The 100 Most Important Art Works of the Twentieth Century
The King Wants You: Anonymous painter of the
Tiajuana movement (ca. 1985)
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Numbers 50-100:
- Georgia O'Keefe,
Black Iris
(American Realist: 1926): flower, really close-up
- Pablo Picasso,
The Three
Dancers (Cubist: 1925)
- Grant Wood, American Gothic
(American Realist: 1930): ma, pa, pitchfork.
- Paul Klee,
Twittering Machine (Blaue
Reiter: 1922): a wagon full of snappy stick critters.
- Yves Klein,
Anthropometry
Performance (Neo-Dada Performance Art: 1960): nude women frolicking in
paint. I may not know art, but I know what I like.
- Edvard Munch,
Dance of
Life (Expressionist: 1900): unhappy lawn party.
- Diego Rivera,
The
Arsenal: Frida Kahlo Distributes Arms (Socialist Realist: 1928): heroic
peasant revolt.
- Vera
Mukhina,
Worker
and Farm Girl (Socialist Realist: 1937): heroic Commies.
- Alberto Burri, Sacking and Red (1954): pile of burlap.
- Andrew Wyeth,
Christina's
World (American Realist: 1948): girl in field.
- Giacomo Balla,
Dynamism
of a Dog on a Leash (Futurism: 1912): enthusiastic dachshund.
- Francis Bacon,
Head
Surrounded by Sides of Beef (Expressionist: 1954): pope and meat.
- Pierre Bonnard,
Nude
in Bath (Impressionist: 1936): very relaxed (with dog)
- Francis Picabia,
Amorous
Parade (Dada: 1917): happy machines
- Max Beckmann,
Self-portrait
with a Red Scarf (1917): creepy boy scout
- Christo,
Surrounded
Islands (Conceptual Art: 1980-83): floating pink in Biscayne Bay
- Fernand
Leger,
The Builders (Cubist: 1950):
hardhats and girders
- Pablo Picasso,
Girl
with Mandolin (Cubist: 1910): refracted banjo player.
- Henri Matisse,
Harmony
in Red (Fauvist: 1908): setting the table
- Wassily Kandinsky,
Improvisation
No. 30 (Abstract Expressionist: 1913)
- Robert Rauschenberg,
Retroactive
I (Neo-Dada: 1964): JFK and astronauts
- Henri Matisse,
The Green
Stripe (Fauvist: 1905): portrait of the old lady.
- Giorgio de Chirico,
Uncertainty
of the Poet (Surrealist: 1913): torso and bananas
- Piet Mondrian,
Composition with Red,
Yellow and Blue (De Stijl: 1930): strictly divided space.
- Juan Gris, Homage
to Pablo Picasso (Cubist: 1912)
- Raoul Hausmann,
The
Spirit of Our Time (Dada: 1919): mechanical head.
- Jackson Pollack,
Blue
Poles, (Abstract Expressionist: 1948): squiggles -- now with lines!
- George Grosz,
Gray
Day: banker, veteran and ditch-digger, to work. (New Objectivity: 1921)
- Robert Delaunay,
The
Eiffel Tower (Cubist: 1911)
- Kurt Schwitters,
Merzbild
25A, The Star Picture (Dada: 1920):
- Joseph Kosuth,
One
and Three Chairs (Conceptual Art: 1965)
- Henry Moore,
Reclining
Figure (1929): lumpy lady.
- Pablo Picasso, Self-Portrait (Cubist: 1903)
- Francis Bacon, Study
of Red Pope (Study from Innocent X) (1962)
- Umberto Boccioni, States
of Mind I: The Farewells (1911)
- Umberto Boccioni,
The
Noises of the Street Invade the House (1911)
- Judy Chicago,
The
Dinner Party (1974)
- Alberto Giacometti,
Walking Man
(1960): spindly stick man.
- Henri Matisse, Blue
Nude (Fauvist: 1952)
- Marc Chagall, I
and the Village (1911): happy farm montage.
- Lucio Fontana, Spatial Concept (1951): gash in red.
- Ad
Reinhardt,
Black Painting
(Abstract Expressionist: 1960-66): solid black square, I kid you not. The man
hikes down to his local Home Depot, buys a bucket of Sherwin-Williams, and slaps
it on a canvas. And it took him six years to do it.
- Peter Halley, CUSeeMe (1995)
- John Heartfield,
Hurray, the Butter
is Gone! (Dada: 1935): hungry Nazis.
- Eduardo Paolozzi,
I was a Rich
Man's Plaything (Neo-Dada: 1947): movie poster.
- Dorothea Tanning,
A
Little Night Music (Surrealist: 1946): unwholesome playground. Children in
a hallway.
- Damien Hirst,
The Physical
Impossibility of Death in the Mind of Someone Living (Post-Modernist: 1991):
shark in a case
- Jenny Holzer,
Protect
Me From What I Want (Conceptual Art: 1985-86)
- Hermann Nitsch, Orgien
Mysterien Theater (1985): Jesus and meat.
- Giorgio de Chirico,
Song
of Love (Surrealist: 1914): mask of Alexander the Great and rubber glove.
I'm afraid to ask what this has to do with love.
Statistically and methodologically speaking, I should probably end this list
with number 86. Noises of the Street and every work before it appear in
at least three books in my study, so they definitely belong on my list.
Unfortunately, I then counted 167 art works that appear in two of the books in
my study. This means that in order to present an even hundred, I had to
subjectively select 14 out of the 167.
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Last updated November 2002
Copyright © 2002 Matthew White