The Poetry of Pavel Chichikov

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READ ABOUT Pavel's new book, Animal Kingdom. And hear Pavel on CATHOLIC RADIO INTERNATIONAL.  New programs are posted on Mondays, Wednesdays, and Fridays. Pavel's podcasts continue weekly at pavelreads.com and are archived there.

Pavel's Mysteries and Stations in the Manner of Ignatius brings together meditations on the Mysteries of the Rosary and the Stations of the Cross. See www.amazon.com for more information about Lion Sun: Poems by Pavel Chichikov and Deep Wonder: Poems by Philip C. Kolin, a collection of "poems you can pray," both published by Grey Owl Press, or write to nlevine@erols.com. Read the review of Lion Sun on Scribble on the Net, an electronic journal of New Zealand and international poetry.

Pavel's poems inspired by Goya's etchings are at www.homagetogoya.com. And a selection of his photos can be seen at Catholic Images by Pavel Chichikov

Enjoy artist Timothy Jones's blog page, which features his painting "Fallen Oak." And be sure to visit the lovely site on the Way of the Cross at Gethsemane Garden Stones!  

All poems on this page are by Pavel Chichikov. They may be freely distributed, if not for profit, upon the permission of Pavel Chichikov (fishhook@erols.com) and must be credited to Pavel Chichikov. No alterations in the text may be made. All copyright restrictions apply.











Ivan Shishkin, "Wind-Fallen Trees," 1888

Museum of Russian Art, Kiev, Ukraine

Courtesy Tanais Gallery


Listen to Pavel read "The Roots of Art" (MP3 format)


THE ROOTS OF ART

 

Like stumps in the forest

Black in November,

Those who drew power

From sunlight are lost

 

Yet we can see them

The waste of the woodland,

Faces that come

At our free command

 

The ground is deep,

Beneath the soil,

They stretch and coil

In winter sleep

 

Around my heart,

The roots of art

 

 

A FOUR POINT BUCK

A four point buck ran down a city street
Looking for his does
And stopped the cars
The asphalt underneath his cloven feet

Distracted, wild and organized for war
Hormonal obligation
Forcing him to see
Only that which he was looking for

As if he were a honey-seeking drone
Superfluous
Yet somehow indispensable
Part of every cadre, yet alone

Much like all the money-seekers we
Produce to serve a function for a fee


THE EARTH WAS SNAPPING AT HIS HEELS…
 
The earth was snapping at his heels
As he ran heaving toward the light,
To where the sun descending kneels
And prays to enter graceful night
 
“I will follow you,” he called,
“Wait for me and we will go
Together to where daylight falls
Into forever—sun be slow”
 
I will wait for you,” it said,
But hurry, quickly, take your leave
From earth and daylight, milk and bread,
And all the moments daylight weaves
 
Hurry, for the hungry earth
Devours every afterbirth”
  


HE DID NOT DROWN

 

Like to see the South Pole base?

Down the Polewards ramp we race,

He ahead and then I go

Beneath the white and deep plateaus

 

There is no base, instead a ship,

Great and glassed to make the trip,

Tall the windows on the sea,

Storm and wave to eternity

 

Waves of the end of the world were there,

O God my God how steep they were,

Racing, spilling hills they rolled

High above and mountain cold

 

Through the windows’ height and vast

I saw the dark waves as they passed,

But my old comrade, where was he?

Beyond the windows in the sea

 

He perched above it, was untouched

By waves that rolled but could not clutch,

This friend of mine who did not drown—

Storm waves did not pull him down

 


HOUSE OF LOVE

 

Whose autumn house is this with yellow-green

Parquetry of poplar, scarlet screen,

Carpets of vermilion and red-gold

Moved by windy weavers, fold by fold?

 

Ceilings of the bluest lapis made

Ivory the sashes and the shades

Hall receding hall by open ways

Distances foreshortened by the days

 

Those who wander in must know that here

Is majesty but nothing to be feared—

Prodigious are ceilings and the beams

But no more than the pillars of our dreams

 

Lordly is the autumn house of love,

And Love Himself about the mansion moves

 


FACES WAKING

 

The book of verse slips out of hand, I read

No more of Wessex and the waking dead,

The straddled centuries of Hardy find,

In sleep unsleeping, burial in his mind

 

Of my own dead drowse I, uncle gone,

Who force-marched through New Guinea, fighting on,

And of another uncle from Berlin

Who fought his battles Unter den Linden

 

Then from a street in Spandau changed address

Because of visits made by the SS,

And landed in New Orleans from a freighter,

Returned to see his family much later

 

Find me now the men who were so full

Of blood to live when we were children still,

Adventures had they, now we are too old

To be as they were young, who sleep-in cold

 

And of their women too I see the touch

That memory paints in with dilute brush,

Some outlasted husbands, some did not—

Left to be a thought of fond regret

 

I see them now together, their New Year

Their cards and gossip snowbound and their beer,

And how my uncle and my father went

For more to drink and found a cop instead

 

And more, God bring them light out of the shade,

That tunnel-swallowed by-road where they fade,

And let their faces spring to life from sleep

As now I wake their memories



TALL TREES CUT DOWN

 

No one will tell you the future, no one.

There is a path into the mist,

Something opens, there are forms which move and shift,

Lean forward, squint, and try to listen

 

Try to listen, try to see—

Why do those people look like trees?

What is that sound?

It is the ring of steel biting

When tall trees are cut down

 

The sound of steel like bells without a tongue

The long hard-dying sound when trees are stung

 




The Poetry of Pavel Chichikov / Last modified November 15, 2009 /
Poems copyright 1994-2009 Pavel Chichikov/
URL: http://users.erols.com/fishhook/.
Opinions expressed here are solely those of the author.