| After college Ries experienced a dramatic development in his art as he began a series of Sacred Landscapes, dealing with death and the demise of civilizations. In 1955 he sold many of these early paintings to live and exhibit in Spain for a year. Solo exhibition Instituto de Cultura Hispanica, Madrid University. Visited Guernica. He had a work in a drawing exhibition at the Museum of Modern Art in New York. Published "The Elusive Goya" in New Republic magazine. Fellowship to Yaddo Art Colony. |
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| Madonna, Child, and Skeleton c.1950, egg tempera, gold leaf / board. |
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Shaman with Hydra Form 1950, 17x23-1/2, egg tempera on board. | ||
Sacred Landscape 1950, 18 x 24, egg tempera on board. | ||
Tiresias,
Hydra-Form and Holyman
1950, 20x15,
egg tempera on board. | ||
Mystic Landscape 1950, 8-1/2x11,
ink on paper. |
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| Sacred Landscape with Hydra-Forms | ||
Sacred Landscape, I 1950-52, 25
x 20, egg tempera on board. |
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| Sacred Landscape: Holyman in Ellipse
1952, 11½x14½, egg tempera on board. | ||
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Sacred Landscape, Holyman, Hydra Form c.1950, egg tempera on board. | ||
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Holy Man with Painting 1952, 8x12, acrylic on masonite. | ||
| Drawing:
Sacred Landscape
1958, 3 x 5, ink on paper. | ||
Medieval Halberd 1958, 42 x
35, egg tempera on masonite. |
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| Sacred Landscape III 1953, 12
x 25, egg tempera on Upsonboard. | ||
King in State |
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