, 1/2), Conny Plank (2/2), Rhett Davies (1/1) and Brian Eno.
Concept, Design and Production by Brian Eno. |
1 | Voices (US 1985 Editions EG EGED 42) M-/M- cos $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Through the Blue | 4:19 | Roger Eno | Reflections on I.K.B. | 3:42 | Roger Eno | |
A Paler Sky | 3:21 | A Place in the Wilderness | 3:43 | |||
Evening Tango | 3:08 | The Day After | 3:45 | |||
Recalling Winter | 3:21 | At the Water's Edge | 2:40 | |||
Voices | 2:20 | Grey Promenade | 4:30 | |||
The Old Dance | 3:57 | |||||
All Tracks Composed and Performed by Roger Eno Produced by Daniel Lanois Treatments by Brian Eno |
Assistant Engineers: David Botrill & Roman Zak Recorded at Bob & Dan Lanois' Studio Cover Photographs by Anthea Norman-Taylor Background Photographs Art & Design by Russell Mills with Special Thanks to Jonah Arkwright and Walter Green |
1 | Danse Macabre (US 1974 A&M SP-3624) M-/VG+ $20 SOLD! | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
The Journey | 10:13 | Bruno Libert-Raymond Vincent | The Cloister | 5:28 | Raymond Vincent-Bruno Libert-Glenn Sharrock | |
The Castle | 3:31 | Raymond Vincent-Glenn Sharrock-Bruno Libert | The Decision | 5:57 | Brian Holloway | |
The Duel | 7:03 | Raymond Vincent-G. & T. Malisan | The Prisoner | 7:25 | Raymond Vincent-Glenn Sharrock | |
Danse Macabre | 1:58 | Trad. arr. Raymond Vincent-Tony Malisan | ||||
Glenn Shorrock: Lyricist, backing vocals, ideas Brian Holloway: Featured guitarist on "The Decision," "The Duel" and "The Cloister." Brigette du Doit: Vocal on "The Duel" "Fringe Members" Raymond Vincent: 1st Violin and Cheif Arranger (Belgian) Bruno Libert: Piano, Organ, ARP Odyssey, Vibes, Harpsicord, Arranger, Backing Vocals (Belgian) Tony Mailsan: Drums (Italian) Gino Malisan: Bass (Italian) Keith Christmas: Lead Vocal (English) Godfrey Salmon: 2nd Violin, Tenor Voice (English) Tony Harris: Viola (English) Timothy Kraemer: Cello (English) |
Produced by Peter Sinfield Engineers: Mike Cooper and Andy Hendrikkson Recorded at Command Studios, London Art Direction: Mike Doud Design: Junie Osaki Front Cover Photography: Laurence Sakman Back Cover Photography: Peter Waldman |
1 | Into the Night (US 1988 Audion SYN 313) M-/M- $12 | |||||
Side 1 | Side 2 | |||||
Title | Time | Composer(s) | Title | Time | Composer(s) | |
Into the Night | 3:38 | eXchange | Magnetic Movements a) Navigation by Numbers b) True North c) In-Line | 9:12 | eXchange | |
Golden Point | 3:55 | |||||
The Waiting Room | 5:54 | |||||
A Change in Perspective | 3:25 | Visions of Sin | 4:55 | |||
Dreams of Fair Women | 5:00 | Stonewalk | 4:00 | |||
Produced by eXchange Executive producer: Frank Dacies eXchange is Steve Sexton & Geral O'Brien Written, Arranged & Performed by eXchange Engineered by: Wayne O'Brien at T.R.W. Studios, Toronto. Assisted by Marcello Fortino. |
Track 1: Mixed by Wayne O'Brien at In-Line Studios, Toronto Tracks 2,3,7,8: Mixed by Paul Devilliers at Southcombe Studios, Los Angeles. Assisted by Wayne O'Brien. Tracks 4,5,6: Mixed by Lenny De Rose at Phase One Studios, Toronto. Assisted by Randy Staub. Artwork and album design by: Denise Sexton & Patricia Moore. Photography: Studio 1313. Art direction: Murray Brenman. |