COUNT BASIE Go to Next artist (George Benson)
| 1 | Warm Breeze (US 1981 Pablo Today D2312131) red vinyl M-/M- $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| C.B. Express | 6:05 | Sam Nestico | Cookie* | 3:58 | Sam Nestico | |
| After the Rain | 7:15 | Flight to Nassau* | 4:27 | |||
| Warm Breeze | 6:45 | How Sweet it is** | 7:58 | |||
| Satin Doll | 5:56 | Ellington-Strayhorn-Mercer | ||||
| Personnel: Piano: Count Basie Guitar, Shaker: Freddie Green Bass: Cleveland Eaton Drums: Gregg Field, Harold Jones* Trumpet: Willie Cook, Harry "Sweets" Edison** Trumpet & Flugelhorn: Sonny Cohn, Dale Carley, Frank Szabo, Bob Summers Trombones: Mitchell "Booty" Wood, Dennis Wilson, Grover Mitchell, Bill Hughes Tenor Saxophone: Eric Dixon Tenor Saxophone & Flute: Bobby Plater, Danny Turner Baritone Saxophone: Johnny Williams Arranged & Conducted by Sam Nestico | Produced by Norman Granz Photo by: Phil Stern Layout & Design: Norman Granz & Sheldon Marks Studio: Group IV Studios Hollywood, Ca. September 1 & 2, 1981 Engineers: Angel Balestier, Dennis Sands Second Engineers: Greg Orloff, Paul Aronoff This record was recorded and mastered using the 3M Digital Mastering System. | |||||
| 1 | Good King Bad (US 1976 CTI 6062) gatefold M-/VG+ $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| theme from Good King Bad | 6:00 | David Matthews | Cast Your Fate to the Wind | 6:56 | Vince Guaraldi | |
| One Rock Don't Make No Boulder | 6:48 | Siberian Workout | 6:40 | David Matthews | ||
| Em | 4:53 | Philip Namanworth | Shell of a Man | 5:13 | Eugene McDaniels | |
| Arranged by David Matthews Rhythm arrangements on Em and Shell of a Man by Gary King Recorded at Van Gelder Studios Rudy Van Gelder, Engineer Recorded July and December, 1975 Cover photograph by Pete Turner Liner photograph by Pete Turner Album design by Rene Schumacher *courtesy Arista Records | Guitar George Benson, Eric Gale (all selections except Shell of a Man) Keyboards Ronnie Foster (Shell of a Man), Don Grolnick (clavinet Good King Bad, One Rock), Roland Hanna (Em), Bobby Lyle (Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout) Bass Gary King Drums Dennis Davis (Shell of a Man), Steve Gadd (Em), Andy Newmark (Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout Percussion Sue Evans, David Friedman (vibes Good King Bad, Cast Your Fate to the Wind, solo of Shell of a Man) Trumpet *Randy Brecker (Good King Bad) Trombone Fred Wesley Saxophone *Mike Brecker (tenor Good King Bad), Robbie Cuber (baritone Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout), David Sanborn (alto Good King Bad), Frank Vicari (tenor Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout) Flute Joe Farrell (solo Good King Bad, One Rock, Cast Your Fate to the Wind, Siberian Workout), Romeo Penque (Em, Shell of a Man), David Tofani (Em, Shell of a Man) Violin Max Ellen, Paul Gershman, Harry Glickman, Emanuel Green, Harold Kohon, David Nadien, John Pintavalle, Max Pollikoff Viola Harold Coletta, Theodore Israel Cello Charles McCracken, Alan Shulman | |||||
| 1 | Unorthodox Behaviour (US 1976 Passport PB 9819) M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nuclear Burn | 6:25 | Collins/Goodsall/Lumley/Jones | Smacks of Euphoric Hysteria | 4:25 | Collins/Goodsall/Lumley/Jones | |
| Euthanasia Waltz | 5:37 | Unorthodox Behavious | 8:13 | |||
| Born Ugly | 8:10 | Running on Three | 4:35 | |||
| Touch Wood | 3:03 | |||||
| Produced by Brand X and Dennis Mackay | ||||||
| 2 | Moroccan Roll (UK 1977 Charisma CAS 1126) M-/M- $8 | |||||
| 3 | Moroccan Roll (US 1977 Passport PB 9822) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Sun in the Night *+ | 4:23 | Goodsall | Disco Suicide | 7:55 | Lumley | |
| Why Should I Lend You Mine (When You've Broken Yours Off Already)*** | 11:19 | Collins | Orbits | 1:35 | Jones | |
| "Maybe I'll Lend You Mine After All" | 2:09 | Malaga Virgen | 8:27 | |||
| Hate Zone | 4:41 | Goodsall | Macrocosm | 7:23 | Goodsall | |
| Collapsar | 1:34 | Lumley | ||||
| John Goodsall: Fender Stratocaster Electric guitar / Acoustic guitar / Zone Boxes / Space Echo / Sitar / Backing vocals / Voltage-controlled aluminium bidet
Percy Jones: Fender Bass / Amos effects boxes / Autoharp on "Orbits" / Marimba on "malaga Virgen" Robin Limley: Fender Rhodes electric piano / Acoustic piano / Autoharp on "Collapsar" / Mini-Moog synthesizer / ARP Odyssey synthesiser / Roland String synthesiser / Backing vocals / Clavinet / Pulsar processor / Space Echo. Philip Collins: Drums / Lead vocals / Acoustic piano on "Maybe I'll Lend You Mine After All" / Frequency Eater. Morris Pert: Percussion and a vast number of bits and things that he hit while the tape was running, including: the Q.E. 2, Idi Amin, and undiscovered parts of Scotland. *+ The Sanskrit lyrics on this track mean: "Sun in the Night, Everyone is together, Ascending in the heavens, Life is forever" *** This track was recorded "live" in the studio:-there are no overdubs. Phil Collins appears courtesy of Atlantic Records | Recorded in Panavision at Trident Studios, London December 1976/January 1977, and mixed at Morgan Studios, London, February 1977 where the curtains are drawn,
but the furniture is real.
Engineered by Dennis (face-Blaster) Mackay in association with Brand X Tape Ops: Trident: Neil Ross, Geoff Leach, Steve Short, John Brand. Morgan: Chris Tsangarides. Tea Boys: Trident: Simon, Nigel, Bob. Morgan: Perry, Mark, and Victim. Album mastered by Ray Staff Equipment: Pete Donovan, Geoff Banks, Andy Mackrill, Tex Read and Dale. Thanks: to Tony Smith, Brian Murray-Smith, and Alexandra Sim of Hit and Run Music for their management and guidance; to Peter Booth and Navel Nitram for limiting studio chaos; to the Ifield Male voice Girls Choir for excessive yodelling; to Richard and John of Portobello Weird Languages Ltd.; to Bill Bruford and Marty Scott, to Sarah, without whom several cars would have been towed away. Sleeve Design by Hipgnosis/Hardie Cover Photograph by Hipgnosis Group Photographs by Rob Brimson | |||||
| 4 | Livestock (US 1977 Passport PB 9824) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Nightmare Patrol* | 7:50 | Goodsall/Dennard | Isis Mourning i) | 10:15 | Goodsall/Jones/Lumley/Pert/Collins | |
| -Ish | 8:20 | Goodsall/Lumley/Jones/Pert/Collins | ii) | Collins | ||
| Euthanasia Waltz | 5:30 | Goodsall/Jones/Lumley/Collins | Malaga Virgen* | 9:35 | Jones | |
| Phil Collins-Drums John Goodsall-Guitars Percy Jones-Bass Robin Lumley-Keyboards Morris Pert-Percussion Kenwood Dennard-Drums* Recorded on the Manor Mobile at Ronnie Scotts, London Sept. 1976 and at the Hammersmith Odeon and the Marquee Club, London August 1977 | Mixed at Trident Studios London August 1977 Engineer-Jerry Smith Assistants-John Brand, Steve Short, Neil Ross Produced by Brand X Sleeve design & photos by Hipgnosis Equipment-Steve Hall, Pete Donovan Management-Tony Smith, Hit & Run Music Brian Murray-Smith & Alex Sim Hammersmith concert produced by Straight Music, London Phil Collins appears by courtesy of Atlantic Records | |||||
| 5 | Masques (US 1978 Passport PB 9829) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| The Poke | 5:06 | J. Goodsall | Earth Dance | 6:10 | M. Pert | |
| Masques | 3:17 | P. Jones/P. Robinson | Access to Data | 8:04 | J. Goodsall | |
| Black Moon | 4:48 | M. Pert | The Ghost of Mayfield Lodge | 10:08 | P. Jones | |
| Deadly Nightshade | 10:54 | |||||
| Percy Jones: Bass Morris Pert: Percussion (Fender Piano on "Black Moon") Peter Robinson: Keyboards Chuck Burgi: Drums John Goodsall: Guitar Grateful Thanks To: Tony Smith, Brian Murray-Smith, Steve Hall, Peter Thompson, Gail Colson, Walter O'Brien, Nancy Lewis, Mike Farrell, Clive Davis and Marty Scott, Bernadette Sheridan, David and Sharon, Shergold Custom Guitars, Wal Custom Basses, Rotosound Strings, Farmyard, Doc Dymond, H.H.B., The London Ambulance Service and The Norman Choir for Unphazed vocals on "The Poke" | Recorded and mixed at Trident Studios, London, May/June 1978 Producer: Robin Lumley Engineer: Stephen W. Tayler Asst. Engineers: Colin Green, Reno Ruocco, Mike Donegani Mastered at Sterling Sound, NY by Jack Skinner Brand X Equipment: Pete Donovan, Steve Jones, Dave Powell Management: Hit & Run Music Sleeve Design: Front Photo-Chris Kutschera Back Cover-Hag ©.(Courtesy of the bag) Layout-A D Design | |||||
| 6 | Product (US 1979 Passport PB 9840) cos M-/M- $5 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Don't Make Waves* | 5:28 | Goodsall | Algon (where an ordinary cup of drinking chocolate costs £8,000,000,000)* | 6:07 | Lumley | |
| Dance of the Illegal Aliens+ | 6:52 | Jones | Rhesus Perplexus* | 4:06 | Giblin | |
| Soho* | 3:47 | Goodsall & Collins | Wal to Wal^ | 3:09 | Giblin Jones | |
| ...And So to F....* | 6:34 | Collins | Not Good Enough-See Me!+ | 7:27 | Jones & Robinson | |
| April* | 2:40 | Giblin | ||||
| Musicians: Mike Clark-Drums+ Phil Collins-Drums, Percussion, Vocals*^ John Goodsall: Guitar & Vocals*+ John Giblin-Basses*^ Robin Lumley-Keyboards, Gunfire, Chainsaw* Morris Pert-Percussion+ Peter Robinson-Keyboards, Gunfire, Vocals+ Percy Jones-Basses+^ Recording Engineers-Colin Green, Neil Kernon Remix Engineers-Richard Austin, Colin Green, Neil Kernon, Reno Ruocco Recorded at Startling Studios, Ascot, England, April 1979 Remixed at Farmyard Studios, Trident and Starling June/July 1979 'Soho" and 'Wal to Wal' recorded at 'Old Croft' Surrey. Eng: P. Collins (Modern, Noisy and Effective) Mastered by Ray Staff Produced by Brand X with Colin Green and Neil Kernon Sleeve Design-Hipgnosis/Elgie Photos by Hipgnosis. Graphics by Colin Elgic Photos of Morris and Peter by Paul Canty, LFI Photo of Mike Clarke by Jon Giblin Equipment: Pete Donovan, Andy Mackrill and Geoff Banks | Thanks to: Munch by Rose(Ode to Joy) Levison, the invaluable Brian (Jaws) Murray hyphen Smith, Uncle Tony cash flow Smith and Hit and Run, Mike O'Donnell, Trevor and Eva Morais, Rupert Hine, Martin Howe and Superwound Strings, The Vibe Cats (Cloth Ears and ??thbert) Occasional Title + handclaps by Edward Carson The Belvedere Airship Hangar, Ascot The Royal Argon Hotel Asgot Brand X would like to thank each other for the warmth generated suring the making of this record. Ambushes furnished by Robinson/Lumley Ltd. Authentic Animal Noises by Authentic Animals Research for 'Soho' by B.M. Smith + J. Goodsall Entertainment by Basil, Sybil, Polly, Manuel, Linda Lovelace Costumes by L. Taked'Ehemupp What the Critics Said.... "Fantastic, I laughed 'til I stopped!" (A. Whicker) "A fantastic year for sheep" (A. Sheep.[Min.of Certain Things]) "What a fine body of men they nearly are." (Mr O.W.A Giveaway) "GR ST" (Mr. Jo Sm) "EA UF" (Mr. Oh I) "T F" (Mr Hn Th) "Eeeaaayyyeeeaaagh!" (E. Waring) | |||||
| 7 | Do They Hurt? (US 1980 Passport PB 9845) M-/M- co $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Noddy Goes to Sweden | 4:30 | P. Jones | Cambodia | 4:31 | J. Goodsall | |
| Voidarama | 4:21 | J. Goodsal | Triumphant Limp | 7:34 | J. Goodsal, J. Giblin, R. Lumley, P. Collins | |
| Act of Will | 4:43 | D.M.Z | 8:49 | P. Jones | ||
| Fragile | 5:26 | P.Jones, P. Robinson | ||||
| Percy Jones: bass & vocals Peter Robinson: keyboards & tam tam Mike Clark: drums John Goodsall: guitars & vocals John Giblin: bass Phil Collins: drums Robin Lumley: piano & keyboards | Recorded at Startling and Farmyard Studios, England Engineer: Neil Kernon Produced by Brand X & Neil Kernon Morris Pert: Percussion on Noddy Goes to Sweden & Fragile Title Spoken by: Michael Palin Management: Tony Smith Brian Murray-Smith Hit & Run Music Cover Design & Photos: Hipgnosis (Not Again) Colouring: Richard Manning | |||||
| 8 | Is There Anything About? (US 1982 Passport PL 5006) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Ipanaemia | 4:30 | Goodsall | Swan Song | 5:30 | Collins/Lumley/Giblin/Short | |
| A Longer April | 7:00 | Giblin | Is There Anything About? | 7:52 | Jones/Goodsall/Lumley/Collins | |
| Modern, Noisy and Effective | 3:56 | Goodsall/Lumley/Short | Tmiu-Atga | 5:07 | Giblin/Robinson/Lumley | |
| Personnel: Philip Collins: Drums and concussion Percy Jones: Bass John Giblin: Bass, Whitbread, a vocal Robin Lumley: Keyboards and vocal | Peter Robinson: Keyboards John Goodsal: Guitar Raf Ravenscroft: Saxophone Steven Short: Syndrums and vocal Nora W. Deensman Eamonn Andrews: anagrams | |||||
| 1 | Brubeck Time (US 1955 Columbia CL 622) VG+/VG original $30 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Audrey | ?? | Brubeck-P. Desmond | Stompin for Mili | ?? | Brubeck-P. Desmond | |
| Jeepers Creepers | Mercer-Warren-arr;Collins | Keepin Out of Mischief Now | Razaf-Waller | |||
| Pennies from Heaven | Burke-Johnston | A Fine Romance | Fields-Kern | |||
| Why Do I Love You | Hammerstein II-Kern | Brother, Can You Spare a Dime | Harburg-Gorney | |||
| Musicians:
Dave Brubeck: Piano Paul Desmond: Sax Bob Bates: Bass Joe Dodge: Drums | ||||||
| 1 | Feels Good to Me (US 1977 Editions EG EGLP 33) M-/M- $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Beelzebub | 3:16 | Bill Bruford | Feels Good to Me | 3:49 | Bill Bruford | |
| Back to the Beginning | 7:09 | Either End of August | 5:27 | |||
| Seems Like a Lifetime Ago (Part One) | 2:30 | If You Cant Stand the Heat... | 3:20 | Bill Bruford/Dave Stewart | ||
| Seems Like a Lifetime Ago (Part Two) | 4:25 | Springtime in Siberia | 2:43 | |||
| Sample and Hold | 5:12 | Bill Bruford/Dave Stewart | Adios a la Pasada (Goodbye to the Past) | 7:56 | Bill Bruford/Annette Peacock | |
| The music on this album was written between January and June 1977, rehearsed for three weeks and recorded and
mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex. Dave Stewart appears through courtesy of Front-Line Music, Inc. Produced by Robin Lumley and Bill Bruford for E.G. Records Ltd. The Players: Bill Bruford: tuned and untuned percussion, kit drums; tunes and final say Dave Stewart: keyboards - reasonably advanced harmonic advice Allan Holdsworth: guitar Annette Peacock: vocal Jeff Berlin: bass Kenny Wheeler: flugelhorn | Steve W. Taylor: engineer John Brand, Colin Green, Stephen Short: tape operators Pete Revill, Mick Rossi: equipment Gered Mankowitz: sleeve photography Dick Wallis & Jacquie Deegan: inner sleeve photography Cream: sleeve design with thanks to: John Goodsall: additional guitar on "Feels Good To Me" Neil Murray: a bass player when I needed one Val Joseph: polymoog consultant Apparently Jeff Berlin uses Leo Quan 'BAD ASS' Musical Products | |||||
| 2 | The Bruford Tapes (US 1979 Editions EG [white label] EGS 106) co M-/M- $10 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Hell's Bells | 4:02 | Stewart/Gowen | Beelzebub | 3:28 | Bruford | |
| Sample and Hold | 6:18 | Bruford/Stewart | The Sahara of Snow (part one) | 4:46 | ||
| Fainting in Coils | 6:34 | Bruford | The Sahara of Snow (part two) | 3:07 | Bruford/Jobson | |
| Travels with Myself - and Someone Else | 4:37 | One of a Kind (part two) | 8:06 | Bruford/Stewart | ||
| 5g | 2:39 | Berlin/Stewart/Bruford | ||||
| Bill Bruford-drums, percussion, electric chat
Dave Stewart-electric keyboards Jeff Berlin-electric bass The ‘Unknown' John Clark-electric guitar | ||||||
| 3 | Gradually Going Tornado (US 1980 Polydor PD-1-6261) M-/VG+ $12 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| age of information | 4:41 | bruford/stewart | the sliding floor | 4:58 | bruford/stewart/berlin | |
| gothic 17 | 5:07 | palewell park | 3:57 | bruford | ||
| joe frazier | 4:41 | berlin | plans for j.d. | 3:50 | ||
| q.e.d. | 7:46 | bruford/stewart | land's end | 10:20 | stewart | |
| Bill Bruford: drums and cymbals Dave Stewart: keyboards Jeff Berlin: bass and lead vocals The Unknown John Clark: guitar cello on "gothic 17": georgie born voices on "land's end": barbara gaskin, amanda parsons sleeve art direction and design: paul neagu | recorded at surrey sound, leatherhead, surrey, october and november 1979
first engineer: ron malo second engineer: martin moss tape operator: peter buhlman mixed at devonshire sound, north hollywood, california, engineer: ron malo | |||||
| 1 | Body Meta (US 1978 Artistshouse AH1) gatefold M-/M- $20 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Voice Poetry | 8:00 | Ornette Coleman | Macho Woman | 7:35 | Ornette Coleman | |
| Home Grown | 7:36 | Fou Amour | 8:31 | |||
| European Echoes | 7:40 | |||||
| Produced by Ornette Coleman | ||||||
| 1 | CCC Vol. II (US 1976 Muse MR5097) M-/M- $12 SOLD! | 
| ||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| No More White Gloves (with Sand Under Your Shoes Doing a Dance)-Part I | 17:30 | L. Jenkins | No More White Gloves (with Sand Under Your Shoes Doing a Dance)-Part II | 16:58 | L. Jenkins | |
| Leroy Jenkins: Violin, viola, recorder, toy xylophone, harmonica, bicycle horn
Anthony Braxton: Alto sax, soprano sax, clarinet, flute, contrabass clarinet, orchestral chimes Leo Smith: trumpet, flugel horn, french horn, seal horn, misc. percussion Muhal Richard Abrams: piano, cello, clarinet Richard Davis: bass Steve McCall: drums, misc. percussion |
Recording Supervisor: Ornette Coleman Recorded at Washington Square Methodist Church (Peace Church NYC) Concert Production: George Conley Recording Engineer: Orvelle O'Brian Cover Painting by: P. Givens Art Direction: P. Givens Cover Design: Doug Dunn | |||||
| 1 | The First Seven Days (US 1975 Nemperor NE 432) M-/VG $8 | |||||
| Side 1 | Side 2 | |||||
| Title | Time | Composer(s) | Title | Time | Composer(s) | |
| Darkness/Earth in Search of a Sun | 4:30 | Jan Hammer | The Animals | 6:09 | Jan Hammer | |
| Light/Sun | 6:40 | Sixth Day - The People | 7:11 | |||
| Oceans and Continents | 6:14 | The Seventh Day | 6:08 | |||
| Fourth Day - Plants and Trees | 6:08 | |||||
| Jan Hammer: Piano, elecric piano, Moog synthesizer, Oberheim synthesizer
and digital sequencer, drums, percussion, Freeman string synthesizer, Mellotron
On The Animals & Sixth Day - The People, David Earle Johnson, congas & percussion is added On Light/Sun, The Animals, Sixth Day - The People & The Seventh Day, Steve Kindler, violin is added |
Recorded & re-mixed at Red Gate Studio, Kent, New York Assistant engineer: Andy Topeka Management & encouragement: Nat Weiss Custom audio installations: Andy Topeka Cover Illustration: Milton Glaser Art Direction: Paula Scher Produced & Engineered by Jan Hammer For those concerned: There is no guitar on this album. | |||||