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Rich returns to the mountains of Lincoln County, New Mexico after
achieving an impressive track record in the East Coast and Mid-
Atlantic region for his three CD’s and memorable performances
at major festivals.
A kinetic performer as well as award winning songwriter, Rich Chorné
has just completed work on his latest CD, entitled The
Rich Chorné All Stars featuring Nadine Rae. Press reviews
received have been extremely favorable of Rich’s latest CD
venture, and addresses the elements of Rich's guitar-playing, songwriting,
and the high quality of the vocal and instrumental musicianship
of those who performed on his CD. The D C Blues Society says, “Chorné
may be a powerhouse guitarist but he plays with swing, imagination
and more than a bit of finesse…”
"My first car was a Buick Roadmaster, a four holer around
1955. That was a huge car. ...and so we have the origins of
Rich's sophomore CD, entitled My First
Car. Just as our first cars were a means to venture from
the safety of the family nest and explore the world, Rich continues
his exploration of American roots music on this album of classic
party music. From the opening bars of the classic Route 66,
you know youre in for a wild ride. On this journey through
the fertile territory that encompasses the Latin rhythms of
My First Car (Bossa) and Bouncing Betty
both original compositions to the classic R&B
of Robert Parkers Barefootin, Rich leaves
no road untraveled in his search for a musical good time.
Well traveled but not road weary, Rich began his journey in the
early 1960s. A native of El Paso, TX, he started playing guitar
and sax at age fourteen and was soon playing radio hits by the Yardbirds,
Rolling Stones and others with his high school band, The Phanatics. Before he was eighteen and
legally of age to play in the clubs he was in, Rich was performing
at El Paso night-spots such as The Goldfinger. In college, he began
playing upright bass in nightclub shows with then up-and-coming
El Paso star Joe Renterria, performing the music of Frank Sinatra,
Sammy Davis, Jr. and other standard cabaret fare.
It was around this time that Rich first heard Texas bluesman Long
John Hunter at The Lobby in Juarez, Mexico, home to Hunters
legendary all-night shows. Soon after, Rich was playing rhythm guitar
in Hunters band on a regular weekend gig at the El Paso club
Kings X, which at the time featured blues sax-great Art
Lewis. Rich recalls of that time, Long John didnt
take set breaks, so if you had to go to the bathroom, you just put
your instrument down and went, and the band played on. Then youd
just join back in when you returned. We always found the pocket
and the place jumped all night long. Rich also played with
a number of other acts, including a bass stint with local bluegrass
band The Shade Tree Boys. In
one week I would play a blues gig, a folk gig with a bunch of frat
guys, a bluegrass gig and a rock and roll gig. I was doing
it, playing five nights a week.
After college, Rich decided to explore other parts of the country,
and so headed off to a regular gig for the next couple of winters
at a ski lodge in Ruidoso, New Mexico. From there, he was
off to Colorado, where he met fellow Texan Jay Boy Adams. He started to play in Adams
band and eventually moved to Lubbock, TX. Soon, the Jay Adams band
was getting road work, as Adams hooked up with a promoter
who was booking the Electric Prunes on tour. Rich played bass
for the Prunes and also for the Jay Boy Adams band who would open
for the Electric Prunes. As it turned out this was a bogus
band. "At a gig in Blythe, CA, a guy in the audience
started yelling that this wasn't the real Electric Prunes and the
promoter maced him. The promoter used to carry a gun.
Those were some wild times.
Those wild times came to an abrupt end when Rich and Jay were kicked
off the tour bus in the middle of Kansas because they were upstaging
the headliner and unhappy with the promoter. . With just their instruments
and suitcases in hand, Rich and Jay headed back to Lubbock, but
they didnt stay for long. Soon after their return, they got
the call to open for ZZ Top on
a national tour. As they made their way around the country, Rich
met and jammed backstage with a number of legendary performers,
including Albert King, Michael Murphy, BJ Thomas and Jerry Jeff
Walker.
When that gig ended, Rich ran into a an old band-mate named Alan
Fowler, who had a line on some work back east. Rich joined Fowlers
band Timberline, and soon they
were scheduled to be the band for the movie The Buddy Holly
Story. However, before production started, the guitarist quit
and in the confusion that followed, the movie deal fell through.
Timberline continued on for about a year, playing throughout the
Delaware Valley, but soon the band fizzled out, unable to recover
from the earlier disappointment. Rich continued to play, but also
started doing electronics work on the side. This experience led
to a year on the road as a technician with Daryl Hall & John
Oates on their Sarah Smile tour.
After over a decade of leading a basically nomadic existence, Rich
married and settled down, leaving live performance behind. However,
during this time he never quit playing, and slowly began focusing
on his songwriting. After a dozen years away from the stage, Rich
began performing again in 1994 with Baltimore blues favorite Automatic
Slim in a group called Slim &
Rich.
This experience gave Rich the urge to perform again. However, this
time he would do it on his terms, so in 1995 he formed his own band
and began rehearsing original material he had written. The band
got off to a strong start, and was soon opening for notable acts
such as blues singer Lou Ann Barton and zydeco godfather Boozoo
Chavis. Rich was headlining clubs from Richmond, VA to New York,
NY, and at major festivals such as The Preakness Festival (Baltimore,
MD), Artscape (Baltimore, MD),
Frederick Festival of the Arts (Frederick,
MD) and Friday After Five (Charlottesville, VA).
Now back in the thick of things, Rich has led a consistently all-star
band that has featured a whos who from the Mid-Atlantic and
beyond, including Tommy Lepson, Daryl Davis,
Meg Murray, Danny Beirne, Mookie
Siegel, Jeff Muller, Andy Hamburger, Wade Mathews, Jay
Turner, Steve Wolf and many others. As well as heading his own
band, Rich has backed up Mid-Atlantic veterans such as Cathy Ponton
King, Choo Choo Charlie
Williams, Cathy Jean, Tommy Lepson, Bobby Griffin, Danny Beirne
and done a guest spot with Mary Lou and the Untouchables. At the
1999 Music Monthly All Star jam, he performed
with Dennis Chambers, Deanna Bogart, Ron Holloway and Kelly Bell,
and at the Eva Cassidy Tribute at the Bayou in DC he performed with
Keter Betts and Linwood Taylor.
His journey back to heart of American roots music experienced a
recent epiphany as Johnnie Johnson the piano legend who helped
shape Chuck Berrys signature sound joined Rich on stage
for a set at the 13th Floor at the Belvedere in Baltimore. Rich
makes more literal journeys as well, including regular trips back
to El Paso, TX. Of these trips, he says, When I go back to
El Paso, I rekindle some of my musical past, and I usually get together
with Art Lewis. Alot of the old things
that were going on are still happening, and I bring a little of
that back with me.
As a guitarist, Rich has been a national clinician for Sony Effects
Units and an endorser of G & L Guitars, the last company established
by the great luthier Leo Fender. His guitar playing and performances
have gained considerable recognition, as evidenced by critic William
C. Hitchcock (The Beachcomber, Ocean City, MD) labeling Rich
one of the finest guitar players in the Washington DC/Baltimore
area.
As a writer he has achieved considerable recognition, both locally
and nationally. The Songwriters Association of Washington
awarded 1st Place in the Jazz/Instrumental Category for Bouncing
Betty, which appears on the new album, and second place for
the R &B tune Dont Leave Me Hangin,
which appears on his debut CD. Recently, BillBoard magazine
awarded Walkin with my Baby - also off the first
CD - Honorable Mention, placing it in the top 1% of
the tens of thousands of entries received.
His debut CD release, Thats
Shor-nay, was well received, both critically and popularly,
and garnered radio airplay throughout the Mid-Atlantic area.
Music critic J. Doug (Music Monthly) said of the album (Thats
Shor-nay) is a splendid slab of savory R&B with even tastier
surprises.
Now a New Mexico resident, Rich now performs with various configurations
including playing for the Kat Crosby Blues Band; his duo work with
local favorite, P. Blake Martin; restaurateur and performer Aaron
La Combe; and his country/blues trio, The Noisy Water Boys, with
locals, Jim Helms and Frank Potter. Additionally, he has been incorporating
the flute into the repertoire.
Richs journey has been a long one so far, and its not
over yet. Hes traveled many miles of highway, both literal
and figurative, and in the process has developed a mature musical
voice which embraces the diversity of American roots music. More
importantly, hes still excited about the music thats
influenced him, and that energy comes through in the music he makes.
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