The Hermanos Abalos - Their History
The History of the Hermanos Abalos
The Hermanos Abalos as children

The Hermanos Abalos have performed Argentinean folkloric music for over sixty years. Machingo, Adolfo, Roberto, Vitillo y Machaco were already singing about two years before their professional debut in 1939 with their zamba 'Nostalgias Santiagueñas' and from there they launched a career of music, dances and 'Zapateos' (a tap-dance in the gaucho style), that took them from the country to theaters in the capital city of Buenos Aires and from there all over the world. The Hermanos Abalos' repertoire consists of their own original music and music that they have compiled from almost forgotten country sources. It includes Andean and quichua (the language of the Incas) music and those Argentinean folkloric rhythms with a pure "criollo musical flavor" that have been handed down for generations. The five brothers studied folkloric music at its natural sources and were one of the first singing groups that introduced the country music of the gauchos and chinitas (the gaucho's woman) in polite society through movies like 'La Guerra Gaucha', theater shows, recordings, radio and TV. Their dances such as the Pala-Pala, El Malambo, El Cuando, El Gato, zambas, chacareras, vidalas, bailecitos and bahualas; their instruments; piano, guitar, bombo (an Indian drum), caja (a smaller drum of the bombo family), charango, (an Indian mandolin-like instrument with the armored back of an armadillo as the body ), quenas and pincuyos (Indian flutes with a pentaphonic scale) and their beautiful harmonies have caused them to receive many commendations, awards and proclamations as some of the best ambassadors of the Argentinean culture.
While music develops and evolves with new generations and interpretations, the music performed by the Hermanos Abalos is the most faithful to that music that was sung when Argentina was a young country and the European and Aborigine rhythms were coalescing in "musica criolla"; so beloved, so sweet and so beautiful.