STEVE HACKETT Go to Next artist (Jan Hammer) Previous band (The Gyuto Monks)
| 1 | Voyage of the Acolyte (UK 1975 Charisma CAS 1111) gatefold VG+/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ace of Wands | ?? | Steve Hackett | Star of Sirius | ?? | Steve Hackett | |
| Hands of the Priestess Part I | The Lovers | |||||
| A Tower Struck Down | Steve & John Hackett | Shadow of the Hierophant | Steve Hackett & Mike Rutherford | |||
| Hands of the Priestess Part II | Steve Hackett | |||||
| The Hermit | ||||||
| Steve Hackett: Electric & Acoustic Guitars, mellotron, Harmonium, bells, autoharp, vocal, effects
John Hackett: Flute, Arp Synthesiser, bells Mike Rutherford: Bass guitar, Bass pedals, Fuzz 12-string Phil Collins: Drums, vibers, percussion, vocals John Acock: Elka Rhapsody, mellotron, harmonium, piano Sally Oldfield: Vocal Robin Miller: Oboe, Cor Anglais Nigel Warren-Green: Solo Cello (Special Thanks to Percy Jones for extra bass on 'Tower') Johnny Gustafson bass on 'Star' Steve Tobin parrot and cough |
Produced by Steve Hackett/John Acock Engineering by John Acock Assistant Engineers-Paul Watkins, Rob Broglia Engineering help on 'Hierophant' by Louie Austin Recorded at Kingsway Recorders between June/July 1975 Equipment: Tex Read, Geoff Banks, Steve Baker Organisation: Tony Smith, Alex Sim of Mole Valley Management Album Cover Paintings by Kim Poor to whom this album is also dedicated | |||||
| 2 | Please Don't Touch (US 1978 Chrysalis CHR 1176) M-/M- has inner sleeve, cc $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Narnia (based on the childrens book - "The Lion The Witch & The Wardrobe" by C.S. Lewis) | 4:05 | Steve Hackett | Hoping Love Will Last | 4:23 | Steve Hackett | |
| Carry On Up the Vicarage (A Musical Tribute to Agatha Christie) | 3:09 | Land of a Thousand Autumns | 1:35 | |||
| Racing in A | 5:05 | Please Don't Touch - For Maximum Effect This Track Should be Listened To As Loudly As Possible With As Musch Treble and Bass as Your System Can Muster - Not to be Played to People with Heart Conditions or Those in Severely Hallucinogenic States of Mind | 3:39 | |||
| Kim | 2:11 | The Voice of Necam | 3:11 | |||
| How Can I | 4:36 | Icarus Ascending | 6:24 | |||
| Electronic and Acoustic Guitars: Steve Hackett Vocals: Seve Hackett - Richie Havens - Steve Walsh - Randy Crawford Keyboards: Dave Lebolt - John Acock - Steve Hackett - John Hackett Drums: Chester Thompson - Phil Ehart Percussion: Chester Thompson - Phil Ehart - James Bradley - Steve Hackett - Richie Havens Flutes, Piccolos, Bass Pedals: John Hackett Bass: Tom Fowler Violin - Graham Smith Cello - Hugh Malloy Produced by John Acock - Steve Hackett Recorded at (studios) Cherokee - Kingsway - Record Plant - De Lane Lea Engineered by John Acock Assisted by - Chip - Rob - Mark & Rafe Cover Illustration Kim Poor Sleeve Design Kim Poor & A.D. Design |
Photography: Cover - John Brown, Inner Sleeve - Armando Gallo Special Thanks to: John Hackett for immeasurable assistance and guidance Gail Colson and Russ Shaw for unceasing moral support, Dale Newman & Dan Owen for equipment and Guest Vocals on 'Icarus Ascending'. Maria Bonvino - (Guest Female Soprano on 'Hoping Love') and EMU Keyboard Systems Also Starring Necam - The Computer (Computer assisted mix down, manufactured by Neve of Royston The Robert Morton Pipe Organ (Since destroyed by fire at the Record Plant L.A.) Automata & Mechanicals c/o Jack Donovan Recorded between November '77 & February '78 Steve Hackett - Equipment List: Roland Guitar Synthesiser - Les Paul - Stratocaster - 12 string Zematis - 12 string Hokado, Yamaha - Giffen, Yairi Nylon - (Guitars) Pedal Board - Comprising - Octave Dividers, Phasers, Fuzz Boxes - Wah - Wah - Volume Pedal Etc. Computer - Automata - Mechanicals - Musi Box - Mellotron, Psaltery, Bells, Wind Chimes, Vocal Tape Loops Roland Space Echo & Jazz Chorus 150 amps & Speakers Harmoniser - Lexicon - Marshall Time Modulator - Sleigh Bells - Maracas - and anything else that I could lay my hands on at the time! | |||||
| 3 | Spectral Mornings (US 1979 Chrysalis PV 41223) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Every Day | 6:15 | Steve Hackett | Lost Time in Cordoba | 4:11 | Steve Hackett | |
| The Virgin and the Gypsy | 4:28 | Tigermoth | 7:30 | |||
| The Red Flower of Tachai Blooms Everywhere | 2:05 | Spectral Mornings | 6:32 | |||
| Clocks - The Angel of Mons | 4:14 | |||||
| The Ballad of the Decomposing Man (Featuring "The Office Party") | 3:46 | |||||
| Steve Hackett: Guitars, Roland Guitar Synth, Koto (Cantonses), Harmonica, Vocals, Extras
Pete Hicks: Lead Vocals and Harmonies Dik Cadbury: Bass, Bass Pedals, Violin, Vocals Nick Magnus: Keyboards, Vox String Thing, Novotron, Harpsichord, Clavinet, RMI, Fender Rhodes, Mini Moog, Roland String Synth & SH 2000 John Hackett: Flutes, Concert and Chinese Bamboo Models, Bass Pedals John Shearer: Drums & Percussion |
Produced by John Acock/Steve Hackett Recorded in Holland at Phonogram Studios, Hilversum Front Cover by Kim Poor (c) 1979 Sleeve by Cooke Key Back Cover Photography by Tom Sheehan Guidance: Kim & Leo | |||||
| 4 | Defector (US 1980 Charisma CL-1-3103) has the insert M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Steppes | 6:05 | Steve Hackett | Jacuzzi | 4:36 | Steve Hackett | |
| Time to Get Out | 4:11 | Hammer in the Sand | 3:11 | |||
| Slogans | 3:46 | The Toast | 3:42 | |||
| Leaving | 3:16 | The Show | 3:40 | |||
| Two Vamps as Guests | 1:58 | Sentimental Institution | 2:44 | Steve Hackett and Peter Hicks | ||
| Steve Hackett: Guitar, Vocal, Optigan, Roland GR500
Nick Magnus: Keyboards John Hackett: Concert and Alto Flute Pete Hicks: Vocal John Shearer: Drums & Percussion Dik Cadbury: Bass, Vocal |
Recorded at Wessex Studios Produced by Steve Hackett and John Acock Gear by Jed and Vince Insight + Cover Paintings (Front and Back) Enamels, - by Kim Poor (c) 1980. Cover Design Kim and Kobz Inner Sleeve Photo by Danny Padua Collage Photos by Armando Gallo, Gered Mankowitz & Friends | |||||
| 5 | Cured (US 1981 Epic ARE 87632) has inner sleeve M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hope I Don't Wake | 3:46 | Steve Hackett | Funny Feeling | 4:02 | S. Hackett- N. Magnus | |
| Picture Postcard | 3:54 | A Cradle of Swans | 2:47 | S. Hackett | ||
| Can't Let Go | 5:39 | Overnight Sleeper | 4:30 | S. Hackett- K. Poor | ||
| The Air-Conditioned Nightmare | 3:16 | Turn Back Time | 4:19 | S. Hackett | ||
| Steve Hackett: Equipment:- Les Paul, Stratocaster, Ovation Nylon, Yairi Nylon, Ovation UK2, Cimar,
Roland GR500 Guitar Synth, Fender Precision Special Bass, E-Bow, Pete Cornish Pedal Board
Nick Magnus: Equipment:- Prophet 5, Mini Moog, Clavinet, RMI Piano, Roland Vocoder Plus, Korg CX3, Novatron, Fender Rhodes, Vox String-thing, Acoustic Piano, Linn Drum Computer, SDS5 Drum Synth, Cymbals, Claptrap Bimbo Acock: Sax on "Picture Postcard" John Hackett: Flute on "Overnight Sleeper" Bass Pedals on "The Air-Conditioned Nightmare" Cover Photos by: Kim Poor Design by: Bryan Hemming & Kim Poor This Album is dedicated to Kim with all my Love & Affection |
Produced by Steve Hackett, John Acock, Nick Magnus Recorded at: Redan Studios Engineered by: John Acock Mastered at: CBS Recording Studios, New York, N.Y., on the CBS DisComputer System by Ray Janos. Assistant Engineer: Johnnie Schinas Mastered at Utopia by Kevin Metcalfe Road Crew: Jed and Vince Inner Photo: Amando Gallo | |||||
| 6 | Highly Strung (UK 1982 Charisma HACK 1) has the insert M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Camino Royale | ?? | Steve Hackett/Nick Magnus | Give it Away | ?? | Steve Hackett | |
| Cell 151 | Steve Hackett | Weightless | ||||
| Always Somewhere Else | Group Therapy | |||||
| Walking Through Walls | India Rubber Man | |||||
| Hackett to Pieces | Steve Hackett/Nick Magnus | |||||
| Chris Lawrence: Contrabass Nigel Warren-Green: Cello Ian Mosley: Drums Nick Magnus: Keyboards & Devices Steve: Guitars & Vocals Produced by Steve Hackett & John Acock Front & Back Paintings by Kim Poor |
Steve's Guitars: Ovation UK II, Les Paul, Stratocaster, Giffen, Marshall 100w & 50w Amps, Pete Cornish Pedal Board, Echoplex, Energy Bow, Slide, Hohner Harmonica
Nick's Keyboards: Jupiter 8, Memory Moog, Steam Piano, Moog Source, Mini Moog, Korg CX3, Vocoder Plus, Emulator, Rhodes, Harpsicord, Prophet 5, Linn LM1 Ian's Drums: Yamaha with Evans heads Creative Engineering & Good Vibes from John Acock, Rafe McKenna & Brad Grisdale. Assisted by Bob Kraushaar Recorded in London at Berry Street Studios, Marcus Music & Redan Recorders. Mastered by Kevin Metcalfe at Utopia Studios, London. Equipment: Neil Biscoe & Ged Fitzpatrick Furry cuddles to Kim, my eternal partner in crime. | |||||
| 7 | Bay of Kings (US 1983 Chrysalis PV 41572) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bay of Kings | 4:53 | Steve Hackett | Petropolis | 2:41 | Steve Hackett | |
| The Journey | 4:12 | Second Chance* | 1:53 | |||
| Kim+ | 2:26 | Cast Adrift | 2:14 | |||
| Marigold | 3:32 | Horizons | 1:46 | |||
| St. Elmo's Fire | 3:00 | Black Light | 2:27 | |||
| The Barron Land | 3:44 | |||||
| Calmaria | 3:21 | |||||
| + Re-arranged version * From the TV series starring Ralph Bates and Susannah York Produced by Steve Hackett and John Acock Steve Hackett=Acoustic Guitar Keyboard Strings John Hackett=Flutes Nick Magnus=Keyboard Strings and Effects |
Recorded at Berry Street & the Town House London Mastered by Kevin Metcalf at Utopia Cover illustration=Kim Poor Design and illumination=Bryan Hemming For Kim who showed me the most beautiful place in the world Photo: Steve Morgan | |||||
| 8 | Till We Have Faces (UK 1984 Lamborghini LMGLP 4000) M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Duel (based on the film by Stephen Speilberg) | ?? | Steve Hackett | Mypoia | ?? | Steve Hackett & Nick Magnus | |
| Matilda Smith-Williams Home for the Aged | Steve Hackett/Nick Magnus | What's My Name | ||||
| Let Me Count the Ways (for Uncle Charlie) | Steve Hackett | The Rio Connection | Steve Hackett | |||
| A Doll That's Made in Japan | Taking the Easy Way Out/ When You Wish Upon a Star | Steve Hackett/ Harline/Washington | ||||
| Steve Hackett: Guitars, Guitar Synth, Koto, Rainstick, Etruscan Guitar, Marimba, Percussion, Harmonica, Vocals
Nick Magnus: Keyboards, Percussion, Yamaha DX7, Jupiter-6, Juno 60, Moog Source, Jupiter-8, Memory Moog, Emulator, Vocoder, Linndrum Rui Motta: Drums, Simmons Drums Serginho (Roupa Nova): Drums Ian Mosley: Drums, Percussion Waldemar Falcao: Flute, Percussion Fernando Moura Rhodes Ronaldo Diamante: Bass Clive Stevens: Wind Synthesizer Kim Poor: Japanese voice on "Doll" The Brazillian Percussionists:- Sidinho Moreira, Junior, Jaburu, Peninha, Zizinho, Baca |
Recorded at Som Livre Studios (Rio de Janeiro) Marcus Music (London) (except "Doll" at Silo.) Mixed at Marcus Music 'Ambisonicaly' a 48 track recording. Recording Engineers: Rio- Carlos E. Cesar, Andy P. Mills, Felipe Nery, Waldemar Falcao London- John Acock, Gwyn Mathias Mixdown Engineer: John Acock Assistant Engineers: Jackson Paulino - Rio, Nick Ryan-James - London Front Cover Illustration (c) Kim Poor 1984 "Till We Have Faces" is dedicated to Kim for all her support and love; never underestimate the power of a partnership! Produced by Steve Hackett Co-produced by John Acock, Nick Magnus and Waldemar Falcao | |||||
| 1 | The First Seven Days (US 1975 Nemperor NE 432) M-/VG $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Darkness/Earth in Search of a Sun | 4:30 | Jan Hammer | The Animals | 6:09 | Jan Hammer | |
| Light/Sun | 6:40 | Sixth Day - The People | 7:11 | |||
| Oceans and Continents | 6:14 | The Seventh Day | 6:08 | |||
| Fourth Day - Plants and Trees | 6:08 | |||||
| Jan Hammer: Piano, elecric piano, Moog synthesizer, Oberheim synthesizer
and digital sequencer, drums, percussion, Freeman string synthesizer, Mellotron
On The Animals & Sixth Day - The People, David Earle Johnson, congas & percussion is added On Light/Sun, The Animals, Sixth Day - The People & The Seventh Day, Steve Kindler, violin is added |
Recorded & re-mixed at Red Gate Studio, Kent, New York Assistant engineer: Andy Topeka Management & encouragement: Nat Weiss Custom audio installations: Andy Topeka Cover Illustration: Milton Glaser Art Direction: Paula Scher Produced & Engineered by Jan Hammer For those concerned: There is no guitar on this album. | |||||
| 1 | Fool's Mate (US 1972 Charisma CAS-1037) gatefold M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Imperial Zeppelin | 3:38 | Hammill/Smith | Sunshine | 3:55 | Hammill | |
| Candle | 4:14 | Hammill | Child | 4:22 | ||
| Happy | 2:33 | Summer Song (In the Autumn) | 2:14 | |||
| Solitude | 4:54 | Viking | 4:40 | Hammill/Smith | ||
| Vision | 3:11 | The Birds | 3:37 | Hammill | ||
| Re-Awakening | 3:55 | I Once Wrote Some Poems | 2:40 | |||
| Contributors:- Guy Evans - drums + percussion Martin Pottinger - drums Hugh Banton - piano, organ Rod Clements - bass, violin Nic Potter - bass Ray Jackson - harp, mandolin Dave Jackson - alto + tenor saxes, flute Bob Fripp - electric guitar Paul Whitehead - tam-tam Peter Hammill - all lead vocals, acoustic guitar, piano * and the Fluctuating Chorale:- Guy, Hugh, Dave, Ray, John, Norman, Alastair, John, Peter |
Produced by John Anthony Engineered by Robin Cable Cover by Paul Whitehead Cleen Mashine Studio photo - Sebastian Rich Thank you for the loans of:- Bob Fripp - Island Records and King Crimson Rod Clements - Ray Jackson - Lindisfarne (the fabulous Holy Islands) Martin Potlinger - Aberdeen College of Archetecture Recorded at Trident Studios, London W.1. April 20/21/27/28 1971. | |||||
| 2 | Chameleon in the Shadow of the Night (G 1973 Charisma 9124 051) gatefold M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| German Overalls (Jaxonsax) | 24.40 | Hammill | What's it Worth (Mellifluteous David) | 24.12 | Hammill | |
| Slender Threads | Easy to Slip Away (Ni.... and Davi....) | |||||
| Rock and Role (Nic "Killer" Potter, Randolph (a), The Honker) | Dropping the Torch | |||||
| In the End | (In the) Black Room (Sandwiching) | |||||
| The Tower (Electrostatic Retrospective) | ||||||
| The Umbraceous Ensemble: Peter Hammill: Vocals and tesseraschizoid warbling, acoustic and electric guitars, electric and grand pianos (bar leapfrog), one flight of mellotrons and some Gothic harmonium Guy Evans: (a) Drum and cymbal (b) The Thundering Horsemen of the Darkest Dawn David Jackson: Acoustic and electric tenor and alto saxophones, flute, screams in the night and icy waterfalls. Hugh Banton: Bomber, banshee, organ and leap frog piano, foot and hand bass, the Rack. Nic Potter: Bass and Cortina |
All "Songs" by Peter Hammill (courtesy of Panel Enterprises) Cover by Paul Whitehead (in contact with subject, Endeavour (B.M.A.) and Arcturus) Photography: O.D. Troeller (Sussex and Scacchi) Bettina Hohls (Hamburg foliage) Conducted by John Anthony and Peter Hammill (Mr. Anthony's costum: Fab Creations (Millinery) Ltd.) Gordianisation: O.S.A. Troeller Ancillaries: The Tin, dogs, socks, the Beaufort Arms, Antipodeanism ("The tape is rolling"), pink champagne, General Hospital, Nationwide and Subbutio (Poland 3 Scotland 2). Recorded in February and March, 1973 at Sofa Sound, Sussex Engineer and factorium: Rodney Sofa and Rockfield Studios, Monmouthshire Engineers: Ralph "Newport" Down, Pat Morahan Mixed at Trident Studios, London W.1. Engineer: David Hentschel. | |||||
| 3 | The Silent Corner & the Empty Stage (UK 1974 Charisma CAS 1083) M-/M- gatefold $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Modern | ?? | Hammill | Red Shift | ?? | Hammill | |
| Wilhelmina | Rubicon | |||||
| The Lie (Berninis Saint Teresa) | A Louse is not a Home | |||||
| Forsaken Gardens | ||||||
| Produced by Peter Hammill | ||||||
| 4 | In Camera (UK 1974 Charisma CHC 33) has insert M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ferret and Featherbird | 3:43 | Hammill | The Comet, The Course, The Tail | 6:00 | Hammill | |
| (No More) The Submariner | 5:47 | Gog | 17:21 | |||
| Tapeworm | 4:20 | Magog (In Bromine Chambers) | ||||
| Again | 3:44 | |||||
| Faint-Heart and the Sermon | 6:42 | |||||
| In Camera by Peter Hammill who wrote, arranged, recorded, performed and produced
the music on this album between December 1973 and April 1974* Guitars, bass, piano, harmonium and oddments were recorded at Sofa Sound, Sussex Voice, synthesizer, mellotron + Guy Reduction } Trident Studios These recordings would not have been possible without: Guy Evans: Dums on "Tapeworm" and "Gog" Paul Whitehead: Cymbal, drum cello + percussion on "Magog" Chris Judge Smith: Lignaphone, minikit, percussion and choral voice on "Magog" David Hentschel: Trident engineering, ARP Programming + sound wizardry |
Thanks also to:- Hugh for the loans of bass and piano Mr. Higgs for tuning the latter David for the loan of his wah-wah pedal Nick for tape ops. and pan-pots John for haulage Alice for coping with the chaos Outer photography: Mike Vander Vord Inner photography: O.D. Sleeve getting together: Frank Sansom + PH These recordings are dedicated to my brother Andrew *'Ferret + Featherbird' was written in 1969 + 'Tapeworm' in August 1971 | |||||
| 5 | Nadir's Big Chance (UK 1975 Charisma CAS 1099) has insert M-/M- $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nadir's Big Chance | 3:27 | Peter Hammill | Shingle Song | 4:10 | Peter Hammill | |
| The Institute of Mental Health, Burning | 3:50 | Hammill/Smith | Airport | 3:02 | ||
| Open Your Eyes | 5:10 | Peter Hammill | People You Were Going To | 5:10 | ||
| Nobody's Business | 4:15 | Birthday Special | 3:40 | |||
| Been Alone So Long | 4:20 | Judge Smith | Two or Three Spectres | 6:20 | ||
| Pompeii | 4:50 | Peter Hammill | ||||
| Recorded at Rockfield, 1-7 Dec. 1974. At the desk: The Meringue
Mixed at Trident, 10-13 Dec 1974. At the desk: The Stone Peter Hammill/Rikki Nadir: guitars, pianos, bass, vox Hugh Banton: bass, keyboards Guy Evans: drums David Jaxon :saxes + flute Gordianisation: Troeller Truck'n'hump: Buonuomo Cover: Dinu M'Brela Produced by Peter Hammill |
Playing, technical + back-up correction, clarification + amendment:-
i) Flute: There wasn't any (Jaxon having been glued to his tenor almost throughout!) ii) Tambourine: was stoically shaken, rattled + rolled by Guy Singing: Nadir's Nodeo on 'The Institute...' + 'Birthday Special' were Guy, Hugh + David, + myself. iv)Confusions of Identity: PJAH { Bass on 'Two or Three Spectres' (mit plasters), elec. piano on 'People...' + 'Open your Eyes' HRB { All other bass, elec. piano on 'The Institute..', 'Pompeii' + 'Two or Three Spectres' The grand piano on 'The Institute...' was su fo ftob The Meringue, replete with canned headgear, was a close approximation to Pat Moran, The Stone, lapidaceously Mike. Tape Ops. (Trident): Peter, Gerry + Neil Mysterious + intermittent hands at the mixer (ditto): Lizard Bixarre + Pancho Cut by George Peckham in the Master Room. Rockfield featured:-Alice - cuisine + catt, John - wah-wah surgery, Gordian - wine cellar + head waiter, Dylan - alarm calls | |||||
| 6 | Over (Greece 1977 Charisma/Virgin VG 50150) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Crying Wolf* | ?? | Peter Hammill | This Side of the Looking Glass+ | ?? | Peter Hammill | |
| Autumn^ | Betrayed^ | |||||
| Time Heals* | (On Tuesday she use to do) Yoga | |||||
| Alice (Letting Go) | Lost and Found* | |||||
| *Drums: Guy Evans/Pharoah *Bass: Nic Potter/Blade ^Violin: Graham Smith +Orchestra arranged and conducted by Michael Brand All other voices, instruments and arrangements by Peter Hammill |
Recorded and partially dubbed at Foel Studios, Llanffair Caerinion, Wales, June 27-July 4, 1976
Engineer: Ian Gomm/Cumulo, with David Anderson/Drek Final dubbing, recording of +, mix at Rockfield Studios, Monmouth, July 5-14, 1976 Engineer: Pat Moran/Splat Photography: Sebastian Keep/Heap Produced by Peter Hammill Art direction: Frank Sansom Artwork: A.D. Design | |||||
| 7 | The Future Now (UK 1978 Charisma CAS 1137) has folding insert VG+/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Pushing Thirty | ?? | Peter Hammill | The Future Now | ?? | Peter Hammill | |
| The Second Hand | Still in the Dark | |||||
| Trappings | Mediaevil | |||||
| The Mousetrap (Caught In) | A Motor-Bike in Africa | |||||
| Energy Vampires | The Cut | |||||
| If I Could | Palinurus (Castaway) | |||||
| Recorded at Sofa Sound Surrey 18/3 - 26/4 1978
Mixed at Rockfield Studios Monmouth 27/4 - 3/5 1978 Produced played sung and engineered by Peter Hammill bar Saxophone David Jackson Violin Graham Smith Mixdown Engineer Pat Moran |
Photography Brian Griffith 'If I Could' and 'The Cut' feature the Aphex Aural Exciter Special thanks Immediate: Hilary, Cracky, Gordian, John and the Black Prince Ling-term: Judge, Bjorn, Brian, San Carlos, Mozart, Hoover, Beckie, Flag and Mentor | |||||
| 8 | Vision (US 1978 Visa IMP 1016) cos M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Imperial Zeppelin | 3:38 | Hammill-Smith | Sunshine | 3:55 | Hammill | |
| (No More) The Submariner | 5:43 | Hammill | Nadir's Big Chance | 3:27 | ||
| Modern | 7:28 | The Institute of Mental Health, Burning | 3:50 | Hammill-Smith | ||
| Dropping the Torch | 4:10 | The Comet, The Course, The Tail | 5:57 | Hammill | ||
| Vision | 3:11 | In the End | 7:21 | |||
| 9 | ph7 (US 1979 Charisma CA-1-2205) M-/M- wlp with extra song "Polaroid" has insert $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| My Favourite | 2:47 | Peter Hammill | The Old School Tie | 5:02 | Peter Hammill | |
| Careering (Don't Ask Me) | 4:03 | Time for a Change | 3:11 | C.J.J. Smith | ||
| Porton Down | 3:36 | Imperial Walls | 4:15 | Peter Hammill | ||
| Mirror Images | 3:46 | Mr. X (Gets Tense) | 6:05 | |||
| Handicap and Equality | 3:53 | Faculty X | 4:05 | |||
| Not For Keith | 2:22 | |||||
| Polaroid | 2:24 | |||||
| This album was recorded at Sofa Sound and mixed at Rockfield
The Cut was by Arun at the Master Room The violin was played by Graham Smith, The saxes and flute by David Jackson, and the desk and sounds at mix by Pat Moran. -special thanks to these three, and to Gail and Hilary. |
The photographs are by Dan Kirk for Bowtie Studios The layout by Rocking Russian The rest .... pH. | |||||
| 10 | A Black Box (UK 1980 Virgin OVED 140) M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Golden Promises | ?? | Peter Hammill | Flight | ?? | Peter Hammill | |
| Losing Faith in Words | Flying Blind - The White Cane Fandango - Control^ - Cockpit^ - Silk Worm Wings - Nothing is nothing - A Black Box | |||||
| The Jargon King | ||||||
| Fogwalking ^* | ||||||
| The Spirit | ||||||
| In Slow Time * | Hammill/Ferguson | |||||
| The Wipe * | Peter Hammill | |||||
| Recorded at Sofa Sound, Wiltshire Nov '79-Apr '80
Mixed at Cresent Studios Bath, Apr 6-13, '80 |
Arranged, Performed and Produced by Peter Hammill with David Lord - mixing engineer David Jackson - saxes and flute^ David Ferguson - synths and tambourine* | |||||
| 11 | Sitting Targets (UK 1981 Virgin V 2205) has insert M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Breakthrough* | 3:56 | Peter Hammill | Sitting Targets*+^ | 5:21 | Peter Hammill | |
| My Experience* | 3:14 | Stranger Still% | 4:55 | |||
| Ophelia% | 3:09 | Sign*% | 3:45 | |||
| Empress's Clothes+^ | 4:02 | What I Did+^ | 3:37 | |||
| Glue | 3:40 | Central Hotel+ | 4:41 | |||
| Hesitation*+ | 4:05 | |||||
| Recorded at Sofa Sound, Nov '80 - Feb '81 Dubbed and Mixed at Crescent Studios, Bath, Feb/Mar '81 Produced, arranged, recorded and played by Peter Hammill, with invaluable contributions from: David Lord: Engineering (Crescent) Guy Evans: Drums(*) Phil Harrison: Synthesizers(%) David Jackson: Saxes + whistles(+) Morris Pert: Percussion(^) |
Photos courtesy of Ford Motor Company Ltd Design by Rocking Russian | |||||
| 12 | Enter K (UK 1982 Naive NAVL-1) has inner sleeve M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Paradox Drive | 4:31 | Peter Hammill | Don't Tell Me | 4:45 | Peter Hammill | |
| The Unconcious Life | 5:05 | She Wraps it Up | 4:20 | |||
| Accidents | 4:35 | Happy Hour | 9:15 | |||
| The Great Experiment | 5:05 | |||||
| K - PH Mozart - Nic Potter Brain - Guy Evans Fury - John Ellis with Jaxon - David Jackson Recorded in 1982 at Sofa Sound, Wiltshire (Engineer: R. Sofa) and Crescent Studios, Bath Dubbed and mixed at Crescent Studios, Bath |
Production - PH Engineering - David Lord Songs - PH Publishing - Static Music Ltd Management - Gailforce Ltd., 55-59 Shaftesbury Ave, London W.1. Cover - Steve Byrne and Valerie Hawthorn Photography - Jo Swan Cut - Arun at the Master Room Special Thanks - Hilary, Gail, Norma, Mal, Alan, Protolog, Peter G. and all at Crescent Sofa Sound - P.O.Box 66, Freshford, Bath, BA3 6EE | |||||
| 13 | Patience (UK 1983 Naive NAVL 3) has insert M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Labour of Love* | ?? | Peter Hammill | Traintime | ?? | Peter Hammill | |
| Film Noir | Now More Than Ever | |||||
| Just Good Friends^ | Comfortable?* | |||||
| Jeunesse d'Oree | Patient | |||||
| This music was recorded, dubbed and mixed at Crescent Studios, Bath in Dec., 1982.
Backing tracks for 'Labour of Love' and 'Comfprtable?' were recorded by PH at Sofa Sound, Avon. A K Production Engineered by David Lord The K Group: K/PH - Vox, painos, a/c guitars Fury/John Ellis - Elec. & a/c guitars, b.vox Brain/Guy Evans - Drums and percussion Mozart/Nic Potter - Bass |
with David Jackson - Sax, pan-pipes* David Lord - Prophet 5^ Stuart Gordon - Violin^ Cover Photograph and Design: John Ellis The Cut: Arun at The Master Room | |||||
| 14 | The Love Songs (UK 1984 Charisma CAS 1166) has insert M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Just Good Friends | ?? | Peter Hammill | If I Could | ?? | Peter Hammill | |
| My Favourite | Vision | |||||
| Been Alone So Long | Chris Judge Smith | Don't Tell Me | ||||
| Ophelia | Peter Hammill | The Birds | ||||
| Again | This Side of the Looking Glass | |||||
| Produced and engineered by K at Sofa Sound, except
1) Produced by David Lord/K, engineered by David Lord at Crescent Studios 3) & 10) Produced by K, engineered by Ted Sharp at Rockfield Studios |
Photography: Adrian Peacock Cover, cannons and conjecture: Paul Ridout Cut by Arun at The Master Room | |||||
| 15 | Searching for Diamonds (US 1984 Mediaevil MRLP-11548) Limited Ed. 8/300 M-/M- $50 SOLD! | |||||
| Side 1 - Peter Hammill/Dave Jackson (In Concert Session) Beard Side: |
Side 2 - Peter Hammill (John Peel Session) Cheek Side: | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| My Room (Waiting for Wonderland) | ?? | Peter Hammill | Time for a Change | ?? | Chris Judge Smith | |
| The Future Now | German Overalls | Peter Hammill | ||||
| Mirror Images | Easy to Slip Away | |||||
| Porton Down | In the End | |||||
| Faculty X | Faint Heart and the Sermon | |||||
| PH - Piano & Vox Jaxon - Saxophone & Flute This is a Limited Edition of 300 This is #8 |
PH - Acoustic Guitar, Piano & Vox | |||||
| 16 | The Margin - Live (UK 1985 Foundry) NEW/SEALED gatefold $25 | 
| ||||
| 17 | The Margin - Live (G 1985 Foundry/Virgin 302 533-370) gatefold M-/M-/M- $20 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Future Now | 3:46 | Peter Hammill | The jargon King | 3:15 | Peter Hammill | |
| Porton Down | 5:38 | The second Hand | 5:57 | |||
| Stranger Still | 6:22 | Empress's Clothes | 5:49 | |||
| Sign | 6:38 | The Sphinx in the face | 5:12 | |||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Labour of love | 5:48 | Peter Hammill | Flight | 20:35 | Peter Hammill | |
| Sitting targets | 5:44 | |||||
| Patient | 7:28 | |||||
| K - Peter Hammill: vox, guitars, piano. Fury/John Ellis: lead guitar. Mozart/Nic Potter: Bass. Brain/Guy Evans: drums, percussion. Recorded live in Glasgow, Edinburgh and London, December 1983. Mixed at Sofa Sound. |
Produced by K. Recorded by Paul Ridout, Desk by Ray Smith. Sound and lights by Protolog Ltd. Front cover photography: Anton Corbijn. Inner Photography: John Ellis. Cover design: Paul Ridout. No applause, and no overdubs - This is what happened on stage. | |||||
| 18 | Skin (US 1986 Enigma ST-73206) M-/M- rare first pressing with incorrect and missing songs has insert $20 | |||||
| 19 | Skin (US 1986 Enigma ST-73206) M-/M- second pressing with correct songs. Cover has promo stamp, and "SECOND PRESSING CORRECT SEQUENCE" sticker, has insert $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Skin | 4:12 | Peter Hammill | You Hit Me Where I Live | 4:25 | Peter Hammill | |
| After the Show | 4:15 | A Perfect Date | 4:10 | |||
| Painting by Numbers | 4:00 | Four Pails | 4:24 | C.J.J. Smith-M. Hutchinson | ||
| Shell | 4:10 | Now Lover | 9:45 | Peter Hammill | ||
| All Said and Done | 3:35 | |||||
| Performed and produced by Peter Hammill in 1985 with Guy Evans: drums and percussion David Jackson: saxophones David Coulter: didjeridu Stuart Gordon: violin Hugh Banton: perfect mad cello David Luckhurst: an alternative vox and Paul Ridout: manipulation - umi, midi, wave and 'what if?' |
Recorded at Sofa Sound and The Wool Hall by Hammill, Ridout and Coach, Steve Street and Neil Perry
Cover by Hammill and Ridout Image digitisation by Gladstone Electronics Cut by Arun at The Master Room | |||||
| 20 | And Close As This (US 1986 Enigma ST-73246) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Too Many of My Yesterdays | 4:38 | Hammill | Beside the One You Love | 5:07 | Hammill | |
| Faith | 4:22 | Other Old Cliches | 4:00 | |||
| Empire of Delight | 4:35 | Emerson/Hammill | Confidence | 6:30 | ||
| Silver | 5:25 | Hammill | Sleep Now | 4:38 | ||
| Performed and produced by Peter Hammill Macintosh and MIDI by Paul Ridout Recorded and mixed at Sofa Sound Aug 7th - Sept 15th 1986 |
Photography by Anton Corbijn Cut by Arun at the Master Room | |||||
| 21 | In a Foreign Town (US 1988 Enigma ST-72337) has insert M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hemlock | 6:30 | Peter Hammill | Auto | 3:57 | Hammill | |
| Invisible Ink | 4:18 | Vote Brand X | 4:01 | |||
| Sci-Finance (Revisited) | 4:19 | Sun City Nightlife | 4:31 | |||
| This Book | 5:11 | Hammill/Columbo/Ameli | The Play's the Thing | 4:52 | ||
| Time to Burn | 5:11 | Peter Hammill | Under Cover Names | 4:17 | ||
| Performed and produced by Peter Hammill with Paul Ridout - Sound Creation and Consultancy! David Lord - Mix Engineering! and Neil Perry - Maintenance! |
Recorded at Sofa Sound, Avon, Oct '87-Jan '88 Mixed at Crescent Studios, Bath, Jan-Feb '88 Photography: (Poolside) Hilary Hammill (Stageside) Armando Gallo Sleeve by: Ridout | |||||
| 1 | Headhunters (US 1973 Columbia BL 32731) M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Chameleon | 15:43 | P. Jackson, H. Mason, B. Maurin, H. Hancock | Sly | 10:19 | H. Hancock | |
| Watermelon Man | 6:30 | H. Hancock | Vein Melter | 9:10 | ||
| Produced by: David Rubinson and Herbie Hancock for David Rubinson and Friends, Inc.
Recorded at: Wally Heider Studios, San Francisco. Recording Engineers: Fred Catero, Jeremy Zatkin. And at: Different Fur Trading Co., San Francisco. By: Dane Butcher, John Vieira A Product of Catero Sound Co., San Francisco |
The Herbie Hancock Group: Herbie Hancock: Fender Rhodes Electric Piano, hohner D 6 Clavinet, ARP Odyssey Synthesizer, ARP Soloist Synthesizer, Pipes Bennie Maupin: Soprano and Tenor Saxophone, Saxello, Bass Clarinet, Alto Flute Paul Jackson: Electric Bass and Maimbula Harvey Mason: Yamaha Drums Bil Summers: Congas, Shekere, Balafon, Agogo, Cabasa, Hindewho, Tambourine, Log Drum, Surdo, Gankoqui and Beer Bottle. Cover Design: Victor Moscoso. Photos: Waldo Bascom. | |||||
| 2 | Sunlight (US 1978 Columbia JC 34907) M-/M- has inner sleeve $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| I Thought it Was You | 8:54 | H. Hancock - J. Cohen - M. Ragin | Sunlight | 7:09 | H. Hancock | |
| Come Running to Me | 8:23 | H. Hancock - A. Willis | No Means Yes | 6:18 | ||
| Good Question | 8:31 | |||||
| Engineers: Fred Catero and David Rubinson Assistant engineers: Chris Minto and Cheryl Ward Recorded at: The Automatt, San Francisco Mastered at: The Automatt by Phil Brown A product of Catero Sound Co., San Francisco Brass recorded at: The Villiage Recorder, Los Angeles. Assistant engineer: Terry Becker Additional synthesizers recorded at: Different Fur Trading Co., San Francisco Engineer: Steve Mantoani String, brass and woodwind arrangements on "I Thought It Was You," "Sunlight" and "Come Running To Me" by Herbie Hancock Strings: Terry Adams, Nathan Rubin, Lawrence Granger, Roy Malan, Linda Wood, Emily VanValkenburgh Brass: Garnett Brown, Bobby Shew, Robert O. Bryant, Sr., Maurice Spears Woodwinds: Fred Jackson, Jr., Ernest J. Watts, David Willard Riddles, Jack Nimitz Photography: Kaz Tsurata Design: Tommy Steele |
Drums: Leon "Ndugu" Chancler, James Levi, Harvey Mason, Tony Williams
Bass: Byron Miller, Paul Jackson, Weather Report Guitars: Wah Wah Watson and Ray Parker, Jr. Congas: Raul Rekow Percussion: Bill Summers Tablas: Baba Duru Soprano sax: Bennie Maupin Additional synthesizers: Patrick Gleeson Produced by David Rubinson & Friends, Inc. and Herbie Hancock Herbie Hancock: Oberheim Polyphonic Synthesizer, Obie I, Yamaha CP-30, Hohner D6 Clavinet, ARP 2600, Mini-Moog, ARP String Ensemble, Yamaha Polyphonic Synthesizer and Sequential Circuits Prophet Synthesizer, ARP Odyssey, Poly-Moog, Micro-Moog, Acoustic Piano, E Mu Polyphonic Synthesizer, Rhodes Electric Piano. | |||||
| 1 | Lord of the Rings (US 1972 Charisma CAS 1059) has insert M-/VG+ $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Leaving Shire | 2:47 | B. Hansson | A Journey in the Dark | 1:07 | B. Hansson | |
| The Old Forest | 3:42 | Lothlorien | 3:22 | |||
| Tom Bombadil | Shadowfax | :50 | ||||
| Fog on the Barrow Downs | 2:28 | The Horns of Rohan | 3:58 | |||
| The Black Riders | 3:48 | The Battle of Pelennor Fields | ||||
| Flight to the Ford | Dreams in the House of Healing | 1:50 | ||||
| At the House of Elrond | 4:23 | Homeward Bound | 2:11 | |||
| The Ring Goes South | The Scouring of Shire | |||||
| The Grey Havens | 4:56 | |||||
| Musicians:Bo Hansson: Organ, guitar, Moog, bass Rune Carlsson: Drums Gunnar Bergsten: Saxophone Sten Bergman: Flute ...and a few anonymous ‘freinds’ |
Music composed and arranged by Bo Hansson Produced by Bo Hansson and Anders Lind Sleeve illustrations by Jane Furst Picture of Professor J.R.R. Tolkien by Snowdon | |||||
| 1 | Happy the Man (US 1977 Arista AL 4120) M-/VG+ cos, has inner sleeve $20 BUY! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Starborne | 4:22 | Kit Watkins | Knee Bitten Nymphs in Limbo | 5:22 | Stanley Whittaker | |
| Stumpy Meets the Firecracker in Stencil Forest | 4:16 | Stanley Whittaker | On Time as a Helix of Precious Laughs | 5:22 | Frank Wyatt | |
| Upon the Rainbow (Befrost) | 4:42 | Kit Watkins-Frank Wyatt | Hidden Moods | 3:41 | Kit Watkins | |
| Mr. Mirror's Reflections on Dreams | 8:54 | Kit Watkins | New York Dreams' Suite | 8:32 | Frank Wyatt | |
| Carousel | 4:06 | Frank Wyatt | ||||
| Happy the Man is: Stanley Whitaker: Six and Twelve String Guitars, Lead Vocals Kit Watkins: Mini Moog, Acoustic Piano, Rhodes Piano, ARP String Ensemble, Hammond B3, hohner Clavinet, Flute, Marimba Frank Wyatt: Saxes, Flute, Piano, Keyboards, Vocals Rick Kennell: Electric Bass Mike Beck: Percussion |
Produced by Ken Scott Recorded and Mixed at A & M Studios, November and December 1976 by Ed E. Thacker Cover Art: Mary Walsh Photo Dennis Luzak Illustration Back Cover Photography: Mary Walsh Inner Sleeve Photo: Benno Friedman Design & Art Direction: Bob Heimall | |||||
| 2 | Better Late (US 1983 Azimuth AZ 1003) M-/VG+ $20 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Eye of the Storm | 3:54 | Watkins | Shadow Shaping | 4:28 | Watkins/Wyatt/Whitaker | |
| The Falcon | 6:07 | Wyatt/Whitaker | Run Into the Ground | 5:06 | Watkins/Kennell | |
| At the Edge of This Thought | 5:25 | Wyatt | Footwork | 4:21 | Watkins | |
| While Crome Yellow Shine | 6:13 | Wyatt/Watkins | Labyrinth | 7:34 | ||
| Kit Watkins: multi-keyboards, flute Frank Wyatt: electric piano, alto sax, flute Stanley Whitaker: electric and acoustic guitars, vocals Coco Roussel: drums, percussion Rick Kennell: bass Produced by Kit Watkins |
All Titles Arranged by: Happy the Man Engineered by: Wayne Garber & Kit Watkins Road and Stage Managing: Kenny Bailey Lighting and Equipment: Steve Meeks Recording Equipment & More: Ace Pace Master Tape Duplication: Jim Fox/Lion and Fox 4-Track Recorder: Gandalf/Paul Joslow Dedicated to: Our Fans | |||||
| 1 | Annie in Wonderland (US 1977 Sire SR 6016) gatefold M-/M- $25 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| introlise/if i were made of music | 4:59 | j. camp | rockalise - to allison | 6:08 | r. wood | |
| i never believed in love | 3:38 | r. wood | nature boy | 4:53 | e. ahbez | |
| if i loved you | 4:38 | rodgers & hammerstein | inside my life | 4:50 | j. camp | |
| hunioco | 7:32 | r. wood | going home | 5:06 | dvorjak/w.a.fisher | |
| annie haslam - lead vocals and backing vocals roy wood - electric and acoustic guitars, bass gtr, string bass, cello, balalaikas, saxophones, drums, bass clarinet, trumpet, african drums, percussion, string ensemble, moog, piano, clavinet, backing vocals. jon camp - bass guitar on 'i never believed in love,' 'nature boy' and 'inside my life.' together with bass pedals and acoustic guitar on 'if i were made of music.' backing voclas on 'inside my life.' dave donovan - drums on 'nature boy' and 'if i were made of music.' louis clark - polymoog on 'rockalise,' flute on 'going home,' also string arrangements 'rockalise' and brass arrangements and choir arrangements 'going home.' |
produced and arranged by roy wood. engineering and backing vocals - dick plant. assistant engineer - barry kidd. recorded and mastered at the music centre wembley, middlesex, england. album title and inside cover concept - annie haslam. cover artwork - roy wood. inside photographs of annie - po. small photos by annie, roy, jon, michael dakota. this album is dedicated to my mum and dad. | |||||
| 1 | The Surgeon of the Nightsky Restores Dead Things by the Power of Sound (US 1987 Intuition C1-46880) has insert M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ravinia/Vancouver | 20:58 | Jon Hassell | Hamburg | 7:10 | Jon Hassell | |
| Paris | 5:45 | Brussels | 10:56 | |||
| Paris II | 8:41 | |||||
| Jon Hassell: Trumpet, Keyboards (A1, 2; B1, 2, 3) J.A. Deane: Electric and Acoustic Percussion (A1, 2; B1, 2, 3) Jean-Philippe Rykiel: Synthesizers (A2; B1,2,3) Richard Horowitz: Synthesizer (A1) Michael Brook: Guitar (A2; B1, 2, 3) Recordings: Jult 1986/January 1987 (A1). May 1985 (A2; B1, 2) May 1986 (B3). Live Sony PCM F1 digital recordings assembled and processed June 1987 by Brian Eno and Jon Hassell at the Wilderness Studio, Woodbridge, UK. |
Title: An excerpt from a poem by Ira Cohen: From the Whole Magillah, A Crystal for Bob Kaufman. (Collection: "On Feet of Gold", Synergistic Press, London 1986). Art: The Swamp, 1983. Melissa Miller. Oil on linen 72 x 59 inches (Collection: Holly Solomon. Courtesy Holly Solomon Gallery, New York). Photo: D James Dee. Sleeve Design by Anthony McCall Associates, New York; Kerstin Stelter, Cologne Jon Hassell-Photo: Curtis Knapp An Opal Production | |||||
| 1 | Space Ritual, Alive in Liverpool and London (UK 1973 United Artists UAD 60037) triple gatefold M-/M-/VG+ $20 SOLD! | |||||
| 2 | Space Ritual, Alive in Liverpool and London (US 1973 United Artists UA-LA120-H-0789) triple gatefold M-/M-/VG+ $20 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Earth Calling | 11:41 | B. Calvert | Lord of Light | 6:36 | D. Brock | |
| Born to Go | B. Calvert-D. Brock | The Black Corridor | 2:25 | M. Moorcock | ||
| Down Through the Night | 6:02 | D. Brock | Space is Deep | 8:13 | D. Brock | |
| The Awakening | 1:53 | B. Calvert | Electronic No. 1 | 2:33 | D. Dettmar-Dikmik | |
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Orgone Accumuolator | 10:00 | B. Calvert-D. Brock | 7 x 7 | 6:10 | S. MacManus | |
| Upside Down | 1:59 | D. Brock | Sonic Atack | 2:55 | M. Moorcock | |
| 10 Seconds of Forever | 2:00 | B. Calvert | Time We Left This World Today | 5:45 | D. Brock | |
| Brainstorm | 9:18 | N. Turner | Master of the Universe | 7:39 | N. Turner-D. Brock | |
| Welcome to the Future | 1:59 | B. Calvert | ||||
| Musicnaughts: Bob Calvert: Poet and swazzle Dave Brock: Guitar and vocals Lemmy: Bass and vocals Nick Turner: Sax, flute and vocals DikMik: Audio generator and electronics Del Dettmar: Synthesizer Simon King: Drums |
Heavy Metal Kids: Roadies: Graham, Bob, teve, Pete and Higgy Lights by Liquid Len and the Lensmen, Jonathon Smeeton, John Lee, John Perrin, Mike Hart and Alan Mothership control: Andy Dunkley, Dancers: Stacia, Miss Rene and Tony Carrera Costumes: Debbie McNeedles Equipment: Gerry Fitzgerald Valuable assistance: Mike Moorcock Cosmic coordination Paul Fenn/Asgard, Doug Smiff and Val The Space Ritual was recorded live at Liverpool Stadium 22.12.72 and Brixton Sundown, London 30.12.72 by the Pye Mobile Studio. Engineered by Vic Maile. Mixed by Vic Maile and Anton Matthews at Olympic Studios. Produced by Hawkwind Packaging Barney Bubbles. Photography Laurie Lewis and Gabi Naseman. Art Direction: Pierre | |||||
| 2 | Hall of the Mountain Grill (US 1974 United Artists UA-LA328-G-0698) M-/VG+ has inner sleeve, cover has some water damage $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Psychedelic Warlords (disappear in smoke) | 7:07 | D. Brock | You'd better believe it | 7:13 | D. Brock | |
| Wind of Change | 4:06 | Hall of the Mountain Grill | 3:24 | S. House | ||
| D-Rider | 6:18 | N. Turner | Lost Johnny | 3:26 | Kilmister/Farren | |
| Web Weaver | 3:14 | D. Brock | Goat Willow | 1:37 | D. Dettmar | |
| Paradox | 5:25 | D. Brock | ||||
| Dave Brock: lead guitar, 12 string guitar, synthesiser, organ and vocals
Lemmy: bass, vocals (rhythm and lead guitar on Lost Johnny) Simon House: Keyboards, mellotron and violin Nick Turner: sax, oboe, flute and vocals Del Dettmar: keyboards, synthesiser and kalimba Simon King: drums and percussion ..." and my old lady and kids, 'cos I'm going home now |
Thanks to Lighting: Jon Smeeton, Sally Vaughn, John Lee, John Perrin and Dick
Humping and Sound: Steve, Bob, Pete and Higgy Dancing: Stacia Coordination: Doug Snif, Fenstein and Oggy Office: Val, Mike and everybody else including Andy (poke it and toke it) Dunkley Support: Andrew Lauder, Joan Ferguson, Mike Moorcock, dealers (conspiracy) and let's not forget Martin Davis Artwork: Back cover, David Hardy. Front cover, Barney Bubbles. Photography: Phil Franks You'd better beleive it and Paradox recorded live at Edmonton Sundown 26.1.74 on Pye Mobile Studio Engineer: Vic Maile Everything else recorded at Olympic Studios, Barnes May through June 1974 Produced by Hawkwind, Doug Bennett and Roy Baker on You'd better beleive it Engineer: Doug Bennett Assistant engineers: David Hamilton Smith and Andy Morris | |||||
| 3 | Quark Strangeness and Charm (UK 1977 Charisma CDS 4008) M-/VG+ has inner sleeve $10 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Spirit of the Age | ?? | Brock/Calvert | Quark Strangeness and Charm | ?? | Brock/Calvert | |
| Damnation Alley | Calvert/Brock/House | Hassan I Sahba | Calvert/Rudolph | |||
| Fable of a Failed Race | Brock/Calvert | The Forge of Vulcan | House | |||
| Days of the Underground | Brock/Calvert | |||||
| Iron Dream | King | |||||
| Robert Calvert voices, percussion, morse and strangeness Dave Brock guitar synthesizer, sound FX, vocals and quark. Simon House keyboards, violin, anvil, vocals and charm Adrian Shaw base guitar, vocals and hand-claps. Simon King drums, percussion and no-vocal |
Recorded at Rockfield Studios, Amberley Court, Monmouth February 1977. Engineer Dave Charles and assistance from Dave Brock/Bob Calvert. Produced by Hawkwind Design & Photography Hipgnosis Graphics Geoff Halpin | |||||
| 1 | Blue Jays (US 1975 Threshold THS 14) gatefold has insert M-/M- $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| This Morning | 5:55 | Hayward | Saved by the Music | 6:08 | Lodge | |
| Remember Me, My Friend | 5:27 | Hayward, Lodge | I Dreamed Last Night | 4:27 | Hayward | |
| My Brother | 3:27 | Hayward | Who Are You Now | 2:30 | Hayward | |
| You | 4:34 | Lodge | Maybe | 5:36 | Lodge | |
| Nights, Winters, Years | 3:36 | Hayward | When You Wake Up | 5:19 | Hayward, Lodge | |
| Produced by Tony Clarke Recording Engineers: Derek Varnals, Dave Baker Recorded at Threshold Studios, Decca, London Assistant Engineers: Nick Raymonde, Graham Meek U.S. Mastering: Kent Duncan, Kendun Recorders |
Graham Deakin: Drums Kirk Duncan: Piano Jim Cockey: Violin Tim Tompkins: Cello Tom Tompkins: Viola All other instruments: Justin Haward and John Lodge. All photographs: Mike Putland Illustration and Design: Phil Travers | |||||
| 1 | Runes (US 1986 HTW USA 001-006) M-/M-/M-/M- has booklet & sticker RARE!!! $400 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Flying Castles | 5:12 | M. Harris, S. Green | Nature Song | 17:49 | M. Harris, B. Knox, S. Green | |
| Consequences of Stupidity | 6:32 | M. Harris, B. Knox, S. Green | Heavy the World | 12:40 | M. Harris, B. Knox, S. Green, D. Mudd | |
| Only Sound Knows | 3:32 | M. Harris | ||||
| The First Two Hours | 6:08 | M. Harris, B. Knox, S. Green | ||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Tri-Winds (of a New Existence) | 12:54 | M. Harris, S. Green | Enemies of Imagination | 8:52 | M. Harris, B. Knox, S. Green | |
| Ultra-Violet Jazz | 13:49 | Salute the Fool | 3:26 | M. Harris | ||
| Mila | 5:57 | M. Harris, S. Green | ||||
| I.C. Mornings | 9:17 | M. Harris, B. Knox, S. Green | ||||
| Side 5 | Side 6 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Satisfaction Guaranteed | 6:50 | M. Harris | Infra-Irredescent Blues | 8:22 | M. Harris, B. Knox, S. Green | |
| Theme From an Imaginary Pirate Movie | 8:42 | M. Harris, B. Knox | Fucus Coranean | 10:22 | ||
| Metropolis Raindog | 6:15 | M. Harris | Outroduction | 9:10 | ||
| Eruption/Battlefield | 4:53 | K. Emerson, G. Lake | ||||
| Mike Harris: electric and acoustic 6 and 12 string guitars, lead vocals, E.H. mini-synth., efx., cymbals, bass on 3, 9, 10, 11.
Brad Knox: bass guitar, Korg synth., background vocals, efx. 2nd guitar on 6, 9. Scott Green: drums, percussion, kalimba, background vocals. Danny Mudd: electric piano, Korg synth., flute, background vocals on 1, 2, 4, 5, 6. Recorded at Quarternote Studio, Baltimore Highlands 1982-83. Engineered by Tom Horsey and mixed by Heavy the World. Later re-worked with Steve Palmari at Studio North in the Foothills of the Headlands of Merry Maryland. Photo of Heavy the World at Chester's Place, Johns Hopkins University by Larry Gillette. Cover by Trash 1 Graphix. Special thanx to Caveman for the World-class saboteurship & Heavy inspiration. Produced by Brad Knox for Heavy the World and the People |
Where Credit is Due (the folks who made the haps happen) Record press,etc...Stan, Melanie, et al...A&R, Dallas Visual co-ordination...Barry Day...Typeworks Typesetting...Leonard Horne...Typeworks, Eric Prahl...Govans Uptown Phototransmutations...B.G. III...Blakeslee Lane Rune supplication, Preface to Nature Song...Caveman Dave H Photo of Paris from atop Notre Dame Cathedral used on lyric page to Metropolis Raindog...Tara Knox-Kornick "Atlas" and "Pirate" drawings...Andrew Macsberry Drawing used on lyric page to Only Sound Knows...Trash 1 Cameo appearance on lyric page to I.C. Mornings...Darshan Singh-Ji Limo Driving...James Phillips Concept, design, execution, overall co-ordinator (or lack thereof) Brad Knox Mandala/Sun used as stage backdrop on back cover courtesy of Powerhouse Natural Foods, Inc., Towson, Md., makers of the original Powerhouse "The Magician" and "The Fool" from The Aquarian Tarot deck, "Ace of Cups" and "Ten of Cups" from Morgan-Greer Tarot deck. On behalf of Heavy the World; Mike Harris...Los Angeles, Brad Knox...Baltimore, Scott Green...San Diego, Danny Mudd...Boston It's been a blatency. (Gentlemen still prefer blatencies) Be Seeing You! | |||||
| 2 | Reunion (1987 Imaginary Pirate T133) M-/M-/M- #23 out of 100 RARE! $300 | |||||
| 3 | Reunion (1987 Imaginary Pirate T133) SEALED same as above but cover is not hand numbered and is printed instead of the original paste on graphics $50 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Inner View (w/Rod Misey, WCVT-FM, Towson, Md. 9/14/84) | 24:05 | Heavy the World | Sanctionfatis Guaranteed* | 23:40 | Heavy the World | |
| Shuttle Bluffin | 1st Two Hours* | |||||
| Wudu Smile | My Clone's Fault | |||||
| Erupting Battlements* | Astro D/Reverbs | |||||
| Broadway Blues | ||||||
| 1/2 Tri-Winds* | ||||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Critique | 23:40 | Heavy the World | Rajheen Fun | 33:30 | Heavy the World | |
| Heavy the World* | Flying Castles* | |||||
| Interplanetary Caravanpsoriasis | Schoolgirl (1 and 2) | |||||
| 9-2-U (007 Version) | Psychedelic Ranger | |||||
| Postlude (Rehearsal 9/14/84) | ||||||
| Their First Gig in 1.22512011 Earth Years Recorded at Heavy the World's first reunion concert at Brad's Fully Rad Pad, Baltimore, USA, 9-15-1984 Mike Harris: Guitar, Brad Knox: Bass, Scott Green: Drums recording engineer and contributing analyst: Rappin' Robbie Reverbs Digitally Mastered by Steffy Palmbeach, studio N 99 44/100 % Live. Warning: Contains (Almost) No Lyrix. |
NOTE: In September of 1986 Heavy the World published a 3-record album entitles "Runes" on HTW Records. Studio versions of material marked (*) can be found on Runes. While far too stylistically grandiose, artistically escteric and aesthetically intense to receive much commercial attention, many said the album to be inextricably linked to Nordic mysticism | |||||
| "Erupting Battlements" is based on Emerson, Lake and Palmer's "Tarkus." "Interplanetary Caravanpsoriasis" is based on Black Sabbath's "Caravan." | ||||||
| 4 | The Next World (US 1991 Imaginary Pirate FDS 2291) M-/M- gatefold has insert $50 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Earth Stranger | 5:45 | Green-Harris-Knox | Break the Devil's Hand | 6:08 | Harris | |
| Creation | 5:13 | World Tension | 5:27 | Green-Harris-Knox | ||
| Walk Away From Dreams | 4:36 | Harris-Knox | Kika | 3:17 | Harris | |
| Steeplechase | 2:12 | Knox | Treasure | 2:47 | ||
| Reach for the Days II | 3:26 | Harris | Tocatta | 4:14 | Bach; arr.-H.T.W. | |
| I Wanna Cry | 3:32 | Friends | 4:41 | Harris | ||
| Mike Harris Brad "Trash 1" Knox Scott Green with: Dean Scavone-Drums on Treasure, Kika, and I Wanna Cry. Ed Montano-Gong on Creation and Walk Away From Dreams; Tom-Toms on Tocatta. |
Recorded at A&R Studios, Hollywood, Ca. Produced by Heavy the World and Dito Godwin Engineered by Michael Carnevale (Who drove the mix around the block before arriving at the appropriate Cartoonland stew.) Mastered by Joseph L. Steiner, III ("The Hendrix of underground mastering") with H.T.W. at FDS/Quad Teck Labs, Los Angeles, Ca. "I can testify to it. I done been there."-Trash 1. | |||||
| Note: "Creation" guitar solo mimicks Van der Graff Generator's "Theme One" | ||||||
| 5 | Dog (US 1993 Imaginary Pirate FDS 112993) M-/M- has insert $50 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Muscle Head | 3:03 | Harris, Knox, Scavone | Rock 'em Child | 3:22 | Harris | |
| War | 3:11 | U2, arr. H.T.W. | Fuckin' | 4:49 | Harris, Knox, Robinson, Scavone | |
| Scream Baby Scream | 4:00 | Harris, Knox | Never | 3:24 | Harris | |
| Sweet Saturday | 2:00 | Harris | C-Horse | 3:01 | ||
| Monica's Favorite | 2:56 | Harris, Knox, Scavone, Shermann | Dog | :33 | ?? | |
| Punky | 2:27 | Harris, Scavone | Dog's Nightmare | 6:46 | Harris, Peck, Scavone | |
| Mike Harris: Guitar & Lead Vox, Bass on Sweet Saturday and intro to Fuckin'
Brad "Trash 1" Knox: Bass & Support Vox, Guitar on Sweet Saturday, tape effects on Dog's Nightmare Dean Scavone: Drums & Support Vox Produced by Heavy the World and Ross Robinson Executive Producer and Sponsor - Trash 1 Engineered by Mikey Davis Jacket Art and Design by Trash 1 and Graphic Visions |
Recorded at Sound Chamber Studios, L.A., March 20 - April 19, 1993 Lyrix to Muscle Head and Monica's Favorite by Trash 1 and Mike Harris. Lyrix to War by U2, rearranged by H.T.W. All other lyrix Mike Harris. Thanx to Henry Spiegel at Red Light District (Concerts) Hollywood, Elyse Steinhardt, and because he didn't make it on last time, crazed stage tech run amok, Mike Otell. Thanx also to Ted Andreadis for his keyboards on Never and Dog's Nightmare. | |||||
| 1 | Breakfast in the Field (US 1981 Windham Hill WH-1017) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Layover | 2:30 | Michael Hedges | Two Days Old | 4:46 | Michael Hedges | |
| The Happy Couple | 3:20 | Peg Leg Speed King | 3:20 | |||
| Eleven Small Roaches | 3:00 | The Unexpected Visitor | 2:46 | |||
| The Funky Avacado | 2:03 | Silent Anticipations | 3:23 | |||
| Baby Toes | 2:10 | Lenono | 4:03 | |||
| Breakfast in the Field | 2:24 | |||||
| Michael Hedges: Guitar Michael Manring: Fretless Bass George Winston: Piano Produced by William Ackerman Recorded at The Music Annex Menlo Park, CA Engineered by Russell Bond Original Half-Speed Mastering by Stan Ricker Mobile Fidelity Sound Lab Matrix and Pressing by RTI Camarillo, CA Cover Photo by Leo Holub Liner Photo by Ron May Design by William Ackerman |
This album was recorded without overdubs or multitracking on a MCI JH 110 A analogue two-track tape recorder at
30 inches per second through a Neve 8036 console with minimal equalization. No noise reduction was employed. The guitar was
close-miked in stereo with a matched pair of AKG 452 EB condenser microphones in a cardioid pattern.
This album is dedicated to my teachers of composition; E.J. Ulrich who sent me on my way, Jean Ivey who let me go my own way, and Morris Cotel who asked me where I was going and why. Thanks to Ervin Somogyi of Berkeley, CA who built the splendid guitar used on most of the tunes in this recording. Thanks also to Ken DuBourg of Arbutus, MD who made the guitar used on Eleven Small Roaches, Babytoes, and Two Days Old. | |||||
| 1 | Heldon IV (US 1978 Aural Explorer AE 5001) cc M-/VG+ $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Perspective I | 10:25 | Richard Pinhas | Perspective IV | 7:05 | Richard Pinhas | |
| Perspective II | 3:10 | Virgin Swedish Blues | 7:26 | |||
| Perspective III | 10:47 | Psylocybine | 8:20 | |||
| Interlude: Bassong | 2:47 | Michel Ettori | ||||
| Richard Pinhas: electronics and Les Paul guitar (1954), synthesized guitar, mellotron, ARP synthesizer Philibert Rossi: mellotron Coco Roussel: drums, percussion Michal Ettori: guitars Gerard Prevost: bass Alain Bellaiche: bass guitar Patrick Gauthier: mini-moog "Moogi-le-moog": guitars and electronics (courtesy R.P.) George Grunblatt: mellotron |
Recorded between September 1975 and January 1976 at Schizo Studio, except "Perspective IV" at Davout, Paris
Engineer: Daniel Schaez Frontcover: Daphne Mouchoux Liner design: Leo Bliok Liner photo: Patrick Jelin Licensed by: Urus | |||||
| 1 | Live at the Forum Los Angeles - April 25 1970 (US 1970 Munia M1622) M-/M-/VG+ $40 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Spanish Castle Magic | 5:11 | Jimi Hendrix | Message to Love | 4:30 | Jimi Hendrix | |
| Foxy Lady | 4:00 | Easy Rider | 2:53 | |||
| Getting Your Brothers Shoes Together | 2:40 | Machine Gun | 9:58 | |||
| Getting My Heart Back Together Again | 9:24 | |||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Room Full of Mirrors | 20:22 | Jimi Hendrix | The Star Spangled Banner and Purple Haze | 11:00 | Jimi Hendrix | |
| Voodoo Child | 7:56 | |||||
| 2 | Roots of Hendrix (US 1972 Trip TLP-9501) M-/VG+ $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Wipe the Sweat | 2:50 | Jimi Hendrix | All I Want | 3:32 | Jimi Hendrix | |
| Wipe the Sweat Seque I | 3:25 | Under the Table Part I | 4:20 | |||
| Wipe the Sweat Seque II | 2:44 | Under the Table Part II | 2:50 | |||
| Goodbye Bessie Mae | 2:22 | Psycho | 2:40 | |||
| Two in One Goes | 2:17 | |||||
| Jimi Hendrix: Guitar/Vocals Lonnie Youngblood: Sax/Vocals Herman Hitson: Guitar Lee Moses: Guitar |
Produced by: John Brantley Graphics: Frank Gauna Engineer: Abe Steinberg Concept Design: Frank Favata Recorded at Abtone Recording Studios N.Y., N.Y. 1966 | |||||
| 3 | Moods (US 1974 Trip TLP-9512) M-/VG+ gatefold $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| A Mumblin' Word | 2:19 | Jimi Hendrix | Get Down | 2:32 | Jimi Hendrix | |
| Miracle Worker | 2:54 | So Called Friend | 2:24 | |||
| From This Day On | 2:27 | Girl So Fine | 2:46 | |||
| Human Heart | 2:41 | Every Little Bit Hurts | 3:20 | |||
| Feel That Soul | 2:12 | You Say You Love Me | 2:22 | |||
| All Alone | 2:28 | |||||
| Produced by: Lee Moses & Johnny Brantley | Recorded in 1966 | |||||
| 4 | Kiss the Sky (US 1984 Reprise 25119-1) M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Are You Experienced? | 4:10 | Jimi Hendrix | Killing Floor* (previously unreleased) | 3:27 | Chester Barnett | |
| I Don't Live Today | 6:40 | Purple Haze | 2:50 | Jimi Hendrix | ||
| Voodoo Child (Slight Return) | 5:10 | Red House (unedited version) | 3:52 | |||
| Stepping Stone | 4:07 | Crosstown Traffic | 2:16 | |||
| Castles Made of Sand | 2:46 | Third Stone From the Sun | 6:44 | |||
| All Along the Watchtower | 3:56 | Bob Dylan | ||||
| *Recorded by Wally Heider at the Monterey International Pop Festival, June 18, 1967.
Released under the Supervision of Alan Douglas for Are You Experienced? Ltd. and A.R.M.N.V. Compilation Produced by Kevin Laffey, Chip Branton and Alan Douglas |
Compilation engineered by Mark Linett Digitally mastered at JVC Cutting Center, Inc. Engineer: Joe Gastwirt Art direction by Jeffrey Kent Ayeroff and Mick Haggerty Cover design by Mick Haggerty Research and notes by Paul Diamond Personnel: Jimi Hendrix: Guitars and Vocals Noel Redding: Bass and Back-up Vocals, Rhythm Guitar on "Red House" Mitch Mitchell: Drums Billy Cox: Bass on "Stepping Stone" Buddy Miles: Drums on "Stepping Stone" | |||||
| 1 | Henry Cow (US 1973 Virgin VR 13-107) M-/M- $12 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nirvana for Mice | 4:37 | Frith | Extract from 'With the Yellow Half-Moon and Blue Star' | 3:35 | Frith | |
| Amygdala | 7:10 | Hodgkinson | Teenbeat Reprise | 6:30 | ||
| Teenbeat Introduction | 5:15 | H. Cow | The Tenth Chaffinch | 4:33 | H. Cow | |
| Teenbeat | 5:55 | Frith/Greaves | Nine Funerals of the Citizen King | 5:24 | Hodgkinson | |
| Geoff Leigh - saxes, flute, clarinet, recorder, voice Tim Hodgkinson - organ, piano, alto sax, clarinet, little bells, voice Fred Frith - guitars, violin, viola, piano, voice John Greaves - bass, piano, whistle, voice Chris Cutler - drums, toys, piano, whistle, voice Front cover by Ray Smith Special thenks to Tom, Sos, Jane, Lady June, John Walters, John Peel and all other encouragers, explorers and friends |
Produced by: John Brantley Graphics: Frank Gauna Engineer: Abe Steinberg Concept Design: Frank Favata Recorded at Manor Studios, May/June ‘73 Sound by Tom ‘Greasy Patches’ Newman and Henry Cow. (First bit of ‘Nirvana for Mice’ engineered by Mike Oldfield). For Teenbeat Chorale we were augmented by Sarah Greaves, Maggie Thomas and Cathy Williams. The Pixiphone on ‘Yellow Half-Moon’ is by Jeremy Baines. The tenor solo on ‘Nirvana for Mice’ is by Geoff, the alto solo on ‘Teenbeat pt. Two’ by Tim. | |||||
| 2 | Unrest (UK 1974 Virgin V2011) M-/M- gatefold $20 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Bittern Storm over Ulm | 2:44 | Frith | Solemn Music | 1:09 | Frith | |
| Half asleep; Half awake | 7:39 | Greaves | Linguaphonie | 5:58 | H. Cow | |
| Ruins | 12:00 | Frith | Upon entering the Hotel Adlon | 2:56 | ||
| Arcades | 1:50 | |||||
| Deluge | 5:52 | |||||
| Tim Hodgkinson: organ, alto sax, clarinet, piano. Fred Frith: stereo guitar, violin, xylophone, piano. John Greaves: bass, piano, voice. Chris Cutler: drums. Lindsay Cooper: bassoon, oboe, recorder, voice. Recording engineers: Phil Becque with Andy Morris; parts of Ruins by Mike Oldfield. Mixing engineers: Side 1, Phil Becque: Side 2, Henry Cow. Certain vocals and engineering assistance by Charles Fletcher. All the sounds were made with the instruments listed above; however, in parts of Ruins and Linguaphonie, the bassoon, alto, voice and drums were recorded at half or double speed. |
Cover paintings and inside photograph by Ray Smith. Cover paintins photographes by Anne Lamberty. Bittern Storm over Ulm acknowledges its debt to O. Rasputin's 'Got to Hurry' by the Yardbirds. For manythings other than the record we would like to thank Charles Fletcher, Jack Balchin, D.J. Perry, Ray Smith, Lol Coxhill, Henk Weltevreden and Geoff Leigh. Recorded at the Manor Feb./Mar. 1974. Produced by Henry Cow and dedicated to Robert Wyatt and Uli Trepte. | |||||
| 3 | In Praise of Learning (US 1975 Red 003) M-/M- $15 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| War | 2:24 | Moore/Blegvad | Beginning: The Long March | 5:58 | H. Cow/S. Happy | |
| Living in the Heart of the Beast | 15:30 | Hodgkinson | Beautiful as the Moon - Terrible as an Army with Banners | 7:00 | Frith/Cutler | |
| Morning Star | 6:02 | H. Cow/S. Happy | ||||
| Tim Hodgkinson: Organ. Clarinet. Piano on II Fred Frith: Guitar. Violin. Xylophone. Piano on IV John Greaves: Bass. Piano. Chris Cutler: Drums. Radio.Dagmar: Voice. Peter Blegvad: Guitar on II & III. Voice and Clarinet on I. Anthony Moore: Piano on I & II. Electronics & Tapework. Lindsay Cooper: Basson & Oboe. Also on I: Geoff Leigh Soprano Sax Mongezi Feza Trumpet on IV: Phil Becque Oscillator. |
Produced by H.Cow/S. Happy/P. Becque. (WAR was originally engineered by Simon Heyworth. Nov. 74.) Recording and mixing engineer Phil Becque. Recorded at the Manor February - March 1975. Noise reduction D.B.X. Cutting engineer Pete Norman. Thank you all - especially Virgin Records for the free hand. ART IS NOT A MIRROR - IT IS A HAMMER - John Grierson. | |||||
| 4 | Concerts (UK 1976 Compendium FIARDO 1) M-/M-/M- gatefold $40 | |||||
| 5 | Concerts (UK 1984 Broadcast BC 2) M-/M-/M- gatefold $40 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Beautiful as the Moon; Terrible as an Army with Banners | 22:50 | Frith/Cutler | Bad Alchemy | 25:36 | Greaves/Blegvad | |
| Nirvana for Mice | Frith | Little Red Riding Hood Hits the Road | Wyatt | |||
| Ottawa Song | Frith/Cutler | Ruins | Frith | |||
| Glora Gloom | Wyatt/MacCormick | |||||
| Moon Reprise | Frith/Cutler | |||||
| Side 3 | Side 4 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Oslo | 29:02 | Henry Cow | Groningen | 26:15 | Hodgkinson/Henry Cow | |
| Udine | Henry Cow | |||||
| Groningen Again | ||||||
| lindsay cooper: bassoon, flute, oboe chris cutler: drums dagmar: voice fred frith: guitar, piano john greaves: bass, voice, celeste tim hodgkinson: organ, clarinet, alto saxophone Side 1 5.8.75. Recorded & mixed by Bob Conduct & Tony Wilson. Released by arrangement with B.B.C. records and tapes Side 2 with Robert Wyatt. 21st May 1975, New London Theatre. Mixed: Sarah Greaves, Recorded: Norman Jon. Bad Alchemy. Little Red Riding Hood Hits the Road. piano: John Greaves. 13th. October 1975 at the Palamostre Auditorium, Udine, Italy. Mixed: Neil Sandford, recorded: Sandro Pascolo. Ruins. piano: Dagmar Krause. |
Side 3 25th. July 1975 at the Hovikodden Arts Centre, Oslo. Recorded and mixed by Jack Balchin, Harold Clark. recorder: Lindsay Cooper, piano: Chris Cutler, violin, xylophone: Fred Frith. Visual Concert: Fresnes, France, 16th. November 1975. Side 4 (1)Vera, Groningen, Holland. 26th Sept. 74. mixed Sarah Greaves. recorded Vera Club (2) at Palamostre Auditorium. Udine. Italy. 13 Oct. 75 mixed Neil Sandford. recorded Sergio Pascolo; Stephano Spizzamiglio. piano: Lindsay Cooper (3) Vera, Groningen. mastered at kaleidophon with David Vorhaus cutting engineer Peter Norman. | |||||
| 6 | Western Culture (F 1978 Celluloid LTM 1.013) M-/M- $12 SOLD! | |||||
| Side 1: History & Prospects | Side 2: Day by Day | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Industry | ?? | Hodgkinson | Falling Away | ?? | Cooper | |
| The Decay of Cities | Gretels Tale | |||||
| On the Raft | Look Back | |||||
| 1/2 the Sky | ||||||
| Tim Hodgkinson: Organs, alto sax, clarinet, Hawaiian guitar on "Industry" & "The Decay of Cities", Piano on "On the Raft".
Lindsay Cooper: Basson, oboe, soprano sax, & soprano recorders. Fred Frith: Electric & acoustic guitars, bass, soprano sax in the background of "On the Raft" Chris Cutler: Drums, Electric drums, noise, piano on “Falling Away” & trumpet in the background of "On the Raft" Anne-Marie Roelofs: Trombone & violin throughout. Irene Schweizer: Piano on "Gretels Tale." Georgie Born: Bass on 1/2 the Sky. |
Recorded & Mixed by Us & Etienne Conod at Sunrise Studio, Kirchberg Ch.90.30 Switzerland between 26th July & 8th August, except 1/2 the Sky, Jan 1978.
Cover etc. by Chris Cutler. Cut & pressed by NIMBUS | |||||
| 1 | Motivation Radio (US 1977 Atlantic SD 19144) M-/M- has inner sleeve $15 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hello Dawn | 2:48 | S. Hillage-M. Giraudy | Wait One Moment | 3:15 | S. Hillage-M. Giraudy | |
| Motivation | 4:08 | Saucer Surfing | 4:24 | |||
| Light in the Sky | 4:10 | Searching for the Spark | 5:28 | |||
| Radio | 6:11 | Octave Doctors | 3:30 | S. Hillage | ||
| Not Fade Away | 3:28 | Charles Hardin-Norman Petty | ||||
| Performed by Jo Blocker/drums; Reggie McBride/bass; Malcolm Cecil/T.O.N.T.O. synthesizer (The Original New Timbral Orchestra); Miquette Giraudy-Synthesizer & Saucersiser, Ladyvoice; Steve Hillage/guitar, guitar synthesiser, synthesiser, voice & shenai. | Produced and Engineered by Malcolm Cecil. Assistant Engineers: Ron Alvarez & Dion Forrer. Mixed at Westlake Audio (assistant Lynn Peterzell) Mastered at Kendun Recorders, Burbank, (mastering engineer Rick Collins) Designer and photographer/Bob Cato/Image Control Howard Carriker & Ted Staidle. Equipment engineer/John Newsham. | |||||
| 2 | Live Herald (UK 1979 Virgin VGD3502) M-/M-/M- gatefold $15 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Salmon Song* | 7:38 | Hillage/Giraudy | Light in the Sky+ | 5:16 | Hillage/Giraudy | |
| The Dervish Riff* | 4:24 | Hillage | Searching for the Spark^ | 11:15 | ||
| Castle in the Clouds* | 7:00 | Electrick Gypsies% | 6:00 | Hillage | ||
| Hurdy Gurdy Man* | Donovan | |||||
| Side 3 | Side 4 (Studio Side) | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Radiom* | 15:23 | Hillage | Talking to the Sun | 5:56 | Hillage/Giraudy | |
| Lunar Musick Suite* | Hillage/Giraudy | 1988 Aktivator | 2:31 | Hillage | ||
| Meditation of the Dragon* | Hillage | New Age Synthesis (Unzipping the Zype) | 8:46 | Hillage/Giraudy/Anderson/McKenzie | ||
| It's All Too Much+ | 7:17 | Harrison | Healing Feeling | 6:11 | Hillage/Giraudy | |
| The Golden Vibe+ | Hillage | |||||
| *The Rainbow Theatre, London, March 26th, 1977. The band:- Clive Bunker-drums Colin Bass-bass, vocals Christian Boule-glissando and rhythm guitar Phil Hodge-keyboards Basil Brooks-synthesizer, sequencer, flute Miquette Giraudy-synthesizer, vocals, bells Steve Hillage-lead guitar, vocals. Recorded with the Maison Rouge Mobile, engineer Trevor White. + Oxford Polytechnic, May 25th, 1978. The band:- Andy Anderson-drums John McKenzie-bass, vocals Christian Boule-glissando and rhythm guitar Miquette Giraudy-synthesizer, sequencer, vocals, bells Steve Hillage-lead guitar, synthesizer, vocals Recorded with the Manor Mobile, engineer Malcom Heeley. ^ The Marquee Club, London, August 7th, 1978. Same band as "Light in the Sky." Recorded with the Manor Mobile, engineer Jeremy Allom. % The Rainbow Theatre, London, November 3rd, 1977. The band:- Joe Blocker-drums, vocals Curtis Robertson-bass Miquette Giraudy-synthesizer, sequencer, glissando guitar, vocals, bells Steve Hillage-guitar, vocals. Recorded with the Manor Mobile, engineer Phil Newell |
Side 4: Andy Anderson-drums, percussion John McKenzie-bass, triangle Miquette Giraudy-synthesizer, sequencer, guitar synthesizer, glissando guitar, lead guitar, vocals.
Studio recording and live remix - Sawmills Studio, Fowley, Cornwall. Produced by Steve Hillage. Engineered by Simon Fraser. Assistant engineer and Live sound - John Newsham Synthi mix-Miquette Giraudy. Sleeve Design by Hipgnosis Photos: Hipgnosis/Brimson Colour prints by: Robin at Maintide Group photos: Jerry Levy, Rod Lynton, Murray Close, Chuck Pulin and Ian Dickson | |||||
| 3 | Open (F 1979 Virgin 201050) M-/M- $15 | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Day After Day | 6:17 | Hillage/ Giraudy/ Stewart | Don't Dither Do It | 5:04 | Hillage | |
| Getting in Tune | 3:16 | Hillage | The Fire Inside | 6:15 | Hillage/Giraudy | |
| Open | 5:16 | Hillage/ Giraudy/ Francis | Earthrise | 8:34 | Hillage: Adapt. d'apres une musique Arabe d'Oum Kaboum | |
| Definitive Activity | 4:43 | Hillage/ Giraudy/ Francis/ Anderson/ Stewart | ||||
| Steve Hillage: Guitar, Voice, Sequencer, Vocoder, Moog Solo on "Earthrise" Andy Anderson: Drums, Percussion, Gong, Vocoder Dave Stewart: Slide Guitar, Voice Miquette Giraudy: Synthesisers, Vocie, Vocoder Paul Francis: Bass Guitar |
Special Guests Jean-Philippe Rykiel: Prophet Synthesiser, First Moog Solo on "The Fire Inside" Dave Stewart: Second Moog Solo on "The Fire Inside" Recorded at Ridge Farm, August 1979 Engineer Mike Dunn Assisted by Brian Gaylor Mixed at Marquee Studios Engineer Phil Harding Produced by Steve Hillage Management - Smart Management Ltd. Design - Simon Ryan | |||||
| 1 | In the Eye of the Storm (US 1984 A&M SP 5004) M-/M- has inner sleeve $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Had a Dream (Sleeping With the Enemy) | 8:49 | Roger Hodgson | Give Me Love, Give Me Life | 7:33 | Roger Hodgson | |
| In Jeopardy | 5:59 | I'm Not Afraid | 7:03 | |||
| Lovers in the Wind | 4:11 | Only Beacuse of You | 8:40 | |||
| Hooked on a Problem | 5:10 | |||||
| Written, Arranged and Produced by Roger Hodgson All instruments and voices by Roger Hodgson except: Michael Shrieve-Drums on 1,2,5,6,7 Ken Allardyce-Harmonica on track 6, Additional vocals on tracks 2,3,5 Jimmy Johnson-Fretless Bass on tracks 3,7 Clair Diament-Female Voice on track 7 Scott Page-Saxophones on track 4 |
Recorded at Unicorn Studios, Nevada City Recording Engineers: Scott Litt, James Farber Assistant Recording Engineer: Ken Allardyce Technical Assistance: Chris Amson Mixed at Power Station, New York Mixing Engineer: James Farber Assistant Mixing Engineers: Ken Allardyce, Malcom Pollack Mastered at Masterdisk, New York by Howie Weinberg Cover Concept: Roger Hodgson Art Direction: Richard Frankel and Chuck Beeson Design and Photo composite: David Coleman Phootography: Charles Reilly Globe model: Timothy Eames Storm photo: © Image Bank West Storm enhancement art: Cliff Boule | |||||
| 1 | Metal Fatigue (US 1985 Enigma 72002-1) M-/M- $8 SOLD! | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Metal Fatigue | 4:54 | Holdsworth-Williams | The Un-Merry-Go-Round (in loving memory of my father) | 14:05 | Holdsworth | |
| Devil Take the Hindmost | 5:33 | Holdsworth | In the Mystery | 3:49 | Holdsworth-Korda | |
| Panic Station | 3:31 | Holdsworth-Williams | ||||
| Allan Holdsworth: guitar Jimmy Johnson: bass guitar Chad Wackerman: drums (Side 1) Paul Williams: vocals (Side 1) Alan Pasqua: keyboards (The Un-Merry-Go-Round) Gary Willis: bass guitar (The Un-Merry-Go-Round) Gary Husband: drums (The Un-Merry-Go-Round) Mac Hine: drums (In the Mystery) Paul Korda: vocals (In the Mystery) |
Side 1 Recorded and mixed at Music Grinder The Un-Merry-Go-Round recorded and mixed at Music Grinder & Mad Hatter In the Mystery recorded at Front Page mixed at Music Grinder production: Allan Holdsworth engineers: Robert Feist, Allan Holdsworth, Dan Humann, Dennis McKay, Biff Vincent & Gary Wagner cover art: Francois Bardol photo: Robin D'Arcy design: Henry Marquez | |||||
| 1 | Beginnings (US 1975 Atlantic SD-18154) M-/M- gatefold $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Beginnings | 7:30 | Steve Howe | Doors of Sleep | 4:05 | Steve Howe/Alice Meynell | |
| Will O' the Wisp | 6:00 | Australia | 4:08 | Steve Howe | ||
| Ram | 1:56 | The Nature of the Sea | 3:58 | |||
| Pleasure Stole the Night | 2:55 | Lost Symphony | 4:40 | |||
| Break Away From it All | 4:20 | |||||
| Steve Howe- Guitars, steel, bass, mandolin, harpsicord, moog, organvocals Alan White- Drums Graeme Taylor-Gutiar Malcolm Bennett-Bass, flute David Oberle- Drums Colin Gibson- Bass Patrick Moraz- Piano, harpsicord, moog, mellotron Bud Beadle- Baritone/Alto-saxophone Mick Eve- Tenor saxophone Chris Laurence- Double string Bill Bruford- Drums, percussion |
Members of the Philomusica: Patrick Halling- Violin. William Reid- Violin. John Meck- Viola. Sidney Sutcliffe- Oboe. Gwyd Brooke- Bassoon. 'Beginnings' was orchestrated by Patrick Moraz. The album was produced by Steve Howe and Eddie Offord and engineered by Eddie Offord, Jeremey Stenham, Paul Northfield, and Deelan O'Doherty, it was recorded at Morgan & Advision Studios in 1975. The cover was designed and drawn by Roger Dean, the incorporated photograph by Martyn Dean. Inside cover photographs by Steve Howe. Claude Taylor is responsible for the equipment with thanks to Sho Bud, and harpsicord from Alexander Sheaping and sustenance was supplied by Manna and Brownies. | |||||
| 2 | The Steve Howe Album (Greece 1979 Atlantic 50621) M-/M- coh gatefold $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Pennants | 4:35 | Steve Howe | Meadow Rag | 2:40 | Steve Howe | |
| Cactus Boogie | 2:00 | The Continental | 2:50 | Conrad-Magidson | ||
| All's a Chord | 4:55 | Surface Tension | 3:25 | Steve Howe | ||
| Diary of a Man Who Vanished | 2:35 | Double Rondo | 8:12 | |||
| Look Over Your Shoulder | 5:00 | Concerto in D (Second Movement) | 4:50 | Vivaldi arr. Steve Howe | ||
| Steve Howe- Guitar and Bass, Moog & Vocal Ronnie Leahy- Korg & Arp Synthesizers, Hammond Organ Alan White- Drums Clive Bunker- Percussion Patrick Moraz- Piano Bill Bruford- Drums Clair Hamill- Vocal Graham Presket- Violin 59 Piece Orchestra Conducted & Orchestrated by Andrew Jackman Producer: Steve Howe Studios: RAK & EMI Engineer: Greg Jackman Redan Engineer: Roger T. Wake Mix down: RAK Engineer: Greg Jackman Tape Operator: Pete Schwier Equipment Manager: Claude Johnson-Taylor Photos: Miki Slingsby (Guitar Photos), Bart Nagel Cover designed by Magnetic Storm Ltd. Cover painting by Roger Dean |
Steve Howe plays: Kohno Spanish Guitar (3) Martin 0018 (3,5,6) Gibson EB6 Bass (1,2,3,5) Gibson The Les Paul (9,10) Fender Stratocaster (4,5) Gibson Florentine Electric Mandolin (1) Martin Mandolin (3) Danelectro Coral Sitar Guitar (3,5) Bacon & Day Banjo Guitar (2,3) Gibson Les Paul Recording (3) Gibson ES 175 D (3,7) Fender Telecaster (1) Sho Bud Pedal Steel (2,3,5) Fender Twin Neck Steel (1) | |||||
| 1 | Sudden Dusk (US 1981 Random Radar RRR011) M-/M- $30 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| It's Good Fun | 3:35 | Bill Kotapish and Peter Princiotto | Sudden Dusk | 4:00 | However | |
| Hardt | 2:15 | Bill Kotapish | Lamplight | 3:10 | Bobby Read | |
| In the Aisles | 2:12 | Peter Princiotto | Grandfather Was The Driver | 3:15 | Bill Kotapish and Peter Princiotto | |
| Louise Sitting in a Chair | 4:20 | Trees For The Forest | 5:05 | Peter Princiotto | ||
| Beese | 7:03 | Mark Holmes and Peter Princiotto | In The Midst Of Making | 4:55 | ||
| Bill Kotapish: Guitars, Bass on Louise Peter Princiotto: Vocals, Basses, 12 String Guitar, Clavinet, Piano on Louise and Beese, Synthesizer on Fun Bobby Read: Vocals, Saxophones, Flute, Clarinet, Marimba, Synthesizers, Piano Joe Princiotto: Drums, Cymbals and Bells |
Thank You: Mark Holmes: Words to Beese Harold Howland: Vibraphone on Beese and Trees Gary McAleer: Violin on Aisles Tim Valdes: Marimba on Beese Whitz: Recorder and Voice on Hardt, Bassoon and Recorder on Sudden Dusk Recorded in 1980-81. Engineeres and Mixed by Bobby Read in the Black Hole of Calcutta Arranged by However Cover Photography and Design by Mark Holmes | |||||
| 2 | Calling (US 1984 Cuniform RUNE 2) M-/M- has insert $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Stop Sign | 2:10 | words by Anne Sullivan and Jodie Davis; music by Peter Prince | Airplay | 3:15 | Peter Prince | |
| Spheres of Action | 3:22 | Terresa Gayle - Peter Prince | Calling | 2:42 | Mark Holmes - Peter Prince | |
| Favour Me Oblivion | 4:53 | Peter Prince - Bob Read | Little Ricky (the next generation) | 5:50 | Bill Kotapish - Peter Prince | |
| Sigh | 2:07 | words by Premarthi David Litman; music by Peter Prince | Wild/cold with monotony and trio | 8:48 | Peter Prince | |
| On the Face of the World | 6:50 | Peter Prince | The World War | 0:30 | ||
| Heroes Return | 4:07 | Bob Read | Chips | 2:33 | Bill Kotapish | |
| Don Berkemeyer (Whitz) - flute, bassoon, voice, recorder Bob Read - Soprano, tenor and alto saxophones, voice, clarinet, organ, Rhodes piano, synthesizers Terresa Gayle - voice Bill Kotapish - guitar, chimes, bass, drums Peter Prince - voice, piano, bass, 12-string, string synthesizer Joe Prince - drums, bells |
with Kit Watkins Gary McAleer Julia Meeks Vaugn Lynette VW-Terpak Chris Vine Harold Howland Engineered and mixed by Bob Read in Soundscape Recording | |||||